From f20d4c425042b5dc0c1914550115a94045960ccb Mon Sep 17 00:00:00 2001 From: aguenth Date: Mon, 23 Sep 2024 21:04:18 +0200 Subject: [PATCH] Update 'content/2024/fictionality-3-EN.md' --- content/2024/fictionality-3-EN.md | 7 ++++--- 1 file changed, 4 insertions(+), 3 deletions(-) diff --git a/content/2024/fictionality-3-EN.md b/content/2024/fictionality-3-EN.md index 3eeec42..f5d6e26 100644 --- a/content/2024/fictionality-3-EN.md +++ b/content/2024/fictionality-3-EN.md @@ -1,9 +1,9 @@ --- -Title: Semi-True Interpretation of Fictionality Part III: **The Fun-DING Body-ody-ody** lead by Toon Fibbe +Title: Semi-True Interpretation of Fictionality Part III: The Fun-DING Body-ody-ody lead by Toon Fibbe Date: 2024-09-23 Category: event -Tags: interpretation, fictionality, -slug: semi-true-interpretation-fictionality +Tags: interpretation, fictionality +slug: semi-true-interpretation-fictionality-3 lang: en event_start: 2024-10-05 19:00 event_duration: 2h @@ -11,6 +11,7 @@ featured_image: /images/Fictionality_flyer_3.jpg summary: For the last session in our Fictionality series we will explore this together with artist Toon Fibbe, by turning our professional selves into (drag)characters. However, first the funding body needs a makeover. If we imagine funding differently, what characters and behaviours could it produce? Join us in concocting characters, criteria, speculative and perhaps absurd scenarios. Scenarios that might not be utopian, but at least will give us insight into the fictions undergirding our funding structures. --- +**The Fun-DING Body-ody-ody lead by Toon Fibbe** For Fictionality III, the infamous Anna Delvey will serve as our guide and teacher. Known for posing as a wealthy German heiress while scamming New York’s elite, Delvey convinced the high society to invest in The Anna Delvey Foundation, her vision for a club and art gallery. Media outlets were quick to chastise Delvey for her swindles, but if anything, she perfectly reflected her surroundings by carefully shaping herself after the desires of potential investors. As cultural practitioners we are often asked to spark the imagination and desires of funding bodies or institutions. As Anna shows us, funding bodies shape not only the projects they fund, but also the identities and behaviours of those who seek their investment. For the last session in our Fictionality series we will explore this together with artist Toon Fibbe, by turning our professional selves into (drag)characters. However, first the funding body needs a makeover. If we imagine funding differently, what characters and behaviours could it produce? Join us in concocting characters, criteria, speculative and perhaps absurd scenarios. Scenarios that might not be utopian, but at least will give us insight into the fictions undergirding our funding structures.