137 lines
4.0 KiB
Markdown
Executable File
137 lines
4.0 KiB
Markdown
Executable File
# Nishant Shah
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netflix is scripted by an algo
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twitch two home google assistants speaking to each other
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bots developing their own language
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modern scribes to copy penthouse self-help book
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geofrrey chaucer, canterbury tales has buffled historians cause each chapter has a different styles
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chaucer doesn't exist, he came to exist because of laws on blasphemy and heresy
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if you just report what you're saying you are exempted from heresy
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apple positioned itself as a tool for ripping burning mixing, basically as a pirating tool. this was in the global north. In the global south, the opposite: prevent ripping. Brand: "Malaria for media"
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Nishant showing a slide that says "Same same but Different" <3
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we need to think of the structures of authorship: (algorithmic) authority, punishment, power
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as a result multiple genealogies of how authenticity is formed
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## The carrier bag theory of fiction
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title: ursula le guin,
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origin: carrier bag of human evolution
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evolution looks like a bag in which you put and collect and bring stuff instead of violence
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focus on gatherers rather than hunters
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not on hero but relationships and processes
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what does the carrier bag for non-fiction could look like?
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**Lotte Lenses**, 100 Pins in Paris
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research the city of paris as a human body (like in odissey)
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[also in many cosmogonies]
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urban metabolism (build cities as organisms)
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people walk faster in big cities
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walking through paris and test the limits of my own body
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tiredness
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rules: no metro, silent, no music, no phone
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in the end: a website with pins
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**Liesbeth Eugelink**, Bitterveld
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[can't follow]
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**Janneke Adema and Gary Hall**,
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hall: uberification of university
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critique of modularity: critique of manovich
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modularity is one of the 5 pcrinciples of new media
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recombination
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culture is *made* modular according to Manovich
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hence standardization to share culture
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modules and nodes suppress relation and context (tara mcpherson)
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module: any well defined part of a content
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modularity: critizing stability and fixity
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books are always appeared in a post human fashion
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what boundaries we take account form?
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way to go:
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consider forms of new non humanistic povs
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Living Books about life series:
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bridge the gap between humanities and science
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open source wiki platform
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wiki: increased accessibility (for academics)
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photomediations
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remix generator: a guide to
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the disrupted journal of media practice
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what can a journal go beyond the linear 8000 words
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custom design with a designers in the print version
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print design versioning
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**Axel Andersson**
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author of books such as Absolute Pharmacon
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Post-digital publishing and the return of locality
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smithson, site-specificity
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kritik-labbet: a lab for criticism
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- critic cannot work as professional (economics)
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- critics unable to deep up with technology
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- critic unable to keep up with the other arts
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banned the word "project"
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experiment is the way
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tumblr blog [isn't that the risk that in order to keep up the critic turn into a social media manager?]
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amateurization of criticism
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rethink the public sphere, instead of thinking of media
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expand the model of public sphere
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private, public, none-public, non-private
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plate/site distinction
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place: condense locality into one story
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site: something that is fractures, many times in one time
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**Lidia Periera!!!**
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graduation project from pzi
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**discussie**
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florian first q: what's post humanism for you? for me is many things?
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florian: utrecht post-humanism is branding
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ethics of care
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who has the privilege to stay on the platform
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#urgentpublishing
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I wanted to problematize the link between social media and privilege, discussed during the panel. The question is generally: "do I precarious cultural worker have the privilege to quit social media?" As basically everyone can nowadays claim a stake in precarity, the question should also be: "what kind of cultural status, little as it can be, is maintained and performed by staying on social media?"
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## Means and Memes
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**Evelyn Austin**
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A WWW of Gatekeepers
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Bits of Freedom
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battle over the tools to publishing and to distribute
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women on waves
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youtube: trans as adult content
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