diff --git a/00_contributions/FINAL/layout/00_header.tex b/00_contributions/FINAL/layout/00_header.tex index d57dcbd..c6dcd51 100755 --- a/00_contributions/FINAL/layout/00_header.tex +++ b/00_contributions/FINAL/layout/00_header.tex @@ -24,7 +24,7 @@ \usepackage{afterpage} \usepackage{paralist} \usepackage{caption} -\usepackage[hyphens]{url} +\usepackage{xurl} \usepackage{ltablex} \usepackage{vcell} \usepackage{float} diff --git a/00_contributions/FINAL/layout/01_introduction.tex b/00_contributions/FINAL/layout/01_introduction.tex index 29f5241..4c86249 100755 --- a/00_contributions/FINAL/layout/01_introduction.tex +++ b/00_contributions/FINAL/layout/01_introduction.tex @@ -105,7 +105,7 @@ In the same chapter there is also a table that describes the different maps that \end{tabularx} \noindent -Figure: NLTK's linguistic objects, From \emph{Natural Language Processing with Python: Analyzing Text with the Natural Language Toolkit}, “Table 3.1: Linguistic Objects as Mappings from Keys to Values”\footnote{\url{https://www.nltk.org/book/ch05.html\#tab-linguistic-objects}} +Figure: NLTK's linguistic objects, From \emph{Natural Language Processing with Python: Analyzing Text with the Natural Language Toolkit}, “Table 3.1: Linguistic Objects as Mappings from Keys to Values”\footnote{\url{https://www.nltk.org/book/ch05.html\#tab-linguistic-objects}}\\ \noindent NLTK uses the metaphor of mapping to form indexical relations between truth and map. The use of the word mapping was something that caught our attention -- it is this indexical relation that needs questioning and study. Considering that language maps generate a new kind of linguistic matter, one that is processed and transformed through code, how does that mutate language? How can these mutations be studied? What kinds of maps can be made to map language differently? Can mapping be done based on: diff --git a/00_contributions/FINAL/layout/03_cengiz.tex b/00_contributions/FINAL/layout/03_cengiz.tex index f7b4703..a219288 100755 --- a/00_contributions/FINAL/layout/03_cengiz.tex +++ b/00_contributions/FINAL/layout/03_cengiz.tex @@ -1,33 +1,97 @@ +1 \newpage + +2 \newpage + +3 \newpage + +4 \newpage + +5 \newpage + +6 \newpage + +7 \newpage + +8 \newpage + +9 \newpage + +10 \newpage + +11 \newpage + +12 \newpage + +13 \newpage + +14 \newpage + +15 \newpage + +16 \newpage + +17 \newpage + +18 \newpage + +19 \newpage + +20 \newpage + +21 \newpage + +22 \newpage + +23 \newpage + +24 \newpage + +25 \newpage + +26 \newpage + +27 \newpage + +28 \newpage + +29 \newpage + +30 \newpage + +31 \newpage + +32 \newpage + \clearpage{\thispagestyle{empty}\cleardoublepage} \ No newline at end of file diff --git a/00_contributions/FINAL/layout/04_ren.tex b/00_contributions/FINAL/layout/04_ren.tex index 90729fe..c085bb3 100755 --- a/00_contributions/FINAL/layout/04_ren.tex +++ b/00_contributions/FINAL/layout/04_ren.tex @@ -13,6 +13,8 @@ % CHAPTER PAGE +\enlargethispage{-1\baselineskip} + \begin{tcolorbox}[boxrule=2pt, arc=24mm, colframe=black, colback=white, spread inwards=-16mm, spread outwards=-8mm, left=8mm, top=16pt, bottom=28pt] \chapter[Turnabouts and deadnames: shapeshifting trans* and disabled vernaculars Ren Loren Britton]{Turnabouts and\\deadnames:shapeshifting\\trans* and disabled\\vernaculars\\\\Ren Loren Britton} \end{tcolorbox} diff --git a/00_contributions/FINAL/layout/05_rosemary-interview.tex b/00_contributions/FINAL/layout/05_rosemary-interview.tex index 51a0303..f395698 100755 --- a/00_contributions/FINAL/layout/05_rosemary-interview.tex +++ b/00_contributions/FINAL/layout/05_rosemary-interview.tex @@ -95,7 +95,7 @@ General Strike (245)\\ \noindent Some of these are terms that occur too many times or are too broad, such as “Occupation,” to be a useful way of filtering an item, but some such as “Rent Strike” are specific enough to be a useful means of linking up documents. We thought that this category of “Tactics” was a useful one to reorientate the collection as something that can be used as resources for current struggles to integrate tactics of the past that might have been forgotten. -\subsubsection{{\raggedright In another conversation we had, you mentioned you worked with Natural Language Processing (NLP) tools for this archive and earlier you mentioned that all the documents have been OCRed. So we are wondering how NLP had been applied to the documents? What influenced the conceptualisation of those operations?}} +\subsubsection{In another conversation we had, you mentioned you worked \\with Natural Language Processing (NLP) tools for this archive\\and earlier you mentioned that all the documents have been\\OCRed. So we are wondering how NLP had been applied to\\the documents? What influenced the conceptualisation of\\those operations?} \newpage \noindent @@ -126,7 +126,7 @@ One of the ways of sorting the result of the different NLP scripts was to create } \end{figure} -\subsubsection{You've already mentioned that Leftovers came together as a collaboration with 0x2620. Are there more collaborators involved in the making of this archive?} +\subsubsection{You've already mentioned that Leftovers came together as a\\collaboration with 0x2620. Are there more collaborators involved\\in the making of this archive?} \newpage \noindent Leftovers was initiated by myself at MayDay Rooms, and was developed in collaboration with Jan Gerber from 0x2620. Anthony Iles from \emph{Mute Magazine} joined the working group in 2020 and has been very active in finding material and inputting metadata. He also helped produce our first online exhibition based on the digital archive called \emph{Print Subversion in the Wapping Dispute} which can be found here \url{https://exhibitions.maydayrooms.org/wapping}.We got a small grant to further develop our interface in 2020, and for this we worked with Gemma Copeland and Robbie Blundell from Evening Class, a design collective in London, to design the front end. You can see the work-in-progress version here, \url{https://dev.leftove.rs}. diff --git a/makebook.sh b/makebook.sh index bad4de1..b88a0ee 100644 --- a/makebook.sh +++ b/makebook.sh @@ -6,13 +6,14 @@ header="${folder}00_header.tex" footer="${folder}08_footer.tex" texts=( - "${folder}00_preface.tex" - "${folder}01_introduction.tex" - "${folder}02_clara.tex" - "${folder}04_ren.tex" - "${folder}05_rosemary-interview.tex" - "${folder}06_michael.tex" - "${folder}07_biographies.tex" + "${folder}00_preface.tex" + "${folder}01_introduction.tex" + "${folder}02_clara.tex" + "${folder}03_cengiz.tex" + "${folder}04_ren.tex" + "${folder}05_rosemary-interview.tex" + "${folder}06_michael.tex" + "${folder}07_biographies.tex" ) counter=1 diff --git a/pdfs/00_preface.pdf b/pdfs/00_preface.pdf index 945f561..d4ddba8 100644 Binary files a/pdfs/00_preface.pdf and b/pdfs/00_preface.pdf differ diff --git a/pdfs/00_preface.tex b/pdfs/00_preface.tex index 1b78b37..c7ac04d 100644 --- a/pdfs/00_preface.tex +++ b/pdfs/00_preface.tex @@ -24,7 +24,7 @@ \usepackage{afterpage} \usepackage{paralist} \usepackage{caption} -\usepackage[hyphens]{url} +\usepackage{xurl} \usepackage{ltablex} \usepackage{vcell} \usepackage{float} @@ -72,7 +72,7 @@ \newcommand{\chaptersignthree}{‡} \newcommand{\chaptersignfour}{§} \newcommand{\chaptersignfive}{¶} -\newcommand{\chaptersignsix}{¶} +\newcommand{\chaptersignsix}{‖} % FONT-FACES @@ -194,15 +194,15 @@ tabsize=3 \section{\nohyphens{Preface: Everyday\\Technology Press}} \noindent -What you are holding in your hands or browsing on your screen is the first book published by the Everyday Technology Press, an imprint run by the Rotterdam-based collective space Varia. Everyday technology is not just a moniker for the tools and devices we use on a daily basis, but a formula that identifies a perspective on technical artefacts and a programmatic goal. Everyday technology means that a sewing machine is no less important than a laptop, that a seamstress's work is by no means less meaningful than that of a computer scientist. Focusing on everyday technology means questioning the hierarchies that surround technical objects and therefore the valorisation of skills needed to design or use them. Everyday technology means also reconsidering the hegemony of high tech: with our publications, we try to show that low-tech approaches can be complex, inventive, and joyful. +What you are holding in your hands or browsing on your screen is the first book published by the Everyday Technology Press, an imprint run by the Rotterdam-based collective space Varia. Everyday technology is not just a moniker for the tools and devices we use on a daily basis, but a formula that identifies a perspective on technical artefacts and a programmatic goal. Everyday technology means that a sewing machine is no less important than a laptop, that a seamstress’s work is by no means less meaningful than that of a computer scientist. Focusing on everyday technology means questioning the hierarchies that surround technical objects and therefore the valorisation of skills needed to design or use them. Everyday technology means also reconsidering the hegemony of high tech: with our publications, we try to show that low-tech approaches can be complex, inventive, and joyful. \looseness=13 \clubpenalty10000 \fontdimen3\font=0.2em -At Everyday Technology Press, we believe that not only experts should have access and decisive power in regards to how things should work. This is why our publications show and document convivial tools; tools that guarantee a certain degree of autonomy to their users. We understand autonomy in Ivan Illich’s terms, namely, the possibility for each and everyone to use a tool in order to realise their own intentions and create meaning by leaving a mark, however small, in the world. \footnote{ Ivan Illich, \emph{Tools for conviviality} (New York: Harper and Row,1973).} We strive to include multiple and entangled perspectives, needs, and aspirations that are at play when it comes to technology. We think of theory as a practice and practice as a form of knowledge production. True to this belief, in our publications we complement analyses with instructions and code; tutorials and methods with essays. Here, the \emph{know what} goes hand in hand with the \emph{know how}. +At Everyday Technology Press, we believe that not only experts should have access and decisive power in regards to how things should work. This is why our publications show and document convivial tools; tools that guarantee a certain degree of autonomy to their users. We understand autonomy in Ivan Illich’s terms, namely, the possibility for each and everyone to use a tool in order to realise their own intentions and create meaning by leaving a mark, however small, in the world.