Remove the test
5
foobar/.gitignore
vendored
@ -1,5 +0,0 @@
|
|||||||
*.pyc
|
|
||||||
output/*
|
|
||||||
*.pid
|
|
||||||
.DS_Store
|
|
||||||
.swp
|
|
674
foobar/LICENSE
@ -1,674 +0,0 @@
|
|||||||
GNU GENERAL PUBLIC LICENSE
|
|
||||||
Version 3, 29 June 2007
|
|
||||||
|
|
||||||
Copyright (C) 2007 Free Software Foundation, Inc. <http://fsf.org/>
|
|
||||||
Everyone is permitted to copy and distribute verbatim copies
|
|
||||||
of this license document, but changing it is not allowed.
|
|
||||||
|
|
||||||
Preamble
|
|
||||||
|
|
||||||
The GNU General Public License is a free, copyleft license for
|
|
||||||
software and other kinds of works.
|
|
||||||
|
|
||||||
The licenses for most software and other practical works are designed
|
|
||||||
to take away your freedom to share and change the works. By contrast,
|
|
||||||
the GNU General Public License is intended to guarantee your freedom to
|
|
||||||
share and change all versions of a program--to make sure it remains free
|
|
||||||
software for all its users. We, the Free Software Foundation, use the
|
|
||||||
GNU General Public License for most of our software; it applies also to
|
|
||||||
any other work released this way by its authors. You can apply it to
|
|
||||||
your programs, too.
|
|
||||||
|
|
||||||
When we speak of free software, we are referring to freedom, not
|
|
||||||
price. Our General Public Licenses are designed to make sure that you
|
|
||||||
have the freedom to distribute copies of free software (and charge for
|
|
||||||
them if you wish), that you receive source code or can get it if you
|
|
||||||
want it, that you can change the software or use pieces of it in new
|
|
||||||
free programs, and that you know you can do these things.
|
|
||||||
|
|
||||||
To protect your rights, we need to prevent others from denying you
|
|
||||||
these rights or asking you to surrender the rights. Therefore, you have
|
|
||||||
certain responsibilities if you distribute copies of the software, or if
|
|
||||||
you modify it: responsibilities to respect the freedom of others.
|
|
||||||
|
|
||||||
For example, if you distribute copies of such a program, whether
|
|
||||||
gratis or for a fee, you must pass on to the recipients the same
|
|
||||||
freedoms that you received. You must make sure that they, too, receive
|
|
||||||
or can get the source code. And you must show them these terms so they
|
|
||||||
know their rights.
|
|
||||||
|
|
||||||
Developers that use the GNU GPL protect your rights with two steps:
|
|
||||||
(1) assert copyright on the software, and (2) offer you this License
|
|
||||||
giving you legal permission to copy, distribute and/or modify it.
|
|
||||||
|
|
||||||
For the developers' and authors' protection, the GPL clearly explains
|
|
||||||
that there is no warranty for this free software. For both users' and
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|
||||||
authors' sake, the GPL requires that modified versions be marked as
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|
||||||
changed, so that their problems will not be attributed erroneously to
|
|
||||||
authors of previous versions.
|
|
||||||
|
|
||||||
Some devices are designed to deny users access to install or run
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|
||||||
modified versions of the software inside them, although the manufacturer
|
|
||||||
can do so. This is fundamentally incompatible with the aim of
|
|
||||||
protecting users' freedom to change the software. The systematic
|
|
||||||
pattern of such abuse occurs in the area of products for individuals to
|
|
||||||
use, which is precisely where it is most unacceptable. Therefore, we
|
|
||||||
have designed this version of the GPL to prohibit the practice for those
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|
||||||
products. If such problems arise substantially in other domains, we
|
|
||||||
stand ready to extend this provision to those domains in future versions
|
|
||||||
of the GPL, as needed to protect the freedom of users.
|
|
||||||
|
|
||||||
Finally, every program is threatened constantly by software patents.
|
|
||||||
States should not allow patents to restrict development and use of
|
|
||||||
software on general-purpose computers, but in those that do, we wish to
|
|
||||||
avoid the special danger that patents applied to a free program could
|
|
||||||
make it effectively proprietary. To prevent this, the GPL assures that
|
|
||||||
patents cannot be used to render the program non-free.
|
|
||||||
|
|
||||||
The precise terms and conditions for copying, distribution and
|
|
||||||
modification follow.
|
|
||||||
|
|
||||||
TERMS AND CONDITIONS
|
|
||||||
|
|
||||||
0. Definitions.
|
|
||||||
|
|
||||||
"This License" refers to version 3 of the GNU General Public License.
|
|
||||||
|
|
||||||
"Copyright" also means copyright-like laws that apply to other kinds of
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|
||||||
works, such as semiconductor masks.
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|
||||||
|
|
||||||
"The Program" refers to any copyrightable work licensed under this
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|
||||||
License. Each licensee is addressed as "you". "Licensees" and
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|
||||||
"recipients" may be individuals or organizations.
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|
||||||
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|
||||||
To "modify" a work means to copy from or adapt all or part of the work
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|
||||||
in a fashion requiring copyright permission, other than the making of an
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|
||||||
exact copy. The resulting work is called a "modified version" of the
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|
||||||
earlier work or a work "based on" the earlier work.
|
|
||||||
|
|
||||||
A "covered work" means either the unmodified Program or a work based
|
|
||||||
on the Program.
|
|
||||||
|
|
||||||
To "propagate" a work means to do anything with it that, without
|
|
||||||
permission, would make you directly or secondarily liable for
|
|
||||||
infringement under applicable copyright law, except executing it on a
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|
||||||
computer or modifying a private copy. Propagation includes copying,
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|
||||||
distribution (with or without modification), making available to the
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|
||||||
public, and in some countries other activities as well.
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|
||||||
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|
||||||
To "convey" a work means any kind of propagation that enables other
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|
||||||
parties to make or receive copies. Mere interaction with a user through
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|
||||||
a computer network, with no transfer of a copy, is not conveying.
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|
||||||
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|
||||||
An interactive user interface displays "Appropriate Legal Notices"
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|
||||||
to the extent that it includes a convenient and prominently visible
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|
||||||
feature that (1) displays an appropriate copyright notice, and (2)
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|
||||||
tells the user that there is no warranty for the work (except to the
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|
||||||
extent that warranties are provided), that licensees may convey the
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|
||||||
work under this License, and how to view a copy of this License. If
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|
||||||
the interface presents a list of user commands or options, such as a
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|
||||||
menu, a prominent item in the list meets this criterion.
|
|
||||||
|
|
||||||
1. Source Code.
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|
||||||
|
|
||||||
The "source code" for a work means the preferred form of the work
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|
||||||
for making modifications to it. "Object code" means any non-source
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|
||||||
form of a work.
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|
||||||
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|
||||||
A "Standard Interface" means an interface that either is an official
|
|
||||||
standard defined by a recognized standards body, or, in the case of
|
|
||||||
interfaces specified for a particular programming language, one that
|
|
||||||
is widely used among developers working in that language.
|
|
||||||
|
|
||||||
The "System Libraries" of an executable work include anything, other
|
|
||||||
than the work as a whole, that (a) is included in the normal form of
|
|
||||||
packaging a Major Component, but which is not part of that Major
|
|
||||||
Component, and (b) serves only to enable use of the work with that
|
|
||||||
Major Component, or to implement a Standard Interface for which an
|
|
||||||
implementation is available to the public in source code form. A
|
|
||||||
"Major Component", in this context, means a major essential component
|
|
||||||
(kernel, window system, and so on) of the specific operating system
|
|
||||||
(if any) on which the executable work runs, or a compiler used to
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|
||||||
produce the work, or an object code interpreter used to run it.
|
|
||||||
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|
||||||
The "Corresponding Source" for a work in object code form means all
|
|
||||||
the source code needed to generate, install, and (for an executable
|
|
||||||
work) run the object code and to modify the work, including scripts to
|
|
||||||
control those activities. However, it does not include the work's
|
|
||||||
System Libraries, or general-purpose tools or generally available free
|
|
||||||
programs which are used unmodified in performing those activities but
|
|
||||||
which are not part of the work. For example, Corresponding Source
|
|
||||||
includes interface definition files associated with source files for
|
|
||||||
the work, and the source code for shared libraries and dynamically
|
|
||||||
linked subprograms that the work is specifically designed to require,
|
|
||||||
such as by intimate data communication or control flow between those
|
|
||||||
subprograms and other parts of the work.
|
|
||||||
|
|
||||||
The Corresponding Source need not include anything that users
|
|
||||||
can regenerate automatically from other parts of the Corresponding
|
|
||||||
Source.
|
|
||||||
|
|
||||||
The Corresponding Source for a work in source code form is that
|
|
||||||
same work.
|
|
||||||
|
|
||||||
2. Basic Permissions.
|
|
||||||
|
|
||||||
All rights granted under this License are granted for the term of
|
|
||||||
copyright on the Program, and are irrevocable provided the stated
|
|
||||||
conditions are met. This License explicitly affirms your unlimited
|
|
||||||
permission to run the unmodified Program. The output from running a
|
|
||||||
covered work is covered by this License only if the output, given its
|
|
||||||
content, constitutes a covered work. This License acknowledges your
|
|
||||||
rights of fair use or other equivalent, as provided by copyright law.
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|
||||||
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|
||||||
You may make, run and propagate covered works that you do not
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|
||||||
convey, without conditions so long as your license otherwise remains
|
|
||||||
in force. You may convey covered works to others for the sole purpose
|
|
||||||
of having them make modifications exclusively for you, or provide you
|
|
||||||
with facilities for running those works, provided that you comply with
|
|
||||||
the terms of this License in conveying all material for which you do
|
|
||||||
not control copyright. Those thus making or running the covered works
|
|
||||||
for you must do so exclusively on your behalf, under your direction
|
|
||||||
and control, on terms that prohibit them from making any copies of
|
|
||||||
your copyrighted material outside their relationship with you.
|
|
||||||
|
|
||||||
Conveying under any other circumstances is permitted solely under
|
|
||||||
the conditions stated below. Sublicensing is not allowed; section 10
|
|
||||||
makes it unnecessary.
|
|
||||||
|
|
||||||
3. Protecting Users' Legal Rights From Anti-Circumvention Law.
|
|
||||||
|
|
||||||
No covered work shall be deemed part of an effective technological
|
|
||||||
measure under any applicable law fulfilling obligations under article
|
|
||||||
11 of the WIPO copyright treaty adopted on 20 December 1996, or
|
|
||||||
similar laws prohibiting or restricting circumvention of such
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|
||||||
measures.
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|
||||||
|
|
||||||
When you convey a covered work, you waive any legal power to forbid
|
|
||||||
circumvention of technological measures to the extent such circumvention
|
|
||||||
is effected by exercising rights under this License with respect to
|
|
||||||
the covered work, and you disclaim any intention to limit operation or
|
|
||||||
modification of the work as a means of enforcing, against the work's
|
|
||||||
users, your or third parties' legal rights to forbid circumvention of
|
|
||||||
technological measures.
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|
||||||
|
|
||||||
4. Conveying Verbatim Copies.
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|
||||||
|
|
||||||
You may convey verbatim copies of the Program's source code as you
|
|
||||||
receive it, in any medium, provided that you conspicuously and
|
|
||||||
appropriately publish on each copy an appropriate copyright notice;
|
|
||||||
keep intact all notices stating that this License and any
|
|
||||||
non-permissive terms added in accord with section 7 apply to the code;
|
|
||||||
keep intact all notices of the absence of any warranty; and give all
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|
||||||
recipients a copy of this License along with the Program.
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|
||||||
|
|
||||||
You may charge any price or no price for each copy that you convey,
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|
||||||
and you may offer support or warranty protection for a fee.
