Miriam's notes + afterlife markdown test
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<!DOCTYPE html>
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<html lang="en">
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<head>
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<title>The Afterlife of Publications</title>
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<meta charset="UTF-8">
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<link href="css/main.css" rel="stylesheet" type="text/css">
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</head>
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<body>
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<h1>The Afterlife of Publications</h1>
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<h2>Minke Vos</h2>
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<p>As publishing professionals, we are always looking for new ways to ‘keep a publication alive’ post-production, as well as new ways to design for the sustainability of a publication. What can we do to prevent books from collecting dust on bookshelves? During the Urgent Publishing conference presentation <em>The Afterlife of Publications</em> Marc van Elburg, Krista Jantowski, Cristina Garriga and Karolien Buurman each show how they strive to keep their publications sustainable.</p>
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<h3>Readers & Publishers</h3>
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<div class="figure">
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<img src="../images/photo-Afterlife-ReadersPublishers-Miriam.jpg" title="Photo:Cristina" alt="Photo:Cristina" />
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<p class="caption">Photo:Cristina</p>
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</div>
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<p>Cristina Garriga explains that there is a need among artists and writers to know how publishers work and how to reach each other. Readers and publishers, an online directory for independent publishers tries to close this gap by giving a potential author a clear and concise idea of what the publisher stands for, what kind of books they publish and what their submission policies are. <span class="highlight-blue">Connecting the right authors and audience to the right publisher can ensure the sustainability of the publication</span>.</p>
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<div class="figure">
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<img src="../images/notes-Afterlife-Miriam-1.png" title="Notes:Miriam" alt="Notes:Miriam" />
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<p class="caption">Notes:Miriam</p>
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</div>
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<h3>NXS</h3>
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<p>For Karolien Buurman, the answer lies in collaborating and creating a community. She works for NXS, a collaborative research project that explores “the self” in the age of digital technology. NXS publishes twice a year. <span class="highlight-cornflower">Each contributor responds and reflects on the work of another contributor</span>. In addition to the publications, NXS hosts lectures, performances and exhibitions around the theme of the publication. <span class="highlight-pink">In this way, they create a community that is much broader than their readership</span>.</p>
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<h3>Parasiting Zineculture</h3>
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<p>Mark van Elburg talked about the Zinedepo zinelibrary in Motel Spatie in Arnhem. He explained that the zine culture, particularly that of the 1990s, acted outside commercial consumerism culture, and therefore outside of convention. <span class="highlight-blue">The zine culture was a close-knit community.</span> One zinester might have included the names of several other zines on the same topic, and where to get them. Van Elburg referred to this as DIY culture.</p>
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<div class="figure">
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<img src="../images/notes-Afterlife-Kimmy-1.png" title="Notes:Kimmy" alt="Notes:Kimmy" />
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<p class="caption">Notes:Kimmy</p>
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</div>
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<div class="figure">
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<img src="../images/photo-Afterlife-MarcvanElburg-Miriam.jpg" title="Photo:Marc" alt="Photo:Marc" />
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<p class="caption">Photo:Marc</p>
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</div>
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<div class="figure">
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<img src="../images/notes-Afterlife-Miriam-2.png" title="Notes:Miriam" alt="Notes:Miriam" />
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<p class="caption">Notes:Miriam</p>
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</div>
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<h3>A Much Needed Location for a Community of Readers</h3>
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<p><span class="highlight-pink">Krista Jantowski of Walter Books in Arnhem explained the importance of the bookshop not just as a place of commerce or a temporary storage room for books, but as the starting point of the circulation of knowledge. Bookstores are places where communities can come together and share knowledge and opinions</span>.</p>
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<div class="figure">
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<img src="../images/notes-Afterlife-Miriam-3.png" title="Notes:Miriam" alt="Notes:Miriam" />
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<p class="caption">Notes:Miriam</p>
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</div>
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<div class="figure">
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<img src="../images/tweet-Afterlife-INC1.png" title="Tweet:INC" alt="Tweet:INC" />
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<p class="caption">Tweet:INC</p>
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</div>
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<p>Each in their own way, the speakers highlighted that it is important for publishers to actively work towards bridging the gap between authors, readers and themselves, to build communities, to bring people together, and to collaborate within and outside of your own network. It is high time to stop looking at the book simply as a product. The speakers of The Afterlife of Publications have shown that the book, or any other publication, can serve as a catalyst for connection in the ‘post-truth’ era.</p>
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<div class="figure">
