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+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.

	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.

	Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam 
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.

	Fri 24 Mar 2017 20:00hrs 
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.

	Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.

	Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.

	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.

	Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.

	Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.

	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.

	Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam 
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.

	Fri 24 Mar 2017 20:00hrs 
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.

	Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.

	Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.

	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.

	Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.

	Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
@Witte de With, Rotterdam
TUNING – DETUNING / NOTING – DENOTING
with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.

	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
PU-SHI-NG-SCO-RES AT ART ROTTERDAM
For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.

	Fri 20 Jan 2017 20:00hrs
@DE PLAYER, Rotterdam 
PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.

	Fri 24 Mar 2017 20:00hrs 
@DE PLAYER, Rotterdam
TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.

	Sun 15 Oct 2017 15:00hrs
@Pinkie Bowtie, Antwerp
TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.

	Fri 12 Jan 2018 20:30hrs
@Paradiso, Amsterdam
PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.

	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.

	Fri 22 Jun 2018 20:30hrs
@DE PLAYER, Rotterdam
E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.

	Thu 29 Nov 2018 20:00hrs
@VARIA, Rotterdam
ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
Experimental Jetset (nl)
Davide Mosconi (it)
DUPAC (int)
Studio Moniker (nl)
Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
Telcosystems (nl)
Floris Vanhoof (be)
Rafaël Rozendaal (nl)
Valentina Vuksic (ch)
Ana Guedes (pt)
Helga Jakobson (can)
Niek Hilkmann (nl)
Varia (nl)
John Duncan (us)
Johannes Kreidler (de)
Jörg Piringer (at)
BJ Nilsen (se)
Douglas Kahn (us)
Aurélie Lierman (be)
Max Franklin (au)
Remco van Bladel (nl)
Johannes Bergmark (se)
Hiele Martens (be)
Vaast Colson (be)
Peter Fengler (nl)
Florian Cramer (de/nl)
Julia Buennagel (de)
Derek Holzer (us)
JODI (nl)
Anne-Mie Van Kerckhoven (be)
Evelin Brosi (be)
Yann Goudron (fr)
Charlemagne Palestine (be)
Matthieu Reijnoudt (nl)
Willem de Haan (nl)
Rowan van As (nl)
Vos van der Noordt (nl)
Julia Reinhold (nl)
studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
studenten Artez Fine arts & Graphic Design, Arnhem
studenten Fontys Academie, Tilburg
Witte de With CCA, Rotterdam
Pinkie Bowtie, Antwerpen
Art Rotterdam
Paradiso, Amsterdam
WORM, Rotterdam
South Explorer, Rotterdam
Technische Universiteit van Enschede
P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+<h1>Type of object: Event</h1>
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+<!DOCTYPE html>
+<html>
+<head>
+	<title></title>
+</head>
+<body>
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+<br />
+<br />
+
+<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+
+</body>
+</html>
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+Type of object: Event
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+
+SUNDOWN VEHICLE EVENT by GEORGE BRECHT
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+Type of object: Event
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+
+SUNDOWN VEHICLE EVENT by GEORGE BRECHT
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
+	Thu 17 Mar 2016 19:00hrs 
+@Witte de With, Rotterdam
+TUNING – DETUNING / NOTING – DENOTING
+with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O.
+Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam.
+Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel. Next to that there will be graphic works by students of ArtEZ - Graphic Design.
+
+	Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs
+@ART Rotterdam / Van Nelle Fabriek, Rotterdam 
+PU-SHI-NG-SCO-RES AT ART ROTTERDAM
+For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems.
+As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer.
+
+	Fri 20 Jan 2017 20:00hrs
+@DE PLAYER, Rotterdam 
+PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER
+Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us). Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records.
+
+	Fri 24 Mar 2017 20:00hrs 
+@DE PLAYER, Rotterdam
+TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB
+An evening with remarkable experiments and materialised conceptual flip flop. DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+
+	Sun 15 Oct 2017 15:00hrs
+@Pinkie Bowtie, Antwerp
+TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION
+Tetra Gamma Circulaire #3 is travelling now as an open floppy platform. First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection. By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing. For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project. So far Evelin Brosi. AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there. The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté.
+
+	Fri 12 Jan 2018 20:30hrs
+@Paradiso, Amsterdam
+PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM
+This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam. 'Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone. This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w. Remco van Bladel about the current state and potential of the concept of 'graphical score'. The voice for this work is by Laetitia Saedier of Stereolab.
+
+	Sat, 14 & Sun. 15 April 2018 DE PLAYER presents ‘Greatest Hits’
+A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan
+Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven
+‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt. His best ones. Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation. Just so you can see them day and night, for about three weeks long. The complete selection of scores is published in a music book. The entire music book will be performed three times during the South Explorer weekend. For every performance a different instrument has been selected.
+
+	Fri 22 Jun 2018 20:30hrs
+@DE PLAYER, Rotterdam
+E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN
+As you know, there are those evenings after which the sun rises differently. The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance. In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of "energy" in the bigger narrative of ecology and other sensitivities. Coming from different biotopes, our other guests will all have different points of departure for their performances.
+
+	Thu 29 Nov 2018 20:00hrs
+@VARIA, Rotterdam
+ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE
+On this evening we focus on archiving our Pushing the Score project. This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years.
+What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
+Experimental Jetset (nl)
+Davide Mosconi (it)
+DUPAC (int)
+Studio Moniker (nl)
+Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl)
+Telcosystems (nl)
+Floris Vanhoof (be)
+Rafaël Rozendaal (nl)
+Valentina Vuksic (ch)
+Ana Guedes (pt)
+Helga Jakobson (can)
+Niek Hilkmann (nl)
+Varia (nl)
+John Duncan (us)
+Johannes Kreidler (de)
+Jörg Piringer (at)
+BJ Nilsen (se)
+Douglas Kahn (us)
+Aurélie Lierman (be)
+Max Franklin (au)
+Remco van Bladel (nl)
+Johannes Bergmark (se)
+Hiele Martens (be)
+Vaast Colson (be)
+Peter Fengler (nl)
+Florian Cramer (de/nl)
+Julia Buennagel (de)
+Derek Holzer (us)
+JODI (nl)
+Anne-Mie Van Kerckhoven (be)
+Evelin Brosi (be)
+Yann Goudron (fr)
+Charlemagne Palestine (be)
+Matthieu Reijnoudt (nl)
+Willem de Haan (nl)
+Rowan van As (nl)
+Vos van der Noordt (nl)
+Julia Reinhold (nl)
+studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg]
+studenten Artez Fine arts & Graphic Design, Arnhem
+studenten Fontys Academie, Tilburg
+Witte de With CCA, Rotterdam
+Pinkie Bowtie, Antwerpen
+Art Rotterdam
+Paradiso, Amsterdam
+WORM, Rotterdam
+South Explorer, Rotterdam
+Technische Universiteit van Enschede
+P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel.
+Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music. It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.
+G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air. Later on this developed into the type of musical notation we are familiar with in Western music. In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music. This continues to question the representation of sound in media; so what is the current state of the graphic score?
+Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential. It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance. The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops. 
+
+Pushing the Score is a project researching graphic notation, based on
+a desire to update this form of music and sound notation for the 21^st
+century. Starting from the motto ‘from Cage to JODI and beyond’ and
+from the avant-garde music and sound art of the 20^th century, the
+project researches new audio-visual languages, media and functions of
+graphic notation in a contemporary context characterised by a
+fundamental transformation of sound culture and visual culture. A
+number of specific themes will be initiated, developed and presented
+in the context of a public research programme in collaboration with
+artists, designers and various cultural organisations such as the Piet
+Zwart Institute, the Witte de With Center for Contemporary Art, and
+Sonic Acts./
+
+/What are the possibilities of graphic scores, in a day and age in
+which graphic notation is still usually seen as a ‘drawing’ serving as
+some kind of sheet music? In an attempt to redefine this concept, we
+will be compiling a programme in which artists, musicians,
+theoreticians and practitioners are invited to participate. The
+collective goal is to develop and present new audio-visual and
+media-technical forms of graphic notation through artistic research
+and development. Based on our compilation of the most contemporary and
+innovative graphic notation practices in the fields of music, sound
+art, performance art, e-culture, new-media art, graphic design and
+media design, we will introduce artists and designers from various
+creative disciplines to a national and international audience, with
+the goal of collectively developing new forms of graphic notation./
+
+/The incentive for this project is the belief that graphic notation in
+20^th -century avant-garde music and sound art constitutes an
+important, still radically innovative but wrongfully marginalised
+form, which can play a key role in the development of new audio-visual
+languages and media. Our ambition, and that of our collaborating
+partners, is to emancipate graphic notation from the confines of the
+modernist tradition, in such a way that it may remain an innovative
+and provocative medium for decades to come./
+Type of object: event
+Project:Tetra Gamma Circulaire For Art Rotterdam
+Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk.
+Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt
+URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam
+Creation date: 06/02/2015
+Media: TGC1club-web-06 februari 2015-02.jpg
+Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins,
+Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen, 
+06. release principium2.0
+
+DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces
+
+Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine. TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB.
+TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations. Some dare say it's a kind of jukebox. 
+Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine.
+
+Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg
+
+URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3
+
+Creation date: 24/03/2017
+
+
+
+Type of object: event
+Project:Principium 2.0 At Stadslimiet Antwerp
+Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp. The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0. During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt.
+Author: Remörk, Kris Delacourt, DE PLAYER
+URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp
+Creation date: 02/07/2017
+Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg
+Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk
+Related entries: 01. Event Tetra Gamma Circulaire 1, 06. release principium2.0
+Type of object: Event
+Project:
+Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
+Author: Vaast Colson, De Player
+URL:https://www.deplayer.nl/releases/dob079
+Creation date: 09/09/2016
+Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg
+Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair
+Related entries:
+
+Vaast Colson….beschrijving
+
+
+zie ook Principium 2.0 release Kris Delacourt
+
+George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
+as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
+of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
+from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
+
+One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
+famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
+
+
+SUNDOWN VEHICLE EVENT by GEORGE BRECHT
+Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
+Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
+Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
+
+Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
diff --git a/contextualise.py b/contextualise.py
index 47ceeb1..0102cd6 100644
--- a/contextualise.py
+++ b/contextualise.py
@@ -36,7 +36,7 @@ pathofwords = []
 pathofnumbers = []
 
 #reading wordlist.json
-with open('wordlist_v3.json', 'r') as f:
+with open('wordlist.json', 'r') as f:
     wordlist_dict = json.load(f)
 
 
@@ -118,10 +118,6 @@ def description():
             if file.lower().endswith(('.html')):
                 with open("static/"+file,"r", encoding='utf-8') as f:
                     textfile = f.read()
-                    word = "way"
-                    wordlinked = "<a href='/diverge?search="+word+"'>"+word+"</a>"
-                    textfile = re.sub(word, wordlinked, textfile)
-
                     textfile = Markup(textfile)
 
