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230 lines
8.0 KiB
230 lines
8.0 KiB
\documentclass[a5, 10pt, twosides]{book}
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\usepackage[utf8]{inputenc}
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\usepackage{fontspec}
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\usepackage{graphicx}
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\usepackage{tikz}
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\usepackage{fancyhdr}
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\usepackage{fontenc}[T1]
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\usepackage[raggedright]{titlesec}
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\usepackage{tocloft}
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\usepackage{geometry}
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\usepackage{setspace}
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\usepackage{afterpage}
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\usepackage{listings}
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\usepackage{array} % for fixed width tables
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\usepackage{tabularx} % for multiple alignments in cells
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\usepackage[hang]{footmisc}
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% \usepackage[a4,cross,pdftex,center]{crop} % cropmarks
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\usepackage{perpage}
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\usepackage{setspace}
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\usepackage{hyphenat}
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\usepackage{scrextend}
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\usepackage{xcolor}
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\usepackage{tcolorbox}
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\usepackage{afterpage}
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\usepackage{paralist}
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\usepackage{caption}
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\usepackage{xurl}
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\usepackage{ltablex}
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\usepackage{vcell}
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\usepackage{float}
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\usepackage{calc}
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\usepackage{etoolbox}
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\usepackage[vskip=12pt,indentfirst=false, leftmargin=2em, rightmargin=2em]{quoting}
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\usepackage{multicol}
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\usepackage{yfonts}
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\usepackage{graphicx}
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\usepackage{pbox}
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\usepackage{eso-pic}
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\usepackage{xespotcolor}
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% CONFIGURE PACKAGES
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\usetikzlibrary{positioning}
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\RequirePackage{fix-cm}
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\tcbuselibrary{skins}
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\setlength\LTpre{12pt}
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\setlength\LTpost{12pt}
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\makeatletter
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\g@addto@macro{\newpage}{\nointerlineskip}
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\makeatother
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\newcommand\BackgroundPic{%
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\put(0,0){%
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\parbox[b][\paperheight]{\paperwidth}{%
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\vfill
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\centering
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\includegraphics[width=\paperwidth,height=\paperheight,%
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keepaspectratio]{04_magic-magick/test_toc-03-white.png}%
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\vfill
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}}}
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% CONFIGURE PACKAGES > SIZE
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\geometry{a5paper,left=24mm,top=12mm,bottom=20mm,right=16mm}
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% COMMANDS
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\let\endchangemargin=\endlist
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\setlength{\footnotemargin}{1em} % footnote space
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% VARIABLES
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\newcommand{\titlefontsize}{64pt}
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\newcommand{\titlelineheight}{56pt}
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\newcommand{\chapterfontsize}{24pt}
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\newcommand{\chapterlineheight}{24pt}
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\newcommand{\imgwidth}{\textwidth}
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\newcommand{\imgdir}{../00_contributions/FINAL/}
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\newcommand{\ballsize}{7mm}
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% VARIABLES > CHAPTER SIGNS
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\newcommand{\chaptersignone}{*}
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\newcommand{\chaptersigntwo}{†}
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\newcommand{\chaptersignthree}{‡}
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\newcommand{\chaptersignfour}{§}
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\newcommand{\chaptersignfive}{¶}
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\newcommand{\chaptersignsix}{‖}
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% FONT-FACES
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\setmainfont[Scale=0.95]{Arial}
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\setsansfont[Scale=0.95]{Arial}
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\setmonofont[Scale=0.95]{Courier}
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\newfontfamily\sectionfont{Times}[ItalicFont ={* Italic},
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BoldFont ={* Bold},
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BoldItalicFont={* Bold Italic}]
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% PAGE STYLES
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% All pages
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\pagestyle{fancy}
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\fancyhf{}
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\fancyhead[LE,RO]{}
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\fancyhead[RE,LO]{}
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\fancyfoot[CE,CO]{}
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\fancyfoot[LE,RO]{\thepage}
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\renewcommand{\headrulewidth}{0pt}
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\renewcommand{\footrulewidth}{0pt}
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% Chapter pages
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\fancypagestyle{plain}{
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\fancyhf{}
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\fancyfoot[LE,RO]{\fontsize{\chapterfontsize}{\chapterlineheight}\selectfont\bfseries\thepage}
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\fancyfoot[LO,RE]{\fontsize{\chapterfontsize}{\chapterlineheight}\selectfont\bfseries\thechapter}
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\renewcommand{\headrulewidth}{0pt}
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\renewcommand{\footrulewidth}{0pt}
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\renewcommand{\fontruleskip}{0pt}
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\renewcommand{\headruleskip}{0pt}
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}
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% COVER
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\usetikzlibrary{positioning,fadings,through}
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\definecolor{left} {HTML}{000000}
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\title{''Titre du livre''}
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\author{''Nom de l'auteur''}