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<img src="../images/notes-Afterlife-Kimmy-2.png" title="Notes:Kimmy" alt="Notes:Kimmy" />
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<p class="caption">Notes:Kimmy</p>
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</div>
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<div class="figure">
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<img src="../images/notes-Afterlife-Miriam-4.png" title="Notes:Miriam" alt="Notes:Miriam" />
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<p class="caption">Notes:Miriam</p>
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</div>
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<div class="figure">
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<img src="../images/tweet-Afterlife-Nikola.png" title="Tweet:Nikola" alt="Tweet:Nikola" />
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<p class="caption">Tweet:Nikola</p>
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</div>
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<div id='displaced-ednote'>
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<p>Displaced Editor's Note: <span id='disped'>Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.</span></p>
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</div>
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<div class="figure">
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<img src="../images/notes-Afterlife-Kimmy-3.png" title="Notes:Kimmy" alt="Notes:Kimmy" />
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<p class="caption">Notes:Kimmy</p>
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</div>
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<div class="figure">
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<img src="../images/notes-Afterlife-Kimmy-4.png" title="Notes:Kimmy" alt="Notes:Kimmy" />
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<p class="caption">Notes:Kimmy</p>
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</div>
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<div class="figure">
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<img src="../images/notes-Afterlife-Kimmy-3.png" title="Notes:Kimmy" alt="Notes:Kimmy" />
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<p class="caption">Notes:Kimmy</p>
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</div>
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<div class="figure">
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<img src="../images/notes-Afterlife-Miriam-5.png" title="Notes:Miriam" alt="Notes:Miriam" />
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<p class="caption">Notes:Miriam</p>
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lidia_test/14 - Untitled/afterlife-publications.md
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Title: The Afterlife of Publications
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Date: 2015-12-02 10:29
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Authors: Minke Vos
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As publishing professionals, we are always looking for new ways to ‘keep a publication alive’ post-production, as well as new ways to design for the sustainability of a publication. What can we do to prevent books from collecting dust on bookshelves? During the Urgent Publishing conference presentation *The Afterlife of Publications* Marc van Elburg, Krista Jantowski, Cristina Garriga and Karolien Buurman each show how they strive to keep their publications sustainable.
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Cristina Garriga explains that there is a need among artists and writers to know how publishers work and how to reach each other. Readers and publishers, an online directory for independent publishers tries to close this gap by giving a potential author a clear and concise idea of what the publisher stands for, what kind of books they publish and what their submission policies are. <span class='hightlight-blue'>Connecting the right authors and audience to the right publisher can ensure the sustainability of the publication</span>.
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For Karolien Buurman, the answer lies in collaborating and creating a community. She works for NXS, a collaborative research project that explores “the self” in the age of digital technology. NXS publishes twice a year. <span class='highlight-cornflower'>Each contributor responds and reflects on the work of another contributor</span>. In addition to the publications, NXS hosts lectures, performances and exhibitions around the theme of the publication. <span class='highlight-pink'>In this way, they create a community that is much broader than their readership</span>.
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Mark van Elburg talked about the Zinedepo zinelibrary in Motel Spatie in Arnhem. He explained that the zine culture, particularly that of the 1990s, acted outside commercial consumerism culture, and therefore outside of convention. <span class='hightlight-blue'>The zine culture was a close-knit community.</span> One zinester might have included the names of several other zines on the same topic, and where to get them. Van Elburg referred to this as DIY culture.
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<span class='hightlight-pink'>Krista Jantowski of Walter Books in Arnhem explained the importance of the bookshop not just as a place of commerce or a temporary storage room for books, but as the starting point of the circulation of knowledge. Bookstores are places where communities can come together and share knowledge and opinions</span>.
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Each in their own way, the speakers highlighted that it is important for publishers to actively work towards bridging the gap between authors, readers and themselves, to build communities, to bring people together, and to collaborate within and outside of your own network. It is high time to stop looking at the book simply as a product. The speakers of The Afterlife of Publications have shown that the book, or any other publication, can serve as a catalyst for connection in the ‘post-truth’ era.
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nikola rickter, founder of mickotext
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chapbooks (https://en.wikipedia.org/wiki/Chapbook)
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microtext published short texts a bit like digital chap books
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variety of genres, freed of the genre
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engage with all literary formats
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digital is everywhere but the publisher's role has changed
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"engaged publishing"
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ethical publishing
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def. of ethics: "doing something also for others"
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showing marie kondo!!!
