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small styling

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nglk 2020-10-09 16:17:11 +02:00
parent 8c19c96b9f
commit 8ce886bc57
2 changed files with 18 additions and 9 deletions
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10
static/css/style.css
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@ -50,11 +50,19 @@ stroke-dasharray:6px;
overflow-y: scroll;
max-height:300px;
scroll-behavior: smooth;
/*font-size: 1.2em;*/
font-size: 1em;
border: 1px black solid;
padding: 1em;
}
h1 {
font-size: 1.4em !important;
}
h2 {
font-size: 1.2em !important;
}
/* background audio */
audio {
width:100%;

17
templates/thesis.html
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@ -1,7 +1,8 @@
Wells of Knowledge: Streams of poetry, music and resistance in Turkey
Merve Kılıçer
“If history writing does not emancipate, it must be serving tyranny.”
Cemal Kafadar, ‘Kendine ait bir Roma’, pg.1
<h1>Wells of Knowledge: Streams of poetry, music and resistance in Turkey</h1>
<h2>Merve Kılıçer</h2>
<p><i>“If history writing does not emancipate, it must be serving tyranny.”
Cemal Kafadar, ‘Kendine ait bir Roma’, pg.1</i><br></p>
In 2012, rumors started about a shopping mall to be built in the place of Gezi Park 1 near Taksim
Square in İstanbul. This park had not necessarily been in good shape for a while, but it offered a
shaded passage way for passersby, benches for the homeless, a playground for children and most
@ -39,7 +40,7 @@ After 7 years, I’m still trying to figure out how and why we managed to come t
tecting a green area that belonged to our home, protecting friends and the increasing level of op-
pression were the instinctive push points but my real question is: how did the spirit of Gezi Park
come to life?
<span id="textdadaloglu">
<p id="textdadaloglu">
The park brought together people from different economic backgrounds, ethnicities and beliefs,
manifesting the idea that when we stand together we are heard. And our voice carried all the tunes,
rhythms and stories of Turkey. To analyze this historic moment, I’ve been listening closely to the
@ -48,7 +49,7 @@ land. I asked myself: Could the accumulation of these voices and words be the fo
of Gezi Spirit? What kind of knowledge do we inherit from the land we feel rooted in? Which are
the stories we were raised with and how did they shape our perception of the world and ‘other’
people we share it with?
</span>
</p>
Learning and unlearning the tenets of our upbringing is a process of growth. At the park, we wit-
nessed the clash of all the false and accurate knowledge we were introduced to throughout our
lives. This clash brought us a little closer to the understanding of what is political and how we can
@ -115,7 +116,7 @@ Hüseyin Gazi Sultan binsin atına
Dayanılmaz çarh-ı felek zatına
Bizden selâm söylen ev külfetineÇıkıp ele karşı ağlamasınlar
/
<span id="textmuharrem">
<p id="textmuharrem">
They call me Pir Sultan in Banaz
Do not suppose I’m the sinister one
Pasha should advice his servants
@ -127,7 +128,7 @@ They should not shed tears in presence of strangers
*An important Islamic war hero celebrated by the Bektaş-i Alevi community)
**The navy rifle that turns and sparks when lit
-Pir Sultan Abdal’s poem was chanted by Ashik Veysel in 1961
</span>
</p>
In Anatolian lands, when the majority of people converted to Islam, it influenced the language and
the way people related to their entourage. Gradually, the Islamic lodges became institutional enti-
ties with political power within the Ottoman Empire. Specially the lodge of Hacı Bektaş-ı Veli had