     return render_template('description.html', datafromjson=datafromjson, itemid=itemid, textfile=textfile, idno=idno)
diff --git a/generate_links.py b/generate_links.py
new file mode 100644
index 0000000..c2c0fd3
--- /dev/null
+++ b/generate_links.py
@@ -0,0 +1,18 @@
+#!/usr/bin/env python
+import sys, os
+import json
+import re
+
+with open('wordlist.json', 'r',  encoding='utf-8') as f:
+    wordlist_dict = json.load(f)
+
+path = "static/files/"
+for path, subdirs, files in os.walk(path):
+    for name in files:
+        if name.endswith('html'):
+            file = os.path.join(path, name)
+            with open(file, encoding='utf-8') as f:
+                textfile = f.read()
+                for word in wordlist_dict:
+                    wordlinked = "<a href='/diverge?search="+word+"'>"+word+"</a>"
+                    textfile = re.sub(word, wordlinked, textfile)
diff --git a/json_actions.py b/json_actions.py
deleted file mode 100644
index d00ed47..0000000
--- a/json_actions.py
+++ /dev/null
@@ -1,38 +0,0 @@
-import json
-
-
-# # to iterate through existing json file and find the correct json file 
-# def find_json(id):
-# 	get path/to/file
-
-# 	return file
-
-# # 
-# def save_json(id, name, email, friend, content):
-# 	file
-# 	data = {"id": "path/to/file", "name":,"email":,"friend":,"content":}
-
-#     with open('file.json', 'w') as f:
-#         json.dump(data, f)
-
-
-
-
-# def jaction(original, id, name, email, friend, content):
-# 	f = find_json_file(id)
-# 	data = make_dict(f)
-
-# 	updated = update_dict(data, name, email, friend, content)
-# 	save_json_file(f, updated)
-
-# # to find the file with the correct id
-# def find_json_file():
-# 	f = open('file.json', 'w')
-# 	iterate files to find id
-# 	return f
-
-# # saving the json file
-# def save_json_file(name, email, friend, content):
-# 	dict= request.args.get(
-# 	write(file, json.dump(data))
-
diff --git a/mostcommon.txt b/mostcommon.txt
new file mode 100644
index 0000000..be7ab08
--- /dev/null
+++ b/mostcommon.txt
@@ -0,0 +1 @@
+[('graphic', 540), ('sound', 510), ('Rotterdam', 480), ('nl', 480), ('music', 450), ('notation', 420), ('project', 420), ('de', 390), ('new', 360), ('The', 360), ('DE', 360), ('PLAYER', 360), ('TGC', 330), ('art', 300), ('3', 300), ('van', 270), ('performance', 270), ('Gamma', 270), ('Circulaire', 270), ('event', 240), ('Tetra', 240), ("'", 240), ('score', 210), ('release', 210), ('Kris', 210), ('2017', 180), ('artists', 180), ('scores', 180), ('Antwerp', 180), ('2.0', 180), ('George', 180), ('I', 180), ('Remco', 150), ('Bladel', 150), ('For', 150), ('publishing', 150), ('Score', 150), ('us', 150), ('XPUB', 150), ('magazine', 150), ('Media', 150), ('2018', 150), ('Paradiso', 150), ('This', 150), ('research', 150), ('Vaast', 150), ('Colson', 150), ('Art', 150), ('avant-garde', 150), ('Remörk', 150)]
\ No newline at end of file
diff --git a/putallhtmltexttogether.py b/putallhtmltexttogether.py
new file mode 100644
index 0000000..e659704
--- /dev/null
+++ b/putallhtmltexttogether.py
@@ -0,0 +1,27 @@
+import sys, os
+from nltk import word_tokenize
+from nltk import everygrams
+from nltk import FreqDist
+
+stopws = ['i', 'me', 'my', 'myself', 'we', 'our', 'ours', 'ourselves', 'you', "you're", "you've", "you'll", "you'd", 'your', 'yours', 'yourself', 'yourselves', 'he', 'him', 'his', 'himself', 'she', "she's", 'her', 'hers', 'herself', 'it', "it's", 'its', 'itself', 'they', 'them', 'their', 'theirs', 'themselves', 'what', 'which', 'who', 'whom', 'this', 'that', "that'll", 'these', 'those', 'am', 'is', 'are', 'was', 'were', 'be', 'been', 'being', 'have', 'has', 'had', 'having', 'do', 'does', 'did', 'doing', 'a', 'an', 'the', 'and', 'but', 'if', 'or', 'because', 'as', 'until', 'while', 'of', 'at', 'by', 'for', 'with', 'about', 'against', 'between', 'into', 'through', 'during', 'before', 'after', 'above', 'below', 'to', 'from', 'up', 'down', 'in', 'out', 'on', 'off', 'over', 'under', 'again', 'further', 'then', 'once', 'here', 'there', 'when', 'where', 'why', 'how', 'all', 'any', 'both', 'each', 'few', 'more', 'most', 'other', 'some', 'such', 'no', 'nor', 'not', 'only', 'own', 'same', 'so', 'than', 'too', 'very', 's', 't', 'can', 'will', 'just', 'don', "don't", 'should', "should've", 'now', 'd', 'll', 'm', 'o', 're', 've', 'y', 'ain', 'aren', "aren't", 'couldn', "couldn't", 'didn', "didn't", 'doesn', "doesn't", 'hadn', "hadn't", 'hasn', "hasn't", 'haven', "haven't", 'isn', "isn't", 'ma', 'mightn', "mightn't", 'mustn', "mustn't", 'needn', "needn't", 'shan', "shan't", 'shouldn', "shouldn't", 'wasn', "wasn't", 'weren', "weren't", 'won', "won't", 'wouldn', "wouldn't", ",", ".", "?","!",":","(",")",">","<","@","#","``","/","–","''","‘","-","’", "DOCTYPE", "html", "!"]
+
+
+path = "static/files/"
+for path, subdirs, files in os.walk(path):
+    for name in files:
+        if name.endswith('html'):
+            file = os.path.join(path, name)
+            total = open("allhtml.txt", "a")
+            with open(file) as f:
+                content = f.read()
+                total.write(content)
+            total.close()
+
+with open('allhtml.txt') as f:
+    content = f.read()
+    tokens = word_tokenize(content)
+    tokens = [token for token in tokens if token not in stopws]
+    freq_file=FreqDist(tokens)
+    listofwords = open("mostcommon.txt", "w+")
+    listofwords.write(str(freq_file.most_common(50)))
+    listofwords.close()
diff --git a/static/files/.DS_Store b/static/files/.DS_Store
index b10cdea..5008ddf 100644
Binary files a/static/files/.DS_Store and b/static/files/.DS_Store differ
diff --git a/static/files/00/Participants.html b/static/files/00/00.Participants.html
similarity index 100%
rename from static/files/00/Participants.html
rename to static/files/00/00.Participants.html
diff --git a/static/files/00/PushingScores.html b/static/files/00/00.PushingScores.html
similarity index 100%
rename from static/files/00/PushingScores.html
rename to static/files/00/00.PushingScores.html
diff --git a/static/files/00/events.html b/static/files/00/00.events.html
similarity index 100%
rename from static/files/00/events.html
rename to static/files/00/00.events.html
diff --git a/static/files/04/04.blurb.txt b/static/files/04/04.blurb.txt
new file mode 100644
index 0000000..66427d3
--- /dev/null
+++ b/static/files/04/04.blurb.txt
@@ -0,0 +1,5 @@
+Here is a description of the event / artist / work.
+
+For the event, it can describe what happened, where it happened, when it happened.
+For the artist, it can introduce the artist.
+For the work, it can describe the content.
diff --git a/static/files/04/04.motivation.txt b/static/files/04/04.motivation.txt
new file mode 100644
index 0000000..180d6b0
--- /dev/null
+++ b/static/files/04/04.motivation.txt
@@ -0,0 +1 @@
+Why was the artist / piece / event included in the collection.
\ No newline at end of file
diff --git a/static/files/04/04.practice.txt b/static/files/04/04.practice.txt
new file mode 100644
index 0000000..c38de6c
--- /dev/null
+++ b/static/files/04/04.practice.txt
@@ -0,0 +1 @@
+Here you can go into length about an artists’ practice. For example, interviews, personal statements, reviews etc.
\ No newline at end of file
diff --git a/static/files/05/05.metadata.html b/static/files/05/05.metadata.html
index 08a8609..8a6eeff 100644
--- a/static/files/05/05.metadata.html
+++ b/static/files/05/05.metadata.html
@@ -1,4 +1,4 @@
-<h1>Type of object: Event</h1>
+Type of object: Event
 Project:
 Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named "Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine" by Vaast Colson. Produced on a 'prepared copier'. The copy machine is amplified by several internal microphones by which the sound of every run is recorded. Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it. The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine.
 Author: Vaast Colson, De Player
diff --git a/static/files/17/17.blurb.html b/static/files/17/17.blurb.html
index ca1413b..1d952de 100644
--- a/static/files/17/17.blurb.html
+++ b/static/files/17/17.blurb.html
@@ -1,10 +1,4 @@
 
-<!DOCTYPE html>
-<html>
-<head>
-	<title></title>
-</head>
-<body>
 George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer,
 as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member
 of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group
@@ -13,15 +7,10 @@ from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
 One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most
 famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art. He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”
 
-<br />
-<br />
 
-<h2>SUNDOWN VEHICLE EVENT by GEORGE BRECHT</h2>
+SUNDOWN VEHICLE EVENT by GEORGE BRECHT
 Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 " by 4.5. card.  One of many similar kinds of instructions that were given to participants.
 Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's "Vehicle Sundown Event".
 Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963.
 
 Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962). We became friends and GB mailed instruction cards to me.  I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963. GB agreed to provide instructions for an event at St Vincent. For his  "Vehicle Sundown Event", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles. Each card held an instruction to be performed with a vehicle. Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles.  Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal. Participants  performed about 50 events such as "turn on lights", "start engine", "stop engine", "open window". This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting. c. 1963  ( I can confirm that Fr Melvin Ruprecht participated. I believe it was before I went to Washington as NCE editor, rv0
-
-</body>
-</html>
diff --git a/textedit.py b/textedit.py
index dbd29b1..943c034 100644
--- a/textedit.py
+++ b/textedit.py
@@ -1,26 +1,132 @@
-# this code is split in two parts:
-# going through the description html files and gathering the interesting words in a json file;
-# and going through the files again to replace words that also appear in the json with an a href version
-
+#!/usr/bin/env python
+# -*- coding: utf-8 -*-
 import sys, os
-import nltk
-from nltk import word_tokenize
-from nltk.util import trigrams
-
-# text analysis
-def analysis(file):
-    # print("yes")
-    file_trigrams = trigrams(content)
-    print(file_trigrams)
+from nltk import sent_tokenize, word_tokenize
+from nltk import everygrams
+from nltk import FreqDist
+import json
+import re
 
+"""
+PART 1
+We create the dictionary and save it.
+"""
 
+stopws = [",", ".", "?","!",":","(",")",">","<","@","#","``","/","–","''","‘","-","’", "DOCTYPE", "html", "!", "'", "<br>", "<br />", "/body", "/html", "/head", "h2", "/h2", "h1", "/h1","”","“"]
 
