//THE SENDING OF THE LIST TO PYTHON ///////////////////
$("#listoffiles").click(function(){
console.log(listofselecteddocs)
$.ajax({
type : 'POST',
url : "{{url_for('test')}}",
data : JSON.stringify(listofselecteddocs),
success: function(response){
alert("yesss")
},
contentType: "application/json",
dataType: 'json'
});
});
//ABOUT TEXT + INSERT TEXT
//ABOUT TEXT + INSERT TEXT
var introflag = true;
var introflag = true;
$("#about").click(function(){
$("#about").click(function(){
@ -581,7 +564,9 @@ var flag = true;
<p>After putting together this collection and setting paths which you can use to traverse it, we invited three artists to share their experience of being among the files in a sonic work: Martin Gugger, Arvand Pourabbasi and Simnikiwe Buhlungu. You can listen to them below.</p>
<p>After putting together this collection and setting paths which you can use to traverse it, we invited three artists to share their experience of being among the files in a sonic work: Martin Gugger, Arvand Pourabbasi and Simnikiwe Buhlungu. You can listen to them below.</p>
<p>Martin Gugger is a french artist who likes to experiment with language(s) and the beauty that can result from misunderstandings and double entendres. When he doesn't sing cheerful lyrics on hardcore techno in festivals with his band Salut c'est cool, he likes to perform and plays with multimedia installations in which he is confronted with his own failures and difficulties to grasp certain simple situations. His clumsy body enters into a loop until it becomes absurd, but it's endearing and somehow conforting to see him try to succeed.</p>
<h4>Martin Gugger, <i>Superflies</i></h4>
<p>Hi, my name is Martin Gugger. I was given an address to a library and now I'm browsing its contents. I'm not too sure of where I'm supposed to go, so I wander around aimlessly, reading words here and there, recollecting my thoughts in the process. Where will my explorations lead me? Why do I feel out of place? How can I make these words I read mine? Why is it so hard for me to keep focus?</p>
<p>Arvand Pourabbasi is an artist, architect, educator, and maker. He is a co-founder of WORKNOT! Arvand is a co-editor and facilitator in Sarmad, a platform dedicated to politics of image. He is also a co-founder and co-curator of Neverland Cinema, a weekly neighbourhood screening program focused on situated cinematography. His work has been presented in Venice Biennale of Architecture, Sharjah Architecture Triennial, Tehran Architecture Biennale, Showroom MAMA, Witte de With Center for Contemporary Art, Architecture Banal, among more. Arvand holds a Masters degree in Interior Architecture (INSIDE) from Koninklijke Academie van Beeldende Kunst in Den Haag; and he has been a recipient of Talent Development grant from Stimuleringsfonds (2019-2020). Arvand is currently teaching at Willem de Kooning Academie, Rotterdam, and formerly tutored at Koninklijke Academie van Beeldende Kunst, Den Haag.</p>
<h4>Arvand Pourabbasi, <i>Hyper-desk</i></h4>
<p>Through a series of notes, Hyper-desk responds to our living/working condition as immaterial workers, and focuses on structural needs of a workspace and its physicality which forms and conditions our working habits.
<i>Hyper-desk</i> particularly talks about the precarious life of immaterial workers as an aftermath of de-centralising workspace into numerous homes, living rooms, and bedrooms. It tries to correspond to both virtual and on-site collective workspaces, one as spacious and extending boundaries of time, space and accessibility, while the other sees boundaries as a value.</p>
<p>Simnikiwe Buhlungu (1995) is an artist from Johannesburg, South Africa, and currently based in Amsterdam, Netherlands. Recent projects include Bergen Assembly: Actually, The Dead Are Not Dead, Bergen, Norway, 2019, and Collective Intimacies - Notes to Self: Intimate 1 , mural project, The Showroom, London, UK, 2019. She obtained her BA(FA) degree from the University of the Witwatersrand, Johannesburg (2017) and currently based in Amsterdam, Netherlands at the Rijksakademie van Beeldende Kunsten (2020 - 2022). Interested in knowledge production, how it is produced - and by whom – its dissemination and its nuances as an ecology, she uses her practices to wrestle between these questions and their inexhaustible potential answers. Lately, she enjoys listening to gospel music and has been thinking about combo organs.</p>
