<p>This website is built using Flask and Python3. The database for it is a json file. You can find the code for it here <atarget="_blank"href="https://git.vvvvvvaria.org/ccl/hp-library">https://git.vvvvvvaria.org/ccl/hp-library</a>.</p>
<p>This website is built using Flask and Python3. The database for it is a json file. You can find the code for it here <atarget="_blank"href="https://git.vvvvvvaria.org/ccl/hp-library">https://git.vvvvvvaria.org/ccl/hp-library</a>.</p>
<p>The fonts we used are Apfel Grotezk by Collletttivo <atarget="_blank"href="http://collletttivo.it/">http://collletttivo.it/</a>.</p>
<p>The fonts we used are Apfel Grotezk by Collletttivo <atarget="_blank"href="http://collletttivo.it/">http://collletttivo.it/</a>.</p>
<p>Writer: AMY PICKLES <br>
is an artist and loosely formed educator trying to redistribute knowledge and finances through her work. Individual ownership is refused through collective working, while a multitude of media is utilised to both extend, and contain, different actors in their work.</p>
<p>Writer: AMY PICKLES <br>
is an artist and loosely formed educator trying to redistribute knowledge and finances through her work. Individual ownership is refused through collective working, while a multitude of media is utilised to both extend, and contain, different actors in their work.</p>
<p>Editors: KATE BRIGGS & ISABELLE SULLY</p>
<p>Editors: KATE BRIGGS & ISABELLE SULLY</p>
<p>Kate Briggs is a writer and translator based in Rotterdam; she works as a core tutor on the Masters Fine Art at the Piet Zwart Institute.</p>
<p>Kate Briggs is a writer and translator based in Rotterdam; she works as a core tutor on the Masters Fine Art at the Piet Zwart Institute.</p>
<p>Isabelle Sully is an artist, writer and editor who takes the mechanisms and materiality of administration as her main focus. She is the founding editor of Unbidden Tongues, an imprint of Publication Studio Rotterdam, and assistant curator at Kunstverein, Amsterdam.</p>
<p>Isabelle Sully is an artist, writer and editor who takes the mechanisms and materiality of administration as her main focus. She is the founding editor of Unbidden Tongues, an imprint of Publication Studio Rotterdam, and assistant curator at Kunstverein, Amsterdam.</p>
<p>Producer: KIMMY SPREEUWENBERG<br>
is a graphic designer and new media researcher. She holds a degree in Graphic Design (BA) and New Media Studies (MA). Since 2012 she works as a research teacher at the Willem de Kooning Academy Rotterdam, and is coordinator of it’s in-house publisher “Hybrid Publishing”. Next to this she has been involved in organizing events and research projects related to post-digital publishing.</p>
<p>Producer: KIMMY SPREEUWENBERG<br>
is a graphic designer and new media researcher. She holds a degree in Graphic Design (BA) and New Media Studies (MA). Since 2012 she works as a research teacher at the Willem de Kooning Academy Rotterdam, and is coordinator of it’s in-house publisher “Hybrid Publishing”. Next to this she has been involved in organizing events and research projects related to post-digital publishing.</p>
<p>Designers & Developers: JULIE BOSCHAT THOREZ & CRISTINA COCHIOR<br><br>Julie Boschat Thorez is an artist and researcher whose work focuses on knowledge organisation systems and the stories which can be extracted from them. She primarily investigates archives, collections, datasets, and other types of ensembles, with an interest for variability, circulation, community and access. <br><br>
<p>Designers & Developers: JULIE BOSCHAT THOREZ & CRISTINA COCHIOR<br><br>Julie Boschat Thorez is an artist and researcher whose work focuses on knowledge organisation systems and the stories which can be extracted from them. She primarily investigates archives, collections, datasets, and other types of ensembles, with an interest for variability, circulation, community and access. <br><br>
Cristina Cochior is a researcher and designer working in the Netherlands. With an interest in automation, situated software and peer to peer knowledge production, her practice largely consists of investigations into the intimate bureaucracy of knowledge organisation systems and more recently, collective and non-extractive digital infrastructures.</p>
Cristina Cochior is a researcher and designer working in the Netherlands. With an interest in automation, situated software and peer to peer knowledge production, her practice largely consists of investigations into the intimate bureaucracy of knowledge organisation systems and more recently, collective and non-extractive digital infrastructures.</p>
<p>The three invited artists who responded to this interface through the audio pieces in the How To Use section are:</p>
<p>The three invited artists who responded to this interface through the audio pieces in the How To Use section are:</p>
<p><b>SIMNIKIWE BUHLUNGU</b><br>
is an artist from Johannesburg, South Africa, and currently based in Amsterdam, Netherlands. Recent projects include Bergen Assembly: Actually, The Dead Are Not Dead, Bergen, Norway, 2019, and Collective Intimacies - Notes to Self: Intimate 1, mural project, The Showroom, London, UK, 2019. She obtained her BA(FA) degree from the University of the Witwatersrand, Johannesburg (2017) and currently based in Amsterdam, Netherlands at the Rijksakademie van Beeldende Kunsten (2020 - 2022). Interested in knowledge production, how it is produced - and by whom – its dissemination and its nuances as an ecology, she uses her practices to wrestle between these questions and their inexhaustible potential answers. Lately, she enjoys listening to gospel music and has been thinking about combo organs.</p>
<p><b>SIMNIKIWE BUHLUNGU</b><br>
