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+Part of the Unbound Libraries Documentation
+
+                 CC4R* COLLECTIVE CONDITIONS FOR RE-USE
+
+COPYLEFT ATTITUDE WITH A DIFFERENCE - VERSION 1.0
+
+------------------------------------------------------------------------
+
+REMINDER TO CURRENT AND FUTURE AUTHORS:
+
+The authored work released under the CC4r was never yours to begin with.
+The CC4r considers authorship to be part of a collective cultural effort
+and rejects authorship as ownership derived from individual genius. This
+means to recognize that it is situated in social and historical
+conditions and that there may be reasons to refrain from release and
+re-use.
+
+------------------------------------------------------------------------
+
+PREAMBLE
+
+The CC4r articulates conditions for re-using authored materials. This
+document is inspired by the principles of Free Culture – with a few
+differences. You are invited to copy, distribute, and transform the
+materials published under these conditions, and to take the implications
+of (re-)use into account.
+The CC4r understands authorship as inherently collaborative and
+already-collective. It applies to hybrid practices such as human-machine
+collaborations and other-than-human contributions. The legal framework
+of copyright ties authorship firmly in property and individual human
+creation, and prevents more fluid modes of authorial becoming from
+flourishing. Free Culture and intersectional, feminist, anti-colonial
+work reminds us that there is no tabula rasa, no original or single
+author; that authorial practice exists within a web of references.
+The CC4r favours re-use and generous access conditions. It considers
+hands-on circulation as a necessary and generative activation of
+current, historical and future authored materials. While you are free to
+(re-)use them, you are not free from taking the implications from
+(re-)use into account.
+The CC4r troubles the binary approach that declares authored works
+either ‘open’ or ‘closed’. It tries to address how a universalist
+approach to openness such as the one that Free licenses maintain, has
+historically meant the appropriation of marginalised knowledges. It is
+concerned with the way Free Culture, Free Licenses and Open Access do
+not account for the complexity and porosity of knowledge practices and
+their circulation, nor for the power structures active around it. This
+includes extractive use by software giants and commercial on-line
+platforms that increasingly invest into and absorb Free Culture.
+The CC4r asks CURRENT and FUTURE AUTHORS, as a collective, to care
+together for the implications of appropriation. To be attentive to the
+way re-use of materials might support or oppress others, even if this
+will never be easy to gauge This implies to consider the collective
+conditions of authorship.
+The CC4r asks you to be courageous with the use of materials that are
+being licensed under the CC4r. To discuss them, to doubt, to let go, to
+change your mind, to experiment with them, to give back to them and to
+take responsibility when things might go wrong.
+Considering the Collective Conditions for (re-)use involves inclusive
+crediting and speculative practices for referencing and resourcing. To
+consider the circulation of materials on commercial platforms as
+participating in extractive data practices; platform capitalism
+appropriates and abuses collective authorial practice. To take into
+account that the defaults of openness and transparency have different
+consequences in different contexts. To consider the potential necessity
+for opacity when accessing and transmitting knowledge, especially when
+it involves materials that matter to marginalized communities.
+This document was written in response to the Free Art License (FAL) in a
+process of coming to terms with the colonial structuring of knowledge
+production. It emerged out of concerns with the way Open Access and Free
+Culture ideologies foregrounding openness and freedom as universal
+principles might replicate some of the problems with conventional
+copyright.
+
+DEFINITIONS
+
+« LEGAL AUTHOR » In the CC4r, LEGAL AUTHOR is used for the individual
+that is assigned as “author” by conventional copyright. Even if the
+authored work was never theirs to begin with, he or she is the only one
+that is legally permitted to license a work under a CC4r. This license
+is therefore not about liability, or legal implications. It cares about
+the ways copyright contributes to structural inequalities.
+« CURRENT AUTHOR » can be used for individuals and collectives. It is
+the person, collective or other that was involved in generating the work
+created under a CC4r license. CURRENT and FUTURE AUTHOR are used to
+avoid designations that overly rely on concepts of ‘originality’ and
+insist on linear orders of creation.
+« FUTURE AUTHOR » can be used for individuals and collectives. They want
+to use the work under CC4r license and are held to its conditions. All
+future authors are considered coauthors, or anauthors. They are
+anauthorized because this license provides them with an unauthorized
+authorization.
+« LICENSE » due to its conditional character, this document might
+actually not qualify as a license. It is for sure not a Free Culture
+License. see also: UNIVERSALIST OPENNESS.
+« (RE-)USE » the CC4r opted for bracketing “RE” out of necessity to mess
+up the time-space linearity of the original.« OPEN <-> CLOSED » the CC4r
+operates like rotating doors… it is a swinging license, or a hinged
+license.
+« UNIVERSALIST OPENNESS » the CC4r tries to propose an alternative to
+universalist openness. A coming to terms with the fact that universal
+openness is “safe” only for some.