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|
||||||
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|
||||||
5. Conveying Modified Source Versions.
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|
||||||
|
|
||||||
You may convey a work based on the Program, or the modifications to
|
|
||||||
produce it from the Program, in the form of source code under the
|
|
||||||
terms of section 4, provided that you also meet all of these conditions:
|
|
||||||
|
|
||||||
a) The work must carry prominent notices stating that you modified
|
|
||||||
it, and giving a relevant date.
|
|
||||||
|
|
||||||
b) The work must carry prominent notices stating that it is
|
|
||||||
released under this License and any conditions added under section
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|
||||||
7. This requirement modifies the requirement in section 4 to
|
|
||||||
"keep intact all notices".
|
|
||||||
|
|
||||||
c) You must license the entire work, as a whole, under this
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|
||||||
License to anyone who comes into possession of a copy. This
|
|
||||||
License will therefore apply, along with any applicable section 7
|
|
||||||
additional terms, to the whole of the work, and all its parts,
|
|
||||||
regardless of how they are packaged. This License gives no
|
|
||||||
permission to license the work in any other way, but it does not
|
|
||||||
invalidate such permission if you have separately received it.
|
|
||||||
|
|
||||||
d) If the work has interactive user interfaces, each must display
|
|
||||||
Appropriate Legal Notices; however, if the Program has interactive
|
|
||||||
interfaces that do not display Appropriate Legal Notices, your
|
|
||||||
work need not make them do so.
|
|
||||||
|
|
||||||
A compilation of a covered work with other separate and independent
|
|
||||||
works, which are not by their nature extensions of the covered work,
|
|
||||||
and which are not combined with it such as to form a larger program,
|
|
||||||
in or on a volume of a storage or distribution medium, is called an
|
|
||||||
"aggregate" if the compilation and its resulting copyright are not
|
|
||||||
used to limit the access or legal rights of the compilation's users
|
|
||||||
beyond what the individual works permit. Inclusion of a covered work
|
|
||||||
in an aggregate does not cause this License to apply to the other
|
|
||||||
parts of the aggregate.
|
|
||||||
|
|
||||||
6. Conveying Non-Source Forms.
|
|
||||||
|
|
||||||
You may convey a covered work in object code form under the terms
|
|
||||||
of sections 4 and 5, provided that you also convey the
|
|
||||||
machine-readable Corresponding Source under the terms of this License,
|
|
||||||
in one of these ways:
|
|
||||||
|
|
||||||
a) Convey the object code in, or embodied in, a physical product
|
|
||||||
(including a physical distribution medium), accompanied by the
|
|
||||||
Corresponding Source fixed on a durable physical medium
|
|
||||||
customarily used for software interchange.
|
|
||||||
|
|
||||||
b) Convey the object code in, or embodied in, a physical product
|
|
||||||
(including a physical distribution medium), accompanied by a
|
|
||||||
written offer, valid for at least three years and valid for as
|
|
||||||
long as you offer spare parts or customer support for that product
|
|
||||||
model, to give anyone who possesses the object code either (1) a
|
|
||||||
copy of the Corresponding Source for all the software in the
|
|
||||||
product that is covered by this License, on a durable physical
|
|
||||||
medium customarily used for software interchange, for a price no
|
|
||||||
more than your reasonable cost of physically performing this
|
|
||||||
conveying of source, or (2) access to copy the
|
|
||||||
Corresponding Source from a network server at no charge.
|
|
||||||
|
|
||||||
c) Convey individual copies of the object code with a copy of the
|
|
||||||
written offer to provide the Corresponding Source. This
|
|
||||||
alternative is allowed only occasionally and noncommercially, and
|
|
||||||
only if you received the object code with such an offer, in accord
|
|
||||||
with subsection 6b.
|
|
||||||
|
|
||||||
d) Convey the object code by offering access from a designated
|
|
||||||
place (gratis or for a charge), and offer equivalent access to the
|
|
||||||
Corresponding Source in the same way through the same place at no
|
|
||||||
further charge. You need not require recipients to copy the
|
|
||||||
Corresponding Source along with the object code. If the place to
|
|
||||||
copy the object code is a network server, the Corresponding Source
|
|
||||||
may be on a different server (operated by you or a third party)
|
|
||||||
that supports equivalent copying facilities, provided you maintain
|
|
||||||
clear directions next to the object code saying where to find the
|
|
||||||
Corresponding Source. Regardless of what server hosts the
|
|
||||||
Corresponding Source, you remain obligated to ensure that it is
|
|
||||||
available for as long as needed to satisfy these requirements.
|
|
||||||
|
|
||||||
e) Convey the object code using peer-to-peer transmission, provided
|
|
||||||
you inform other peers where the object code and Corresponding
|
|
||||||
Source of the work are being offered to the general public at no
|
|
||||||
charge under subsection 6d.
|
|
||||||
|
|
||||||
A separable portion of the object code, whose source code is excluded
|
|
||||||
from the Corresponding Source as a System Library, need not be
|
|
||||||
included in conveying the object code work.
|
|
||||||
|
|
||||||
A "User Product" is either (1) a "consumer product", which means any
|
|
||||||
tangible personal property which is normally used for personal, family,
|
|
||||||
or household purposes, or (2) anything designed or sold for incorporation
|
|
||||||
into a dwelling. In determining whether a product is a consumer product,
|
|
||||||
doubtful cases shall be resolved in favor of coverage. For a particular
|
|
||||||
product received by a particular user, "normally used" refers to a
|
|
||||||
typical or common use of that class of product, regardless of the status
|
|
||||||
of the particular user or of the way in which the particular user
|
|
||||||
actually uses, or expects or is expected to use, the product. A product
|
|
||||||
is a consumer product regardless of whether the product has substantial
|
|
||||||
commercial, industrial or non-consumer uses, unless such uses represent
|
|
||||||
the only significant mode of use of the product.
|
|
||||||
|
|
||||||
"Installation Information" for a User Product means any methods,
|
|
||||||
procedures, authorization keys, or other information required to install
|
|
||||||
and execute modified versions of a covered work in that User Product from
|
|
||||||
a modified version of its Corresponding Source. The information must
|
|
||||||
suffice to ensure that the continued functioning of the modified object
|
|
||||||
code is in no case prevented or interfered with solely because
|
|
||||||
modification has been made.
|
|
||||||
|
|
||||||
If you convey an object code work under this section in, or with, or
|
|
||||||
specifically for use in, a User Product, and the conveying occurs as
|
|
||||||
part of a transaction in which the right of possession and use of the
|
|
||||||
User Product is transferred to the recipient in perpetuity or for a
|
|
||||||
fixed term (regardless of how the transaction is characterized), the
|
|
||||||
Corresponding Source conveyed under this section must be accompanied
|
|
||||||
by the Installation Information. But this requirement does not apply
|
|
||||||
if neither you nor any third party retains the ability to install
|
|
||||||
modified object code on the User Product (for example, the work has
|
|
||||||
been installed in ROM).
|
|
||||||
|
|
||||||
The requirement to provide Installation Information does not include a
|
|
||||||
requirement to continue to provide support service, warranty, or updates
|
|
||||||
for a work that has been modified or installed by the recipient, or for
|
|
||||||
the User Product in which it has been modified or installed. Access to a
|
|
||||||
network may be denied when the modification itself materially and
|
|
||||||
adversely affects the operation of the network or violates the rules and
|
|
||||||
protocols for communication across the network.
|
|
||||||
|
|
||||||
Corresponding Source conveyed, and Installation Information provided,
|
|
||||||
in accord with this section must be in a format that is publicly
|
|
||||||
documented (and with an implementation available to the public in
|
|
||||||
source code form), and must require no special password or key for
|
|
||||||
unpacking, reading or copying.
|
|
||||||
|
|
||||||
7. Additional Terms.
|
|
||||||
|
|
||||||
"Additional permissions" are terms that supplement the terms of this
|
|
||||||
License by making exceptions from one or more of its conditions.
|
|
||||||
Additional permissions that are applicable to the entire Program shall
|
|
||||||
be treated as though they were included in this License, to the extent
|
|
||||||
that they are valid under applicable law. If additional permissions
|
|
||||||
apply only to part of the Program, that part may be used separately
|
|
||||||
under those permissions, but the entire Program remains governed by
|
|
||||||
this License without regard to the additional permissions.
|
|
||||||
|
|
||||||
When you convey a copy of a covered work, you may at your option
|
|
||||||
remove any additional permissions from that copy, or from any part of
|
|
||||||
it. (Additional permissions may be written to require their own
|
|
||||||
removal in certain cases when you modify the work.) You may place
|
|
||||||
additional permissions on material, added by you to a covered work,
|
|
||||||
for which you have or can give appropriate copyright permission.
|
|
||||||
|
|
||||||
Notwithstanding any other provision of this License, for material you
|
|
||||||
add to a covered work, you may (if authorized by the copyright holders of
|
|
||||||
that material) supplement the terms of this License with terms:
|
|
||||||
|
|
||||||
a) Disclaiming warranty or limiting liability differently from the
|
|
||||||
terms of sections 15 and 16 of this License; or
|
|
||||||
|
|
||||||
b) Requiring preservation of specified reasonable legal notices or
|
|
||||||
author attributions in that material or in the Appropriate Legal
|
|
||||||
Notices displayed by works containing it; or
|
|
||||||
|
|
||||||
c) Prohibiting misrepresentation of the origin of that material, or
|
|
||||||
requiring that modified versions of such material be marked in
|
|
||||||
reasonable ways as different from the original version; or
|
|
||||||
|
|
||||||
d) Limiting the use for publicity purposes of names of licensors or
|
|
||||||
authors of the material; or
|
|
||||||
|
|
||||||
e) Declining to grant rights under trademark law for use of some
|
|
||||||
trade names, trademarks, or service marks; or
|
|
||||||
|
|
||||||
f) Requiring indemnification of licensors and authors of that
|
|
||||||
material by anyone who conveys the material (or modified versions of
|
|
||||||
it) with contractual assumptions of liability to the recipient, for
|
|
||||||
any liability that these contractual assumptions directly impose on
|
|
||||||
those licensors and authors.
|
|
||||||
|
|
||||||
All other non-permissive additional terms are considered "further
|
|
||||||
restrictions" within the meaning of section 10. If the Program as you
|
|
||||||
received it, or any part of it, contains a notice stating that it is
|
|
||||||
governed by this License along with a term that is a further
|
|
||||||
restriction, you may remove that term. If a license document contains
|
|
||||||
a further restriction but permits relicensing or conveying under this
|
|
||||||
License, you may add to a covered work material governed by the terms
|
|
||||||
of that license document, provided that the further restriction does
|
|
||||||
not survive such relicensing or conveying.
|
|
||||||
|
|
||||||
If you add terms to a covered work in accord with this section, you
|
|
||||||
must place, in the relevant source files, a statement of the
|
|
||||||
additional terms that apply to those files, or a notice indicating
|
|
||||||
where to find the applicable terms.
|
|
||||||
|
|
||||||
Additional terms, permissive or non-permissive, may be stated in the
|
|
||||||
form of a separately written license, or stated as exceptions;
|
|
||||||
the above requirements apply either way.
|
|
||||||
|
|
||||||
8. Termination.
|
|
||||||
|
|
||||||
You may not propagate or modify a covered work except as expressly
|
|
||||||
provided under this License. Any attempt otherwise to propagate or
|
|
||||||
modify it is void, and will automatically terminate your rights under
|
|
||||||
this License (including any patent licenses granted under the third
|
|
||||||
paragraph of section 11).
|
|
||||||
|
|
||||||
However, if you cease all violation of this License, then your
|
|
||||||
license from a particular copyright holder is reinstated (a)
|
|
||||||
provisionally, unless and until the copyright holder explicitly and
|
|
||||||
finally terminates your license, and (b) permanently, if the copyright
|
|
||||||
holder fails to notify you of the violation by some reasonable means
|
|
||||||
prior to 60 days after the cessation.
|
|
||||||
|
|
||||||
Moreover, your license from a particular copyright holder is
|
|
||||||
reinstated permanently if the copyright holder notifies you of the
|
|
||||||
violation by some reasonable means, this is the first time you have
|
|
||||||
received notice of violation of this License (for any work) from that
|
|
||||||
copyright holder, and you cure the violation prior to 30 days after
|
|
||||||
your receipt of the notice.
|
|
||||||
|
|
||||||
Termination of your rights under this section does not terminate the
|
|
||||||
licenses of parties who have received copies or rights from you under
|
|
||||||
this License. If your rights have been terminated and not permanently
|
|
||||||
reinstated, you do not qualify to receive new licenses for the same
|
|
||||||
material under section 10.
|
|
||||||
|
|
||||||
9. Acceptance Not Required for Having Copies.
|
|
||||||
|
|
||||||
You are not required to accept this License in order to receive or
|
|
||||||
run a copy of the Program. Ancillary propagation of a covered work
|
|
||||||
occurring solely as a consequence of using peer-to-peer transmission
|
|
||||||
to receive a copy likewise does not require acceptance. However,
|
|
||||||
nothing other than this License grants you permission to propagate or
|
|
||||||
modify any covered work. These actions infringe copyright if you do
|
|
||||||
not accept this License. Therefore, by modifying or propagating a
|
|
||||||
covered work, you indicate your acceptance of this License to do so.
|
|
||||||
|
|
||||||
10. Automatic Licensing of Downstream Recipients.
|
|
||||||
|
|
||||||
Each time you convey a covered work, the recipient automatically
|
|
||||||
receives a license from the original licensors, to run, modify and
|
|
||||||
propagate that work, subject to this License. You are not responsible
|
|
||||||
for enforcing compliance by third parties with this License.