-# reading each individual html file
 path = "static/files/"
 for path, subdirs, files in os.walk(path):
     for name in files:
         if name.endswith('html'):
             file = os.path.join(path, name)
+            total = open("allhtml.txt", "a")
             with open(file) as f:
                 content = f.read()
-            analysis(content)
+                total.write(content)
+            total.close()
+
+keyword_list = []
+
+# with open('allhtml.txt') as f:
+#     content = f.read()
+#     tokens = word_tokenize(content)
+#     tokens = [token for token in tokens if token not in stopws]
+#     freq_file=FreqDist(tokens)
+#     print(tokens)
+#     keyword_list.append(freq_file.most_common(50))
+#     print(keyword_list[0])
+
+with open('allhtml.txt') as f:
+    content = f.read()
+    tokens = word_tokenize(content)
+    tokens = [token for token in tokens if token not in stopws]
+    keyword_list = list(set(tokens))
+    # print(tokens)
+    # print(keyword_list)
+
+"""
+PART 2
+We iterate through the entire collection of html files, tokenize the words, and check to see whether any of them is in the keyword_list. If they are, then we generate a json file.
+"""
+
+# wordlist = {}
+# avoiding_repetition = []
+
+
+sentences_w_word = {}
+
+def analysis(the_word, file_name):
+    id = file_name[13:15]
+    with open(file_name) as f:
+        content = f.read()
+    sent_tokens = sent_tokenize(content)
+    new_sent_tokens = []
+    for sent_token in sent_tokens:
+        if the_word in sent_token:
+            new_sent_tokens.append({'id': id, 'sentence': sent_token.replace('\n', ' ').strip("'<>()")})
+    if the_word in sentences_w_word: # if this is not the first iteration
+        previous_sent_tokens = sentences_w_word[the_word]
+        full_sent_tokens = previous_sent_tokens + new_sent_tokens
+    else:
+        full_sent_tokens = new_sent_tokens
+    sentences_w_word[word] = full_sent_tokens
+
+
+
+path = "static/files/"
+for path, subdirs, files in os.walk(path):
+    for name in files:
+        if name.endswith('html'):
+            file = os.path.join(path, name)
+            for word in keyword_list:
+                analysis(word, file)
+
+with open('wordlist.json', 'w', encoding="utf8") as outfile:
+    json.dump(sentences_w_word, outfile, ensure_ascii=False)
+
+
+# def analysis(file, id):
+#     sent_tokens = sent_tokenize(file) # sentence tokenizing
+#     for sent_token in sent_tokens:
+#         tokens = word_tokenize(sent_token) # word tokenizing
+#         print(tokens)
+#         for token in tokens:
+#             for first in keyword_list:
+#                 if token == first: # if token is in keyword_list
+#                     if token not in wordlist:
+#                         wordlist[token] = []
+#                         sent_dict = {}
+#                         sent_dict["id"]=id
+#                         sent_dict["sentence"] = sent_token.replace('\n', ' ')
+#                         wordlist[token].append(sent_dict)
+#                     elif token not in avoiding_repetition:
+#                         # print(wordlist[token])
+#                         sent_dict = {}
+#                         sent_dict["id"]=id
+#                         sent_dict["sentence"] = sent_token.replace('\n', ' ')
+#                         wordlist[token].append(sent_dict)
+#                         avoiding_repetition.append(token)
+
+
+# with open('static/files/17/17.blurb.html') as f:
+#     content = f.read()
+#     analysis(content, '17')
+
+
+# # reading each individual html file
+# path = "static/files/"
+# for path, subdirs, files in os.walk(path):
+#     for name in files:
+#         if name.endswith('html'):
+#             file = os.path.join(path, name)
+#             with open(file) as f:
+#                 content = f.read()
+#             id=name[:2]
+#             analysis(content, id)
+
+# json_wordlist = json.dumps(wordlist)
+# for item in wordlist:
+#     for item2 in wordlist[item]:
+#         print(item)
+#         print(item2["sentence"])
+#         print("\n")
diff --git a/wordlist.json b/wordlist.json
index 81d51cf..506990e 100644
--- a/wordlist.json
+++ b/wordlist.json
@@ -1,13 +1 @@
-{
-"way" : {
-    "17" : ["He described his own art as a way of 'ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.'"],
-    "00" : ["Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come."]
-
-},
-
-"artwork" : {
-    "17" : ["One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."],
-    "00" : ["It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.",
-    "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."]
-}
-}
+{"points": [{"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}], "up": [{"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "03", "sentence": "The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "c. 1963  ( I can confirm that Fr Melvin Ruprecht participated."}], "these": [{"id": "00", "sentence": "Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation."}], "URL": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "under": [{"id": "00", "sentence": "Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation."}, {"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}], "09/09/2016": [{"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "selection": [{"id": "00", "sentence": "The complete selection of scores is published in a music book."}], "Experimental": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}], "JAKOBSON": [{"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}], "ArtBookFairBrussel-Vaast": [{"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "Jakobson": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "presentations": [{"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}], "hours": [{"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}], "innovative": [{"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}], "februari": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}], "NET": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}], "transformation": [{"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}], "Produced": [{"id": "05", "sentence": "Produced on a 'prepared copier'."}], "GB": [{"id": "17", "sentence": "We became friends and GB mailed instruction cards to me."}, {"id": "17", "sentence": "GB agreed to provide instructions for an event at St Vincent."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}], "De": [{"id": "00", "sentence": "Next to that there will be graphic works by students of ArtEZ - Graphic Design."}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp 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date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "you": [{"id": "00", "sentence": "Just so you can see them day and night, for about three weeks long."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}], "offered": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}], "P·u·s·h·i·n·g": [{"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}], "/What": [{"id": "00", "sentence": "A number of 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"sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}], "nowadays": [{"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}], "practices": [{"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "Rafaël": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": 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REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp."}, {"id": "03", "sentence": "The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "03", "sentence": "Event Tetra Gamma Circulaire 1, 06. release principium2.0"}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "//www.deplayer.nl/releases/dob079": [{"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "residence": [{"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}], "e-culture": [{"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, 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Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}, {"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "The voice for this work is by Laetitia Saedier of Stereolab."}, {"id": "00", "sentence": "Just so you can see them day and night, for about three weeks long."}, {"id": "00", "sentence": "The entire music book will be performed three times during the South Explorer weekend."}, {"id": "00", "sentence": "For every performance a different instrument has been selected."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}, {"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}, {"id": "17", "sentence": "GB agreed to provide instructions for an event at St Vincent."}, {"id": "17", "sentence": "Each card held an instruction to be performed with a vehicle."}, {"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}, {"id": "17", "sentence": "Participants  performed about 50 events such as \"turn on lights\", \"start engine\", \"stop engine\", \"open window\"."}, {"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}, {"id": "17", "sentence": "I believe it was before I went to Washington as NCE editor, rv0"}], "ch": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}, {"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}, {"id": "05", "sentence": "The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}, {"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}, {"id": "17", "sentence": "Each card held an instruction to be performed with a vehicle."}, {"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}, {"id": "17", "sentence": "Participants  performed about 50 events such as \"turn on lights\", \"start engine\", \"stop engine\", \"open window\"."}, {"id": "17", "sentence": "c. 1963  ( I can confirm that Fr Melvin Ruprecht participated."}], "Latrobe": [{"id": "17", "sentence": "Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963."}], "releases": [{"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "now": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}], "Jetset": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "composition": [{"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}], "diverse": [{"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}], "December": [{"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}], "SESSION": [{"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}], "N·o·i·s·e": [{"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}], "weekend": [{"id": "00", "sentence": "The entire music book will be performed three times during the South Explorer weekend."}], "practitioners": [{"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}], "engine": [{"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}, {"id": "17", "sentence": "Participants  performed about 50 events such as \"turn on lights\", \"start engine\", \"stop engine\", \"open window\"."}], "arts": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}], "varied": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}], "me": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}, {"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "The entire music book will be performed three times during the South Explorer weekend."}, {"id": "00", "sentence": "For every performance a different instrument has been selected."}, {"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "This continues to question the representation of sound in media; so what is the current state of the graphic score?"}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}, {"id": "02", "sentence": "Some dare say it's a kind of jukebox."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}, {"id": "17", "sentence": "We became friends and GB mailed instruction cards to me."}, {"id": "17", "sentence": "Each card held an instruction to be performed with a vehicle."}, {"id": "17", "sentence": "Participants  performed about 50 events such as \"turn on lights\", \"start engine\", \"stop engine\", \"open window\"."}, {"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}], "We": [{"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}, {"id": "17", "sentence": "We became friends and GB mailed instruction cards to me."}], "Gert-Jan": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}], "Fengler": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}], "could": [{"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}], "card": [{"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "We became friends and GB mailed instruction cards to me."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "Each card held an instruction to be performed with a vehicle."}], "students": [{"id": "00", "sentence": "Next to that there will be graphic works by students of ArtEZ - Graphic Design."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}], "wherein": [{"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}], "concrete": [{"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}], "avant-garde": [{"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}], "Live": [{"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}], "configurations": [{"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}], "Bouwman": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "glassplate": [{"id": "05", "sentence": "The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine."}], "long": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "Just so you can see them day and night, for about three weeks long."}, {"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}], "entity": [{"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}], "having": [{"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}], "cover": [{"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}], "open": [{"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}, {"id": "17", "sentence": "Participants  performed about 50 events such as \"turn on lights\", \"start engine\", \"stop engine\", \"open window\"."}], "contribute": [{"id": "00", "sentence": "For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project."}], "publication": [{"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}], "College": [{"id": "17", "sentence": "Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963."}, {"id": "17", "sentence": "I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963."}, {"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}], "collective": [{"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "19:00hrs": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}], "[": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "ones": [{"id": "00", "sentence": "His best ones."}, {"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}], "Chiara": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}], "begin": [{"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}], "important": [{"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}], "possibilities": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}], "ArtEZ": [{"id": "00", "sentence": "Next to that there will be graphic works by students of ArtEZ - Graphic Design."}], "Oct": [{"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}], "HILKMAN": [{"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}], "times": [{"id": "00", "sentence": "The entire music book will be performed three times during the South Explorer weekend."}], "commissioned": [{"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}], "come./": [{"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}], "abstract": [{"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}], "G·r·a·p·h·i·c": [{"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}], "Brecht": [{"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}, {"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}], "random": [{"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles."}], "artists": [{"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}], "update": [{"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}], "LIERMAN": [{"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}], "Oil": [{"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}], "studenten": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "Hilkmann": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "well": [{"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}], "WORM": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "Principium2": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}], "the": [{"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}, {"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "Next to that there will be graphic works by students of ArtEZ - Graphic Design."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}, {"id": "00", "sentence": "For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project."}, {"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "Remco van Bladel about the current state and potential of the concept of 'graphical score'."}, {"id": "00", "sentence": "Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation."}, {"id": "00", "sentence": "Just so you can see them day and night, for about three weeks long."}, {"id": "00", "sentence": "The entire music book will be performed three times during the South Explorer weekend."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}, {"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}, {"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "This continues to question the representation of sound in media; so what is the current state of the graphic score?"}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}, {"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}, {"id": "05", "sentence": "The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}, {"id": "17", "sentence": "I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles."}, {"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}, {"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}], "out": [{"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}, {"id": "00", "sentence": "Remco van Bladel about the current state and potential of the concept of 'graphical score'."}, {"id": "00", "sentence": "Just so you can see them day and night, for about three weeks long."}, {"id": "00", "sentence": "The entire music book will be performed three times during the South Explorer weekend."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "Participants  performed about 50 events such as \"turn on lights\", \"start engine\", \"stop engine\", \"open window\"."}], "02/07/2017": [{"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}], "digital": [{"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}], "thinking": [{"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}], "AURÉLIE": [{"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}], "tradition": [{"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}], "Project": [{"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}], "collaboration": [{"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}], "02": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}], "history": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}], "'participatory": [{"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}], "seen": [{"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}], "Throughout": [{"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}], "Melvin": [{"id": "17", "sentence": "c. 1963  ( I can confirm that Fr Melvin Ruprecht participated."}], "he": [{"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}, {"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "Next to that there will be graphic works by students of ArtEZ - Graphic Design."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}, {"id": "00", "sentence": "For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project."}, {"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "Remco van Bladel about the current state and potential of the concept of 'graphical score'."}, {"id": "00", "sentence": "The voice for this work is by Laetitia Saedier of Stereolab."}, {"id": "00", "sentence": "Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation."}, {"id": "00", "sentence": "Just so you can see them day and night, for about three weeks long."}, {"id": "00", "sentence": "The complete selection of scores is published in a music book."}, {"id": "00", "sentence": "The entire music book will be performed three times during the South Explorer weekend."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}, {"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}, {"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "This continues to question the representation of sound in media; so what is the current state of the graphic score?"}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}, {"id": "03", "sentence": "The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0."}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}, {"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}, {"id": "05", "sentence": "The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine."}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}, {"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}, {"id": "17", "sentence": "I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "Each card held an instruction to be performed with a vehicle."}, {"id": "17", "sentence": "Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles."}, {"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}, {"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}], "title": [], "Vehicle": [{"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}], "2016–2017": [{"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}], "context": [{"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}], "Book": [{"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "with": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}, {"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}, {"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}, {"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}, {"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "Each card held an instruction to be performed with a vehicle."}, {"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}, {"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}], "Reijnoudt": [{"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "worked": [{"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}], "given": [{"id": "17", "sentence": "One of many similar kinds of instructions that were given to participants."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}], "Brosi": [{"id": "00", "sentence": "So far Evelin Brosi."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "Small": [{"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}], "new-media": [{"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "initiated": [{"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}], "forth": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}], "conceptual": [{"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}], "August": [{"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}], "assemble": [{"id": "17", "sentence": "Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles."}], "set": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "03", "sentence": "The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}], "entire": [{"id": "00", "sentence": "The entire music book will be performed three times during the South Explorer weekend."}], "guide": [{"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}], "instrument": [{"id": "00", "sentence": "For every performance a different instrument has been selected."}, {"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "Colson": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "Sreeuwenberg": [{"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}], "dare": [{"id": "02", "sentence": "Some dare say it's a kind of jukebox."}], "AN": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}], "Author": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "Kreidler": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "those": [{"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}], "driver": [{"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}, {"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}], "into": [{"id": "00", "sentence": "Can a tune be translated into an image?"}, {"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}], "Player": [{"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "April": [{"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}], "part": [{"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "One of many similar kinds of instructions that were given to participants."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "c. 1963  ( I can confirm that Fr Melvin Ruprecht participated."}], "Event": [{"id": "03", "sentence": "Event Tetra Gamma Circulaire 1, 06. release principium2.0"}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}], "all": [{"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}, {"id": "03", "sentence": "The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0."}, {"id": "17", "sentence": "Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963."}], "Delacourt": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "SUNDOWN": [{"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "ANA": [{"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}], "Sun": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "Sat, 14 & Sun."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}], "plus": [{"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}], "audiofile": [{"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}], "FLOPPY": [{"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}], "seek": [{"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}], "Next": [{"id": "00", "sentence": "Next to that there will be graphic works by students of ArtEZ - Graphic Design."