+
+0. CONDITIONS
+
+The invitation to (re-)use the work licenced under CC4r applies as long
+as the FUTURE AUTHOR is convinced that this does not contribute to
+oppressive arrangements of power, privilege and difference. These may be
+reasons to refrain from release and re-use.
+If it feels paralyzing to decide whether or not these conditions apply,
+it might point at the need to find alternative ways to activate the
+work. In case of doubt, consult for example
+https://constantvzw.org/wefts/orientationspourcollaboration.en.html.
+
+1. OBJECT
+
+The aim of this license is to articulate collective conditions for
+re-use.
+
+2. SCOPE
+
+The work licensed under the CC4r is reluctantly subject to copyright
+law. By applying CC4r, the legal author extends its rights and invites
+others to copy, distribute, and modify the work.
+
+2.1 INVITATION TO COPY (OR TO MAKE REPRODUCTIONS)
+
+When the conditions under 0. apply, you are invited to copy this work,
+for whatever reason and with whatever technique.
+
+2.2 INVITATION TO DISTRIBUTE, TO PERFORM IN PUBLIC
+
+As long as the conditions under 0. apply, you are invited to distribute
+copies of this work; modified or not, whatever the medium and the place,
+with or without any charge, provided that you:
+
+-   attach this license to each of the copies of this work or indicate
+    where the license can be found;
+-   make an effort to account for the collective conditions of the work,
+    for example what contributions were made to the modified work and by
+    whom, or how the work could continue;
+-   specify where to access other versions of the work.
+
+2.3 INVITATION TO MODIFY
+
+As long as the conditions under 0. apply, you are invited to make future
+works based on the current work, provided that you:
+
+-   observe all conditions in article 2.2 above, if you distribute
+    future works;
+-   indicate that the work has been modified and, if possible, what kind
+    of modifications have been made.
+-   distribute future works under the same license or any compatible
+    license.
+
+3. INCORPORATION OF THE WORK
+
+Incorporating this work into a larger work (i.e., database, anthology,
+compendium, etc.) is possible. If as a result of its incorporation, the
+work can no longer be accessed apart from its appearance within the
+larger work, incorporation can only happen under the condition that the
+larger work is as well subject to the CC4r or to a compatible license.
+
+4. COMPATIBILITY
+
+A license is compatible with the CC4r provided that:
+
+-   it invites users to take the implications of their appropriation
+    into account;
+-   it invites to copy, distribute, and modify copies of the work
+    including for commercial purposes and without any other restrictions
+    tha
+    n those required by the other compatibility criteria;
+-   it ensures that the collective conditions under which the work was
+    authored are attributed unless not desirable, and access to previous
+    versions of the work is provided when possible;
+-   it recognizes the CC4r as compatible (reciprocity);
+-   it requires that changes made to the work will be subject to the
+    same license or to a license which also meets these compatibility
+    criteria.
+
+5. LEGAL FRAMEWORK
+
+Because of the conditions mentioned under 0., this is not a Free
+License. It is reluctantly formulated within the framework of both the
+Belgian law and the Berne Convention for the Protection of Literary and
+Artistic Works.
+“We recognize that private ownership over media, ideas, and technology
+is rooted in European conceptions of property and the history of
+colonialism from which they formed. These systems of privatization and
+monopolization, namely copyright and patent law, enforce the systems of
+punishment and reward which benefit a privileged minority at the cost of
+others’ creative expression, political discourse, and cultural survival.
+The private and public institutions, legal frameworks, and social values
+which uphold these systems are inseparable from broader forms of
+oppression. Indigenous people, people of color, queer people, trans
+people, and women are particularly exploited for their creative and
+cultural resources while hardly receiving any of the personal gains or
+legal protections for their work. We also recognize that the public
+domain has jointly functioned to compliment the private, as works in the
+public domain may be appropriated for use in proprietary works.
+Therefore, we use copyleft not only to circumvent the monopoly granted
+by copyright, but also to protect against that appropriation.”
+[Decolonial Media License]
+
+6. YOUR RESPONSIBILITIES
+
+The invitation to use the work as defined by the CC4r (invitation to
+copy, distribute, modify) implies to take the implications of the
+appropriation of the materials into account.
+
+7. DURATION OF THE LICENSE
+
+This license takes effect as of the moment that the FUTURE AUTHOR
+accepts the invitation of the CURRENT AUTHOR. The act of copying,
+distributing, or modifying the work constitutes a tacit agreement. This
+license will remain in effect for the duration of the copyright which is
+attached to the work. If you do not respect the terms of this license,
+the invitation that it confers is void. If the legal status or
+legislation to which you are subject makes it impossible for you to
+respect the terms of this license, you may not make use of the rights
+which it confers.
