dealing with AI crimes. In this paper we will aim at re-centralizing AI ethics through social justice, with focus on restorative justice, allowing for an advanced jurisprudence, where human and machine can work in symbiosis on reaching virtue ethics, rather than being in conflict with each other.
Furthering this perspective, we suggest that reflections brought by new materialism should also be taken into account: not only as a critical perspective on the engendering and anthropomorphic representation of AI, but also to broaden the spectrum of what we consider to be justice in relation to all the living world. Without this new perspective the sort of idealized AI image of a non-living intelligence that deals with enormous amounts of information risks to serve the abstraction of anthropocentric views into a computationalist acceleration, with deafening results. Rather than such an implosive perspective, the application of law and jurisprudence may take advantage of AI’s computational and sensorial enhanced capabilities by including all information gathered from the environment, also that produced by plants, animals and soil. Thus one might want to think about a humanised symbiosis
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[^20]: N.J. Nilsson, The Quest for Artificial Intelligence, Cambridge, Cambridge University Press, 2009.
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[^44]: Cp. Nils Christie, “Conflicts as Property”, The British Journal of Criminology, 17 (1), 1977, pp. 1–15.
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[^46]: Cp. J. Braithwaite, Crime, Shame and Reintegration, Cambridge, Cambridge University Press, 1989.
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**Adnan Hadzi** is currently working as resident researcher at the University of Malta. Adnan has been a regular at Deckspace Media Lab, for the last decade, a period over which he has developed his research at Goldsmiths, University of London, based on his work with Deptford. TV/Deckspace.TV. It is through Free and Open Source Software and technologies this research has a social impact. Currently Adnan is a participant researcher in the MAZI/CreekNet research collaboration with the boattr project. Adnan is co-editing and producing the after.video video book, exploring video as theory, reflecting upon networked video, as it profoundly re-shapes medial patterns (Youtube, citizen journalism, video surveillance etc.). Adnan’s documentary film work tracks artist pranksters The Yes Men and net provocatours Bitnik Collective. Bitnik’s practice expands from the digital to affect physical spaces, often intentionally applying loss of control to challenge established structures and mechanisms, formulating fundamental questions concerning contemporary issues. <http://dek.spc.org>, <http://bitnik.org>, <http://deptford.tv>
**Denis Roio**, better known by the hacker name Jaromil, is CTO and co~founder of the Dyne.org software house and think&do tank based in Amsterdam, developers of free and open source software with a strong focus on peer to peer networks, social values, cryptography, disintermediation and sustainability. Jaromil holds a Ph.D on “Algorithmic Sovereignty” and received the Vilém Flusser Award at transmediale (Berlin, 2009) while leading for 6 years the R&D department of the Netherlands Media art Institute (Montevideo/TBA). He is the leading technical architect of DECODE, an EU funded project on blockchain technologies and data ownership, involving pilots in cooperation with the municipalities of Barcelona and Amsterdam.