\footnote{ Ivan Illich, \emph{Tools for conviviality} (New York: Harper and Row,1973).} We strive to include multiple and entangled perspectives, needs, and aspirations that are at play when it comes to technology. We think of theory as a practice and practice as a form of knowledge production. True to this belief, in our publications we complement analyses with instructions and code; tutorials and methods with essays. Here, the \emph{know what} goes hand in hand with the \emph{know how}. \fontdimen3\font=0.1em -Through its engagement with vernacular languages, \emph{VLTK} suggests another meaning of everyday technology. Technology is often not recognised as such. Language, for example, is something that many take for granted and deem and call “natural.” However, a variety of technical procedures, rules, and constraints operate on top of its roots, which are, according to Jorge Luis Borges, “irrational and magical.” \footnote{Jorge Luis Borges, \emph{El otro, el mismo} (Buenos Aires: Emecé, 2005).} This is how language becomes a technology. The technologisation of language tends to be a singular, reductive operation that produces a language with a capital “L” as a technology with a capital “T.” \emph{VLTK} counterbalances that: this book does not only show that a wealth of linguistic modes of being exist, but also that they can thrive, given enough space and the proper amount of attention. +Through its engagement with vernacular languages, \emph{VLTK} suggests another meaning of everyday technology. Technology is often not recognised as such. Language, for example, is something that many take for granted and deem and call “natural.” However, a variety of technical procedures, rules, and constraints operate on top of its roots, which are, according to Jorge Luis Borges, “irrational and magical.”\footnote{Jorge Luis Borges, \emph{El otro, el mismo} (Buenos Aires: Emecé, 2005).} This is how language becomes a technology. The technologisation of language tends to be a singular, reductive operation that produces a language with a capital “L” as a technology with a capital “T.” \emph{VLTK} counterbalances that: this book does not only show that a wealth of linguistic modes of being exist, but also that they can thrive, given enough space and the proper amount of attention. \\\\ \noindent Silvio Lorusso diff --git a/pdfs/01_introduction.pdf b/pdfs/01_introduction.pdf index 901f2b7..4a42917 100644 Binary files a/pdfs/01_introduction.pdf and b/pdfs/01_introduction.pdf differ diff --git a/pdfs/01_introduction.tex b/pdfs/01_introduction.tex index 51d6c52..06cbb71 100644 --- a/pdfs/01_introduction.tex +++ b/pdfs/01_introduction.tex @@ -24,7 +24,7 @@ \usepackage{afterpage} \usepackage{paralist} \usepackage{caption} -\usepackage[hyphens]{url} +\usepackage{xurl} \usepackage{ltablex} \usepackage{vcell} \usepackage{float} @@ -72,7 +72,7 @@ \newcommand{\chaptersignthree}{‡} \newcommand{\chaptersignfour}{§} \newcommand{\chaptersignfive}{¶} -\newcommand{\chaptersignsix}{¶} +\newcommand{\chaptersignsix}{‖} % FONT-FACES @@ -295,7 +295,7 @@ In the same chapter there is also a table that describes the different maps that \end{tabularx} \noindent -Figure: NLTK's linguistic objects, From \emph{Natural Language Processing with Python: Analyzing Text with the Natural Language Toolkit}, “Table 3.1: Linguistic Objects as Mappings from Keys to Values”\footnote{\url{https://www.nltk.org/book/ch05.html\#tab-linguistic-objects}} +Figure: NLTK's linguistic objects, From \emph{Natural