|
|
||||||
|
|
||||||
An "entity transaction" is a transaction transferring control of an
|
|
||||||
organization, or substantially all assets of one, or subdividing an
|
|
||||||
organization, or merging organizations. If propagation of a covered
|
|
||||||
work results from an entity transaction, each party to that
|
|
||||||
transaction who receives a copy of the work also receives whatever
|
|
||||||
licenses to the work the party's predecessor in interest had or could
|
|
||||||
give under the previous paragraph, plus a right to possession of the
|
|
||||||
Corresponding Source of the work from the predecessor in interest, if
|
|
||||||
the predecessor has it or can get it with reasonable efforts.
|
|
||||||
|
|
||||||
You may not impose any further restrictions on the exercise of the
|
|
||||||
rights granted or affirmed under this License. For example, you may
|
|
||||||
not impose a license fee, royalty, or other charge for exercise of
|
|
||||||
rights granted under this License, and you may not initiate litigation
|
|
||||||
(including a cross-claim or counterclaim in a lawsuit) alleging that
|
|
||||||
any patent claim is infringed by making, using, selling, offering for
|
|
||||||
sale, or importing the Program or any portion of it.
|
|
||||||
|
|
||||||
11. Patents.
|
|
||||||
|
|
||||||
A "contributor" is a copyright holder who authorizes use under this
|
|
||||||
License of the Program or a work on which the Program is based. The
|
|
||||||
work thus licensed is called the contributor's "contributor version".
|
|
||||||
|
|
||||||
A contributor's "essential patent claims" are all patent claims
|
|
||||||
owned or controlled by the contributor, whether already acquired or
|
|
||||||
hereafter acquired, that would be infringed by some manner, permitted
|
|
||||||
by this License, of making, using, or selling its contributor version,
|
|
||||||
but do not include claims that would be infringed only as a
|
|
||||||
consequence of further modification of the contributor version. For
|
|
||||||
purposes of this definition, "control" includes the right to grant
|
|
||||||
patent sublicenses in a manner consistent with the requirements of
|
|
||||||
this License.
|
|
||||||
|
|
||||||
Each contributor grants you a non-exclusive, worldwide, royalty-free
|
|
||||||
patent license under the contributor's essential patent claims, to
|
|
||||||
make, use, sell, offer for sale, import and otherwise run, modify and
|
|
||||||
propagate the contents of its contributor version.
|
|
||||||
|
|
||||||
In the following three paragraphs, a "patent license" is any express
|
|
||||||
agreement or commitment, however denominated, not to enforce a patent
|
|
||||||
(such as an express permission to practice a patent or covenant not to
|
|
||||||
sue for patent infringement). To "grant" such a patent license to a
|
|
||||||
party means to make such an agreement or commitment not to enforce a
|
|
||||||
patent against the party.
|
|
||||||
|
|
||||||
If you convey a covered work, knowingly relying on a patent license,
|
|
||||||
and the Corresponding Source of the work is not available for anyone
|
|
||||||
to copy, free of charge and under the terms of this License, through a
|
|
||||||
publicly available network server or other readily accessible means,
|
|
||||||
then you must either (1) cause the Corresponding Source to be so
|
|
||||||
available, or (2) arrange to deprive yourself of the benefit of the
|
|
||||||
patent license for this particular work, or (3) arrange, in a manner
|
|
||||||
consistent with the requirements of this License, to extend the patent
|
|
||||||
license to downstream recipients. "Knowingly relying" means you have
|
|
||||||
actual knowledge that, but for the patent license, your conveying the
|
|
||||||
covered work in a country, or your recipient's use of the covered work
|
|
||||||
in a country, would infringe one or more identifiable patents in that
|
|
||||||
country that you have reason to believe are valid.
|
|
||||||
|
|
||||||
If, pursuant to or in connection with a single transaction or
|
|
||||||
arrangement, you convey, or propagate by procuring conveyance of, a
|
|
||||||
covered work, and grant a patent license to some of the parties
|
|
||||||
receiving the covered work authorizing them to use, propagate, modify
|
|
||||||
or convey a specific copy of the covered work, then the patent license
|
|
||||||
you grant is automatically extended to all recipients of the covered
|
|
||||||
work and works based on it.
|
|
||||||
|
|
||||||
A patent license is "discriminatory" if it does not include within
|
|
||||||
the scope of its coverage, prohibits the exercise of, or is
|
|
||||||
conditioned on the non-exercise of one or more of the rights that are
|
|
||||||
specifically granted under this License. You may not convey a covered
|
|
||||||
work if you are a party to an arrangement with a third party that is
|
|
||||||
in the business of distributing software, under which you make payment
|
|
||||||
to the third party based on the extent of your activity of conveying
|
|
||||||
the work, and under which the third party grants, to any of the
|
|
||||||
parties who would receive the covered work from you, a discriminatory
|
|
||||||
patent license (a) in connection with copies of the covered work
|
|
||||||
conveyed by you (or copies made from those copies), or (b) primarily
|
|
||||||
for and in connection with specific products or compilations that
|
|
||||||
contain the covered work, unless you entered into that arrangement,
|
|
||||||
or that patent license was granted, prior to 28 March 2007.
|
|
||||||
|
|
||||||
Nothing in this License shall be construed as excluding or limiting
|
|
||||||
any implied license or other defenses to infringement that may
|
|
||||||
otherwise be available to you under applicable patent law.
|
|
||||||
|
|
||||||
12. No Surrender of Others' Freedom.
|
|
||||||
|
|
||||||
If conditions are imposed on you (whether by court order, agreement or
|
|
||||||
otherwise) that contradict the conditions of this License, they do not
|
|
||||||
excuse you from the conditions of this License. If you cannot convey a
|
|
||||||
covered work so as to satisfy simultaneously your obligations under this
|
|
||||||
License and any other pertinent obligations, then as a consequence you may
|
|
||||||
not convey it at all. For example, if you agree to terms that obligate you
|
|
||||||
to collect a royalty for further conveying from those to whom you convey
|
|
||||||
the Program, the only way you could satisfy both those terms and this
|
|
||||||
License would be to refrain entirely from conveying the Program.
|
|
||||||
|
|
||||||
13. Use with the GNU Affero General Public License.
|
|
||||||
|
|
||||||
Notwithstanding any other provision of this License, you have
|
|
||||||
permission to link or combine any covered work with a work licensed
|
|
||||||
under version 3 of the GNU Affero General Public License into a single
|
|
||||||
combined work, and to convey the resulting work. The terms of this
|
|
||||||
License will continue to apply to the part which is the covered work,
|
|
||||||
but the special requirements of the GNU Affero General Public License,
|
|
||||||
section 13, concerning interaction through a network will apply to the
|
|
||||||
combination as such.
|
|
||||||
|
|
||||||
14. Revised Versions of this License.
|
|
||||||
|
|
||||||
The Free Software Foundation may publish revised and/or new versions of
|
|
||||||
the GNU General Public License from time to time. Such new versions will
|
|
||||||
be similar in spirit to the present version, but may differ in detail to
|
|
||||||
address new problems or concerns.
|
|
||||||
|
|
||||||
Each version is given a distinguishing version number. If the
|
|
||||||
Program specifies that a certain numbered version of the GNU General
|
|
||||||
Public License "or any later version" applies to it, you have the
|
|
||||||
option of following the terms and conditions either of that numbered
|
|
||||||
version or of any later version published by the Free Software
|
|
||||||
Foundation. If the Program does not specify a version number of the
|
|
||||||
GNU General Public License, you may choose any version ever published
|
|
||||||
by the Free Software Foundation.
|
|
||||||
|
|
||||||
If the Program specifies that a proxy can decide which future
|
|
||||||
versions of the GNU General Public License can be used, that proxy's
|
|
||||||
public statement of acceptance of a version permanently authorizes you
|
|
||||||
to choose that version for the Program.
|
|
||||||
|
|
||||||
Later license versions may give you additional or different
|
|
||||||
permissions. However, no additional obligations are imposed on any
|
|
||||||
author or copyright holder as a result of your choosing to follow a
|
|
||||||
later version.
|
|
||||||
|
|
||||||
15. Disclaimer of Warranty.
|
|
||||||
|
|
||||||
THERE IS NO WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY
|
|
||||||
APPLICABLE LAW. EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT
|
|
||||||
HOLDERS AND/OR OTHER PARTIES PROVIDE THE PROGRAM "AS IS" WITHOUT WARRANTY
|
|
||||||
OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO,
|
|
||||||
THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR
|
|
||||||
PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE PROGRAM
|
|
||||||
IS WITH YOU. SHOULD THE PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF
|
|
||||||
ALL NECESSARY SERVICING, REPAIR OR CORRECTION.
|
|
||||||
|
|
||||||
16. Limitation of Liability.
|
|
||||||
|
|
||||||
IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING
|
|
||||||
WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MODIFIES AND/OR CONVEYS
|
|
||||||
THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING ANY
|
|
||||||
GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE
|
|
||||||
USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF
|
|
||||||
DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD
|
|
||||||
PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS),
|
|
||||||
EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF
|
|
||||||
SUCH DAMAGES.
|
|
||||||
|
|
||||||
17. Interpretation of Sections 15 and 16.
|
|
||||||
|
|
||||||
If the disclaimer of warranty and limitation of liability provided
|
|
||||||
above cannot be given local legal effect according to their terms,
|
|
||||||
reviewing courts shall apply local law that most closely approximates
|
|
||||||
an absolute waiver of all civil liability in connection with the
|
|
||||||
Program, unless a warranty or assumption of liability accompanies a
|
|
||||||
copy of the Program in return for a fee.
|
|
||||||
|
|
||||||
END OF TERMS AND CONDITIONS
|
|
||||||
|
|
||||||
How to Apply These Terms to Your New Programs
|
|
||||||
|
|
||||||
If you develop a new program, and you want it to be of the greatest
|
|
||||||
possible use to the public, the best way to achieve this is to make it
|
|
||||||
free software which everyone can redistribute and change under these terms.
|
|
||||||
|
|
||||||
To do so, attach the following notices to the program. It is safest
|
|
||||||
to attach them to the start of each source file to most effectively
|
|
||||||
state the exclusion of warranty; and each file should have at least
|
|
||||||
the "copyright" line and a pointer to where the full notice is found.
|
|
||||||
|
|
||||||
cet-cat
|
|
||||||
Copyright (C) 2017 rscmbbng
|
|
||||||
|
|
||||||
This program is free software: you can redistribute it and/or modify
|
|
||||||
it under the terms of the GNU General Public License as published by
|
|
||||||
the Free Software Foundation, either version 3 of the License, or
|
|
||||||
(at your option) any later version.
|
|
||||||
|
|
||||||
This program is distributed in the hope that it will be useful,
|
|
||||||
but WITHOUT ANY WARRANTY; without even the implied warranty of
|
|
||||||
MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
|
|
||||||
GNU General Public License for more details.
|
|
||||||
|
|
||||||
You should have received a copy of the GNU General Public License
|
|
||||||
along with this program. If not, see <http://www.gnu.org/licenses/>.
|
|
||||||
|
|
||||||
Also add information on how to contact you by electronic and paper mail.
|
|
||||||
|
|
||||||
If the program does terminal interaction, make it output a short
|
|
||||||
notice like this when it starts in an interactive mode:
|
|
||||||
|
|
||||||
cet-cat Copyright (C) 2017 rscmbbng
|
|
||||||
This program comes with ABSOLUTELY NO WARRANTY; for details type `show w'.
|
|
||||||
This is free software, and you are welcome to redistribute it
|
|
||||||
under certain conditions; type `show c' for details.
|
|
||||||
|
|
||||||
The hypothetical commands `show w' and `show c' should show the appropriate
|
|
||||||
parts of the General Public License. Of course, your program's commands
|
|
||||||
might be different; for a GUI interface, you would use an "about box".
|
|
||||||
|
|
||||||
You should also get your employer (if you work as a programmer) or school,
|
|
||||||
if any, to sign a "copyright disclaimer" for the program, if necessary.
|
|
||||||
For more information on this, and how to apply and follow the GNU GPL, see
|
|
||||||
<http://www.gnu.org/licenses/>.
|
|
||||||
|
|
||||||
The GNU General Public License does not permit incorporating your program
|
|
||||||
into proprietary programs. If your program is a subroutine library, you
|
|
||||||
may consider it more useful to permit linking proprietary applications with
|
|
||||||
the library. If this is what you want to do, use the GNU Lesser General
|
|
||||||
Public License instead of this License. But first, please read
|
|
||||||
<http://www.gnu.org/philosophy/why-not-lgpl.html>.