}], "'Tetra": [{"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}], "//www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}], "ook": [{"id": "00", "sentence": "The complete selection of scores is published in a music book."}, {"id": "00", "sentence": "The entire music book will be performed three times during the South Explorer weekend."}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}, {"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}], "signal": [{"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}], "BENNETT": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}], "Piringer": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "Davide": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "narrative": [{"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}], "Artez": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "discursive": [{"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}], "27": [{"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}], "Ruprecht": [{"id": "17", "sentence": "c. 1963  ( I can confirm that Fr Melvin Ruprecht participated."}], "introduce": [{"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "During": [{"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}], "rv0": [{"id": "17", "sentence": "I believe it was before I went to Washington as NCE editor, rv0"}], "Detail": [{"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "-century": [{"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "Saedier": [{"id": "00", "sentence": "The voice for this work is by Laetitia Saedier of Stereolab."}], "visitors": [{"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}], "age": [{"id": "00", "sentence": "Can a tune be translated into an image?"}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "05", "sentence": "The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine."}], "Telcosystems": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "addres": [{"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}], "Media": [{"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "Oostzijde": [{"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}], "provocative": [{"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}], "spines": [{"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}], "One": [{"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "One of many similar kinds of instructions that were given to participants."}], "who": [{"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}], "Johannes": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "Starting": [{"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}], "meaning": [{"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}], "Remörk": [{"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}], "experienced": [{"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}], "biotopes": [{"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}], "Yann": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "PUSHING": [{"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}], "Lierman": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "everyday": [{"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "ART": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}], "inspirational": [{"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}], "nouveauté": [{"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}], "parking": [{"id": "17", "sentence": "Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963."}, {"id": "17", "sentence": "Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles."}], "just": [{"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}], "specific": [{"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}], "Attali": [{"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}], "Arkesteijn": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}], "running": [{"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}], "content": [{"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}], "phenomenon": [{"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}], "emancipate": [{"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}], "1978": [{"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}], "touch": [{"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}], "before": [{"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}, {"id": "17", "sentence": "I believe it was before I went to Washington as NCE editor, rv0"}], "Center": [{"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}], "polyphonic": [{"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}], "JODI": [{"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}], "M·u·s·i·c": [{"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}], "compilation": [{"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "active": [{"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}], "scontemporary": [{"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}], "ensuring": [{"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "a": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}, {"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "Can a tune be translated into an image?"}, {"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}, {"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "Next to that there will be graphic works by students of ArtEZ - Graphic Design."}, {"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}, {"id": "00", "sentence": "For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project."}, {"id": "00", "sentence": "So far Evelin Brosi."}, {"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "Remco van Bladel about the current state and potential of the concept of 'graphical score'."}, {"id": "00", "sentence": "The voice for this work is by Laetitia Saedier of Stereolab."}, {"id": "00", "sentence": "Sat, 14 & Sun."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation."}, {"id": "00", "sentence": "Just so you can see them day and night, for about three weeks long."}, {"id": "00", "sentence": "The complete selection of scores is published in a music book."}, {"id": "00", "sentence": "For every performance a different instrument has been selected."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}, {"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}, {"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "This continues to question the representation of sound in media; so what is the current state of the graphic score?"}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}, {"id": "02", "sentence": "Some dare say it's a kind of jukebox."}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp."}, {"id": "03", "sentence": "The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0."}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "03", "sentence": "Event Tetra Gamma Circulaire 1, 06. release principium2.0"}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "Produced on a 'prepared copier'."}, {"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}, {"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}, {"id": "05", "sentence": "The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "One of many similar kinds of instructions that were given to participants."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}, {"id": "17", "sentence": "Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963."}, {"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}, {"id": "17", "sentence": "We became friends and GB mailed instruction cards to me."}, {"id": "17", "sentence": "I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963."}, {"id": "17", "sentence": "GB agreed to provide instructions for an event at St Vincent."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "Each card held an instruction to be performed with a vehicle."}, {"id": "17", "sentence": "Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles."}, {"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}, {"id": "17", "sentence": "Participants  performed about 50 events such as \"turn on lights\", \"start engine\", \"stop engine\", \"open window\"."}, {"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}, {"id": "17", "sentence": "c. 1963  ( I can confirm that Fr Melvin Ruprecht participated."}, {"id": "17", "sentence": "I believe it was before I went to Washington as NCE editor, rv0"}], "Bowtie": [{"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "So": [{"id": "00", "sentence": "So far Evelin Brosi."}, {"id": "00", "sentence": "The entire music book will be performed three times during the South Explorer weekend."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "02", "sentence": "Some dare say it's a kind of jukebox."}], "music": [{"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}, {"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "The complete selection of scores is published in a music book."}, {"id": "00", "sentence": "The entire music book will be performed three times during the South Explorer weekend."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "George": [{"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}, {"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}], "Moving": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}], "functions": [{"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}], "role": [{"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "performance": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "For every performance a different instrument has been selected."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}], "technologies.The": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}], "to": [{"id": "00", "sentence": "Can a tune be translated into an image?"}, {"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "Next to that there will be graphic works by students of ArtEZ - Graphic Design."}, {"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}, {"id": "00", "sentence": "For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project."}, {"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}, {"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}, {"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}, {"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "This continues to question the representation of sound in media; so what is the current state of the graphic score?"}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "One of many similar kinds of instructions that were given to participants."}, {"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}, {"id": "17", "sentence": "We became friends and GB mailed instruction cards to me."}, {"id": "17", "sentence": "I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963."}, {"id": "17", "sentence": "GB agreed to provide instructions for an event at St Vincent."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "Each card held an instruction to be performed with a vehicle."}, {"id": "17", "sentence": "Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles."}, {"id": "17", "sentence": "Participants  performed about 50 events such as \"turn on lights\", \"start engine\", \"stop engine\", \"open window\"."}, {"id": "17", "sentence": "I believe it was before I went to Washington as NCE editor, rv0"}], "several": [{"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}], "Riphagen": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}], "Ellis": [{"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}], "date": [{"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "editor": [{"id": "17", "sentence": "I believe it was before I went to Washington as NCE editor, rv0"}], "Reinhold": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "Bel": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}], "freely": [{"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}], "stop": [{"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "Participants  performed about 50 events such as \"turn on lights\", \"start engine\", \"stop engine\", \"open window\"."}], "curated": [{"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}], "Ana": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "Buennagel": [{"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "last": [{"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}], "Rozendaal": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "issue": [{"id": "00", "sentence": "DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}], "particular": [{"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}], "matters": [{"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}], "First": [{"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}], "writing": [{"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}], "mailed": [{"id": "17", "sentence": "We became friends and GB mailed instruction cards to me."}], "Hoof": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}], "are": [{"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "02", "sentence": "Some dare say it's a kind of jukebox."}, {"id": "05", "sentence": "Produced on a 'prepared copier'."}, {"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}, {"id": "17", "sentence": "Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963."}], "Western": [{"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}], "Sat": [{"id": "00", "sentence": "Sat, 14 & Sun."}], "o·f": [{"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}], "He": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "REMCO": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}], "today": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}], "weeks": [{"id": "00", "sentence": "Just so you can see them day and night, for about three weeks long."}], "Kimmy": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}], "invents": [{"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}], "DENOTING": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}], "run": [{"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}, {"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}, {"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}], "assisting": [{"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}], "score": [{"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}, {"id": "00", "sentence": "Remco van Bladel about the current state and potential of the concept of 'graphical score'."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation."}, {"id": "00", "sentence": "The complete selection of scores is published in a music book."}, {"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "This continues to question the representation of sound in media; so what is the current state of the graphic score?"}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "participated": [{"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "c. 1963  ( I can confirm that Fr Melvin Ruprecht participated."}], "Zwart": [{"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}], "09": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "Guedes": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "zie": [{"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "VEHICLE": [{"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "Bladel": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Remco van Bladel about the current state and potential of the concept of 'graphical score'."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}], "third": [{"id": "00", "sentence": "DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}], "GUEDES": [{"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}], "back": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}], "An": [{"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}], "widely": [{"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}], "western": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}], "some": [{"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}], "Derek": [{"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "GOURDON": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}], "https": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "first": [{"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}], "returned": [{"id": "17", "sentence": "I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963."}], "21^st": [{"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}], "accompanied": [{"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}], "WIELS": [{"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}], "produce": [{"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}], "records": [{"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}], "i.c.w": [{"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}], "What": [{"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}], "newly": [{"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}], "Principium": [{"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "setup": [{"id": "03", "sentence": "The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0."}], "Manhattan": [{"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}], "work": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "Next to that there will be graphic works by students of ArtEZ - Graphic Design."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "The voice for this work is by Laetitia Saedier of Stereolab."}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}], "PA.": [{"id": "17", "sentence": "Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963."}], "Score": [{"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}], "discards": [{"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}], "PRINCIPIUM": [{"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp."}, {"id": "03", "sentence": "The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}], "Brieselaan": [{"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}], "such": [{"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "Participants  performed about 50 events such as \"turn on lights\", \"start engine\", \"stop engine\", \"open window\"."}], "copies": [{"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}], "The": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "The voice for this work is by Laetitia Saedier of Stereolab."}, {"id": "00", "sentence": "The complete selection of scores is published in a music book."}, {"id": "00", "sentence": "The entire music book will be performed three times during the South Explorer weekend."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "03", "sentence": "The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0."}, {"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}, {"id": "05", "sentence": "The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine."}, {"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}], "2016": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "Moniker": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "presents": [{"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}], "research": [{"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}], "/The": [{"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "marginalised": [{"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "South": [{"id": "00", "sentence": "The entire music book will be performed three times during the South Explorer weekend."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "Sonic": [{"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}], "design": [{"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "jukebox": [{"id": "02", "sentence": "Some dare say it's a kind of jukebox."}], "interfaces": [{"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}], "Academie": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "Can": [{"id": "00", "sentence": "Can a tune be translated into an image?"}, {"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}], "sundown": [{"id": "17", "sentence": "Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles."}], "shuffled": [{"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}], "&": [{"id": "00", "sentence": "Sat, 14 & Sun."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}], "composer": [{"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}], "Tetra": [{"id": "00", "sentence": "DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "03", "sentence": "Event Tetra Gamma Circulaire 1, 06. release principium2.0"}], "and": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}, {"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}, {"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "00", "sentence": "Remco van Bladel about the current state and potential of the concept of 'graphical score'."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "Just so you can see them day and night, for about three weeks long."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "We became friends and GB mailed instruction cards to me."}, {"id": "17", "sentence": "Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles."}], "Void": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "van": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Remco van Bladel about the current state and potential of the concept of 'graphical score'."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}], "local": [{"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}], "early-": [{"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}], "unnoticed.": [{"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "Gregorian": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}], "their": [{"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}, {"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles."}], "after": [{"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}], "radically": [{"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "agreed": [{"id": "17", "sentence": "GB agreed to provide instructions for an event at St Vincent."}], "artistic": [{"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}, {"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}], "modernist": [{"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}], "Florian": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "sonic": [{"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}], "Hall": [{"id": "17", "sentence": "Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963."}], "Giralt": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "Koos": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}], "participate": [{"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "c. 1963  ( I can confirm that Fr Melvin Ruprecht participated."}], "frame": [{"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}], "copy": [{"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}, {"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}, {"id": "05", "sentence": "The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "issues": [{"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}], "performing": [{"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}], "A": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}, {"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "Next to that there will be graphic works by students of ArtEZ - Graphic Design."}, {"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project."}, {"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963."}], "Metrostation": [{"id": "00", "sentence": "Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation."}], "vehicles": [{"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles."}], "type": [{"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}], "6": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "03", "sentence": "The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0."}, {"id": "03", "sentence": "Event Tetra Gamma Circulaire 1, 06. release principium2.0"}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963."}, {"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}, {"id": "17", "sentence": "I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963."}, {"id": "17", "sentence": "c. 1963  ( I can confirm that Fr Melvin Ruprecht participated."}], "function": [{"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}], "Canon": [{"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}], "PINKIE": [{"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}], "internationally": [{"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}], "fundamental": [{"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}], "PU-SH-ING": [{"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}], "Drip": [{"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}], "instructions": [{"id": "17", "sentence": "One of many similar kinds of instructions that were given to participants."}, {"id": "17", "sentence": "GB agreed to provide instructions for an event at St Vincent."}, {"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}], "ROZENDAAL": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}], "au": [{"id": "00", "sentence": "DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}], "collection": [{"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}, {"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}], "Clàudia": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "installations": [{"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}], "entries": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "Universiteit": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "Hits": [{"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}], "new": [{"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}, {"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}], "Enschede": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "way": [{"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}, {"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}, {"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "old": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}], "through": [{"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}], "floppydrive": [{"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}], "installation": [{"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}, {"id": "03", "sentence": "The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0."