diff --git a/content/2024/sometimes5-EN.md b/content/2024/sometimes5-EN.md new file mode 100644 index 0000000..572af42 --- /dev/null +++ b/content/2024/sometimes5-EN.md @@ -0,0 +1,31 @@ +--- +Title: Varia prints SomeTimes 5 +Date: 2024-09-28 +Category: article +Tags: sometimes +slug: sometimes5 +lang: en +featured_image: /images/sometimes5.jpeg +summary: Varia prints all the news that can fit in *SomeTimes*. The fifth issue is dedicated to the temporary, the not quite ready yet, the flourishing, and the almost over. Our public programme in 2024 is titled Seasonal Computing. This issue of SomeTimes is dedicated to Seasonal Computing and all its seeds, apple-cores, mini-pears and the flourishings and wiltings that have happened and will soon come to be. + +--- + +Varia prints all the news that can fit in *SomeTimes*. The fifth issue is dedicated to the temporary, the not quite ready yet, the flourishing, and the almost over. Our public programme in 2024 is titled Seasonal Computing. This issue of SomeTimes is dedicated to Seasonal Computing and all its seeds, apple-cores, mini-pears and the flourishings and wiltings that have happened and will soon come to be. + +In this issue, you'll be able to find out more about how we framed seasonal computing, what the seeds consist of and a selection of the activities that have happened already. + +Get your copy in Varia, or download the first issue of *SomeTimes* here: + +---------------- + +*SomeTimes* + +**Issue**: 5
+**Date**: Winter - Summer (and some of Autumn) 2024
+**Editor/designers**: Varia's communication group
+**Tools**: Octomode
+**Fonts**: Combine by Julie Patard, Movement by María Ramos and Noel Pretorius, Ductus Mono by Amélie Dumont, and Authentic-Sans by Christina Janus and Desmond Wong
+**License**: All content is licensed under CC4r. The CC4r articulates conditions for re-using authored materials. This document is inspired by the principles of Free Culture – with a few differences. You are invited to copy, distribute, and transform the materials published under these conditions, and to take the implications of (re-)use into account.
+ + +