|
|
126
foobar/Makefile
@ -1,126 +0,0 @@
|
|||||||
PY?=python
|
|
||||||
PELICAN?=pelican
|
|
||||||
PELICANOPTS=
|
|
||||||
|
|
||||||
BASEDIR=$(CURDIR)
|
|
||||||
INPUTDIR=$(BASEDIR)/content
|
|
||||||
OUTPUTDIR=$(BASEDIR)/output
|
|
||||||
CONFFILE=$(BASEDIR)/pelicanconf.py
|
|
||||||
PUBLISHCONF=$(BASEDIR)/publishconf.py
|
|
||||||
|
|
||||||
FTP_HOST=localhost
|
|
||||||
FTP_USER=anonymous
|
|
||||||
FTP_TARGET_DIR=/
|
|
||||||
|
|
||||||
SSH_HOST=majesticmoo.se
|
|
||||||
SSH_PORT=22
|
|
||||||
SSH_USER=cat
|
|
||||||
SSH_TARGET_DIR=/home/cat/cat-cet
|
|
||||||
|
|
||||||
S3_BUCKET=my_s3_bucket
|
|
||||||
|
|
||||||
CLOUDFILES_USERNAME=my_rackspace_username
|
|
||||||
CLOUDFILES_API_KEY=my_rackspace_api_key
|
|
||||||
CLOUDFILES_CONTAINER=my_cloudfiles_container
|
|
||||||
|
|
||||||
DROPBOX_DIR=~/Dropbox/Public/
|
|
||||||
|
|
||||||
GITHUB_PAGES_BRANCH=gh-pages
|
|
||||||
|
|
||||||
DEBUG ?= 0
|
|
||||||
ifeq ($(DEBUG), 1)
|
|
||||||
PELICANOPTS += -D
|
|
||||||
endif
|
|
||||||
|
|
||||||
RELATIVE ?= 0
|
|
||||||
ifeq ($(RELATIVE), 1)
|
|
||||||
PELICANOPTS += --relative-urls
|
|
||||||
endif
|
|
||||||
|
|
||||||
help:
|
|
||||||
@echo 'Makefile for a pelican Web site '
|
|
||||||
@echo ' '
|
|
||||||
@echo 'Usage: '
|
|
||||||
@echo ' make html (re)generate the web site '
|
|
||||||
@echo ' make clean remove the generated files '
|
|
||||||
@echo ' make regenerate regenerate files upon modification '
|
|
||||||
@echo ' make publish generate using production settings '
|
|
||||||
@echo ' make serve [PORT=8000] serve site at http://localhost:8000'
|
|
||||||
@echo ' make serve-global [SERVER=0.0.0.0] serve (as root) to $(SERVER):80 '
|
|
||||||
@echo ' make devserver [PORT=8000] start/restart develop_server.sh '
|
|
||||||
@echo ' make stopserver stop local server '
|
|
||||||
@echo ' make ssh_upload upload the web site via SSH '
|
|
||||||
@echo ' make rsync_upload upload the web site via rsync+ssh '
|
|
||||||
@echo ' make dropbox_upload upload the web site via Dropbox '
|
|
||||||
@echo ' make ftp_upload upload the web site via FTP '
|
|
||||||
@echo ' make s3_upload upload the web site via S3 '
|
|
||||||
@echo ' make cf_upload upload the web site via Cloud Files'
|
|
||||||
@echo ' make github upload the web site via gh-pages '
|
|
||||||
@echo ' '
|
|
||||||
@echo 'Set the DEBUG variable to 1 to enable debugging, e.g. make DEBUG=1 html '
|
|
||||||
@echo 'Set the RELATIVE variable to 1 to enable relative urls '
|
|
||||||
@echo ' '
|
|
||||||
|
|
||||||
html:
|
|
||||||
$(PELICAN) $(INPUTDIR) -o $(OUTPUTDIR) -s $(CONFFILE) $(PELICANOPTS)
|
|
||||||
|
|
||||||
clean:
|
|
||||||
[ ! -d $(OUTPUTDIR) ] || rm -rf $(OUTPUTDIR)
|
|
||||||
|
|
||||||
regenerate:
|
|
||||||
$(PELICAN) -r $(INPUTDIR) -o $(OUTPUTDIR) -s $(CONFFILE) $(PELICANOPTS)
|
|
||||||
|
|
||||||
serve:
|
|
||||||
ifdef PORT
|
|
||||||
cd $(OUTPUTDIR) && $(PY) -m pelican.server $(PORT)
|
|
||||||
else
|
|
||||||
cd $(OUTPUTDIR) && $(PY) -m pelican.server
|
|
||||||
endif
|
|
||||||
|
|
||||||
serve-global:
|
|
||||||
ifdef SERVER
|
|
||||||
cd $(OUTPUTDIR) && $(PY) -m pelican.server 80 $(SERVER)
|
|
||||||
else
|
|
||||||
cd $(OUTPUTDIR) && $(PY) -m pelican.server 80 0.0.0.0
|
|
||||||
endif
|
|
||||||
|
|
||||||
|
|
||||||
devserver:
|
|
||||||
ifdef PORT
|
|
||||||
$(BASEDIR)/develop_server.sh restart $(PORT)
|
|
||||||
else
|
|
||||||
$(BASEDIR)/develop_server.sh restart
|
|
||||||
endif
|
|
||||||
|
|
||||||
stopserver:
|
|
||||||
$(BASEDIR)/develop_server.sh stop
|
|
||||||
@echo 'Stopped Pelican and SimpleHTTPServer processes running in background.'
|
|
||||||
|
|
||||||
# Note: sorry ...
|
|
||||||
MAGIC = $$(basename $$PWD)
|
|
||||||
publish:
|
|
||||||
$(PELICAN) $(INPUTDIR) -o "/var/www/manymanymany-varia-websites/$(MAGIC)" -s $(PUBLISHCONF) $(PELICANOPTS)
|
|
||||||
|
|
||||||
ssh_upload: publish
|
|
||||||
scp -P $(SSH_PORT) -r $(OUTPUTDIR)/* $(SSH_USER)@$(SSH_HOST):$(SSH_TARGET_DIR)
|
|
||||||
|
|
||||||
rsync_upload: publish
|
|
||||||
rsync -e "ssh -p $(SSH_PORT)" -P -rvzc --delete $(OUTPUTDIR)/ $(SSH_USER)@$(SSH_HOST):$(SSH_TARGET_DIR) --cvs-exclude
|
|
||||||
|
|
||||||
dropbox_upload: publish
|
|
||||||
cp -r $(OUTPUTDIR)/* $(DROPBOX_DIR)
|
|
||||||
|
|
||||||
ftp_upload: publish
|
|
||||||
lftp ftp://$(FTP_USER)@$(FTP_HOST) -e "mirror -R $(OUTPUTDIR) $(FTP_TARGET_DIR) ; quit"
|
|
||||||
|
|
||||||
s3_upload: publish
|
|
||||||
s3cmd sync $(OUTPUTDIR)/ s3://$(S3_BUCKET) --acl-public --delete-removed --guess-mime-type --no-mime-magic --no-preserve
|
|
||||||
|
|
||||||
cf_upload: publish
|
|
||||||
cd $(OUTPUTDIR) && swift -v -A https://auth.api.rackspacecloud.com/v1.0 -U $(CLOUDFILES_USERNAME) -K $(CLOUDFILES_API_KEY) upload -c $(CLOUDFILES_CONTAINER) .
|
|
||||||
|
|
||||||
github: publish
|
|
||||||
ghp-import -m "Generate Pelican site" -b $(GITHUB_PAGES_BRANCH) $(OUTPUTDIR)
|
|
||||||
git push origin $(GITHUB_PAGES_BRANCH)
|
|
||||||
|
|
||||||
.PHONY: html help clean regenerate serve serve-global devserver stopserver publish ssh_upload rsync_upload dropbox_upload ftp_upload s3_upload cf_upload github
|
|
@ -1,82 +0,0 @@
|
|||||||
# Varia website
|
|
||||||
|
|
||||||
> https://varia.zone/
|
|
||||||
|
|
||||||
## Pelican
|
|
||||||
|
|
||||||
The Varia website is made with Pelican, a static site generator written in
|
|
||||||
Python. This means that the website is first generated on a computer (using
|
|
||||||
Python, Jinja and Pelican) into a set of html pages, files and images. This set
|
|
||||||
of documents is then uploaded to the server.
|
|
||||||
|
|
||||||
One of the things that Pelican uses is *plugins*. They are used to add extra
|
|
||||||
features to the generation process of the website.
|
|
||||||
|
|
||||||
In this repository there is a folder called 'plugins' and another one called
|
|
||||||
'plugins-custom'.
|
|
||||||
|
|
||||||
The first one, 'plugins', is linked to the offical collection of plugins from
|
|
||||||
the Pelican project '[pelican-plugins](https://github.com/getpelican/pelican-plugins/)'.
|
|
||||||
|
|
||||||
The other one, 'plugins-custom', consists of plugins that we wrote ourself.
|
|
||||||
|
|
||||||
## Clone
|
|
||||||
|
|
||||||
To clone both the varia.website and pelican-plugins repository, add the --recurse-submodules option in your git clone command:
|
|
||||||
|
|
||||||
`$ git clone https://git.vvvvvvaria.org/varia/varia.website.git --recurse-submodules`
|
|
||||||
|
|
||||||
If you forgot to clone with the submodile argument, you can still do it with the following command:
|
|
||||||
|
|
||||||
`$ git submodule update --init --recursive`
|
|
||||||
|
|
||||||
## Install
|
|
||||||
|
|
||||||
$ pip3 install -r requirements.txt
|
|
||||||
|
|
||||||
## Start
|
|
||||||
|
|
||||||
You can make use of the makefile, for example by running the following command to start a python server:
|
|
||||||
|
|
||||||
`$ make devserver`
|
|
||||||
|
|
||||||
Visit the website at localhost:8000
|
|
||||||
|
|
||||||
To see what is in the makefile, try:
|
|
||||||
|
|
||||||
`$ make help`
|
|
||||||
|
|
||||||
## Update submodules
|
|
||||||
|
|
||||||
We are currently using two submodules:
|
|
||||||
|
|
||||||
* pelican-plugins ([https://github.com/getpelican/pelican-plugins](https://github.com/getpelican/pelican-plugins))
|
|
||||||
* plugins-custom ([https://git.vvvvvvaria.org/varia/plugins-custom](https://git.vvvvvvaria.org/varia/plugins-custom))
|
|
||||||
|
|
||||||
To update these submodules within your (already) cloned repository, first init the submodule, and then update it:
|
|
||||||
|
|
||||||
`cd /path/to/submodule`
|
|
||||||
|
|
||||||
`git submodule init`
|
|
||||||
|
|
||||||
`git submodule update`
|
|
||||||
|
|
||||||
## Posting Content
|
|
||||||
|
|
||||||
We're using Pelican to generate a static website. The main way to add content
|
|
||||||
to the website is by making 'posts' in the folder `content`. This can be done
|
|
||||||
either locally or via the gitlab interface by creating a new file. Make sure
|
|
||||||
that each article contains at least the following at the top of the document:
|
|
||||||
|
|
||||||
Title: een nieuw initiatief
|
|
||||||
Date: 2017-07-07 18:32
|
|
||||||
Category: news
|
|
||||||
Tags: event, workshop
|
|
||||||
slug: the-name-of-the-html-page
|
|
||||||
lang: nl OR en
|
|
||||||
|
|
||||||
Articles are written in a markup language called markdown.
|
|
||||||
|
|
||||||
[Here](https://daringfireball.net/projects/markdown/syntax) is an overview of the syntax.
|
|
||||||
|
|
||||||
You can also use the online editor in gitlab to help you.
|
|
@ -1,24 +0,0 @@
|
|||||||
Title: Century 21 Calling - Crystals Go To War
|
|
||||||
Date: 2019-08-24
|
|
||||||
Category: screening
|
|
||||||
slug: 21-Crystals-War
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2019-08-24 20:30
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/Crystals_goes_to_war_poster.jpeg
|
|
||||||
tags: crystals, war, 21st century
|
|
||||||
|
|
||||||
Century 21 Calling is terug! Wederom tonen we de industriële archieffilms, bedrijfsinformercials, tv reportages en historische documentaires die de verbeelding van morgen hebben gevormd en houden deze tegen het licht van vandaag.
|
|
||||||
|
|
||||||
Op deze avond zullen we de documentaire "Crystal Go To War" uit 1943 vertonen. Gemaakt door U.S. Army Signal Corps in 1943, toont de film de processen die kwartskristallen moeten doorlopen voordat ze klaar zijn om in radio's en communicatieapparatuur te worden ingebracht.