}], "1962": [{"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}], "detuning": [{"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}], "renderings": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}], "AND": [{"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}], "Jörg": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "2018": [{"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}], "three": [{"id": "00", "sentence": "Just so you can see them day and night, for about three weeks long."}, {"id": "00", "sentence": "The entire music book will be performed three times during the South Explorer weekend."}], "his": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "The voice for this work is by Laetitia Saedier of Stereolab."}, {"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}, {"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}, {"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}, {"id": "00", "sentence": "This continues to question the representation of sound in media; so what is the current state of the graphic score?"}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}], "audio": [{"id": "00", "sentence": "DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}], "creative": [{"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "14": [{"id": "00", "sentence": "Sat, 14 & Sun."}], "ask": [{"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}], "written": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}], "audience": [{"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "'graphical": [{"id": "00", "sentence": "Remco van Bladel about the current state and potential of the concept of 'graphical score'."}], "key": [{"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}], "developing": [{"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "Gamma": [{"id": "00", "sentence": "DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "03", "sentence": "Event Tetra Gamma Circulaire 1, 06. release principium2.0"}], "20:00hrs": [{"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}], "BERGMARK": [{"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}], "2017": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}], "phone": [{"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}, {"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}], "Nilsen": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "//www.deplayer.nl/releases/tetra-gamma-circulaire-3": [{"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}], "24/03/2017": [{"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}], "1963": [{"id": "17", "sentence": "Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963."}, {"id": "17", "sentence": "I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963."}, {"id": "17", "sentence": "c. 1963  ( I can confirm that Fr Melvin Ruprecht participated."}], "until": [{"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}], "confirm": [{"id": "17", "sentence": "c. 1963  ( I can confirm that Fr Melvin Ruprecht participated."}], "head": [], "orientated": [{"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}], "c.1962": [{"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}], "BOWTIE//": [{"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}], "programme": [{"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}], "relationship": [{"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}], "billboards": [{"id": "00", "sentence": "Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation."}], "Washington": [{"id": "17", "sentence": "I believe it was before I went to Washington as NCE editor, rv0"}], "in": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "Can a tune be translated into an image?"}, {"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}, {"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}, {"id": "00", "sentence": "For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project."}, {"id": "00", "sentence": "So far Evelin Brosi."}, {"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}, {"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "The complete selection of scores is published in a music book."}, {"id": "00", "sentence": "The entire music book will be performed three times during the South Explorer weekend."}, {"id": "00", "sentence": "For every performance a different instrument has been selected."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}, {"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}, {"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "This continues to question the representation of sound in media; so what is the current state of the graphic score?"}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}, {"id": "02", "sentence": "Some dare say it's a kind of jukebox."}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp."}, {"id": "03", "sentence": "The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0."}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "03", "sentence": "Event Tetra Gamma Circulaire 1, 06. release principium2.0"}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}, {"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}, {"id": "05", "sentence": "The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "One of many similar kinds of instructions that were given to participants."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}, {"id": "17", "sentence": "Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963."}, {"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}, {"id": "17", "sentence": "We became friends and GB mailed instruction cards to me."}, {"id": "17", "sentence": "I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963."}, {"id": "17", "sentence": "GB agreed to provide instructions for an event at St Vincent."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "Each card held an instruction to be performed with a vehicle."}, {"id": "17", "sentence": "Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles."}, {"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}, {"id": "17", "sentence": "Participants  performed about 50 events such as \"turn on lights\", \"start engine\", \"stop engine\", \"open window\"."}, {"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}, {"id": "17", "sentence": "c. 1963  ( I can confirm that Fr Melvin Ruprecht participated."}, {"id": "17", "sentence": "I believe it was before I went to Washington as NCE editor, rv0"}], "Two": [{"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "fields": [{"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "became": [{"id": "17", "sentence": "We became friends and GB mailed instruction cards to me."}], "sheet": [{"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}], "forms": [{"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "PARADISO": [{"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}], "084": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}], "Carlson": [{"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}], "differently": [{"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}], "Vous": [{"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}], "nomadic": [{"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}], "energy": [{"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}], "day": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "Just so you can see them day and night, for about three weeks long."}, {"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "what": [{"id": "00", "sentence": "This continues to question the representation of sound in media; so what is the current state of the graphic score?"}], "Contemporary": [{"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}], "voice": [{"id": "00", "sentence": "The voice for this work is by Laetitia Saedier of Stereolab."}], "Just": [{"id": "00", "sentence": "Just so you can see them day and night, for about three weeks long."}], "concert": [{"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}], "FRANKLIN": [{"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}], "Joy": [{"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}, {"id": "17", "sentence": "I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963."}, {"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}], "scores": [{"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation."}, {"id": "00", "sentence": "The complete selection of scores is published in a music book."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}], "usually": [{"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}], "media": [{"id": "00", "sentence": "This continues to question the representation of sound in media; so what is the current state of the graphic score?"}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "Rotem-Stibbe": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}], "Tankred": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}], "selected": [{"id": "00", "sentence": "For every performance a different instrument has been selected."}], "where": [{"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}], "invited": [{"id": "00", "sentence": "For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project."}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}], "Maciunas": [{"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}], "life": [{"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "development": [{"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "object": [{"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, 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"02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}], "BLADEL": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}], "recent": [{"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}], "It": [{"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}], "Franklin": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}], "Type": [{"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}], "say": [{"id": "02", "sentence": "Some dare say it's a kind of jukebox."}], "03.150702": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}], "be": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "Can a tune be translated into an image?"}, {"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}, {"id": "00", "sentence": "Next to that there will be graphic works by students of ArtEZ - Graphic Design."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, 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Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century 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zie ook Principium 2.0 release Kris Delacourt"}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}, {"id": "17", "sentence": "Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963."}, {"id": "17", "sentence": "We became friends and GB mailed instruction cards to me."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "Each card held an instruction to be performed with a vehicle."}, {"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}, {"id": "17", "sentence": "I believe it was before I went to Washington as NCE editor, rv0"}], "NILSEN": [{"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}], "objects": [{"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "choir": [{"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}], "Spreeuwenberg": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "2015.jpg": [{"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}], "Giovanelli": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}], "visual": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "creation": [{"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}], "His": [{"id": "00", "sentence": "His best ones."}], "applications": [{"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}], "by": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "Next to that there will be graphic works by students of ArtEZ - Graphic Design."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "The voice for this work is by Laetitia Saedier of Stereolab."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}, {"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "DUPAC": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "incentive": [{"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "described": [{"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "Thirteen": [{"id": "00", "sentence": "Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation."}], "Karina": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}], "instruments": [{"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}], "González": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}], "12": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "03", "sentence": "The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0."}], "06/02/2015": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}], "Stereolab": [{"id": "00", "sentence": "The voice for this work is by Laetitia Saedier of Stereolab."}], "designers": [{"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "contains": [{"id": "03", "sentence": "The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0."}], "recorded": [{"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}], "foil": [{"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}], "member": [{"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}], "aim": [{"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}], "famous": [{"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}], "SCORE": [{"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}], "Nelle": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}], "Sundown": [{"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}], "Pu-shi-ng-Sco-res": [{"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}], "Fri": [{"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}], "being": [{"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}], "3": [{"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963."}, {"id": "17", "sentence": "I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963."}, {"id": "17", "sentence": "c. 1963  ( I can confirm that Fr Melvin Ruprecht participated."}], "we": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}, {"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}, {"id": "00", "sentence": "For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project."}, {"id": "00", "sentence": "Just so you can see them day and night, for about three weeks long."}, {"id": "00", "sentence": "The entire music book will be performed three times during the South Explorer weekend."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}, {"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "One of many similar kinds of instructions that were given to participants."}, {"id": "17", "sentence": "Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles."}, {"id": "17", "sentence": "I believe it was before I went to Washington as NCE editor, rv0"}], "Jacques": [{"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}], "Later": [{"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}], "ambition": [{"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}], "generate": [{"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}], "archiving": [{"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}], "an": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "Can a tune be translated into an image?"}, {"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}, {"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}, {"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}, {"id": "00", "sentence": "Remco van Bladel about the current state and potential of the concept of 'graphical score'."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "Just so you can see them day and night, for about three weeks long."}, {"id": "00", "sentence": "For every performance a different instrument has been selected."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}, {"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "One of many similar kinds of instructions that were given to participants."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}, {"id": "17", "sentence": "Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963."}, {"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}, {"id": "17", "sentence": "We became friends and GB mailed instruction cards to me."}, {"id": "17", "sentence": "GB agreed to provide instructions for an event at St Vincent."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "Each card held an instruction to be performed with a vehicle."}, {"id": "17", "sentence": "Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles."}, {"id": "17", "sentence": "Participants  performed about 50 events such as \"turn on lights\", \"start engine\", \"stop engine\", \"open window\"."}, {"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}, {"id": "17", "sentence": "c. 1963  ( I can confirm that Fr Melvin Ruprecht participated."}], "VUKSIC": [{"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}], "By": [{"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}], "Willem": [{"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "state": [{"id": "00", "sentence": "Remco van Bladel about the current state and potential of the concept of 'graphical score'."}, {"id": "00", "sentence": "This continues to question the representation of sound in media; so what is the current state of the graphic score?"}], "22": [{"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}], "Vaast": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "This": [{"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}, {"id": "00", "sentence": "This continues to question the representation of sound in media; so what is the current state of the graphic score?"}, {"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}], "P·o·l·i·t·i·c·a·l": [{"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}], "media-technical": [{"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}], "national": [{"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}], "DEREK": [{"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}], "concepts": [{"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}], "Music": [{"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}], "informed": [{"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}], "us": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}, {"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}, {"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "Just so you can see them day and night, for about three weeks long."}, {"id": "00", "sentence": "The complete selection of scores is published in a music book."}, {"id": "00", "sentence": "The entire music book will be performed three times during the South Explorer weekend."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "international": [{"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}], "fair": [{"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "TGC": [{"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}], "princ2-s-2000px-72dpi-79": [{"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}], "American": [{"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}], "Siep": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}], "which": [{"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}, {"id": "05", "sentence": "The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}], "can": [{"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}, {"id": "00", "sentence": "Just so you can see them day and night, for about three weeks long."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "c. 1963  ( I can confirm that Fr Melvin Ruprecht participated."}], "translated": [{"id": "00", "sentence": "Can a tune be translated into an image?"}], "but": [{"id": "00", "sentence": "For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "Fluxus": [{"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}], "window": [{"id": "17", "sentence": "Participants  performed about 50 events such as \"turn on lights\", \"start engine\", \"stop engine\", \"open window\"."}], "hand": [{"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}], "monastery": [{"id": "17", "sentence": "I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963."}], "AMVK": [{"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}], "Douglas": [{"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "Verostko": [{"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}], "works": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "Next to that there will be graphic works by students of ArtEZ - Graphic Design."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}], "develop": [{"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "Dutch": [{"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}], "Bergmark": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "DOB084": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}], "continues": [{"id": "00", "sentence": "This continues to question the representation of sound in media; so what is the current state of the graphic score?"}], "exhibition": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}], "corner": [{"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}], "Jan": [{"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}], "02.": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}], "copied": [{"id": "05", "sentence": "The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine."}], "live": [{"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}], "Pour": [{"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}], "this": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "The voice for this work is by Laetitia Saedier of Stereolab."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}], "Paris": [{"id": "17", "sentence": "I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963."}], "pushing": [{"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}], "computer": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}], "Cage": [{"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}], "group": [{"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}], "VALENTINA": [{"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}], "meet": [{"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}, {"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}], "Maashaven": [{"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation."}], "lectures": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}], "so": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}, {"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "Just so you can see them day and night, for about three weeks long."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "This continues to question the representation of sound in media; so what is the current state of the graphic score?"}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}], "travelling": [{"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}], "graphic": [{"id": "00", "sentence": "Next to that there will be graphic works by students of ArtEZ - Graphic Design."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}, {"id": "00", "sentence": "Remco van Bladel about the current state and potential of the concept of 'graphical score'."}, {"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "This continues to question the representation of sound in media; so what is the current state of the graphic score?"}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}], "floppy": [{"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}, {"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}], "INFORMATIVE": [{"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}], "viewer": [{"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}], "Pushing": [{"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}], "performances": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}], "provide": [{"id": "17", "sentence": "GB agreed to provide instructions for an event at St Vincent."}], "Rozendaal/Luuk": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys 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context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}], "lot": [{"id": "17", "sentence": "Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles."}], "Feb": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}], "project": [{"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}, {"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}, {"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "T·h·e": [{"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}], "number": [{"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}], "like": [{"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}], "Steve": [{"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}, {"id": "17", "sentence": "I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963."