Language Processing with Python: Analyzing Text with the Natural Language Toolkit}, “Table 3.1: Linguistic Objects as Mappings from Keys to Values”\footnote{\url{https://www.nltk.org/book/ch05.html\#tab-linguistic-objects}}\\ \noindent NLTK uses the metaphor of mapping to form indexical relations between truth and map. The use of the word mapping was something that caught our attention -- it is this indexical relation that needs questioning and study. Considering that language maps generate a new kind of linguistic matter, one that is processed and transformed through code, how does that mutate language? How can these mutations be studied? What kinds of maps can be made to map language differently? Can mapping be done based on: diff --git a/pdfs/02_clara.pdf b/pdfs/02_clara.pdf index 5b52859..92dae45 100644 Binary files a/pdfs/02_clara.pdf and b/pdfs/02_clara.pdf differ diff --git a/pdfs/02_clara.tex b/pdfs/02_clara.tex index b3dee90..ef93880 100644 --- a/pdfs/02_clara.tex +++ b/pdfs/02_clara.tex @@ -24,7 +24,7 @@ \usepackage{afterpage} \usepackage{paralist} \usepackage{caption} -\usepackage[hyphens]{url} +\usepackage{xurl} \usepackage{ltablex} \usepackage{vcell} \usepackage{float} @@ -72,7 +72,7 @@ \newcommand{\chaptersignthree}{‡} \newcommand{\chaptersignfour}{§} \newcommand{\chaptersignfive}{¶} -\newcommand{\chaptersignsix}{¶} +\newcommand{\chaptersignsix}{‖} % FONT-FACES @@ -187,7 +187,7 @@ tabsize=3 % \tableofcontents{\thispagestyle{empty}} % \clearpage{\thispagestyle{empty}\cleardoublepage} -\setcounter{page}{1} +\setcounter{page}{19} % --- PART 2 --- % --- CLARA BALAGUER --- diff --git a/pdfs/03_cengiz.pdf b/pdfs/03_cengiz.pdf new file mode 100644 index 0000000..03f3a4a Binary files /dev/null and b/pdfs/03_cengiz.pdf differ diff --git a/pdfs/03_cengiz.tex b/pdfs/03_cengiz.tex new file mode 100644 index 0000000..4efb993 --- /dev/null +++ b/pdfs/03_cengiz.tex @@ -0,0 +1,287 @@ +\documentclass[a5, 10pt, twosides]{book} +\usepackage[utf8]{inputenc} +\usepackage{fontspec} +\usepackage{graphicx} +\usepackage{tikz} +\usepackage{fancyhdr} +\usepackage{fontenc}[T1] +\usepackage[raggedright]{titlesec} +\usepackage{tocloft} +\usepackage{geometry} +\usepackage{setspace} +\usepackage{afterpage} +\usepackage{listings} +\usepackage{array} % for fixed width tables +\usepackage{tabularx} % for multiple alignments in cells +\usepackage[hang]{footmisc} +% \usepackage[a4,cross,pdftex,center]{crop} % cropmarks +\usepackage{perpage} +\usepackage{setspace} +\usepackage{hyphenat} +\usepackage{scrextend} +\usepackage{xcolor} +\usepackage{tcolorbox} +\usepackage{afterpage} +\usepackage{paralist} +\usepackage{caption} +\usepackage{xurl} +\usepackage{ltablex} +\usepackage{vcell} +\usepackage{float} +\usepackage{calc} +\usepackage{etoolbox} +\usepackage[vskip=12pt,indentfirst=false, leftmargin=2em, rightmargin=2em]{quoting} +\usepackage{multicol} + +% CONFIGURE PACKAGES + +\usetikzlibrary{positioning} +\RequirePackage{fix-cm} + +\tcbuselibrary{skins} + +\setlength\LTpre{12pt} +\setlength\LTpost{12pt} + +\makeatletter +\g@addto@macro{\newpage}{\nointerlineskip} +\makeatother + + +% CONFIGURE PACKAGES > SIZE + +\geometry{a5paper,left=24mm,top=12mm,bottom=20mm,right=16mm} + +% COMMANDS + +\let\endchangemargin=\endlist +\setlength{\footnotemargin}{1em} % footnote space + +% VARIABLES + +\newcommand{\chapterfontsize}{24pt} +\newcommand{\chapterlineheight}{24pt} +\newcommand{\imgwidth}{\textwidth} +\newcommand{\imgdir}{../00_contributions/FINAL/} +\newcommand{\ballsize}{7mm} + +% VARIABLES > CHAPTER SIGNS + +\newcommand{\chaptersignone}{*} +\newcommand{\chaptersigntwo}{†} +\newcommand{\chaptersignthree}{‡} +\newcommand{\chaptersignfour}{§} +\newcommand{\chaptersignfive}{¶} +\newcommand{\chaptersignsix}{‖} + +% FONT-FACES + +\setmainfont[Scale=0.95]{Arial} +\setsansfont[Scale=0.95]{Arial} +\setmonofont[Scale=0.95]{Courier} + +\newfontfamily\sectionfont{Times}[ItalicFont ={* Italic}, + BoldFont ={* Bold}, + BoldItalicFont={* Bold Italic}] + +% PAGE STYLES + +% All pages + +\pagestyle{fancy} +\fancyhf{} +\fancyhead[LE,RO]{} +\fancyhead[RE,LO]{} +\fancyfoot[CE,CO]{} +\fancyfoot[LE,RO]{\thepage} +\renewcommand{\headrulewidth}{0pt} +\renewcommand{\footrulewidth}{0pt} + +% Chapter pages + +\fancypagestyle{plain}{ + + \fancyhf{} + \fancyfoot[LE,RO]{\fontsize{\chapterfontsize}{\chapterlineheight}\selectfont\bfseries\thepage} + \fancyfoot[LO,RE]{\fontsize{\chapterfontsize}{\chapterlineheight}\selectfont\bfseries\thechapter} + \renewcommand{\headrulewidth}{0pt} + \renewcommand{\footrulewidth}{0pt} + \renewcommand{\fontruleskip}{0pt} + \renewcommand{\headruleskip}{0pt} +} + +% COVER +\usetikzlibrary{positioning,fadings,through} +\definecolor{left} {HTML}{000000} +\title{''Titre du livre''} +\author{''Nom de l'auteur''} +\date{''date de fin de rédaction''} + +% CONTENTS +\renewcommand{\contentsname}{} +\renewcommand\cftchapfont{\bfseries} +\renewcommand\cftchappagefont{\bfseries} + +% CHAPTER +\renewcommand{\chaptername}{} +\renewcommand{\thechapter}{\fnsymbol{chapter}} +\titleformat{\chapter}[block]{\bfseries\fontsize{\chapterfontsize}{\chapterlineheight}\selectfont}{\chaptername}{0pt}{} +\titlespacing{\chapter}{0pt}{0pt}{0pt} + +% SECTION +\renewcommand{\thesection}{\arabic{section}} +\titleformat{\section}[block]{\sectionfont\fontsize{\chapterfontsize}{\chapterlineheight}\selectfont}{}{0pt}{} +\titlespacing{\section}{2em}{12pt}{8pt}{} + +% SUBSECTION +\renewcommand{\thesubsection}{\arabic{subsection}} +\titleformat{\subsection}[block]{\bfseries\fontsize{10pt +}{12pt}\selectfont}{}{0pt}{} +\titlespacing{\subsection}{0pt}{12pt}{12pt}{} + +% SUBSUBSECTION +\renewcommand{\thesubsubsection}{\arabic{subsubsection}} +\titleformat{\subsubsection}[block]{\sectionfont\fontsize{11pt}{12pt}\selectfont}{}{0pt}{} +\titlespacing{\subsubsection}{24pt}{12pt}{8pt}{} + +% PARAGRAPHS +\setlength{\parindent}{2em} +\setlength{\parskip}{0pt} +\renewcommand{\baselinestretch}{1.0} + +% CODE STYLE +\lstset{ +aboveskip=3mm, +belowskip=3mm, +showstringspaces=false, +columns=flexible, +basicstyle={\small\ttfamily}, +numbers=none, +numberstyle=\tiny, +keywordstyle=\bfseries, +commentstyle= +stringstyle=, +breaklines=true, +breakatwhitespace=true, +tabsize=3espace=true, +tabsize=3 +} + +\setlength{\textfloatsep}{0cm} + + +% FOOTNOTE + +\begin{document} + +\setlength{\baselineskip}{12pt} +\frenchspacing +\urlstyle{sf} +\tcbset{enhanced} +\nointerlineskip + + +% CONTENTS +% \addtocontents{toc}{\protect\setcounter{tocdepth}{0}} +% \vspace*{-8\baselineskip} +% \tableofcontents{\thispagestyle{empty}} +% \clearpage{\thispagestyle{empty}\cleardoublepage} + +\setcounter{page}{39} +1 +\newpage + +2 +\newpage + +3 +\newpage + +4 +\newpage + +5 +\newpage + +6 +\newpage + +7 +\newpage + +8 +\newpage + +9 +\newpage + +10 +\newpage + +11 +\newpage + +12 +\newpage + +13 +\newpage + +14 +\newpage + +15 +\newpage + +16 +\newpage + +17 +\newpage + +18 +\newpage + +19 +\newpage + +20 +\newpage + +21 +\newpage + +22 +\newpage + +23 +\newpage + +24 +\newpage + +25 +\newpage + +26 +\newpage + +27 +\newpage + +28 +\newpage + +29 +\newpage + +30 +\newpage + +31 +\newpage + +32 +\newpage + +\clearpage{\thispagestyle{empty}\cleardoublepage}\end{document} \ No newline at end of file diff --git a/pdfs/04_ren.pdf b/pdfs/04_ren.pdf index 7a0601b..7354edd 100644 Binary files a/pdfs/04_ren.pdf and b/pdfs/04_ren.pdf differ diff --git a/pdfs/04_ren.tex b/pdfs/04_ren.tex index bf0c449..370bb9a 100644 --- a/pdfs/04_ren.tex +++ b/pdfs/04_ren.tex @@ -24,7 +24,7 @@ \usepackage{afterpage} \usepackage{paralist} \usepackage{caption} -\usepackage[hyphens]{url} +\usepackage{xurl} \usepackage{ltablex} \usepackage{vcell} \usepackage{float} @@ -72,7 +72,7 @@ \newcommand{\chaptersignthree}{‡} \newcommand{\chaptersignfour}{§} \newcommand{\chaptersignfive}{¶} -\newcommand{\chaptersignsix}{¶} +\newcommand{\chaptersignsix}{‖} % FONT-FACES @@ -187,7 +187,7 @@ tabsize=3 % \tableofcontents{\thispagestyle{empty}} % \clearpage{\thispagestyle{empty}\cleardoublepage} -\setcounter{page}{39} +\setcounter{page}{71} % --- PART 4 --- % --- REN LOREN BRITTON --- @@ -199,8 +199,12 @@ tabsize=3 \fancyfoot[RO]{\thepage} \fancyfoot[LE]{\thepage} +\setcounter{chapter}{3} + % CHAPTER PAGE +\enlargethispage{-1\baselineskip} + \begin{tcolorbox}[boxrule=2pt, arc=24mm, colframe=black, colback=white, spread inwards=-16mm, spread outwards=-8mm, left=8mm, top=16pt, bottom=28pt] \chapter[Turnabouts and deadnames: shapeshifting trans* and disabled vernaculars Ren Loren Britton]{Turnabouts and\\deadnames:shapeshifting\\trans* and disabled\\vernaculars\\\\Ren Loren Britton} \end{tcolorbox} diff --git a/pdfs/05_rosemary-interview.pdf b/pdfs/05_rosemary-interview.pdf index f612543..b443cc4 100644 Binary files a/pdfs/05_rosemary-interview.pdf and b/pdfs/05_rosemary-interview.pdf differ diff --git a/pdfs/05_rosemary-interview.tex b/pdfs/05_rosemary-interview.tex index 8a22e1d..e7d9af1 100644 --- a/pdfs/05_rosemary-interview.tex +++ b/pdfs/05_rosemary-interview.tex @@ -24,7 +24,7 @@ \usepackage{afterpage} \usepackage{paralist} \usepackage{caption} -\usepackage[hyphens]{url} +\usepackage{xurl} \usepackage{ltablex} \usepackage{vcell} \usepackage{float} @@ -72,7 +72,7 @@ \newcommand{\chaptersignthree}{‡} \newcommand{\chaptersignfour}{§} \newcommand{\chaptersignfive}{¶} -\newcommand{\chaptersignsix}{¶} +\newcommand{\chaptersignsix}{‖} % FONT-FACES @@ -187,7 +187,7 @@ tabsize=3 % \tableofcontents{\thispagestyle{empty}} % \clearpage{\thispagestyle{empty}\cleardoublepage} -\setcounter{page}{49} +\setcounter{page}{81} % --- PART 5 --- % --- INTERVIEW --- @@ -198,6 +198,8 @@ tabsize=3 \fancyfoot[RO]{\thepage} \fancyfoot[LE]{\thepage} +\setcounter{chapter}{4} + \enlargethispage{-1\baselineskip} \begin{tcolorbox}[boxrule=2pt, arc=24mm, colframe=black, colback=white, spread inwards=-16mm, spread outwards=-8mm, left=8mm, top=17pt, bottom=27pt] @@ -283,7 +285,7 @@ General Strike (245)\\ \noindent Some of these are terms that occur too many times or are too broad, such as “Occupation,” to be a useful way of filtering an item, but some such as “Rent Strike” are specific enough to be a useful means of linking up documents. We thought that this category of “Tactics” was a useful one to reorientate the collection as something that can be used as resources for current struggles to integrate tactics of the past that might have been forgotten. -\subsubsection{{\raggedright In another conversation we had, you mentioned you worked with Natural Language Processing (NLP) tools for this archive and earlier you mentioned that all the documents have been OCRed. So we are wondering how NLP had been applied to the documents? What influenced the conceptualisation of those operations?