|
|
||||||
|
|
||||||
Kwartskristallen maken al tientallen jaren deel uit van het daglijks leven en vormen sinds de ontdekking van hun piëzo-elektrische eigenschappen in de jaren 1880 een belangrijk onderdeel van onze moderne technologie.
|
|
||||||
|
|
||||||
Voorafgaand aan de screening zal er een korte introductie worden gegeven van het gebruik van kristallen in technologie. Een mooi begin van het tweede seizoen van Century 21 Calling!
|
|
||||||
|
|
||||||
"Century 21 Calling" is een reeks screenings die is geïnitieerd door het collectief [Save_as]((http://www.save-as.media/)) en wordt gehost door Varia.
|
|
||||||
|
|
||||||
* deur: 20:30
|
|
||||||
* intro: 20:45
|
|
||||||
* screening: 21:00
|
|
||||||
* prijs: donatie
|
|
@ -1,22 +0,0 @@
|
|||||||
Title: Century 21 Calling - Camp Century
|
|
||||||
Date: 2019-11-09
|
|
||||||
Category: screening
|
|
||||||
slug: 21-Camp-Century
|
|
||||||
lang: en
|
|
||||||
Event_start: 2019-11-09 20:30
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/Camp%20Century.jpeg
|
|
||||||
tags: camp, century, 21, calling
|
|
||||||
|
|
||||||
With Donald Trump's eagerness to buy Greenland, a new spotlight have been put on this island. However, it is not something new for Greenland to be in the centre of international geopolitics. With the melting of the ice sheets, new trade routes opening and a huge amount of mineral, oil and gas deposits, a new rush for the artic has started.
|
|
||||||
|
|
||||||
In the late 1950s, during the height of the Cold War, the US military constructed a secret base in the arctic, hidden from the populations of Greenland and Denmark. This base was a nuclear power facility and part of the secret **Project Iceworm**. During this edition of **Century 21 Calling** we will be screening the documentary **Camp Century**, which is about the construction of the base "Camp Century", the first of many envisioned bases on Greenland, to give you more context about the topic. Before the lecture there will be a lecture by David Young on the topic of Greenland, American politics and control and command strutter of the cold war.
|
|
||||||
|
|
||||||
**David Young** is a researcher interested in archiving media technologies, the history of computing, and the discourses of defence research in the United States during the Cold War. He is currently a M3C/AHRC-funded doctoral researcher at the University of Nottingham; his PhD topic is an examination of the technological administration of command and control systems, the forms of disciplinary practices they depend on in order to operate, and the strategic rationalities which shape their development over time. He has a background in digital media art, and has collaborated with artists, designers, and scientists in the production of experimental, research-oriented artworks funded by the Arts Trust Scotland, New Scotland's Alt-W award, and Creative Scotland.
|
|
||||||
|
|
||||||
**Century 21 Calling** is a series of screenings initiated by the [Save_as](http://www.save-as.media/) collective and hosted at Varia in Rotterdam. Together, we take a look at the archival industrial films, corporate infomercials, tv reports and historical documentary of yesterday that shaped the imagination of tomorrow and hold it up to the light of the present.
|
|
||||||
|
|
||||||
**Door open:** 20:30<br>
|
|
||||||
**David Young lecture starts:** 21:00<br>
|
|
||||||
**Screening:** 21:45<br>
|
|
||||||
**Entry:** Donation
|
|
@ -1,22 +0,0 @@
|
|||||||
Title: Century 21 Calling - Camp Century
|
|
||||||
Date: 2019-11-09
|
|
||||||
Category: screening
|
|
||||||
slug: 21-Camp-Century
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2019-11-09 20:30
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/Camp%20Century.jpeg
|
|
||||||
tags: camp, century, 21, calling
|
|
||||||
|
|
||||||
Mede dankzij de gretigheid waarmee Donald Trump Groenland wou kopen, staat dit eiland opnieuw in de schijnwerpers. Het is echter niets nieuws voor Groenland om onder de aandacht van de internationale geopolitiek te komen. Met het smelten van de ijskappen, het openen van nieuwe handelsroutes en een enorme hoeveelheid minerale, olie- en gasafzettingen, is een nieuwe stormloop op het poolgebied een feit.
|
|
||||||
|
|
||||||
In de late jaren 1950, op het hoogtepunt van de Koude Oorlog, bouwde het Amerikaanse leger een geheime basis in het noordpoolgebied, verborgen voor de bevolking van Groenland en Denemarken. Deze basis werd een kerncentrale en was onderdeel van het geheime ** Project Iceworm **.Tijdens deze editie van ** Century 21 Calling ** zullen we de documentaire ** Camp Century ** bekijken om meer context te geven over dit onderwerp. De film gaat over de bouw van de basis "Camp Century", de eerste van vele voorgestelde bases op Groenland. Voor de lezing geeft David Young een lezing over Groenland, de Amerikaanse politiek en de controle en commando strutter van de koude oorlog.
|
|
||||||
|
|
||||||
** David Young ** is een onderzoeker die geïnteresseerd is in het archiveren van mediatechnologieën, de geschiedenis van informatica en het discours van defensie-onderzoek in de Verenigde Staten tijdens de Koude Oorlog. Hij is momenteel een M3C / AHRC-gefinancierd doctoraatsonderzoeker aan de Universiteit van Nottingham; zijn doctoraatsthema is een onderzoek naar de technologische administratie van commando- en controlesystemen, de vormen van disciplinaire praktijken waarvan ze afhankelijk zijn om te opereren, en de strategische rationaliteiten die hun ontwikkeling in de loop van de tijd bepalen. Hij heeft een achtergrond in digitale mediakunst en heeft samengewerkt met kunstenaars, ontwerpers en wetenschappers bij de productie van experimentele, op onderzoek gerichte kunstwerken gefinancierd door de Arts Trust Scotland, de Alt-W Award van New Scotland en Creative Scotland.
|
|
||||||
|
|
||||||
** Century 21 Calling ** is een initiatief van het collectief [Save_as](http://www.save-as.media/) en wordt georganiseerd bij Varia in Rotterdam. Samen kijken we naar de industriële archieffilms, infomercials, tv-rapporten en documentaires die in het verleden ons beeld van de toekomst hebben gevormd, en gebruiken deze om het heden te doorgronden.
|
|
||||||
|
|
||||||
**Deur open:** 20:30<br>
|
|
||||||
**David Young lezing begint:** 21:00<br>
|
|
||||||
**Screening:** 21:45<br>
|
|
||||||
**Entree:** Donatie
|
|
@ -1,25 +0,0 @@
|
|||||||
Title: Century 21 Calling - Crystals Go To War
|
|
||||||
Date: 2019-08-24
|
|
||||||
Category: screening
|
|
||||||
slug: 21-Crystals-War
|
|
||||||
lang: en
|
|
||||||
Event_start: 2019-08-24 20:30
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/Crystals_goes_to_war_poster.jpeg
|
|
||||||
tags: crystals, war, 21st century
|
|
||||||
|
|
||||||
|
|
||||||
Century 21 Calling is back; still showing archival industrial films, corporate infomercials, TV reports and historical documentaries that shaped the imagination of tomorrow and hold them up to the light of the present.
|
|
||||||
|
|
||||||
This evening we will be screening the documentary Crystal Go To War from 1943. Created by the U.S. Army Signal Corps in 1943, it shows the processes that quartz crystals have to go through before they are ready to be inserted into radios and communication equipment.
|
|
||||||
|
|
||||||
Quartz crystals have been part of human life for decades and since the discovery of its piezoelectric properties in the 1880's it has been a key component in modern technology.
|
|
||||||
|
|
||||||
Before the screening, there will be a small introduction the usage of crystals in technology. So join us on the 24 for the first screening of the 2 seasons of Century 21 Calling!
|
|
||||||
|
|
||||||
“Century 21 Calling” is a series of screenings initiated by the [Save_as](http://www.save-as.media/) collective and hosted at Varia in Rotterdam.
|
|
||||||
|
|
||||||
* door: 20:30
|
|
||||||
* intro: 20:45
|
|
||||||
* screening: 21:00
|
|
||||||
* price: Donation
|
|
@ -1,27 +0,0 @@
|
|||||||
Title: Concert: CLM and Maria Violenza
|
|
||||||
Date: 2018-03-31
|
|
||||||
Category: concert
|
|
||||||
slug: CLM-and-Violenza
|
|
||||||
lang: en
|
|
||||||
Event_start: 2018-04-17 20:30
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/CLM2.jpg
|
|
||||||
|
|
||||||
Varia presents two concerts by three incredible musicians from Italy.
|
|
||||||
|
|
||||||
CLM (formerly known as Cascao & Lady Maru) is a quirky electro duo, hailing from the saucy punk/no-wave scene of the aethernal Rome. Starting in 2008, they quickly turned into a bizarre live act with guitars, synths, live samples, percussion and poppy art melodies: evoking talking heads, the residents, and proto 70's & 80's wave stuff. In 2016 they released their first LP 'Spleenism' on vinyl and digital through the San Francisco based Cochon records.
|
|
||||||
|
|
||||||
<iframe width="560" height="315" src="https://www.youtube.com/embed/Cv-2imhn2uk" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
|
|
||||||
|
|
||||||
[CLM on Soundcloud](https://soundcloud.com/lady-maru-cacao)
|
|
||||||
|
|
||||||
Sicilian born and Rome based Maria Violenza plays dark synth punk music under the influence of her homelands’ mixed cultural heritage. Besides her rousing solo-work, she is also a member of French music collective Grand Triple Alliance Internationale De L’Est, Capputtini 'i lignu, The Normals, Trans Upper Egypt, Vernon Sélavy and Corpus Christi.
|
|
||||||
|
|
||||||
<iframe width="560" height="315" src="https://www.youtube.com/embed/1-AkR93zlHw" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
|
|
||||||
|
|
||||||
[Maria Violenza's bandcamp page](https://mariaviolenza.bandcamp.com/releases)
|
|
||||||
|
|
||||||
Date: 17 April 2018
|
|
||||||
Entrance: 3 euro
|
|
||||||
Doors: 20:30
|
|
||||||
Start: 21:00
|
|
@ -1,27 +0,0 @@
|
|||||||
Title: Concert: CLM en Maria Violenza
|
|
||||||
Date: 2018-03-31
|
|
||||||
Category: concert
|
|
||||||
slug: CLM-and-Violenza
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2018-04-17 20:30
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/CLM2.jpg
|
|
||||||
|
|
||||||
Varia presenteert twee concerten van drie ongelooflijke muzikanten uit Italië.
|
|
||||||
|
|
||||||
CLM (voorheen bekend als Cascao & Lady Maru) is een eigenzinnig electro-duo, afkomstig uit de punk / no-wave scene van Rome. Vanaf hun oprichting in 2008 veranderden ze al snel in een bizarre live-act met gitaren, synths, live samples, percussie en poppy art-melodieën: denk daarbij aan Talking Heads, The Residents en proto 70's & 80's wave-dingen. In 2016 brachten ze hun eerste LP 'Spleenism' uit op vinyl en digitaal via Cochon-records in San Francisco.
|
|
||||||
|
|
||||||
<iframe width="560" height="315" src="https://www.youtube.com/embed/Cv-2imhn2uk" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
|
|
||||||
|
|
||||||
[CLM op Soundcloud](https://soundcloud.com/lady-maru-cacao)
|
|
||||||
|
|
||||||
De in Sicilië geboren en in Rome wonende Maria Violenza speelt donkere synth punkmuziek onder de invloed van het gemengde culturele erfgoed van haar thuisland. Naast haar opzwepende solowerk is ze ook lid van het Franse muziekcollectief Grand Triple Alliance Internationale De L'Est, Capputtini 'i lignu, The Normals, Trans Upper Egypt, Vernon Sélavy en Corpus Christi.
|
|
||||||
|
|
||||||
<iframe width="560" height="315" src="https://www.youtube.com/embed/1-AkR93zlHw" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
|
|
||||||
|
|
||||||
[Maria Violenza op bandcamp](https://mariaviolenza.bandcamp.com/releases)
|
|
||||||
|
|
||||||
Datum: 17 April 2018
|
|
||||||
Entree: 3 euro
|
|
||||||
Deur: 20:30
|
|
||||||
Start: 21:00
|
|
@ -1,19 +0,0 @@
|
|||||||
Title: Entreprecariat: Everyone Is an Entrepreneur. Nobody Is Safe. Mini Book Launch
|
|
||||||
Date: 2019-11-09
|
|
||||||
Category: launch
|
|
||||||
slug: Entrepecariat-Book-Launch
|
|
||||||
lang: en
|
|
||||||
Event_start: 2019-11-09 18:00
|
|
||||||
event_duration: 1h
|
|
||||||
featured_image: images/Entrepecariat%20Book%20Launch.jpeg
|
|
||||||
tags: entrepecariat, book, launch
|
|
||||||
|
|
||||||
Join us for an image roulette session: together with Lìdia Pereira, Silvio Lorusso will randomly dig into his research directories to exhume entreprecarious memes, illustrations, screenshots, artworks, etc.