+
+8. VARIOUS VERSIONS OF THE LICENSE
+
+You are invited to reformulate this license by way of new, renamed
+versions. Link to license on gitlab. You can of course make
+reproductions and distribute this license verbatim (without any
+changes).
+
+9. USER GUIDE
+
+– How to use the CC4r?
+
+To apply the CC4r, you need to mention the following elements:
+[Name of the legal author, title, date of the work. When applicable,
+names of authors of the common work and, if possible, where to find
+other versions of the work].
+Copyleft with a difference: This is a collective work, you are invited
+to copy, distribute, and modify it under the terms of the CC4r [link to
+license].
+Short version: Legal author=name, date of work. CC4r [link to license]
+
+– Why use the CC4r?
+
+1.  To remind yourself and others that you do not own authored works;
+2.  To not allow copyright to hinder works to evolve, to be extended, to
+    be transformed;
+3.  To allow materials to circulate as much as they need to;
+4.  Because the CC4r offers a legal framework to disallow
+    mis-appropriation by insisting on inclusive attribution. Nobody can
+    take hold of the work as one’s exclusive possession.
+
+– When to use the CC4r?
+
+Any time you want to invite others to copy, distribute and transform
+authored works without exclusive appropriation but with considering the
+implications of (re-)use, you can use the CC4r. You can for example
+apply it to collective documentation, hybrid productions, artistic
+collaborations or educational projects.
+
+– What kinds of works can be subject to the CC4r?
+
+The Collective Conditions for re-use can be applied to digital as well
+as physical works.You can choose to apply the CC4r for any text,
+picture, sound, gesture, or whatever material as long as you have legal
+author’s rights.
+
+– Background of this license:
+
+The CC4r was developed for the Constant worksession Unbound libraries
+(spring 2020) and followed from discussions during and contributions to
+the study day Authors of the future (Fall 2019). It is based on the Free
+Art License and inspired by other licensing projects such as the
+(Cooperative) Non-Violent Public License and the Decolonial Media
+license. Copyleft Attitude with a difference, 6 October 2020. Read more
+about CC4r in: “Collectively Setting Conditions for Re-Use” (Elodie
+Mugrefya & Femke Snelting, MARCH, spring 2022)

README.md

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+# Presentation
+Signet.sh est un script shell qui transforme une base de donnée de liens
+en une page html. La conversion est faite par une commande awk au sein
+d'une déclaration here-doc qui est redirigé dans une page html.
+
+J'ai créé ce script car je trouve le gestionnaire de marque-page de
+firefox instatsifant, autant dans sa forme que dans le format utilisé
+(sqlite). Ce script et les utilitaires autours proposent une une
+alternative pour archiver ses navigations internet.
+
+## Format de la base de donné
+Seule une Url est requise, le reste des champs sont
+facultatifs, on compte les champs suivants :
+URL :
+Name : Par défaut la balise </title> de la page
+Description 
+Tags : mots-clés séparés d'une virgule
+Date : heure posix de l'ajout du lien
+Color : couleur css (nom, hex, rgb etc...)
+
+Par exemple, dans un fichier qui s'appelle par défaut BOOKMARKS :
+...
+URL: https://rosettacode.org/wiki/Rosetta_Code
+Name: Rosetta Code
+Description: 
+Tags: literacy, read
+Date: 1704675057
+
+URL: https://www.emigre.com/TypeSpecimens
+Name: Emigre: Type Specimens
+Description: 
+Tags: emigre, type
+Date: 1704680644
+Color: Purple
+
+URL: https://web.archive.org/web/20211025182257/http://len.falken.ink/
+Name: Wayback Machine
+Description: 
+Tags: read
+Date: 1704712747
+...
+
+
+# Autres gestionnaires de signets de favoris :
+- nb https://xwmx.github.io/nb/ (AGPL-3.0)
+- ??
+
+
+# Dependances :
+Pour ajouter un lien via l'interface proposée, on aura besoin
+d'installer dmenu ~~et htmlq~~.
+    - dmenu https://tools.suckless.org/dmenu/ (MIT/X)
+    - ~~htmlq https://github.com/mgdm/htmlq (MIT)~~ remplacé par une
+      commande awk
+## dmenu
+Dmenu est un menu interactif qui permet de sélectionner et d'écrire des
+valeurs dans un menu. Ces valeurs peuvent provenir d'un programme
+fournit en entrée un *pipe* "|", par exemple :
+    ls | dmenu
+affiche un menu déroulant avec les fichiers de mon répertoire. Dans
+notre script, pour stocker le choix dans une variable, on peut faire :
+	tags=$(echo "" | dmenu -p "Enter comma-separated tags:")
+## ~~htmlq~~
+Htmlq est un parseur d'html écrit en go. Peu importe quel parseur on
+utilise, on dirait que chaque langage a le sien.