}} +\subsubsection{In another conversation we had, you mentioned you worked \\with Natural Language Processing (NLP) tools for this archive\\and earlier you mentioned that all the documents have been\\OCRed. So we are wondering how NLP had been applied to\\the documents? What influenced the conceptualisation of\\those operations?} \newpage \noindent @@ -314,7 +316,7 @@ One of the ways of sorting the result of the different NLP scripts was to create } \end{figure} -\subsubsection{You've already mentioned that Leftovers came together as a collaboration with 0x2620. Are there more collaborators involved in the making of this archive?} +\subsubsection{You've already mentioned that Leftovers came together as a\\collaboration with 0x2620. Are there more collaborators involved\\in the making of this archive?} \newpage \noindent Leftovers was initiated by myself at MayDay Rooms, and was developed in collaboration with Jan Gerber from 0x2620. Anthony Iles from \emph{Mute Magazine} joined the working group in 2020 and has been very active in finding material and inputting metadata. He also helped produce our first online exhibition based on the digital archive called \emph{Print Subversion in the Wapping Dispute} which can be found here \url{https://exhibitions.maydayrooms.org/wapping}.We got a small grant to further develop our interface in 2020, and for this we worked with Gemma Copeland and Robbie Blundell from Evening Class, a design collective in London, to design the front end. You can see the work-in-progress version here, \url{https://dev.leftove.rs}. diff --git a/pdfs/06_michael.pdf b/pdfs/06_michael.pdf index d01cc4d..ee5161e 100644 Binary files a/pdfs/06_michael.pdf and b/pdfs/06_michael.pdf differ diff --git a/pdfs/06_michael.tex b/pdfs/06_michael.tex index 0665f2c..11bfa24 100644 --- a/pdfs/06_michael.tex +++ b/pdfs/06_michael.tex @@ -24,7 +24,7 @@ \usepackage{afterpage} \usepackage{paralist} \usepackage{caption} -\usepackage[hyphens]{url} +\usepackage{xurl} \usepackage{ltablex} \usepackage{vcell} \usepackage{float} @@ -72,7 +72,7 @@ \newcommand{\chaptersignthree}{‡} \newcommand{\chaptersignfour}{§} \newcommand{\chaptersignfive}{¶} -\newcommand{\chaptersignsix}{¶} +\newcommand{\chaptersignsix}{‖} % FONT-FACES @@ -187,7 +187,7 @@ tabsize=3 % \tableofcontents{\thispagestyle{empty}} % \clearpage{\thispagestyle{empty}\cleardoublepage} -\setcounter{page}{1} +\setcounter{page}{93} % --- PART 6 --- % --- MICHAEL --- diff --git a/pdfs/07_biographies.pdf b/pdfs/07_biographies.pdf index 16205fd..c34349b 100644 Binary files a/pdfs/07_biographies.pdf and b/pdfs/07_biographies.pdf differ diff --git a/pdfs/07_biographies.tex b/pdfs/07_biographies.tex index dd31c4e..3212255 100644 --- a/pdfs/07_biographies.tex +++ b/pdfs/07_biographies.tex @@ -24,7 +24,7 @@ \usepackage{afterpage} \usepackage{paralist} \usepackage{caption} -\usepackage[hyphens]{url} +\usepackage{xurl} \usepackage{ltablex} \usepackage{vcell} \usepackage{float} @@ -72,7 +72,7 @@ \newcommand{\chaptersignthree}{‡} \newcommand{\chaptersignfour}{§} \newcommand{\chaptersignfive}{¶} -\newcommand{\chaptersignsix}{¶} +\newcommand{\chaptersignsix}{‖} % FONT-FACES @@ -187,7 +187,7 @@ tabsize=3 % \tableofcontents{\thispagestyle{empty}} % \clearpage{\thispagestyle{empty}\cleardoublepage} -\setcounter{page}{79} +\setcounter{page}{111} \fancyfoot[RO]{} \fancyfoot[LE]{} diff --git a/vltk.pdf b/vltk_111126.pdf similarity index 98% rename from vltk.pdf rename to vltk_111126.pdf index 6daeb30..472d496 100644 Binary files a/vltk.pdf and b/vltk_111126.pdf differ