|
|
||||||
|
|
||||||
Entrepreneur or precarious worker? These are the terms of a cognitive dissonance that turns everyone’s life into a shaky project in perennial start-up phase. [Silvio Lorusso](https://silviolorusso.com/) guides us through the entreprecariat, a world where change is natural and healthy, whatever it may bring. A world populated by motivational posters, productivity tools, mobile offices and self-help techniques. A world in which a mix of entrepreneurial ideology and widespread precarity is what regulates professional social media, online marketplaces for self-employment and crowdfunding platforms for personal needs. The result? A life in permanent beta, with sometimes tragic implications.
|
|
||||||
|
|
||||||
“A compelling and relentless j’accuse: debunking the social and political myths that push an increasing number of persons to perform in the entrepreneurship circus — with no safety nets.” — Antonio Casilli, author of En attendant les robots, 2019
|
|
||||||
|
|
||||||
** Time:** 18:00h - 19:00h
|
|
||||||
|
|
||||||
** Entry:** Free/Donation
|
|
@ -1,17 +0,0 @@
|
|||||||
Title: Entreprecariat: Everyone Is an Entrepreneur. Nobody Is Safe. Mini Boekpresentatie
|
|
||||||
Date: 2019-11-09
|
|
||||||
Category: launch
|
|
||||||
slug: Entrepecariat-Book-Launch
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2019-11-09 18:00
|
|
||||||
event_duration: 1h
|
|
||||||
featured_image: images/Entrepecariat%20Book%20Launch.jpeg
|
|
||||||
tags: entrepecariat, book, launch
|
|
||||||
|
|
||||||
Ondernemer of precaire arbeider? Dit zijn de termen voor een cognitieve dissonantie die het leven van iedereen verandert in een wankel project dat verkeert in een eeuwige startup-fase. [Silvio Lorusso](https://silviolorusso.com/) gidst ons door het entreprecariat, een wereld waar verandering natuurlijk en gezond is, wat het ook met zich meebrengt. Een wereld die bevolkt wordt door motiverende posters, productiviteitstools, mobiele kantoren en zelfhulptechnieken. Een wereld waarin een mengeling van ondernemersideologie en wijdverbreide precariteit de professionele sociale media, online marktplaatsen voor zelfstandig ondernemerschap en crowdfundingplatforms voor persoonlijke behoeften reguleert. Het resultaat? Een leven in permanente bèta, met soms tragische implicaties.
|
|
||||||
|
|
||||||
“A compelling and relentless j’accuse: debunking the social and political myths that push an increasing number of persons to perform in the entrepreneurship circus — with no safety nets.” — Antonio Casilli, author of En attendant les robots, 2019
|
|
||||||
|
|
||||||
** Tijden:** 18:00h - 19:00h
|
|
||||||
|
|
||||||
** Entree:** Gratis/Donatie
|
|
@ -1,60 +0,0 @@
|
|||||||
Title: Oplossingen en problemen in extratonaliteit
|
|
||||||
Date: 2018-02-16
|
|
||||||
Category: event
|
|
||||||
Slug: extratonaliteit
|
|
||||||
lang: nl
|
|
||||||
event_start: 2018-02-16 20:00
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/Extra.jpg
|
|
||||||
|
|
||||||
Oplossingen en problemen in Extratonality 4<br>
|
|
||||||
"Extratonaliteit - Het openen van deuren is niet genoeg"
|
|
||||||
|
|
||||||
De 4e Internationale Conferentie over de oplossingen en problemen in extratonaliteit getiteld "Extratonaliteit - Het openen van deuren is niet genoeg" richt zich op een evaluatie van praktijken op het gebied van extratonaliteit. In een tijd waarin problemen worden ontworpen om oplossingen te zijn, en industrieel afval ons dagelijks leven overneemt, is er een dringende behoefte aan een nieuwe extratonale conferentie die dieper graaft in de huidige stand van zaken van de "extra" tendensen. "Oplossingen en problemen in extratonaliteit" (OPIE) is de internationale conferentie over oplossingen en problemen op het gebied van extratonaliteit voor kleinere en grotere instituten, evenals onafhankelijke componisten en wetenschappers. We zullen geavanceerde obstakels in hun dagelijkse routine onderzoeken met de ondersteuning van op maat gemaakte instrumenten, verouderde schrijftechnieken, speciale notatiesystemen en alternatieve toepassingen van bestaande technologie.
|
|
||||||
|
|
||||||
Op vrijdag 16 februari 2018 vindt de vierde editie plaats in Rotterdam bij "varia - het centrum van de alledaagse technologie". OPIE4 gaat over het toepassen van extratonale oplossingen voor alledaagse problemen en alledaagse oplossingen voor extratonale problemen. OPIE4 is een must voor diegenen die meer willen weten over werkstrategieën rond extratonaliteit. Na OPIE1 in Wenen op 28 april 2017, OPIE2 in Zagreb op 30 september 2017 en OPIE3 in Rotterdam op 6 februari 2018, zal de volgende editie de laatste discussies in het veld behandelen en nieuwe input genereren voor de toekomstige onderhandelingen over extratonaliteit. Meer dan 250 jaar na zijn ontdekking en rechtvaardiging wordt het veld nu wereldwijd erkend als een belangrijk onderzoek in zijn vakgebied, daarom bestaat deze editie uit verschillende tracks en presentaties.
|
|
||||||
|
|
||||||
De ongeveer 300 OPIE-bezoekers beoordeelden de conferentie met een 9,8 en meer dan 98% van de bezoekers beveelt de conferentie aan bij anderen of zou graag terugkomen in de volgende editie.
|
|
||||||
|
|
||||||
Dit evenement wordt mogelijk gemaakt door de vriendelijke steun van het Institute of Extratonal Composition, WORM pirate bay, varia en Nothing More.
|
|
||||||
|
|
||||||
Eten, drinken en toegang zijn beschikbaar op donatie!
|
|
||||||
|
|
||||||
Programma:<br>
|
|
||||||
19:30 Registratie, meet & greet & welkomstdrankjes<br>
|
|
||||||
20:00 Officiële Opening: Welkom door Danny van der Kleij (NL, voorzitter varia - centrum voor alledaagse technologie / ArtEZ hogeschool voor de kunsten)<br>
|
|
||||||
20:05 Inleiding door de conferentievoorzitters; Niek Hilkmann (NL, varia - centrum voor alledaagse technologie / Institute of Extratonal Composition) en Joseph Knierzinger (AT, nothing more - Association for the Promotion of Art, Irritation and Commons / Institute of Extratonal Composition)
|
|
||||||
|
|
||||||
20:15 - 20:45<br>
|
|
||||||
Toepassingen: verbeelding en extratoniteit<br>
|
|
||||||
Voorzitter: Christina Cochior (RO / NL, Wikipedia Bot Memorial Foundation)<br>
|
|
||||||
"De verbeeldingskracht van opslaan" - Thomas Walskaar (NO, Save as.media) - Presentatie van een denkbeeldig medium<br>
|
|
||||||
"hoe een trommel te bouwen" - Teun de Graaf (fanfare voor vooruitstrevende muziek / woodstone kugelblitz)
|
|
||||||
|
|
||||||
20:45 - 21:15<br>
|
|
||||||
Extratonaliteit en arbeid:<br>
|
|
||||||
Voorzitter: Lidia Pereira (PT / NL, PLU - pervasive labor union / doordringende vakbond)<br>
|
|
||||||
"orkesttonaalsysteem met volledig bereik" - a. tangramdichters (int., geen instelling)<br>
|
|
||||||
"universal notation ideal - UNI revisted" - Niek Hilkmann (varia - centrum voor alledaagse technologie)
|
|
||||||
|
|
||||||
21:15 - 21:45<br>
|
|
||||||
de 'extra; in de dagelijkse omgeving:<br>
|
|
||||||
Voorzitter: TBA<br>
|
|
||||||
"Voice over Opus with feedback" - JoaK (AT, nothing more - nothing more - Association for the Promotion of Art, Irritation and Commons, Institute of Extratonal Composition)<br>
|
|
||||||
"solitaire - eurorack edition" - Dennis de Bel (NL, varia - centrum voor alledaagse technologie / Willem de Kooning Academie / Design Academy Eindhoven)<br>
|
|
||||||
"Remote Fulfillment" - Moritz (NL, Random Creations)
|
|
||||||
|
|
||||||
21:45 - 22:15 uur<br>
|
|
||||||
extra en verder:<br>
|
|
||||||
Voorzitter: TBA<br>
|
|
||||||
"door voorwerpen lopen - een intratonische benadering" - Michael J. Muik (AT, nothing more - Vereniging voor de promotie van kunst, irritatie en commons)<br>
|
|
||||||
"Quasitonaliteit - Op weg naar een circulatoire praktijk van onenigheid" - oyo (BG / NL, LOFO, Willem de Kooning Academie) & mnd (AT / NL, LOFO)<br>
|
|
||||||
|
|
||||||
22:15 - 24:00 uur<br>
|
|
||||||
Extra presentaties:<br>
|
|
||||||
DJ Pattex (varia - centrum voor alledaagse technologie)
|
|
||||||
|
|
||||||
http://extratonality.nothingmore.work/<br>
|
|
||||||
http://varia.zone/<br>
|
|
||||||
https://worm.org/production/solutions-and-problems-in-the-field-of-extratonality/<br>
|
|
||||||
https://www.facebook.com/events/167517747195086/
|
|
@ -1,60 +0,0 @@
|
|||||||
Title: Solutions and problems in Extratonality
|
|
||||||
Date: 2018-02-16
|
|
||||||
Category: event
|
|
||||||
Slug: extratonaliteit
|
|
||||||
lang: en
|
|
||||||
event_start: 2018-02-16 20:00
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/Extra.jpg
|
|
||||||
|
|
||||||
Solutions and problems in Extratonality 4<br>
|
|
||||||
“Extratonality - Opening Doors Is Not Enough”
|
|
||||||
|
|
||||||
The 4th International Conference on the solutions and problems in extratonality titled “Extratonality - Opening Doors Is Not Enough” focuses on an evaluation of practices in the field of extratonality. In a time where problems are designed to be solutions, and industrialised rubbish predominates our everyday life, there is an urgent need for another extratonal conference that digs deeper in the current state of affairs of the "extra" tendencies. "Solutions and problems in extratonality" (SAPIE) is the international conference on solutions and problems in the field of extratonality for smaller and larger institutes, as well as independent composers and scholars. They will explore advanced obstacles in their daily routines with the support of custom-made instruments, obsolete writing techniques, special notation systems and alternative applications of existing technologies.
|
|
||||||
|
|
||||||
On Friday, February 16, 2018, the fourth edition will take place in Rotterdam at "varia - the center of everyday technology". SAPIE4 is about applying extratonal solutions to everyday problems and everyday solutions to extratonal problems. SAPIE4 is a must attend for those who want to know more about working strategies and cases around extratonality. After SAPIE1 in Vienna on 28th April 2017, SAPIE2 in Zagreb on 30th September 2017 and SAPIE3 in Rotterdam on the 6th February 2018 the next edition will catch up on the latest debates in the field and trigger new input for the future ongoings around extratonality. More than 250 years after its discovery and justification the field is now recognized worldwide as a significant inquiry in its discipline, therefore this edition consists of several different tracks and presentations.
|
|
||||||
|
|
||||||
The approximately 300 SAPIE visitors rated the conference with a 9.8 and more than 98% of the visitors recommends the conference to others or would like to come back in the next edition.
|
|
||||||
|
|
||||||
This event is made possible by the kind support of the Institute of Extratonal Composition, WORM pirate bay, varia and nothing more.
|
|
||||||
|
|
||||||
Food, drinks and entrance are available on donation!
