Content repo for PLU Special Issue #3 - Urgent Publishing
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Social/Community
She works by immersing herself in communities, on the ground in the Philippines, but similarly online as a troll (which you can read more about here)
potentialities of collectivity, collaboration
Meme culture can be situated and investigated within a history of online visual culture and the senses of community in it:
untenable to do critical cultural programming in the Philippines for under-served communities
So, we should also get communities involved.
this type of humorous grass-roots mobilization is a consistent trend in Brazil.
there seems to be some agency in this mobility of communities,
the answer lies in collaborating and creating a community.
In this way, they create a community that is much broader than their readership.
The zine culture was a close-knit community. One zinester might have included the names of several other zines on the same topic, and where to get them.
to build communities, to bring people together, and to collaborate within and outside of your own network.
The speakers of The Afterlife of Publications have shown that the book, or any other publication, can serve as a catalyst for connection in the 'post-truth' era.
ASAB is participatory: multiple users can contribute to enrich the archive. Its interface tries to go against the general “shopping mall” feel of the contemporary web.
After the participants tested ASAB, there was a discussion on new functionalities to implement and on the possible direction the project might take. While some of them enjoyed the experimental approach of the tool, some saw the potential of turning it into a service or into a software that can be locally installed.
a collective lexicon of personal viewpoints on ubiquitous technology
Unlike Twitter, Mastodon is comprised of multiple community-owned "instances", that can define their own rules, modify user interface, etc.
These codes of conducts are meant to communicate to potential visitors on what that community considers (un)acceptable behaviour.
However, the safe spaces provided by a specific instance allow to strategize and to produce a different techno-social imagination.
Zineculture = proto social network
published her manuscript as a zine and distributed it among the visitors who were invited to read along her lecture.
‘there’s no such thing as society’ is derived from it: there is no society, only egoistic actors. This theory solves the free-rider problem through making everyone a parasite.