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ok kondo is consumerist
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mickrotexte published a book about minimalism but also about heimat (home)
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a new concept of home
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(a bit confusing)
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florian adds that "cleaning up your house" is also Peterson' motto
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Clara Balaguer
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involved in the meme troll wars
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political climate in philippines untenable
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lack of urgency in the nl > keep feeling the urgency
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easy to fall into stupor
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this is a privileged space: no disorder, no fear, no failure
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duterte not so benevolent dictator
|
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philipino studies have become duterte's studies
|
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deep listening workshop in philadelphia (hacked from pauline oliveros)
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"why print 1000 copies, that's a fucking lot of trees
|
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better to print 25-60 copies and give them to the right hands"
|
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troll war made clara a minor figure
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References: Ulysses Philadelphia / Mosquito Press / Hardworking Goolooking:
|
||||||
|
(https://walkerart.org/magazine/insights-2017-clara-balaguer-and-kristian-henson-office-of-culture-designhardworking-goodlooking)
|
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|
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Podmini Ray Murrey
|
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scholar in digital humanities in bangalore
|
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|
worked as a scholar in digital media and the history of the book
|
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|
society divided in castes
|
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|
straight from book to mobile (no laptop)
|
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|
"fingertips feminist" feminist busy only on social media
|
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|
"fingertip activists"
|
||||||
|
|
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|
common in india, great discrimination towards other castes. suicides as result
|
||||||
|
academic publishing as a space to bring about new forms of feminism
|
||||||
|
"it's a dangerous time for academics"
|
||||||
|
academic publishing in india is a colonial endeavor, imported by the british
|
||||||
|
legitimacy = academia
|
||||||
|
|
||||||
|
"Container nostalgia" (printed formats remaining relevant or pdf - not epubs)
|
||||||
|
|
||||||
|
"Agility vs Virality"
|
||||||
|
|
||||||
|
Florian summarizing
|
||||||
|
|
||||||
|
"problem is too much truth" being critical about truth / "too much truth era" > not crisis;
|
||||||
|
infiltration as a strategy
|
||||||
|
urgency to the word urgent
|
||||||
|
trolling as a strategy
|
||||||
|
vernacular knowledge vs canonical knowledge
|
||||||
|
still a power in social media
|
||||||
|
not alternative facts but how you understand facts
|
||||||
|
attention spam society
|
||||||
|
|
||||||
|
Conversation
|
||||||
|
|
||||||
|
Clara: compositionist manifesto by latour
|
||||||
|
|
||||||
|
Podmini: in india the internet is not harnessed by the liberal left
|
||||||
|
constant denial of corporate tech
|
||||||
|
v little attempt to hack the system
|
||||||
|
|
||||||
|
german guy: "academia was never the place of freedom"
|
||||||
|
|
||||||
|
clara: "academia place of legitimacy", even the book
|
||||||
|
|
||||||
|
nikola richter: utopia of epub [? really? more clear? curious to hear more ;) later], all digital everybody can publish, we lost this utopia
|
||||||
|
|
||||||
|
clara: "i use instagram for longform publishing
|
||||||
|
|
||||||
|
miriam "how do we troll as publishers?"
|
||||||
|
|
||||||
|
clara: "publishing from precarity"
|
||||||
|
|
||||||
|
"centrality of journals in academic publishing: problem of access"
|
||||||
|
|
||||||
|
"academy is not a space of freedom but of censorship. and that's a good thing" (german guy quoting a french philosopher
|
||||||
|
|
||||||
|
shailoh: "what's the tactical side?"
|
||||||
|
|
||||||
|
a tactic: "writing in public (on her public) as a feminist act"
|
||||||
|
|
||||||
|
"meatspace activism is also needed"
|
||||||
|
|
||||||
|
"how activism is being banned" / "popular discriminatory media" / infrastructure complicity — in the context of platform economy; feeding algorithms and intensifying discourse.
|
||||||
|
|
||||||
|
clara: "organic troll farm"
|
||||||
|
|
||||||
|
florian asks: "aren't graffiti and small editions only cute gestures that won't help when it comes to refuse peterson?"
|
||||||
|
clara: "we have to use all the possible strategies"
|
||||||
|
|
||||||
|
no-platforming as strategy: protesting when a speaker is invited
|
||||||
|
|
||||||
|
"proper graphic design doesn't work in the philipines cause looks mistrustful"
|
||||||
|
|
||||||
|
{laptop battery is dying goodbyeeeeeee}
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
Loading…
Reference in New Issue
Block a user