}], "relationships": [{"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}], "Museum": [{"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}], "remain": [{"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}], "Scores": [{"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}], "br": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "17", "sentence": "I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963."}], "Nadine": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}], "play": [{"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "17": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}, {"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}], "join": [{"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}], "collectively": [{"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "confines": [{"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}], "Then": [{"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}], "enables": [{"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}], "ARCHIVING": [{"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}], "Institute": [{"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}], "BUENNAGEL": [{"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}], "reading": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}], "Antwerpen": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}], "MacDiarmid": [{"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}], "machine": [{"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}, {"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}, {"id": "05", "sentence": "The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine."}], "is": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}, {"id": "00", "sentence": "For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project."}, {"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "The voice for this work is by Laetitia Saedier of Stereolab."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "His best ones."}, {"id": "00", "sentence": "The complete selection of scores is published in a music book."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}, {"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}, {"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "This continues to question the representation of sound in media; so what is the current state of the graphic score?"}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}, {"id": "05", "sentence": "The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}, {"id": "17", "sentence": "I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}], "int": [{"id": "00", "sentence": "Can a tune be translated into an image?"}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}, {"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}], "20^th": [{"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "record": [{"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}], "desire": [{"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}], "unfolds": [{"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}], "Drivers": [{"id": "17", "sentence": "Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles."}], "NCE": [{"id": "17", "sentence": "I believe it was before I went to Washington as NCE editor, rv0"}], "special": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}], "there": [{"id": "00", "sentence": "Next to that there will be graphic works by students of ArtEZ - Graphic Design."}, {"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}], "lecture": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}], "details": [{"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "Left": [{"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "Wiels": [{"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "event": [{"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "17", "sentence": "GB agreed to provide instructions for an event at St Vincent."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "Participants  performed about 50 events such as \"turn on lights\", \"start engine\", \"stop engine\", \"open window\"."}], "artist": [{"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project."}, {"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}, {"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}], "related": [{"id": "00", "sentence": "For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project."}], "2-3": [{"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}], "18:00hrs": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}], "motto": [{"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}], "companies": [{"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}], "Focussing": [{"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}], "best": [{"id": "00", "sentence": "His best ones."}], "published": [{"id": "00", "sentence": "The complete selection of scores is published in a music book."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}], "also": [{"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}], "c.": [{"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}, {"id": "17", "sentence": "c. 1963  ( I can confirm that Fr Melvin Ruprecht participated."}], "redefine": [{"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}], "EVENT": [{"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "belief": [{"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "previously": [{"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}], "XPUB": [{"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}], "have": [{"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation."}, {"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}, {"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}], "3.5": [{"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "'prepared": [{"id": "05", "sentence": "Produced on a 'prepared copier'."}], "PU": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}], "include": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}], "drawing": [{"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "05", "sentence": "The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine."}], "Peter": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}], "1": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}, {"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "Sat, 14 & Sun."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "03", "sentence": "Event Tetra Gamma Circulaire 1, 06. release principium2.0"}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963."}, {"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}, {"id": "17", "sentence": "I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963."}, {"id": "17", "sentence": "c. 1963  ( I can confirm that Fr Melvin Ruprecht participated."}], "vehicle": [{"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "Each card held an instruction to be performed with a vehicle."}, {"id": "17", "sentence": "Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles."}], "tenth": [{"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}], "Description": [{"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}], "Floris": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "MARTENS": [{"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}], "'Para-phonic": [{"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}], "GesammttkkunnsttMeshuggahhLaandtttt": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}], "1961": [{"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "between": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}], "solo": [{"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}], "underneath": [{"id": "00", "sentence": "Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation."}], "partners": [{"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}], "believe": [{"id": "17", "sentence": "I believe it was before I went to Washington as NCE editor, rv0"}], "ROTTERDAM": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}], "Coming": [{"id": "00", "sentence": "Coming from different biotopes, our other guests will all 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which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}], "based": [{"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}], "Matthieu": [{"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: 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[Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "start": [{"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "17", "sentence": "Participants  performed about 50 events such as \"turn on lights\", \"start engine\", \"stop engine\", \"open window\"."}], "Goudron": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "approaches": [{"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}], "20:30hrs": [{"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}], "reference": [{"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}], "cultural": [{"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}], "organisations": [{"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}], "signs": [{"id": "00", "sentence": 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(nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "scripture": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}], "Vincent": [{"id": "17", "sentence": "Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963."}, {"id": "17", "sentence": "I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963."}, {"id": "17", "sentence": "GB agreed to provide instructions for an event at St Vincent."}, {"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}], "precursor": [{"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}], "included": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}], "Witte": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}, {"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}], "Greatest": [{"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}], "present": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "This continues to question the representation of sound in media; so what is the current state of the graphic score?"}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}], "Pinkie": [{"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "sensitivities": [{"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}], "JUSTIN": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}], "bigger": [{"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}], "24": [{"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}], "materialised": [{"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}], "departure": [{"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}], "n·o·t·a·t·i·o·n": [{"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}], "most": [{"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most 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DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "03", "sentence": "Event Tetra Gamma Circulaire 1, 06. release principium2.0"}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "workshops": [{"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}], "PLAYER": [{"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}], "Publishing": [{"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}], "sun": [{"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}, {"id": "17", "sentence": "Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles."}], "drawn": [{"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}], "were": [{"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}, {"id": "17", "sentence": "One of many similar kinds of instructions that were given to participants."}, {"id": "17", "sentence": "Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles."}], "form": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "00", "sentence": "The entire music book will be performed three times during the South Explorer weekend."}, {"id": "00", "sentence": "For every performance a different instrument has been selected."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}, {"id": "17", "sentence": "Each card held an instruction to be performed with a vehicle."}, {"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}, {"id": "17", "sentence": "Participants  performed about 50 events such as \"turn on lights\", \"start engine\", \"stop engine\", \"open window\"."}, {"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}], "s": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}, {"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "Can a tune be translated into an image?"}, {"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}, {"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "Next to that there will be graphic works by students of ArtEZ - Graphic Design."}, {"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}, {"id": "00", "sentence": "For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project."}, {"id": "00", "sentence": "So far Evelin Brosi."}, {"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "Remco van Bladel about the current state and potential of the concept of 'graphical score'."}, {"id": "00", "sentence": "The voice for this work is by Laetitia Saedier of Stereolab."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "His best ones."}, {"id": "00", "sentence": "Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation."}, {"id": "00", "sentence": "Just so you can see them day and night, for about three weeks long."}, {"id": "00", "sentence": "The complete selection of scores is published in a music book."}, {"id": "00", "sentence": "The entire music book will be performed three times during the South Explorer weekend."}, {"id": "00", "sentence": "For every performance a different instrument has been selected."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}, {"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}, {"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "This continues to question the representation of sound in media; so what is the current state of the graphic score?"}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}, {"id": "02", "sentence": "Some dare say it's a kind of jukebox."}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp."}, {"id": "03", "sentence": "The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0."}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "03", "sentence": "Event Tetra Gamma Circulaire 1, 06. release principium2.0"}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}, {"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}, {"id": "05", "sentence": "The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "One of many similar kinds of instructions that were given to participants."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}, {"id": "17", "sentence": "Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963."}, {"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}, {"id": "17", "sentence": "We became friends and GB mailed instruction cards to me."}, {"id": "17", "sentence": "I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963."}, {"id": "17", "sentence": "GB agreed to provide instructions for an event at St Vincent."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "Each card held an instruction to be performed with a vehicle."}, {"id": "17", "sentence": "Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles."}, {"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}, {"id": "17", "sentence": "Participants  performed about 50 events such as \"turn on lights\", \"start engine\", \"stop engine\", \"open window\"."}, {"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}, {"id": "17", "sentence": "I believe it was before I went to Washington as NCE editor, rv0"}], "compiling": [{"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}], "years": [{"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}], "consultant": [{"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}], "4.5.": [{"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "meeting": [{"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}], "that": [{"id": "00", "sentence": "Next to that there will be graphic works by students of ArtEZ - Graphic Design."}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "One of many similar kinds of instructions that were given to participants."}, {"id": "17", "sentence": "c. 1963  ( I can confirm that Fr Melvin Ruprecht participated."}], "As": [{"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "search": [{"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}], "Resonanz": [{"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}], "attempt": [{"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}], "magazine": [{"id": "00", "sentence": "DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}], "transparent": [{"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}], "Based": [{"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "features": [{"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}], "Haan": [{"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "other": [{"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}], "zine": [{"id": "00", "sentence": "DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine."}], "involved": [{"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}], "Colson….beschrijving": [{"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "Creation": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "HELGA": [{"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}], "amplified": [{"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}], "involvement": [{"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}], "many": [{"id": "17", "sentence": "One of many similar kinds of instructions that were given to participants."}], "relation": [{"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}], "would": [{"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}], "Stephen": [{"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}], "jpg": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "experiments": [{"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}], "notation./": [{"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "includes": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}], "REMÖRK": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}], "was": [{"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked 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project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}], "far": [{"id": "00", "sentence": "So far Evelin Brosi."}], "kind": [{"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}, {"id": "02", "sentence": "Some dare say it's a kind of jukebox."}, {"id": "17", "sentence": "One of many similar kinds of instructions that were given to participants."}], "vital": [{"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}], "NOTING": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}], "Remco": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van 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Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "Thu": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}, {"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}], "'s": [{"id": "02", "sentence": "Some dare say it's a kind of jukebox."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}, {"id": "17", "sentence": "Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963."}, {"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}], "our": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "Kahn": [{"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van 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URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "Circulaire": [{"id": "00", "sentence": "DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "03", "sentence": "Event Tetra Gamma Circulaire 1, 06. release principium2.0"}], "sunset": [{"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}], "de/nl": [{"id": "00", 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Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "went": [{"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "17", "sentence": "I believe it was before I went to Washington as NCE editor, rv0"}], "KAHN": [{"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}], "Varia": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël 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"Location": [{"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "17", "sentence": "Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963."}], "St": [{"id": "00", "sentence": "The voice for this work is by Laetitia Saedier of Stereolab."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "17", "sentence": "Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963."}, {"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}, {"id": "17", "sentence": "I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963."}, {"id": "17", "sentence": "GB agreed to provide instructions for an event at St Vincent."}, {"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}], "art": [{"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project."}, {"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}, {"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "One of many similar kinds of instructions that were given to participants."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "Participants  performed about 50 events such as \"turn on lights\", \"start engine\", \"stop engine\", \"open window\"."}, {"id": "17", "sentence": "c. 1963  ( I can confirm that Fr Melvin Ruprecht participated."}], "'graphic": [{"id": "00", "sentence": "Remco van Bladel about the current state and potential of the concept of 'graphical score'."}, {"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}], "aka": [{"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}], "S·c·o·r·e·s": [{"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}], "cut": [{"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}], "Duncan": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "flip": [{"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}], "sound": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}, {"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "This continues to question the representation of sound in media; so what is the current state of the graphic score?"}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}, {"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}], "friends": [{"id": "17", "sentence": "We became friends and GB mailed instruction cards to me."}], "instructed": [{"id": "17", "sentence": "Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles."}], "on": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}, {"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}, {"id": "00", "sentence": "For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project."}, {"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}, {"id": "00", "sentence": "Remco van Bladel about the current state and potential of the concept of 'graphical score'."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "His best ones."}, {"id": "00", "sentence": "Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation."}, {"id": "00", "sentence": "Just so you can see them day and night, for about three weeks long."}, {"id": "00", "sentence": "The complete selection of scores is published in a music book."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}, {"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}, {"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "This continues to question the representation of sound in media; so what is the current state of the graphic score?"}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp."}, {"id": "03", "sentence": "The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0."}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "Produced on a 'prepared copier'."}, {"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}, {"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "One of many similar kinds of instructions that were given to participants."}, {"id": "17", "sentence": "Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963."}, {"id": "17", "sentence": "We became friends and GB mailed instruction cards to me."}, {"id": "17", "sentence": "I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963."}, {"id": "17", "sentence": "GB agreed to provide instructions for an event at St Vincent."}, {"id": "17", "sentence": "Each card held an instruction to be performed with a vehicle."}, {"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}, {"id": "17", "sentence": "Participants  performed about 50 events such as \"turn on lights\", \"start engine\", \"stop engine\", \"open window\"."}, {"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}, {"id": "17", "sentence": "c. 1963  ( I can confirm that Fr Melvin Ruprecht participated."}, {"id": "17", "sentence": "I believe it was before I went to Washington as NCE editor, rv0"}], "unveil": [{"id": "00", "sentence": "DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}], "program": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}], "named": [{"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}], "Jun": [{"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}], "rises": [{"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}], "Pfizer": [{"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}], "Wiesbaden": [{"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}], "launched": [{"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}], "professional": [{"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}], "Charlemagne": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "Design": [{"id": "00", "sentence": "Next to that there will be graphic works by students of ArtEZ - Graphic Design."