+Il s'agit ici de fournir au programme une chaîne de caractère en entrée
+et d'en filtrer des éléments html
+Si en javascript pour récupérer tous les <h1> enfants d'une <section> on
+peut faire 
+document.querySelectorAll('section h1')
+En shell, c'est plus compliqué, htmlq est fait pour ça :
+cat fichier.html | htmlq 'section h1'
+Et pour récurer seulement le texte -- l'équivalent en javascript de
+.innerHTML :
+cat fichier.html | htmlq 'section h1' --text
+On s'en sert pour récupérer la balise titre de la page à ajouter :
+curl page.html | htmlq 'title' --text
+Patch pré-sortie :
+
+
+
+C'est quelque chose qu'il faudra changer, pour l'instant cette étape est
+bloquante. Pour peu que la connection internet coupe lors de l'ajout
+d'un lien, il faudra attendre la fin de la tentative de curl pour passer
+au prochain champs du script :/ sorry !
+
+# Usage : (faites les votre)
+Pour ajouter un lien, je séléctionne l'url de la page avec Ctrl + l, la
+copie et lance add.sh avec Super + i. _Si quelqu'un sait récupérer l'url
+de la page courante du navigateur sans avoir à la copier, ça
+économiserait deux étapes._
+En résumé : Ctrl + l, Ctrl + c, Super + i
+(ou plus court : Ctrl + l + i, Super + i)
+
+Super + i car dans le fichier de configuration de mon gestionnaire de
+fenêtre situé dans ~/.config/awesome/rc.lua j'ai les lignes suivantes :
+
+awful.key({modkey}, "i", function()
+awful.util.spawn_with_shell("add.sh") end, 
+{description = "Enregistre le lien copié dans signet.sh"}),
+
+# Structure du répertoire
+
+BOOKMARKS   → Une base de donnée de liens 
+add.sh      → Un script pour rajouter un lien dans la base de donné
+                - dmenu
+                - ./signet.sh
+signet.sh   → Le script shell en lui-même 
+                - Il génère une nouvelle page html à partir de la base
+                  de donnés de liens (par défaut index.html)
+style.css   → La feuille de style pour styliser index.html
+script.js   → Un peu de javascript pour:
+                - rechercher dans la </textarea>
+                - ajouter les couleurs de fond aux entrées qui en ont
+                - si le champs de description est vide, ne pas
+                  l'afficher
+                - formater les dates du temps posix au format AA-MM-JJ
+/!\ Prochainement /!\
+starred.sh  → Un curl des repos de l'api github https://api.github.com/users/[user]/starred , formaté de json à une liste html sans jq !
+

signet.sh

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+#!/bin/bash
+
+DEST=index.html
+
+# I thought about using recutils db from GNU but went back to plain text
+#DB=BOOKMARKS.rec
+DB=BOOKMARKS
+
+cat <<- EOF > $DEST
+<!DOCTYPE html>
+<html>
+    <head>
+        <title>⛵ → $(date "+%g-%m-%d, %H:%M")</title>
+        <script defer src="jquery-3.6.4.js"></script>
+        <script defer src="script.js"></script>
+        <link rel="stylesheet" href="style.css">
+        <meta charset="utf-8" />
+    </head>
+    <body>
+    <div id="cc"></div>
+    <textarea autofocus id=""></textarea>
+    <nav>
+    $(
+awk '/Tags: ./ {print tolower($0)}' $DB |\
+    sed -e 's/tags: //' -e 's/,/\n/g' | sed 's/^ //g' |\
+    sort | uniq -c | sort -nr |\
+    awk '{print "<p count=\"" $1 "\">" $2 "</p>"}'
+)
+    </nav>
+    <ol>
+$(
+awk -v RS= '!/Tags: .*hide/ {print $0 "\n"}' $DB | \
+awk -v RS= '
+{
+    if ($0 != "") {
+        split($0, lines, "\n")
+        color = ""
+        for (i in lines) {
+            split(lines[i], parts, ": ")
+            field = parts[1]
+            value = parts[2]
+            if (field == "Color") {
+                color = value
+            }
+            vals[i] = value 
+        }
+        URL=vals[1]
+        NAME=vals[2]
+        DESC=vals[3]
+        TAGS=vals[4]
+        DATE=vals[5]
+
+        print "<li>"
+        print "<a href=\"" URL "\">" 
+
+        if (color != "") { 
+            print "<section color=\"" color "\">" 
+        } 
+        else { 
+            print "<section>" 
+        }
+
+        print "<h5>" URL  "</h5>" \
+              "<h1>" NAME "</h1>" \
+              "<h2>" DESC "</h2>" \
+              "<h3>" TAGS "</h3>" \
+              "<h4>" DATE "</h4>"
+
+        print "</section>"
+        print "</a>" 
+        print "</li>"
+    }
+} ' 
+) 
+    </ol>
+    </body>
+</html>
+EOF
+
+