|
|
||||||
|
|
||||||
Program:<br>
|
|
||||||
19:30 Registration, meet and greet & welcome drinks <br>
|
|
||||||
20:00 Official Opening: Welcome by Danny van der Kleij (NL, Chairman varia - center of everyday technology / ArtEZ hogeschool voor de kunsten) <br>
|
|
||||||
20:05 Introduction by the Conference Chairs; Niek Hilkmann (NL, varia - center of everyday technology / Institute of Extratonal Composition) and Joseph Knierzinger (AT, nothing more - Association for the Promotion of Art, Irritation and Commons / Institute of Extratonal Composition)
|
|
||||||
|
|
||||||
20:15 - 20:45<br>
|
|
||||||
Applications: Imagination and Extratonlity<br>
|
|
||||||
Chair: Christina Cochior (RO/NL, Wikipedia Bot Memorial Foundation) <br>
|
|
||||||
"The imagination of storing" - Thomas Walskaar (NO, Save as.media) - Presentation of an imaginary medium <br>
|
|
||||||
"how to build a drum" - Teun de Graaf (NL, fanfare voor vooruitstrevende muziek / woodstone kugelblitz)
|
|
||||||
|
|
||||||
20:45 - 21:15<br>
|
|
||||||
Extratonality and Labour: <br>
|
|
||||||
Chair: Lidia Pereira (PT/NL, PLU - pervasive labour union)<br>
|
|
||||||
"full range orchestra tonal system" - a. tangram poets (INT, no institution) <br>
|
|
||||||
"universal notation ideal - UNI revisted" - Niek Hilkmann (varia - center for everyday technology)
|
|
||||||
|
|
||||||
21:15 - 21:45<br>
|
|
||||||
the extra in the everyday surroundings:<br>
|
|
||||||
Chair: TBA <br>
|
|
||||||
"Voice over Opus with feedback" - JoaK (AT, nothing more - nothing more - Association for the Promotion of Art, Irritation and Commons, Institute of Extratonal Composition)<br>
|
|
||||||
"solitaire - eurorack edition"- Dennis de Bel (NL, varia - center of everyday technology / Willem de Kooning Academy / Design Academy Eindhoven) <br>
|
|
||||||
"Remote Fulfillment" - Moritz (NL, Random Creations)
|
|
||||||
|
|
||||||
21:45 - 22:15<br>
|
|
||||||
extra and beyond:<br>
|
|
||||||
Chair: TBA<br>
|
|
||||||
"walking through objects - an intratonal approach" - Michael J. Muik (AT, nothing more - Association for the Promotion of Art, Irritation and Commons) <br>
|
|
||||||
"Quasitonality - Towards a circulatory practice of disagreement" - oyo (BG/NL, LOFO, Willem de Kooning Academy) & mths (AT/NL, LOFO)
|
|
||||||
|
|
||||||
22:15 - 24:00<br>
|
|
||||||
Extra Presentations:<br>
|
|
||||||
DJ Pattex (varia - center for everyday technology)
|
|
||||||
|
|
||||||
http://extratonality.nothingmore.work/<br>
|
|
||||||
http://varia.zone/<br>
|
|
||||||
https://worm.org/production/solutions-and-problems-in-the-field-of-extratonality/<br>
|
|
||||||
https://www.facebook.com/events/167517747195086/
|
|
@ -1,68 +0,0 @@
|
|||||||
Title: Floppy Totaal: Double Density
|
|
||||||
Date: 2019-10-19
|
|
||||||
Category: event
|
|
||||||
slug: floppy-totaal-DD
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2019-10-19 14:00
|
|
||||||
event_duration: 10h
|
|
||||||
featured_image: images/FloppyTotaa_HIGHDESNITY_A2_NEW_web-(2).jpg
|
|
||||||
tags: floppy, totaal, event
|
|
||||||
|
|
||||||
Floppy Totaal bezoekt Varia voor een tweede programma gewijd aan hedendaagse diskette cultuur. Bij "Floppy Totaal: Double Density" kun je 's middags tijdens een workshop samen met de leden van het muzieklabel Floppy Kick een nieuwe floppy release opnemen en publiceren. Het daaropvolgende avondprogramma is tot de nok toe gevuld met optredens van Kisszántó en Eoforwine, presentaties en gesprekken met Joak en Jason Scott en een bijdrage op lange afstand van Michael Ridge.
|
|
||||||
|
|
||||||
De nadruk van dit evenement ligt op het concept van de diskette als comfortfood in een "future / present shocked" tijdperk. Op welke manier helpt de omgang met diskettes ons om te overleven in een tijd die vooral wordt gekenmerkt door "nieuwe media" en "planned obsolescence"? Bevat de diskette meer inhoud dan enkel 1,44 MB aan data? Op 19 oktober zoeken we het uit!
|
|
||||||
|
|
||||||
* workshop: 14:00 / gratis
|
|
||||||
* avondprogramma: 20:00 / 5 euro
|
|
||||||
|
|
||||||
Full Program (in het Engels):
|
|
||||||
|
|
||||||
Part 1 of Floppy Totaal @ Varia (14:00-18:00) is free and consists of a special Floppy Kick workshop and a conversation.
|
|
||||||
|
|
||||||
Part 2 of Floppy Totaal: Magnetic Flux starts at 20:00 and has tickets for sale that can be purchased at the door for 5 euro's each. The event consists of a series of talks, performances and contributions by Eoforwine, Kisszántó, Michael Ridge, Joak and Jason Scott.
|
|
||||||
|
|
||||||
* Floppy Kick Workshop
|
|
||||||
|
|
||||||
Floppy Kick Records is a not-for-profit, floppy-only label that was formed in Budapest in 2013. All its releases are handmade and any "income" they produce goes straight into future releases. They take a non-political, yet critical position by explicitally rejecting any racism, sexism, homophobic or other forms of radicalism on their releases, choosing to instead focus on the beauty of sound. This can be in any style; experimental, noise, ambient, musique concrète, dark sounds, hnw, avantgarde, field recordings, industrial, power electronics, lo-fi, grindcore, or anything interesting. They believe in physical formats and respect their collectors. During their workshop at Floppy Totaal you can contribute to Floppy Kick by helping out with the recording and releasing of a brand new floppy release.
|
|
||||||
|
|
||||||
[http://floppykickrecords.blogspot.com/](http://floppykickrecords.blogspot.com/)
|
|
||||||
[https://floppykick.bandcamp.com/](https://floppykick.bandcamp.com/)
|
|
||||||
|
|
||||||
* Eoforwine
|
|
||||||
|
|
||||||
Mark Windisch aka. Eoforwine is the founder of the Floppy Kick label and plays beatless lo-fi noise music, spiced with modified field recordings, synths and a light theremin. He is a regular participant of Eastern Hungary's noise events, including the annual Zajkert (Noise Garden) and the Banzaj series, and has toured through and played at many experimental festivals and gallery openings through Middle-Europe and Ireland.
|
|
||||||
|
|
||||||
[https://eoforwine.bandcamp.com/](https://eoforwine.bandcamp.com/)
|
|
||||||
|
|
||||||
* Kisszántó
|
|
||||||
|
|
||||||
Tamás Szántó is a DJ, producer, cratedigger and promotor who is dedicated to seeking strange soundings and musical forms with peculiar diligence. He harkens the musical topicalities; not to adapt, but to avoid them. Collecting records such as experimental noise mixes, or fine theatrical idm ones; he might as well have just the right, harsh & obscure
|
|
||||||
acid vinyl to mix further with.
|
|
||||||
|
|
||||||
[https://kisszanto.bandcamp.com/](https://kisszanto.bandcamp.com/)
|
|
||||||
|
|
||||||
* Joak
|
|
||||||
|
|
||||||
Joseph Oliver Anton Knierzinger or JoaK is an artist and ghost artist. At the moment he works on different algorithms and alogisms between Vienna, Guangzhou and Wartberg. At Floppy Totaal he will present the results of his explorations into the recordable magnetic properties of the floppy disk.
|
|
||||||
|
|
||||||
[https://joak.nospace.at/](https://joak.nospace.at/)
|
|
||||||
|
|
||||||
* Michael Ridge
|
|
||||||
|
|
||||||
Michael Ridge is a UK based artist that creates works whichoften incorporate sound, video, electronics, sculpture, collage and found objects, often exploring the properties of sound reproduction through non-musical materials and objects. He has a keen interest in documenting and presenting the unwanted, overlooked or decayed. Some of his activities include recording and performing Noise Music under the alias Zebra Mu, running the DIY record label Quagga Curious Sounds, being one half of the drawing/zine/mail art duo Ridge & Scrase and being a member of the artist collective other/other/other. For Floppy Totaal Michael Ridge will compose a new sound art composition that draws inspiration from the works of John Cage and Alvin Lucier; whilst examining the physical and storage limitations of the humble floppy disk. A commemoration of extreme file compression!
|
|
||||||
|
|
||||||
[https://michaelridge.wordpress.com/](https://michaelridge.wordpress.com/)
|
|
||||||
|
|
||||||
* Jason Scott
|
|
||||||
|
|
||||||
Jason Scott Sadofsky is an American archivist, historian of technology, filmmaker, performer, and actor. Scott has been known by the online pseudonyms Sketch, SketchCow, and The Slipped Disk and has been called "figurehead of the digital archiving world". He is the creator, owner and maintainer of textfiles.com, a web site which archives files from historic bulletin board systems. He is the creator of a 2005 documentary film about BBSes, BBS: The Documentary, and a 2010 documentary film about interactive fiction, GET LAMP. During Floppy Totaal a long distance conversation will be held with Jason Scott about his work, his life and the current state of the floppy disk.
|
|
||||||
|
|
||||||
[https://en.wikipedia.org/wiki/Jason_Scott](https://en.wikipedia.org/wiki/Jason_Scott)
|
|
||||||
|
|
||||||
* Floppy Totaal
|
|
||||||
|
|
||||||
Floppy Totaal is a Rotterdam based initiative by Niek Hilkmann, Thomas Walskaar and Lídia Pereira that investigates the reuse and re-purposing of 'outdated' technology as a cultural phenomenon. By examining the contemporary usage of the iconic floppy diskette, they hope to assess the way past technology is integrated into our culture today, as well as its future potential. The goal of the project is to inject the debate surrounding obsolescent media with new enthusiasm and stimulate a critical approach to the topic with the help of extensive field research in the realm of the floppy disk.
|
|
||||||
|
|
||||||
[http://www.floppytotaal.org/](http://www.floppytotaal.org/)
|
|
||||||
|
|
||||||
This event is made possible with the kind support of Varia and Stimuleringsfonds Creatieve Industrie (Creative Industries Fund NL).
|
|
@ -1,19 +0,0 @@
|
|||||||
Title: Century 21 Calling - Rising to the High-Rise
|
|
||||||
Date: 2018-05-02
|
|
||||||
Category: screening
|
|
||||||
slug: 21-High-Rise
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2018-05-26 20:00
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/c21c-02_web_final.jpg
|
|
||||||
tags: industriële propaganda, kantoren, 21ste eeuw
|
|
||||||
|
|
||||||
Tijdens de tweede screening van Century 21 Calling zullen we een kijkje nemen naar de ontwikkeling van werkplekken. Hoe zat het ook al weer mat dat beloofde papierloze kantoor? Welke technologie heeft invloed gehad op waar en hoe wij werken? Zijn de situaties van vandaag nieuw of zijn zij slechts een herhaling van het verleden? Wat is er met de telefooncentrale gebeurd toen we die verbinding verbraken? Wat gebeurt er op kantoor na het werk? En hoe reageer je op klanten als ze klagen over je product? Dit alles en meer zal worden beantwoord tijdens de volgende editie van Century 21 Calling.
|
|
||||||
|
|
||||||
In een reeks screenings genaamd 'Century 21 Calling', een initiatief gestart door het collectief [Save_as](http://www.save-as.media/) en gehost door *varia* in Rotterdam, kijken we naar de industriële archieven, 'infomercials' van bedrijven en historische documentaires. Al dit materiaal heeft onze verbeelding van 'morgen' gevormd en dus is het tijd om deze voor het voetlicht van vandaag te werpen.
|
|
||||||
|
|
||||||
|
|
||||||
* deuren open: 20:00
|
|
||||||
* introductie: 20:15
|
|
||||||
* screening: 20:30
|
|
||||||
* prijs: Donaties welkom
|
|
@ -1,18 +0,0 @@
|
|||||||
Title: Century 21 Calling - Rising to the High-Rise
|
|
||||||
Date: 2018-05-02
|
|
||||||
Category: screening
|
|
||||||
slug: 21-High-Rise
|
|
||||||
lang: en
|
|
||||||
Event_start: 2018-05-26 20:00
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/c21c-02_web_final.jpg
|
|
||||||
tags: industrial propaganda, offices, 21st century
|
|
||||||
|
|
||||||
During our second screening of Century 21 Calling we will take a look at the development of the workplace. What happened to the paperless office? And how did the development of technology impact where and how we work? Is today's situation new or is it just a repetition of the past? Where is the paperless office? What happened to the phone exchange when we cut the cord? What takes place at the office after work? And how do you react to customers when they complain about your product? All of this and more will the answered at the next edition of Century 21 Calling.