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\date{''date de fin de rédaction''}
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% CONTENTS
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\renewcommand{\contentsname}{}
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\renewcommand\cftchapfont{\bfseries}
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\renewcommand\cftchappagefont{\bfseries}
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% CHAPTER
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\renewcommand{\chaptername}{}
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\renewcommand{\thechapter}{\fnsymbol{chapter}}
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\titleformat{\chapter}[block]{\bfseries\fontsize{\chapterfontsize}{\chapterlineheight}\selectfont}{\chaptername}{0pt}{}
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\titlespacing{\chapter}{0pt}{0pt}{0pt}
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% SECTION
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\renewcommand{\thesection}{\arabic{section}}
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\titleformat{\section}[block]{\sectionfont\fontsize{\chapterfontsize}{\chapterlineheight}\selectfont}{}{0pt}{}
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\titlespacing{\section}{2em}{12pt}{8pt}{}
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% SUBSECTION
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\renewcommand{\thesubsection}{\arabic{subsection}}
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\titleformat{\subsection}[block]{\bfseries\fontsize{10pt
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}{12pt}\selectfont}{}{0pt}{}
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\titlespacing{\subsection}{0pt}{12pt}{12pt}{}
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% SUBSUBSECTION
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\renewcommand{\thesubsubsection}{\arabic{subsubsection}}
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\titleformat{\subsubsection}[block]{\sectionfont\fontsize{11pt}{12pt}\selectfont}{}{0pt}{}
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\titlespacing{\subsubsection}{24pt}{12pt}{8pt}{}
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% PARAGRAPHS
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\setlength{\parindent}{2em}
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\setlength{\parskip}{0pt}
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\renewcommand{\baselinestretch}{1.0}
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% CODE STYLE
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\lstset{
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aboveskip=3mm,
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belowskip=3mm,
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showstringspaces=false,
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columns=flexible,
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basicstyle={\small\ttfamily},
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numbers=none,
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numberstyle=\tiny,
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keywordstyle=\bfseries,
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commentstyle=
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stringstyle=,
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breaklines=true,
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breakatwhitespace=true,
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tabsize=3espace=true,
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tabsize=3
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}
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\setlength{\textfloatsep}{0cm}
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% FOOTNOTE
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\begin{document}
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\setlength{\baselineskip}{12pt}
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\frenchspacing
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\urlstyle{sf}
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\tcbset{enhanced}
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\nointerlineskip
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% CONTENTS
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% \addtocontents{toc}{\protect\setcounter{tocdepth}{0}}
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% \vspace*{-8\baselineskip}
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% \tableofcontents{\thispagestyle{empty}}
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% \clearpage{\thispagestyle{empty}\cleardoublepage}
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\setcounter{page}{1}
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% --- PART 0 ---
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% --- SECTION ---
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\section{\nohyphens{Preface: Everyday\\Technology Press}}
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\fontdimen3\font=0.2em
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\noindent
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What you are holding in your hands or browsing on your screen is the first book published by the \nohyphens{Everyday} \nohyphens{Technology} \nohyphens{Press}, an imprint run by the Rotterdam-based collective space Varia. Everyday technology is not just a moniker for the tools and devices we use on a daily basis, but a formula that identifies a perspective on technical artefacts and a programmatic goal. Everyday technology means that a sewing machine is no less important than a laptop, that a seamstress’s work is by no means less meaningful than that of a computer scientist. Focusing on everyday technology means questioning the hierarchies that surround technical objects and therefore the valorisation of skills needed to design or use them. \nohyphens{Everyday} technology means also reconsidering the hegemony of high tech: with our publications, we try to show that low-tech approaches can be complex, inventive, and joyful.
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At \nohyphens{Everyday} \nohyphens{Technology} \nohyphens{Press}, we believe that not only experts should have access and decisive power in regards to how things should work. This is why our publications show and document convivial tools; tools that guarantee a certain degree of autonomy to their users. We understand autonomy in Ivan Illich’s terms, namely, the possibility for each and everyone to use a tool in order to realise their own intentions and create meaning by leaving a mark, however small, in the world.\footnote{ Ivan Illich, \emph{Tools for conviviality} (New York: Harper and Row,1973).} We strive to include multiple and entangled perspectives, needs, and aspirations that are at play when it comes to technology. We think of theory as a practice and practice as a form of knowledge production. True to this belief, in our publications we complement analyses with instructions and code; tutorials and methods with essays. Here, the \emph{know what} goes hand in hand with the \emph{know how}.
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\looseness=12
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\fontdimen3\font=0.15em
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\hspace{-2pt}Through its engagement with vernacular languages,\thinspace\emph{Vernaculars come to matter} suggests another meaning of everyday technology. Technology is often not recognised as such. Language, for example, is something that many take for granted and deem and call “natural.” However, a variety of technical procedures, rules, and constraints operate on top of its roots, which are, according to Jorge Luis Borges, “irrational and magical.”\footnote{Jorge Luis Borges, \emph{El otro, el mismo} (Buenos Aires: Emecé, 2005).} This is how language becomes a technology. The technologisation of language tends to be a singular, reductive operation that produces language with a capital “L” as a technology with a capital “T.” \emph{Vernaculars come to \nohyphens{matter}} counterbalances that: this book does not only show that a wealth of \nohyphens{linguistic} modes of being exist, but also that they can thrive, given enough space and the proper amount of attention.
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\\\\
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\noindent
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Silvio Lorusso
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\clearpage{\thispagestyle{empty}\cleardoublepage}
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\end{document}
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