Content repo for PLU Special Issue #3 - Urgent Publishing
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Conference notes by Karin Arink (WdKA)

#notes Urgent Publishing - Artez 15 May 2019 Lunch at Boka

#Nishant Shah: @latelyontime

Book aura Post-truth / alternative facts AI wrote a novel in Japan, nominated The Day a Computer Wrote a Novel - human language not capable to reach solutions in, Whatsapp lynch Authorship - copy - add > 1000 p Chaucer didn’t exist asa human Canterbury tales - multiile persond and raamvertelling apple rip mix burn > MAFIA > media malaria Authenticity- Ashwini Bhatt John Gardner “translations”

Structures of authorship, autority snd authenticity ======•=•= The Carrier Bag Theory of Non-Fiction

Ursula le Guin > gatherers relationships multiple voices What can this carrier bag look like? Forms of carriers inform content

Lotte Lentes. 100 pinnen in Parijs Joseph Grigely

Lieabeth Eugelink Bitterveld, NL D EN Book app non-linear Different metro lines , linear Paragraph writing

?Book Lovers Project

#Janneke Adema & Gary Hall Post humanities- open humanities press Away from modular methods in dig environments Alternative way of binding research together Extending modularity wittin medua itsels

Manovich, Lev Thre Language of New Media Tara Mc Pherson Why are dig cultures so white? > modularity suppresses relation and context Culture is not modular but forced to become so more and more Books emerge from posthuman

Incision Commodification vs process and relationality Expwrimwnting in how we do scholarship / theory Ways of being and doing Away of white male authorship

Consider forma of non-human agencies

#3 Projects

##Living books about Life Wiki

Photo mediations an open book Photography embeddedneas in time and duration Photomediations a reader physical book & A Guide to Open and Hubrid Publishing Remix generator Photomediations creative jam cards

Disruptive media practice Journal of Media Practice Series of curated conversations- evolve openly from process to final cobtent Podcast about podcasting Hypothesis annotations plug in Open peer review Translated in print version: QR code for podcasts,

To puvlish, to claim, to educate, to reassess traditional media

How Publishing shapes us

##Axel Anderson New forma of criticism - Kritik Labbet No payment for critics, dusconnect with media area, keep up Funding by Bonniers FSL Experiment instead of projects

Robert Smithson Locality

2 experiments Masskritik.tumbl.com Mass in Sweden is als ‘fair’ during Gotenberg book fair Awnd in fragmented images > blog Archive Collaborative qriting in a critical sense Professionalisation theough amateurism The Last Mass Mail at Supermarket Art Fair in Stockholm Produce newspaper qoth critiques of art works in fair by visitors of the fair Contributions both image and text Illustrate how editorial processes look like Visitor participants

Habermas public sphere foto Non public world controlling the platforms Post dig possibility?

Place condense localiessen e in one story, condensation- populism - Site- fractured, many points in and out , different directions Like situating the writing practice What goes before Perec etc How to sotuate in not a placebut that does have a physicality locality

#Lidia Pereira Rotterdam Pervasive labour union zine Context research into labor on corporate soc media platforms Christian Fuchs and Massimo Doible processes Doesn’t feel like work Open up discourse Low barrier platform- diff topics

Special issues homebrewserver.club XMPP open standard Tutorial server and client #2 Silvio Lorusso Looking for editors

Now more focused on what working conditions are Targeting people on vulnerabilities Alternatives More open blog form, open call publi

Ilu.server.at

Who has the privilege to leave the platforms in place, because not everyone has privilege to build alternatives

=== #Discussion

Publishing as form of labour in research

Histories of alternative forma of publishing Why look alm the same

Resurgence of anto cosmopolitanism, we are forced to return Deceltively new and scaringly similar In cumulative becomea something else

Archive iterations of the processes Collection / archive

===== #Memes as Means

The hmn Visual culture workers Evelyn A world wide qeb of gatekeepers Distribution Google and Facebook have vast influence on what we see and share Women on waves

Article 13 copyright now article 17 Internet co liable for someone else’s speech A) license with rights holders B) upload filtering > filtering software Can’t recognize context Regulating citizens

Clara Balaguer: Being an ideological troll Urgency here is less then in the Philippines Troll hunter Femiale trolls point od release Purple colour workforce Obsessive Becky funny and personal DurTional, contact sport Imprinting is a sanger, do not assume you’re above NLP

Fingertip activism Meat space be present physically Troll together in real space Troll Palayan Meme factory Artez Trolling is a full body experience

Isabelle Foto Whatsapp family groups Trolls now paid as Bolsonados communication

Toolkits for Pretalab Design ativisma

How to get back the agenda Level put and put dialoectic back again Poetic justice digital justice

===== Silvia en Noel Clusterduck.space Online Troll Subcultural landscape eap internet memes Not reductionist

Paper Wallet crypto art project Cards to monetise memes the crypto currencies

Memes are a language or tools, multi facetted

Meme Manifesto book

Memes as Means of production Produce our reality Should be taken seriously

Rule of platforms

Memes as data

telegram research chats - mail to be included

==== Why is right winning Enacts all of it without deeming anything as unworthy Left is disdainful Fracture and infighting in the left, we have turned into conservatives Right is more tolerant of different versions of what right can be Left is fighting

Right is taking over language that is resonating Money is behind it level of investment Think of modes of organization What does life look like

Right, by pushing us, makes us reactionary Are we communicating and how?

Political compass is tool to state there is no left and right, taken over in Handbook of Critical Design This is succesful meming

Why cannot we appropriate this image Make our hands dirty, coopt it It’s what stories we are telling Right started in the 60s to retake the cultural agenda Dilemma We have to deal with apocalypse Era of acceleration and we have very powerful tools

Being reactionary things and quick responses and nimbleness is what works We are fighting from a losing position Retake appropriation from the right

Elections so please vote Policy change Facism is a reality and democracy is not a given Withdrawal doesn’t work

===