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}], "Kris": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "notation": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}], "modified": [{"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}], "electronic": [{"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}], "Anne-Mie": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "at": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "Can a tune be translated into an image?"}, {"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}, {"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "Next to that there will be graphic works by students of ArtEZ - Graphic Design."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project."}, {"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}, {"id": "00", "sentence": "Remco van Bladel about the current state and potential of the concept of 'graphical score'."}, {"id": "00", "sentence": "Sat, 14 & Sun."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation."}, {"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}, {"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "This continues to question the representation of sound in media; so what is the current state of the graphic score?"}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp."}, {"id": "03", "sentence": "The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "One of many similar kinds of instructions that were given to participants."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}, {"id": "17", "sentence": "Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963."}, {"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}, {"id": "17", "sentence": "GB agreed to provide instructions for an event at St Vincent."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles."}, {"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}, {"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}, {"id": "17", "sentence": "c. 1963  ( I can confirm that Fr Melvin Ruprecht participated."}], "1926": [{"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}], "or": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "Next to that there will be graphic works by students of ArtEZ - Graphic Design."}, {"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project."}, {"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "Remco van Bladel about the current state and potential of the concept of 'graphical score'."}, {"id": "00", "sentence": "The voice for this work is by Laetitia Saedier of Stereolab."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation."}, {"id": "00", "sentence": "Just so you can see them day and night, for about three weeks long."}, {"id": "00", "sentence": "The complete selection of scores is published in a music book."}, {"id": "00", "sentence": "The entire music book will be performed three times during the South Explorer weekend."}, {"id": "00", "sentence": "For every performance a different instrument has been selected."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}, {"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "This continues to question the representation of sound in media; so what is the current state of the graphic score?"}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}, {"id": "17", "sentence": "Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963."}, {"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}, {"id": "17", "sentence": "GB agreed to provide instructions for an event at St Vincent."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "Each card held an instruction to be performed with a vehicle."}, {"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}, {"id": "17", "sentence": "Participants  performed about 50 events such as \"turn on lights\", \"start engine\", \"stop engine\", \"open window\"."}, {"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}, {"id": "17", "sentence": "I believe it was before I went to Washington as NCE editor, rv0"}], "point": [{"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}], "alone": [{"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}], "different": [{"id": "00", "sentence": "For every performance a different instrument has been selected."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}], "HOOF": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}], "demonstrating": [{"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}], "wifi": [{"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}], "it": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}, {"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}, {"id": "00", "sentence": "For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project."}, {"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}, {"id": "00", "sentence": "The voice for this work is by Laetitia Saedier of Stereolab."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}, {"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}, {"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "Some dare say it's a kind of jukebox."}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "Each card held an instruction to be performed with a vehicle."}, {"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}, {"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}, {"id": "17", "sentence": "I believe it was before I went to Washington as NCE editor, rv0"}], "Van": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "still": [{"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "Noordt": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "01": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}, {"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "Margreet": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & 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i.c.w."}, {"id": "00", "sentence": "This continues to question the representation of sound in media; so what is the current state of the graphic score?"}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}], "brought": [{"id": "17", "sentence": "I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963."}], "about": [{"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}, {"id": "00", "sentence": "Remco van Bladel about the current state and potential of the concept of 'graphical score'."}, {"id": "00", "sentence": "Just so you can see them day and night, for about three weeks long."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and 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Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}], "Studio": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "current": [{"id": "00", "sentence": "Remco van Bladel about the current state and potential of the concept of 'graphical score'."}, {"id": "00", "sentence": "This continues to question the representation of sound in media; so what is the current state of the graphic score?"}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}], "remarkable": [{"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}], "VARIA": [{"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}], "pieces": [{"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}], "Bünnagel": [{"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}], "researches": [{"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}], "participants": [{"id": "17", "sentence": "One of many similar kinds of instructions that were given to participants."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}], "constellations": [{"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "TUNING": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}], "focus": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}], "characterised": [{"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}], "Palestine": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "Graphic": [{"id": "00", "sentence": "Next to that there will be graphic works by students of ArtEZ - Graphic Design."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "publishing": [{"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}, {"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}, {"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}], "Fontys": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "99": [{"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}], "Gert": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}], "designer": [{"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, 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Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}], "held": [{"id": "17", "sentence": "Each card held an instruction to be performed with a vehicle."}], "concept": [{"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "Remco van Bladel about the current state and potential of the concept of 'graphical score'."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}], "replaces": [{"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}], "born": [{"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}], "maximum": [{"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}], "surround": [{"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "goal": [{"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "AMSTERDAM": [{"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}], "copy-run": [{"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}], "lights": [{"id": "17", "sentence": "Participants  performed about 50 events such as \"turn on lights\", \"start engine\", \"stop engine\", \"open window\"."}], "consists": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}], "field": [{"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "chemist": [{"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}], "image": [{"id": "00", "sentence": "Can a tune be translated into an image?"}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "05", "sentence": "The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine."}], "short": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}], "unknown": [{"id": "00", "sentence": "DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}], "Niek": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "In": [{"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}], "internal": [{"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}, {"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}], "Mar": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}], "park": [{"id": "17", "sentence": "Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963."}, {"id": "17", "sentence": "Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles."}], "Michael": [{"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}], "MORE": [{"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}], "grahic": [{"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}], "serving": [{"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}], "15": [{"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}], "various": [{"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "death": [{"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}], "events": [{"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "17", "sentence": "Participants  performed about 50 events such as \"turn on lights\", \"start engine\", \"stop engine\", \"open window\"."}], "Master": [{"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}], "TGC1club-web-06": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}], "interested": [{"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}], "researching": [{"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}], "BY": [{"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}], "s·c·o·l·a": [{"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}], "theoreticians": [{"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}], "behind": [{"id": "17", "sentence": "Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963."}], "se": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation."}, {"id": "00", "sentence": "Just so you can see them day and night, for about three weeks long."}, {"id": "00", "sentence": "The complete selection of scores is published in a music book."}, {"id": "00", "sentence": "For every performance a different instrument has been selected."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "This continues to question the representation of sound in media; so what is the current state of the graphic score?"}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp."}, {"id": "03", "sentence": "The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0."}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "03", "sentence": "Event Tetra Gamma Circulaire 1, 06. release principium2.0"}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles."}], "Paradiso": [{"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "Kent": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}], "artworks": [{"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}], "decades": [{"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}], "Vehicles": [{"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}], "Francisco": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}], "E·c·o·n·o·m·y": [{"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}], "John": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}], "5": [{"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "Participants  performed about 50 events such as \"turn on lights\", \"start engine\", \"stop engine\", \"open window\"."}], "Cramer": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "chants": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}], "Dukalska": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}], "listen": [{"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}], "platform": [{"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}], "see": [{"id": "00", "sentence": "Just so you can see them day and night, for about three weeks long."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}], "Max": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}], "Antwerp": [{"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}], "BJ": [{"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "RAFAËL": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}], "played": [{"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}], "fr": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "We became friends and GB mailed instruction cards to me."}, {"id": "17", "sentence": "I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963."}], "YANN": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}], "culture": [{"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "ways": [{"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}, {"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}, {"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}], "flop": [{"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}, {"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}], "know": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}], "Evelin": [{"id": "00", "sentence": "So far Evelin Brosi."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "THE": [{"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}], "Aurélie": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "representation": [{"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "This continues to question the representation of sound in media; so what is the current state of the graphic score?"}], "medium": [{"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}], "evenings": [{"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}], "category": [{"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}], "magnets": [{"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}], "will": [{"id": "00", "sentence": "Next to that there will be graphic works by students of ArtEZ - Graphic Design."}, {"id": "00", "sentence": "DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation."}, {"id": "00", "sentence": "The entire music book will be performed three times during the South Explorer weekend."}, {"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}], "Arnhem": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "Polyurethaan": [{"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}], "engraved": [{"id": "05", "sentence": "The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine."}], "I": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}, {"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp."}, {"id": "03", "sentence": "The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}, {"id": "17", "sentence": "I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963."}, {"id": "17", "sentence": "c. 1963  ( I can confirm that Fr Melvin Ruprecht participated."}, {"id": "17", "sentence": "I believe it was before I went to Washington as NCE editor, rv0"}], "POLY-DISO": [{"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}], "CCA": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "book": [{"id": "00", "sentence": "The complete selection of scores is published in a music book."}, {"id": "00", "sentence": "The entire music book will be performed three times during the South Explorer weekend."}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}], "Helga": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "Martens": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "der": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}, {"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}], "PU-SHI-NG-SCO-RES": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}], "question": [{"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "This continues to question the representation of sound in media; so what is the current state of the graphic score?"}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}], "musicians": [{"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}], "categories": [{"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}], "//www.deplayer.nl/events/principium-20-stadslimiet-antwerp": [{"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}], "copier": [{"id": "05", "sentence": "Produced on a 'prepared copier'."}], "Some": [{"id": "02", "sentence": "Some dare say it's a kind of jukebox."}], "get": [{"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}], "themes": [{"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}], "On": [{"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "One of many similar kinds of instructions that were given to participants."}], "wrongfully": [{"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "dub": [{"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}], "Fr": [{"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "17", "sentence": "c. 1963  ( I can confirm that Fr Melvin Ruprecht participated."}], "them": [{"id": "00", "sentence": "Just so you can see them day and night, for about three weeks long."}, {"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}], "body": [{"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}], "Events": [{"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "Piet": [{"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}], "]": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "AT": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}], "GEORGE": [{"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "VAN": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}], "20": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}, {"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}], "turn": [{"id": "17", "sentence": "I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963."}, {"id": "17", "sentence": "Participants  performed about 50 events such as \"turn on lights\", \"start engine\", \"stop engine\", \"open window\"."}], "developed": [{"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}], "performed": [{"id": "00", "sentence": "The entire music book will be performed three times during the South Explorer weekend."}, {"id": "17", "sentence": "Each card held an instruction to be performed with a vehicle."}, {"id": "17", "sentence": "Participants  performed about 50 events such as \"turn on lights\", \"start engine\", \"stop engine\", \"open window\"."}, {"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}], "Tilburg": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "Nov": [{"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}], "Julia": [{"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "Our": [{"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}], "complete": [{"id": "00", "sentence": "The complete selection of scores is published in a music book."}], "Made": [{"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}], "PARA-PHONIC": [{"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}], "juli": [{"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}], "E-ARTHHA": [{"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}], "familiar": [{"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}], "own": [{"id": "00", "sentence": "DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles."}], "including": [{"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}], "ecology": [{"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}], "pt": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "Remco van Bladel about the current state and potential of the concept of 'graphical score'."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}], "show": [{"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "00", "sentence": "Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation."}], "constitutes": [{"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "Johnson": [{"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}], "similar": [{"id": "17", "sentence": "One of many similar kinds of instructions that were given to participants."}], "every": [{"id": "00", "sentence": "For every performance a different instrument has been selected."}, {"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "BRECHT": [{"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "FLORIS": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}], "evening": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}], "two-year": [{"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}], "audio-visual": [{"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "took": [{"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}], "DETUNING": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}], "dating": [{"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}], "WITH": [{"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}], "centred": [{"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}], "Fine": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "may": [{"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}], "Presentation": [{"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp."}], "engineered": [{"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}], "air": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "Event Tetra Gamma Circulaire 1, 06. release principium2.0"}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "Presented": [{"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}], "12:00hrs": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}], "already": [{"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}], "Mosconi": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "developments": [{"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}], "gather": [{"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}], "night": [{"id": "00", "sentence": "Just so you can see them day and night, for about three weeks long."}], "Vos": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "Poly-diso": [{"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}], "Vuksic": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "session": [{"id": "00", "sentence": "For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project."}], "standard": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}], "29": [{"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}], "potential": [{"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "Remco van Bladel about the current state and potential of the concept of 'graphical score'."}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}], "15:00hrs": [{"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}], "Hiele": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "artwork": [{"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}], "Rotterdam": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}, {"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}], "guests": [{"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}], "Schematic": [{"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}], "JOHANNES": [{"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}], "/title": [], "Sportsman": [{"id": "17", "sentence": "Location: St Vincent College, Latrobe, PA., parking area behind Sportsman's Hall, 1963."}], "Laetitia": [{"id": "00", "sentence": "The voice for this work is by Laetitia Saedier of Stereolab."}], "Each": [{"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}, {"id": "17", "sentence": "Each card held an instruction to be performed with a vehicle."}], "nl": [{"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}], "from": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "AMVK and JODI will show up to get informed on matters and will start to produce their floppy for the collection from there."}, {"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963."