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so many changes
6 years ago
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
</head>
<body>
George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
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<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
</head>
<body>
George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
</head>
<body>
George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
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<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
</head>
<body>
George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<title></title>
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<body>
George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<html>
<head>
<title></title>
</head>
<body>
George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<html>
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<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
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<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
</head>
<body>
George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<title></title>
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<body>
George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<html>
<head>
<title></title>
</head>
<body>
George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<html>
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<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
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<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
</head>
<body>
George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<title></title>
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<body>
George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<html>
<head>
<title></title>
</head>
<body>
George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<html>
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<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
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<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
</head>
<body>
George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<title></title>
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<body>
George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<html>
<head>
<title></title>
</head>
<body>
George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<html>
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<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
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<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
</head>
<body>
George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<title></title>
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<body>
George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<html>
<head>
<title></title>
</head>
<body>
George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<html>
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<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
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<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
</head>
<body>
George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<title></title>
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<body>
George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<html>
<head>
<title></title>
</head>
<body>
George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<html>
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<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
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<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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</html>
Thu 17 Mar 2016 19:00hrs @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O. Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam. Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design. Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems. As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer. Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records. Fri 24 Mar 2017 20:00hrs @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB. Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté. Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potentia
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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Thu 17 Mar 2016 19:00hrs @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O. Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam. Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design. Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems. As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer. Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records. Fri 24 Mar 2017 20:00hrs @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB. Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté. Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potentia
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<html>
<head>
<title></title>
</head>
<body>
George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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</html>
Thu 17 Mar 2016 19:00hrs @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O. Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam. Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design. Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems. As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer. Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records. Fri 24 Mar 2017 20:00hrs @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB. Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté. Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potentia
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
<html>
<head>
<title></title>
</head>
<body>
George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
<!DOCTYPE html>
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<head>
<title></title>
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<body>
George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
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</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
<h1>Type of object: Event</h1>
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
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<html>
<head>
<title></title>
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George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
<br />
<br />
<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
</body>
</html>
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
Type of object: Event
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
SUNDOWN VEHICLE EVENT by GEORGE BRECHT
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
Type of object: Event
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
SUNDOWN VEHICLE EVENT by GEORGE BRECHT
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
Thu 17 Mar 2016 19:00hrs
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
Fri 24 Mar 2017 20:00hrs
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops.
Pushing the Score is a project researching graphic notation, based on
a desire to update this form of music and sound notation for the 21^st
century. Starting from the motto ‘from Cage to JODI and beyond’ and
from the avant-garde music and sound art of the 20^th century, the
project researches new audio-visual languages, media and functions of
graphic notation in a contemporary context characterised by a
fundamental transformation of sound culture and visual culture. A
number of specific themes will be initiated, developed and presented
in the context of a public research programme in collaboration with
artists, designers and various cultural organisations such as the Piet
Zwart Institute, the Witte de With Center for Contemporary Art, and
Sonic Acts./
/What are the possibilities of graphic scores, in a day and age in
which graphic notation is still usually seen as a ‘drawing’ serving as
some kind of sheet music? In an attempt to redefine this concept, we
will be compiling a programme in which artists, musicians,
theoreticians and practitioners are invited to participate. The
collective goal is to develop and present new audio-visual and
media-technical forms of graphic notation through artistic research
and development. Based on our compilation of the most contemporary and
innovative graphic notation practices in the fields of music, sound
art, performance art, e-culture, new-media art, graphic design and
media design, we will introduce artists and designers from various
creative disciplines to a national and international audience, with
the goal of collectively developing new forms of graphic notation./
/The incentive for this project is the belief that graphic notation in
20^th -century avant-garde music and sound art constitutes an
important, still radically innovative but wrongfully marginalised
form, which can play a key role in the development of new audio-visual
languages and media. Our ambition, and that of our collaborating
partners, is to emancipate graphic notation from the confines of the
modernist tradition, in such a way that it may remain an innovative
and provocative medium for decades to come./
Type of object: event
Project:Tetra Gamma Circulaire For Art Rotterdam
Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
Creation date: 06/02/2015
Media: TGC1club-web-06 februari 2015-02.jpg
Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,
06. release principium2.0
DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox.
Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
Creation date: 24/03/2017
Type of object: event
Project:Principium 2.0 At Stadslimiet Antwerp
Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
Author: Remörk, Kris Delacourt, DE PLAYER
URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
Creation date: 02/07/2017
Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
Type of object: Event
Project:
Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
Author: Vaast Colson, De Player
URL:https://www.deplayer.nl/releases/dob079
Creation date: 09/09/2016
Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
Related entries:
Vaast Colson….beschrijving
zie ook Principium 2.0 release Kris Delacourt
George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
SUNDOWN VEHICLE EVENT by GEORGE BRECHT
Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card. One of many similar kinds of instructions that were given to participants.
Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
Steve Joy took me to meet George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me. I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his "Vehicle Sundown Event", GB published a set of about 50 cards to be given to participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers were instructed to assemble at sundown in a parking lot and randomly park their vehicles. Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963 ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0