is an artist from Johannesburg, South Africa, and currently based in Amsterdam, Netherlands. Recent projects include Bergen Assembly: Actually, The Dead Are Not Dead, Bergen, Norway, 2019, and Collective Intimacies - Notes to Self: Intimate 1, mural project, The Showroom, London, UK, 2019. She obtained her BA(FA) degree from the University of the Witwatersrand, Johannesburg (2017) and currently based in Amsterdam, Netherlands at the Rijksakademie van Beeldende Kunsten (2020 - 2022). Interested in knowledge production, how it is produced - and by whom – its dissemination and its nuances as an ecology, she uses her practices to wrestle between these questions and their inexhaustible potential answers. Lately, she enjoys listening to gospel music and has been thinking about combo organs.</p>
<p><b>MARTIN GUGGER</b><br>
is a French artist who likes to experiment with language(s) and the beauty that can result from misunderstandings and double entendres. When he doesn't sing cheerful lyrics on hardcore techno in festivals with his band Salut c'est cool, he likes to perform and plays with multimedia installations in which he is confronted with his own failures and difficulties to grasp certain simple situations. His clumsy body enters into a loop until it becomes absurd, but it's endearing and somehow comforting to see him try to succeed.</p>
<p><b>MARTIN GUGGER</b><br>
is a French artist who likes to experiment with language(s) and the beauty that can result from misunderstandings and double entendres. When he doesn't sing cheerful lyrics on hardcore techno in festivals with his band Salut c'est cool, he likes to perform and plays with multimedia installations in which he is confronted with his own failures and difficulties to grasp certain simple situations. His clumsy body enters into a loop until it becomes absurd, but it's endearing and somehow comforting to see him try to succeed.</p>
<p><b>ARVAND POURABBASI</b><br>
is an artist, architect, educator, and maker. He is a co-founder of WORKNOT! Arvand is a co-editor and facilitator in Sarmad, a platform dedicated to politics of image. He is also a co-founder and co-curator of Neverland Cinema, a weekly neighbourhood screening program focused on situated cinematography. His work has been presented in Venice Biennale of Architecture, Sharjah Architecture Triennial, Tehran Architecture Biennale, Showroom MAMA, Witte de With Center for Contemporary Art, Architecture Banal, among more. Arvand holds a Masters degree in Interior Architecture (INSIDE) from Koninklijke Academie van Beeldende Kunst in Den Haag; and he has been a recipient of Talent Development grant from Stimuleringsfonds (2019-2020). Arvand is currently teaching at Willem de Kooning Academie, Rotterdam, and formerly tutored at Koninklijke Academie van Beeldende Kunst, Den Haag.</p>
<p><b>ARVAND POURABBASI</b><br>
is an artist, architect, educator, and maker. He is a co-founder of WORKNOT! Arvand is a co-editor and facilitator in Sarmad, a platform dedicated to politics of image. He is also a co-founder and co-curator of Neverland Cinema, a weekly neighbourhood screening program focused on situated cinematography. His work has been presented in Venice Biennale of Architecture, Sharjah Architecture Triennial, Tehran Architecture Biennale, Showroom MAMA, Witte de With Center for Contemporary Art, Architecture Banal, among more. Arvand holds a Masters degree in Interior Architecture (INSIDE) from Koninklijke Academie van Beeldende Kunst in Den Haag; and he has been a recipient of Talent Development grant from Stimuleringsfonds (2019-2020). Arvand is currently teaching at Willem de Kooning Academie, Rotterdam, and formerly tutored at Koninklijke Academie van Beeldende Kunst, Den Haag.</p>
<p><b>Hybrid Publishing</b>
The development of the interface design, essays and broadcast was supported by Hybrid Publishing, founded by the Willem de Kooning Academy as a means of profiling and disseminating outstanding research conducted by its students and teaching staff, whether independently or in collaboration with external partners. Researching and experimenting across a broad range of processes native to digital and analog media, WdKA Hybrid Publishing fosters novel approaches to design, authoring, reading and dissemination made possible through ongoing developments from the legacies of Gutenberg’s press to present-day technologies.(<atarget="blank"href="hybridpublishing.wdka.nl">hybridpublishing.wdka.nl</a>)</p>
<p><b>Hybrid Publishing</b>
The development of the interface design, essays and broadcast was supported by Hybrid Publishing, founded by the Willem de Kooning Academy as a means of profiling and disseminating outstanding research conducted by its students and teaching staff, whether independently or in collaboration with external partners. Researching and experimenting across a broad range of processes native to digital and analog media, WdKA Hybrid Publishing fosters novel approaches to design, authoring, reading and dissemination made possible through ongoing developments from the legacies of Gutenberg’s press to present-day technologies.(<atarget="blank"href="hybridpublishing.wdka.nl">hybridpublishing.wdka.nl</a>)</p>
<p><b>HP Research Awards</b>
The HP Research Awards series showcases the work of recipients of the Willem de Kooning Research Award. Established by the Willem de Kooning Foundation, the awards are granted to outstanding students whose graduation projects and research have helped provide new insights to broader audiences.</p>
<p><b>HP Research Awards</b>
The HP Research Awards series showcases the work of recipients of the Willem de Kooning Research Award. Established by the Willem de Kooning Foundation, the awards are granted to outstanding students whose graduation projects and research have helped provide new insights to broader audiences.</p>