}], "Prins": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}], "Amsterdam": [{"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "each": [{"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}], "NIEK": [{"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}], "instruction": [{"id": "17", "sentence": "One of many similar kinds of instructions that were given to participants."}, {"id": "17", "sentence": "We became friends and GB mailed instruction cards to me."}, {"id": "17", "sentence": "GB agreed to provide instructions for an event at St Vincent."}, {"id": "17", "sentence": "Each card held an instruction to be performed with a vehicle."}, {"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}], "Colson-6d-20160909-57-20": [{"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "collaborating": [{"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}], "Mobil": [{"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}], "Participants": [{"id": "17", "sentence": "Participants  performed about 50 events such as \"turn on lights\", \"start engine\", \"stop engine\", \"open window\"."}], "Giulia": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}], "only": [{"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}], "ambiance": [{"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}], "Technische": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "of": [{"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}, {"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "Next to that there will be graphic works by students of ArtEZ - Graphic Design."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}, {"id": "00", "sentence": "The meeting is open for public who is interested in experimental ways of publishing or just like to hang out in a ambiance of artistic nouveauté."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "Para-phonic Poly-diso' is a graphic score for a digital, polyphonic choir wherein visitors of Paradiso can participate with their mobile phone."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "Remco van Bladel about the current state and potential of the concept of 'graphical score'."}, {"id": "00", "sentence": "The voice for this work is by Laetitia Saedier of Stereolab."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation."}, {"id": "00", "sentence": "The complete selection of scores is published in a music book."}, {"id": "00", "sentence": "The E-ARTHHA event is about the search for new interfaces and possibilities of sound composition, image and performance."}, {"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}, {"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "Throughout 2016 and 2018 this project will research the phenomenon of notation and the graphic representation of music."}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}, {"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "This continues to question the representation of sound in media; so what is the current state of the graphic score?"}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}, {"id": "00", "sentence": "It will seek concepts and configurations that produce new, previously unknown, relationships in the field of sound, visual arts, and performance."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "TGC #3 is a particular kind of publishing platform engineered for sonic experiments, instruments, and installations."}, {"id": "02", "sentence": "Some dare say it's a kind of jukebox."}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}, {"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp."}, {"id": "03", "sentence": "The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}, {"id": "05", "sentence": "Each copy-run of 99 copies (the maximum run of the machine) on transparent foil will be accompanied by a foil cover with the dub cut audiofile in it."}, {"id": "05", "sentence": "The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine."}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "One of many similar kinds of instructions that were given to participants."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}, {"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}], "Kerckhoven": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "beyond": [{"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}], "principium2.0": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "03", "sentence": "Event Tetra Gamma Circulaire 1, 06. release principium2.0"}], "cards": [{"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "17", "sentence": "We became friends and GB mailed instruction cards to me."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}], "contemporary": [{"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "floppyesk": [{"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}], "Art": [{"id": "00", "sentence": "Next to that there will be graphic works by students of ArtEZ - Graphic Design."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "stand": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}], "de": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}, {"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture?"}, {"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "Next to that there will be graphic works by students of ArtEZ - Graphic Design."}, {"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "Remco van Bladel about the current state and potential of the concept of 'graphical score'."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation."}, {"id": "00", "sentence": "Coming from different biotopes, our other guests will all have different points of departure for their performances."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}, {"id": "00", "sentence": "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field."}, {"id": "00", "sentence": "Later on this developed into the type of musical notation we are familiar with in Western music."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}, {"id": "00", "sentence": "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "In an attempt to redefine this concept, we will be compiling a programme in which artists, musicians, theoreticians and practitioners are invited to participate."}, {"id": "00", "sentence": "The collective goal is to develop and present new audio-visual and media-technical forms of graphic notation through artistic research and development."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "00", "sentence": "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come./"}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "Right: Vehicles, drivers & interested students gather before sunset for a performance of George Brecht's \"Vehicle Sundown Event\"."}, {"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}, {"id": "17", "sentence": "GB agreed to provide instructions for an event at St Vincent."}, {"id": "17", "sentence": "Then each driver, with a shuffled deck of instructions, would begin performing at the sound of a signal."}, {"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}], "At": [{"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}, {"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp."}], "tune": [{"id": "00", "sentence": "Can a tune be translated into an image?"}], "PZI": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "mid-twentieth": [{"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}], "DOUGLAS": [{"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}], "DOB": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": " DOB 084 - Tetra Gamma Circulaire #3 – concrete object with floppydrive, local wifi station and diverse electronic applications - edition 12 pieces  Description: Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp."}], "Dennis": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}], "expand": [{"id": "00", "sentence": "By travelling with TGC#3 we aim to expand the floppy collection of it and focus on experimental ways of publishing."}], "presented": [{"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}], "HOLZER": [{"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}], "TELCOSYSTEMS": [{"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}], "DE": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}, {"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}, {"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "DE PLAYER will unveil its third issue of Tetra Gamma Circulaire (TGC) – the unknown audio magazine."}, {"id": "00", "sentence": "Fri 12 Jan 2018 20:30hrs @Paradiso, Amsterdam PARA-PHONIC POLY-DISO BY REMCO VAN BLADEL AT PARADISO AMSTERDAM This day the work 'Para-phonic Poly-diso' will be launched at The Small Museum of Paradiso, Amsterdam."}, {"id": "00", "sentence": "This work, developed for the Small Museum project of Paradiso, is part of Pushing the Score; a research project by DE PLAYER i.c.w."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}, {"id": "00", "sentence": "Thu 29 Nov 2018 20:00hrs @VARIA, Rotterdam ARCHIVING PUSHING THE SCORE WITH VARIA, VALENTINA VUKSIC, ANA GUEDES, NIEK HILKMAN AND MORE On this evening we focus on archiving our Pushing the Score project."}, {"id": "00", "sentence": "P·u·s·h·i·n·g  S·c·o·r·e·s is a two-year artistic research project, initiated by DE PLAYER and graphic designer Remco van Bladel."}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}], "MAT": [{"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}], "For": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "For the Pinkie Bowtie session we invited Antwerp related artists to contribute to the project."}, {"id": "00", "sentence": "For every performance a different instrument has been selected."}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}], "direction": [{"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}], "going": [{"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}], "Acts./": [{"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}], "during": [{"id": "00", "sentence": "The entire music book will be performed three times during the South Explorer weekend."}], "as": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "00", "sentence": "Sun 15 Oct 2017 15:00hrs @Pinkie Bowtie, Antwerp TGC#3 @ PINKIE BOWTIE// AN INFORMATIVE FLOPPY SESSION Tetra Gamma Circulaire #3 is travelling now as an open floppy platform."}, {"id": "00", "sentence": "First station is at Pinkie Bowtie Antwerp where we will introduce the TGC#3 in its entity as an unknown music magazine and point out its specific features by demonstrating the floppy works which are already in the collection."}, {"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}, {"id": "00", "sentence": "Thirteen of these scores will be on show on the billboards underneath Maashaven Metrostation."}, {"id": "00", "sentence": "For every performance a different instrument has been selected."}, {"id": "00", "sentence": "In his lecture, Douglas Kahn discards old categories of sound and performance and replaces them with a new category of \"energy\" in the bigger narrative of ecology and other sensitivities."}, {"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}, {"id": "00", "sentence": "What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?"}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "Throughout the project, Jacques Attali’s book N·o·i·s·e: T·h·e P·o·l·i·t·i·c·a·l E·c·o·n·o·m·y o·f M·u·s·i·c will function as a reference and inspirational guide; “pushing the score” in search of its current potential."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}, {"id": "01", "sentence": "Type of object: event Project:Tetra Gamma Circulaire For Art Rotterdam Description:DE PLAYER presented its new internationally orientated audio magazine 'Tetra Gamma Circulaire' (TGC), and the new Pour Vous #5 / Principium 2.0 release by Remörk."}, {"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "02", "sentence": "TGC #3 is compiled in collaboration with students of the Piet Zwart Institute, and is also part of their Experimental Publishing programme of the Media Design Master, named XPUB."}, {"id": "02", "sentence": "Made of concrete as a body, an internal stand alone wifi station enables you to get in touch with the content of this floppyesk magazine."}, {"id": "02", "sentence": "Author: Piet Zwart Institute XPUB, DE PLAYER, Karina Dukalska, Max Franklin, Giulia de Giovanelli, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe, Kimmy Sreeuwenberg  URL: https://www.deplayer.nl/releases/tetra-gamma-circulaire-3  Creation date: 24/03/2017"}, {"id": "03", "sentence": "The installation setup contains 6 of 12 releases of PRINCIPIUM 2.0."}, {"id": "03", "sentence": "During the performance which took, several hours visitors could freely join, listen and ask questions to the artist, Remörk aka Kris Delacourt."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "03", "sentence": "Event Tetra Gamma Circulaire 1, 06. release principium2.0"}, {"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}, {"id": "05", "sentence": "The image copied in the zine is a drawing which is engraved in the glassplate of the copy machine."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}, {"id": "17", "sentence": " George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil."}, {"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}, {"id": "17", "sentence": "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."}, {"id": "17", "sentence": "He described his own art as a way of “ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.”   SUNDOWN VEHICLE EVENT by GEORGE BRECHT Left: George Brecht, 1961, Two Vehicle Events, Detail of a 3.5 \" by 4.5. card."}, {"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}, {"id": "17", "sentence": "I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963."}, {"id": "17", "sentence": "Drivers  were instructed to assemble at sundown in a parking lot and randomly park their vehicles."}, {"id": "17", "sentence": "Participants  performed about 50 events such as \"turn on lights\", \"start engine\", \"stop engine\", \"open window\"."}, {"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}, {"id": "17", "sentence": "I believe it was before I went to Washington as NCE editor, rv0"}], "Gourdon": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}], "next": [{"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}], "JULIA": [{"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}], "within": [{"id": "00", "sentence": "As a production platform, specialised in the relationship between sound, art, publishing and performance, for ART Rotterdam 2017 DE PLAYER presents works of artists within the frame of the project Pu-shi-ng-Sco-res; a project by DE PLAYER and Remco van Bladel, Dutch graphic designer."}], "Related": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}, {"id": "05", "sentence": "Author: Vaast Colson, De Player URL:https://www.deplayer.nl/releases/dob079 Creation date: 09/09/2016 Media: ArtBookFairBrussel-Vaast Colson-6d-20160909-57-20,jpg Keywords: instrument, score, copy, Vaast Colson, De Player, Wiels Art Book fair Related entries:  Vaast Colson….beschrijving   zie ook Principium 2.0 release Kris Delacourt"}], "disciplines": [{"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "produced": [{"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}], "Cold": [{"id": "00", "sentence": "Thu 09 Feb 2017 12:00hrs - Sun 12 Feb 2017 18:00hrs @ART Rotterdam / Van Nelle Fabriek, Rotterdam  PU-SHI-NG-SCO-RES AT ART ROTTERDAM For ART Rotterdam we present Experimental Jetset, Davide Mosconi, DUPAC, Moniker, Cold Void  [Rafaël Rozendaal/Luuk Bouwman] and Telcosystems."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "073": [{"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp."}], "microphones": [{"id": "05", "sentence": "The copy machine is amplified by several internal microphones by which the sound of every run is recorded."}], "made": [{"id": "05", "sentence": "Type of object: Event Project: Description: Presented at WIELS Art Book fair 2016 was this live made copy zine named \"Carlson invents, Colson presents: 99 spines produced on a modified Canon IR2016 copy machine\" by Vaast Colson."}], "Vanhoof": [{"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "2015-02.jpg": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}], "kinds": [{"id": "17", "sentence": "One of many similar kinds of instructions that were given to participants."}], "Roman": [{"id": "17", "sentence": "This work was performed at St Vincent College under the direction of Stephen Joy with Roman Verostko assisting."}], "studio": [{"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}], "when": [{"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}, {"id": "17", "sentence": "Steve Joy took me to meet  George Brecht in his studio when I was in residence at St Michael's in Manhattan (c.1962)."}, {"id": "17", "sentence": "I brought Steve Joy to St Vincent College when I returned to the monastery from Paris in 1963."}], "HIELE": [{"id": "00", "sentence": "Fri 24 Mar 2017 20:00hrs  @DE PLAYER, Rotterdam TGC # 3 / MAT>NET>PU - WITH JOHANNES BERGMARK, HIELE MARTENS, HELGA JAKOBSON, XPUB An evening with remarkable experiments and materialised conceptual flip flop."}], "c·a·n·t·o·r·u·m": [{"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}], "50": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "17", "sentence": "For his  \"Vehicle Sundown Event\", GB published a set of about 50 cards to be given to  participants who participated in the event with their vehicles."}, {"id": "17", "sentence": "Participants  performed about 50 events such as \"turn on lights\", \"start engine\", \"stop engine\", \"open window\"."}], "Holzer": [{"id": "00", "sentence": "Fri 20 Jan 2017 20:00hrs @DE PLAYER, Rotterdam  PU-SH-ING WITH TELCOSYSTEMS, JULIA BUENNAGEL AND DEREK HOLZER Live event for our Pushing the Score project with Telcosystems (nl), Julia Buennagel (de) and Derek Holzer (us)."}, {"id": "00", "sentence": "Focussing on the potential of grahic scores and publishing of sound and image we present Telcosystems with their recent publication Resonanz, a reading on Schematic as a Score  plus concert by Derek Holzer plus a live performance of Julia Bünnagel with modified records."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}], "metrostation": [{"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}], "Stadslimiet": [{"id": "01", "sentence": "Author: Kent Tankred, Gert Jan Prins, Dennis de Bel, Chiara Arkesteijn, Peter Fengler, Koos Siep, Remörk, Kris Delacourt URL: https://www.deplayer.nl/events/tetra-gamma-circulaire-art-rotterdam Creation date: 06/02/2015 Media: TGC1club-web-06 februari 2015-02.jpg Keywords: art, event, release, TGC, Tetra Gamma Circulaire, Dennis de Bel, REMÖRK, Gert-Jan Prins, Related entries: 02. release DOB084 Tetra Gamma Circulaire 3, 03.150702 Kris Principium2 Stadslimiet Antwerpen,  06. release principium2.0"}, {"id": "03", "sentence": "Type of object: event Project:Principium 2.0 At Stadslimiet Antwerp Description: Presentation of PRINCIPIUM 2.0 (DOB 073) in Stadslimiet Antwerp."}, {"id": "03", "sentence": "Author: Remörk, Kris Delacourt, DE PLAYER URL: https://www.deplayer.nl/events/principium-20-stadslimiet-antwerp Creation date: 02/07/2017 Media: Kris princ2-s-2000px-72dpi-79 02 juli 2015.jpg Keywords: release, event, score, magnets, Polyurethaan, record, audio, PRINCIPIUM 2.0, Stadslimiet Antwerp, Kris Delacourt, Remörk Related entries: 01."}], "century": [{"id": "00", "sentence": "G·r·a·p·h·i·c s·c·o·r·e·s and n·o·t·a·t·i·o·n have a long history, dating back to the tenth century, when the Gregorian chants of the s·c·o·l·a c·a·n·t·o·r·u·m were already being conducted through the writing of signs in the air."}, {"id": "00", "sentence": "In the early- and mid-twentieth century, the abstract developments in the visual arts played a vital role in new approaches to the question of music notation and contemporary avant-garde music."}, {"id": "00", "sentence": "Pushing the Score is a project researching graphic notation, based on a desire to update this form of music and sound notation for the 21^st century."}, {"id": "00", "sentence": "Starting from the motto ‘from Cage to JODI and beyond’ and from the avant-garde music and sound art of the 20^th century, the project researches new audio-visual languages, media and functions of graphic notation in a contemporary context characterised by a fundamental transformation of sound culture and visual culture."}, {"id": "00", "sentence": "Based on our compilation of the most contemporary and innovative graphic notation practices in the fields of music, sound art, performance art, e-culture, new-media art, graphic design and media design, we will introduce artists and designers from various creative disciplines to a national and international audience, with the goal of collectively developing new forms of graphic notation./  /The incentive for this project is the belief that graphic notation in 20^th -century avant-garde music and sound art constitutes an important, still radically innovative but wrongfully marginalised form, which can play a key role in the development of new audio-visual languages and media."}], "25": [{"id": "00", "sentence": "15 April 2018 DE PLAYER presents ‘Greatest Hits’ A solo exhibition by Matthieu Reijnoudt curated by Willem de Haan Location: corner of Maashaven Oostzijde and Brieselaan, next to metrostation Maashaven ‘Greatest Hits’ is an exhibition based on 25 hand drawn scores by Matthieu Reijnoudt."}], "With": [{"id": "00", "sentence": "\tThu 17 Mar 2016 19:00hrs  @Witte de With, Rotterdam TUNING – DETUNING / NOTING – DENOTING with YANN GOURDON, RAFAËL ROZENDAAL, FLORIS VAN HOOF, JUSTIN BENNETT, REMCO VAN BLADEL A.O."}, {"id": "00", "sentence": "Moving back and forth between sound and scripture, this evening consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound included in his exhibition “GesammttkkunnsttMeshuggahhLaandtttt” at Witte de With CCA in Rotterdam."}, {"id": "00", "sentence": "Experimental Jetset (nl) Davide Mosconi (it) DUPAC (int) Studio Moniker (nl) Cold Void  [Rafaël Rozendaal/Luuk Bouwman] (nl) Telcosystems (nl) Floris Vanhoof (be) Rafaël Rozendaal (nl) Valentina Vuksic (ch) Ana Guedes (pt) Helga Jakobson (can) Niek Hilkmann (nl) Varia (nl) John Duncan (us) Johannes Kreidler (de) Jörg Piringer (at) BJ Nilsen (se) Douglas Kahn (us) Aurélie Lierman (be) Max Franklin (au) Remco van Bladel (nl) Johannes Bergmark (se) Hiele Martens (be) Vaast Colson (be) Peter Fengler (nl) Florian Cramer (de/nl) Julia Buennagel (de) Derek Holzer (us) JODI (nl) Anne-Mie Van Kerckhoven (be) Evelin Brosi (be) Yann Goudron (fr) Charlemagne Palestine (be) Matthieu Reijnoudt (nl) Willem de Haan (nl) Rowan van As (nl) Vos van der Noordt (nl) Julia Reinhold (nl) studenten XPUB PZI, Rotterdam [Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg] studenten Artez Fine arts & Graphic Design, Arnhem studenten Fontys Academie, Tilburg Witte de With CCA, Rotterdam Pinkie Bowtie, Antwerpen Art Rotterdam Paradiso, Amsterdam WORM, Rotterdam South Explorer, Rotterdam Technische Universiteit van Enschede"}, {"id": "00", "sentence": "A number of specific themes will be initiated, developed and presented in the context of a public research programme in collaboration with artists, designers and various cultural organisations such as the Piet Zwart Institute, the Witte de With Center for Contemporary Art, and Sonic Acts./  /What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’ serving as some kind of sheet music?"}], "has": [{"id": "00", "sentence": "The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.The program includes performances by Yann Gourdon and Floris van Hoof, works by Rafaël Rozendaal and a reading by Remco van Bladel."}, {"id": "00", "sentence": "For every performance a different instrument has been selected."}, {"id": "00", "sentence": "This project on the nowadays meaning of the 'graphic score' has been running the last 2-3 years."}], "influence": [{"id": "17", "sentence": "He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978."}], "MAX": [{"id": "00", "sentence": "Fri 22 Jun 2018 20:30hrs @DE PLAYER, Rotterdam E-ARTHHA WITH DOUGLAS KAHN, BJ NILSEN, AURÉLIE LIERMAN, MAX FRANKLIN As you know, there are those evenings after which the sun rises differently."}]}
\ No newline at end of file
diff --git a/wordlist_v2.json b/wordlist_v2.json
deleted file mode 100644
index 650e325..0000000
--- a/wordlist_v2.json
+++ /dev/null
@@ -1,13 +0,0 @@
-{
-
-"way" : [
-  {"id": ["17", "He described his own art as a way of 'ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.'"]},
-  {"id": ["00", "Our ambition, and that of our collaborating partners, is to emancipate graphic notation from the confines of the modernist tradition, in such a way that it may remain an innovative and provocative medium for decades to come."]}
-],
-
-"artwork" : [
-    {"id": ["17", "One of the originators of 'participatory' art, in which the artwork can only be experienced by the active involvement of the viewer, he is most famous for his Event Scores such as Drip Music 1962, and is widely seen as an important precursor to conceptual art."]},
-    {"id": ["00", "It unfolds through a nomadic program which includes the creation of newly commissioned artworks and public events that addres scontemporary questions and issues in this particular field.",
-    "The discursive program for 2016–2017 will include lectures, presentations of newly commissioned artworks, concert evenings, and workshops."]}
-]
-}
diff --git a/wordlist_v3.json b/wordlist_v3.json
index 8838805..22206d6 100644
--- a/wordlist_v3.json
+++ b/wordlist_v3.json
@@ -16,6 +16,8 @@
   }
 ],
 
+
+
 "artwork" : [
   {
     "id" : "17",