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Notes from Karin Arink (WdKA)

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Conference notes by Karin Arink (WdKA)
#notes
Urgent Publishing - Artez 15 May 2019
Lunch at Boka
#Nishant Shah:
@latelyontime
Book aura
Post-truth / alternative facts
AI wrote a novel in Japan, nominated The Day a Computer Wrote a Novel - human language not capable to reach solutions in, Whatsapp lynch
Authorship - copy - add > 1000 p
Chaucer didn’t exist asa human
Canterbury tales - multiile persond and raamvertelling
apple rip mix burn > MAFIA > media malaria
Authenticity- Ashwini Bhatt John Gardner “translations”
Structures of authorship, autority snd authenticity
======•=•=
The Carrier Bag Theory of Non-Fiction
Ursula le Guin > gatherers relationships multiple voices
What can this carrier bag look like?
Forms of carriers inform content
Lotte Lentes. 100 pinnen in Parijs
Joseph Grigely
Lieabeth Eugelink
Bitterveld, NL D EN
Book app non-linear
Different metro lines , linear
Paragraph writing
?Book Lovers Project
#Janneke Adema & Gary Hall
Post humanities- open humanities press
Away from modular methods in dig environments
Alternative way of binding research together
Extending modularity wittin medua itsels
Manovich, Lev Thre Language of New Media
Tara Mc Pherson Why are dig cultures so white? > modularity suppresses relation and context
Culture is not modular but forced to become so more and more
Books emerge from posthuman
Incision
Commodification vs process and relationality
Expwrimwnting in how we do scholarship / theory
Ways of being and doing
Away of white male authorship
Consider forma of non-human agencies
#3 Projects
##Living books about Life
Wiki
Photo mediations an open book
Photography embeddedneas in time and duration
Photomediations a reader physical book
&
A Guide to Open and Hubrid Publishing
Remix generator
Photomediations creative jam cards
Disruptive media practice
Journal of Media Practice
Series of curated conversations- evolve openly from process to final cobtent
Podcast about podcasting
Hypothesis annotations plug in
Open peer review
Translated in print version: QR code for podcasts,
To puvlish, to claim, to educate, to reassess traditional media
How Publishing shapes us
##Axel Anderson
New forma of criticism - Kritik Labbet
No payment for critics, dusconnect with media area, keep up
Funding by Bonniers
FSL
Experiment instead of projects
Robert Smithson
Locality
2 experiments
Masskritik.tumbl.com
Mass in Sweden is als ‘fair’ during Gotenberg book fair
Awnd in fragmented images > blog
Archive
Collaborative qriting in a critical sense
Professionalisation theough amateurism
The Last Mass Mail at Supermarket Art Fair in Stockholm
Produce newspaper qoth critiques of art works in fair by visitors of the fair
Contributions both image and text
Illustrate how editorial processes look like
Visitor participants
Habermas public sphere foto
Non public world controlling the platforms
Post dig possibility?
Place condense localiessen e in one story, condensation- populism -
Site- fractured, many points in and out , different directions
Like situating the writing practice
What goes before Perec etc
How to sotuate in not a placebut that does have a physicality locality
#Lidia Pereira Rotterdam
Pervasive labour union zine
Context research into labor on corporate soc media platforms
Christian Fuchs and Massimo
Doible processes
Doesn’t feel like work
Open up discourse
Low barrier platform- diff topics
Special issues homebrewserver.club
XMPP open standard
Tutorial server and client
#2 Silvio Lorusso
Looking for editors
Now more focused on what working conditions are
Targeting people on vulnerabilities
Alternatives
More open blog form, open call publi
Ilu.server.at
Who has the privilege to leave the platforms in place, because not everyone has privilege to build alternatives
===
#Discussion
Publishing as form of labour in research
Histories of alternative forma of publishing
Why look alm the same
Resurgence of anto cosmopolitanism, we are forced to return
Deceltively new and scaringly similar
In cumulative becomea something else
Archive iterations of the processes
Collection / archive
=====
#Memes as Means
The hmn
Visual culture workers
Evelyn
A world wide qeb of gatekeepers
Distribution
Google and Facebook have vast influence on what we see and share
Women on waves
Article 13 copyright now article 17
Internet co liable for someone else’s speech
A) license with rights holders
B) upload filtering > filtering software
Can’t recognize context
Regulating citizens
Clara Balaguer:
Being an ideological troll
Urgency here is less then in the Philippines
Troll hunter
Femiale trolls point od release
Purple colour workforce
Obsessive
Becky funny and personal
DurTional, contact sport
Imprinting is a sanger, do not assume you’re above NLP
Fingertip activism
Meat space be present physically
Troll together in real space
Troll Palayan
Meme factory Artez
Trolling is a full body experience
Isabelle
Foto
Whatsapp family groups
Trolls now paid as Bolsonados communication
Toolkits for
Pretalab
Design ativisma
How to get back the agenda
Level put and put dialoectic back again
Poetic justice digital justice
=====
Silvia en Noel
Clusterduck.space
Online
Troll
Subcultural landscape eap internet memes
Not reductionist
Paper Wallet crypto art project
Cards to monetise memes the crypto currencies
Memes are a language or tools, multi facetted
Meme Manifesto book
Memes as Means of production
Produce our reality
Should be taken seriously
Rule of platforms
Memes as data
telegram research chats - mail to be included
====
Why is right winning
Enacts all of it without deeming anything as unworthy
Left is disdainful
Fracture and infighting in the left, we have turned into conservatives
Right is more tolerant of different versions of what right can be
Left is fighting
Right is taking over language that is resonating
Money is behind it level of investment
Think of modes of organization
What does life look like
Right, by pushing us, makes us reactionary
Are we communicating and how?
Political compass is tool to state there is no left and right, taken over in Handbook of Critical Design
This is succesful meming
Why cannot we appropriate this image
Make our hands dirty, coopt it
It’s what stories we are telling
Right started in the 60s to retake the cultural agenda
Dilemma
We have to deal with apocalypse
Era of acceleration and we have very powerful tools
Being reactionary things and quick responses and nimbleness is what works
We are fighting from a losing position
Retake appropriation from the right
Elections so please vote
Policy change
Facism is a reality and democracy is not a given
Withdrawal doesn’t work
===
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