|
|
||||||
|
|
||||||
In a series of screenings called “Century 21 Calling”, an initiative started by the collective [Save_as](http://www.save-as.media/) and hosted at Varia in Rotterdam, we look at the archival industrial films, corporate informercials, tv reports and historical documentaries that shaped the imagination of tomorrow and hold them up to the light of the present.
|
|
||||||
|
|
||||||
* door: 20:00
|
|
||||||
* intro: 20:15
|
|
||||||
* screening: 20:30
|
|
||||||
* price: Donation
|
|
@ -1,41 +0,0 @@
|
|||||||
Title: Infinite Outwardness
|
|
||||||
Date: 2018-04-20
|
|
||||||
Category: concert
|
|
||||||
slug: Infinite-Outwardness
|
|
||||||
lang: en
|
|
||||||
Event_start: 2018-05-18 20:00
|
|
||||||
event_duration: 4h
|
|
||||||
featured_image: images/Infinite.jpg
|
|
||||||
tags: space, time, music
|
|
||||||
|
|
||||||
Since the beginning of time, space has captured the imagination of artists around the world. On the 18th of May varia is proud to present ‘Infinite Outwardness’; a music event based on the bounties of space, where several artists will present their idiosyncratic view on space exploration. Ranging from playable space junk to cosmic toilets, this will be an evening to remember!
|
|
||||||
|
|
||||||
Door: 20:00
|
|
||||||
Start: 20:30
|
|
||||||
Price: Donation
|
|
||||||
|
|
||||||
<http://varia.zone/>
|
|
||||||
|
|
||||||
Line-up:
|
|
||||||
|
|
||||||
* Erik Debny is one of Belgium's hidden gems. On a time travel from the sixties, this man single-handedly, or together with his band the Shovels, transforms the universe of music as we know it into a trip to the boundaries of sonic belief. He will perform songs from 2016's 'Spaced Out In Outer Space' and his brand new album 'Beat The System'.
|
|
||||||
|
|
||||||
<https://www.youtube.com/watch?v=Xk1n0D-2OqM>
|
|
||||||
|
|
||||||
* Wojtek Szustak is an inventive composer from Krakow who works with and around space junk. In preparation of 'Infinite Outwardness' he will conduct a synthesizer junk workshop in Charlois where he will make new electronic instruments from old stuff he finds on the streets. The results will be presented during the event.
|
|
||||||
|
|
||||||
* Niek Hilkmann is a topsy-turvy polymath who conducted an amateur avant-garde orchestra, created a one hundred meter long moving panorama, constructed the Universal Notation Ideal (UNI) system and curated events such as "Will VHS Save The Universe?" and "Floppy Totaal”. During ‘Infinite Outwardness’ he will exhibit the debris of his current projects 'Galaxico; Christmas between the stars' and 'The International Space Disenchantment Research Association'.
|
|
||||||
|
|
||||||
<https://www.youtube.com/watch?v=iGj95EddDos>
|
|
||||||
|
|
||||||
* Joshua Thies is a Rotterdam based artist working predominantly in the field of sound as a jumping off point for new projects. He will present an audible exploration of cosmological phenomena and take us into space via Google’s colonisation of virtual space. Digital and/or virtual mapping of Earth, claiming territory via mapping and viewing Earth from orbit have been the subject of his recent work.
|
|
||||||
|
|
||||||
<http://joshuathies.blogspot.nl/>
|
|
||||||
|
|
||||||
* Squirrel, Arrow, Bee and Fly is the moniker of the international research designer team that brought you Toilettronic; a stress free toilet experience in space. It is a gamified toilet navigation system for space habitats. During 'Infinite Outwardness' the team will present a musical sequel to this project.
|
|
||||||
|
|
||||||
<http://oyoana.com/toilettronic>
|
|
||||||
|
|
||||||
* DJ Cosmos404 and DJ Naam are household names in the global space DJ scene. In May they will team up to bring you music from the fourth dimension and beyond that will take your mind to another level of conscienceless.
|
|
||||||
|
|
||||||
This event is made possible with the kind support of Popunie Rotterdam, WORM Pirate Bay and of course... varia.
|
|
@ -1,39 +0,0 @@
|
|||||||
Title: Infinite Outwardness
|
|
||||||
Date: 2018-04-20
|
|
||||||
Category: concert
|
|
||||||
slug: Infinite-Outwardness
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2018-05-18 20:00
|
|
||||||
event_duration: 4h
|
|
||||||
featured_image: images/Infinite.jpg
|
|
||||||
tags: ruimte, tijd, muziek
|
|
||||||
|
|
||||||
Sinds het begin der tijden heeft de ruimte de verbeelding van kunstenaars over de gehele wereld veroverd. Op 18 mei presenteert varia met trots 'Infinite Outwardness'; een muziekevenement gebaseerd op de giften van de ruimte, waar verschillende kunstenaars hun idiosyncratische kijk op ruimteverkenning zullen presenteren. Variërend van bespeelbaar ruimteafval tot kosmische toiletten, wordt dit een avond om niet snel te vergeten!
|
|
||||||
|
|
||||||
Deur: 20:00
|
|
||||||
Start: 20:30
|
|
||||||
Entree: Donatie
|
|
||||||
|
|
||||||
Line-up:
|
|
||||||
|
|
||||||
* Erik Debny is een van de verborgen parels van België. Op een tijdreis uit de jaren zestig transformeert deze man in zijn eentje, of samen met zijn band the Shovels, het universum van muziek zoals we dat kennen tot een reis naar de grenzen van het sonische geloof. Hij zal nummers van 'Spaced Out In Outer Space' uit 2016 en zijn gloednieuwe album 'Beat The System' spelen.
|
|
||||||
|
|
||||||
<https://www.youtube.com/watch?v=Xk1n0D-2OqM>
|
|
||||||
|
|
||||||
* Wojtek Szustak is een inventieve componist uit Krakau die met en rond ruimteafval werkt. Ter voorbereiding op 'Infinite Outwardness' zal hij een synthesizer-rommelworkshop geven in Charlois, waarbij hij nieuwe elektronische instrumenten zal maken van oude spullen die hij op straat vindt. De resultaten worden tijdens het evenement gepresenteerd.
|
|
||||||
|
|
||||||
* Niek Hilkmann is een componist die een amateur avant-gardistisch orkest leidde, een honderd meter lang bewegend panorama creëerde, het Universal Notation Ideal (UNI)-systeem construeerde en evenementen organiseerde zoals "Will VHS Save The Universe?" en "Floppy Totaal". Tijdens 'Infinite Outwardness' toont hij het puin van zijn meer recente projecten 'Galaxico, kerst tussen de sterren' en 'The International Space Disenchantment Research Association'.
|
|
||||||
|
|
||||||
<https://www.youtube.com/watch?v=iGj95EddDos>
|
|
||||||
|
|
||||||
* Joshua Thies is een Rotterdamse kunstenaar die voornamelijk op het gebied van geluid werkt als een startpunt voor nieuwe projecten. Hij presenteert een sonische verkenning van kosmologische verschijnselen en neemt ons mee naar de ruimte via Google's kolonisatie van virtuele ruimte. Digitale en / of virtuele mapping van de aarde, het claimen van territorium via mapping en het bekijken van de aarde vanuit een baan zijn het onderwerp geweest van zijn recente werk.
|
|
||||||
|
|
||||||
<http://joshuathies.blogspot.nl/>
|
|
||||||
|
|
||||||
* Squirrel, Arrow, Bee and Fly is de naam van het internationale onderzoeksteam dat u Toilettronic heeft geleverd; een stressvrije toiletervaring in de ruimte. Het is een gamified toiletnavigatiesysteem voor ruimtehabitats. Tijdens 'Infinite Outwardness' presenteert het team een muzikaal vervolg op dit project.
|
|
||||||
|
|
||||||
<http://oyoana.com/toilettronic>
|
|
||||||
|
|
||||||
* DJ Cosmos404 en DJ Naam zijn bekende namen in de wereldwijde ruimte-DJ-scene. In mei zullen ze samenwerken om muziek uit de vierde dimensie te brengen die je geest naar een ander niveau zal verplaatsen.
|
|
||||||
|
|
||||||
Dit evenement wordt mogelijk gemaakt met de vriendelijke steun van Popunie Rotterdam, WORM Pirate Bay en natuurlijk ... varia.
|
|
@ -1,14 +0,0 @@
|
|||||||
Title: Moving Monument - Presentation
|
|
||||||
Date: 2018-05-28
|
|
||||||
Category: presentation
|
|
||||||
slug: monument
|
|
||||||
lang: en
|
|
||||||
Event_start: 2018-06-02 13:00
|
|
||||||
event_duration: 5h
|
|
||||||
featured_image: images/wieisdezefontein.jpg
|
|
||||||
tags: fountain, architecture, presentation
|
|
||||||
|
|
||||||
Long before there were people in Charlois, there was already water. Water is always on the move and always finds a way. Historically, fountains were gathering places that occupied a central place in village- and city life. Often they were installed to commemorate a great battle, a plague epidemic or some other historical event, donated by the municipality or a patron. Unfortunately, Charlois currently has no working fountain. Niek Hilkmann and Anne Kolbe want to remedy this shortcoming and temporarily give Charlois a mobile fountain that is not tied to a single place or interpretation. After an opening ceremony, held on the 2nd June around 13:00, next to Varia, the fountain can be seen during the weekends of the Charlois Speciaal festival, in search of new meaning and appreciation.
|
|
||||||
|
|
||||||
Opening Ceremony: 2 June / 13:00-14:00<br>
|
|
||||||
On Display: 2,3, 9 and 10 June / 13:00-18:00
|
|
@ -1,14 +0,0 @@
|
|||||||
Title: Mobiel Monument - Presentatie
|
|
||||||
Date: 2018-05-28
|
|
||||||
Category: presentation
|
|
||||||
slug: monument
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2018-06-02 13:00
|
|
||||||
event_duration: 5h
|
|
||||||
featured_image: images/wieisdezefontein.jpg
|
|
||||||
tags: fountain, architecture, presentation
|
|
||||||
|
|
||||||
Lang voordat er mensen in Charlois waren, was er al water. Water is altijd in beweging en vindt altijd een weg. Historisch gezien nemen fonteinen als verzamelplaats van water en mensen een centrale plaats in binnen het stads- en dorpsleven. Vaak werden zij geplaatst ter herdenking van een grote veldslag, pestepidemie of andere historische gebeurtenis, geschonken door een veldheer of mecenas. Helaas bezit Charlois momenteel geen werkende fontein. Niek Hilkmann en Anne Kolbe willen dit gebrek verhelpen door Charlois tijdelijk een mobiele fontein te geven die niet gebonden is aan een vaste plek of duiding. Deze fontein zal op 2 juni om 13:00 bij Varia gepresenteerd worden en is vervolgens tijdens de weekenden van Charlois Speciaal te zien, op zoek naar nieuwe betekenis en waardering.
|
|
||||||
|
|
||||||
Openingsceremonie: 2 Juni / 13:00-14:00<br>
|
|
||||||
Uitgestald: 2, 3, 9 en 10 Juni / 13:00-18:00
|
|
@ -1,14 +0,0 @@
|
|||||||
Title: New Year's reception
|
|
||||||
Date: 2018-01-19
|
|
||||||
Category: event
|
|
||||||
Slug: nieuwjaarsborrel
|
|
||||||
lang: en
|
|
||||||
event_start: 2018-01-19 18:00
|
|
||||||
event_duration: 5h
|
|
||||||
featured_image: images/nieuwjaarsborrel.jpg
|
|
||||||
|
|
||||||
Varia has big plans for 2018! We would like to share these with you during a special New Year’s reception as part of the season opening of the galleries and projectspaces in Oud Charlois. Besides drinks and salty snacks, there will be a special robomop-performance.
|
|
||||||
|
|
||||||
date: Friday, 19th of January
|
|
||||||
start: 18:00h<br>
|
|
||||||
performance: 21:00h
|
|
@ -1,15 +0,0 @@
|
|||||||
Title: Nieuwjaarsborrel
|
|
||||||
Date: 2018-01-19
|
|
||||||
Category: event
|
|
||||||
Slug: nieuwjaarsborrel
|
|
||||||
lang: nl
|
|
||||||
event_start: 2018-01-19 18:00
|
|
||||||
event_duration: 5h
|
|
||||||
featured_image: images/nieuwjaarsborrel.jpg
|
|
||||||
|
|
||||||
Varia heeft grootse plannen voor 2018! We willen deze graag delen tijdens een speciale nieuwjaarsborrel als onderdeel van de collectieve seizoensopening met andere galeries en projectruimtes in Oud Charlois. Naast drankjes en zoutjes, zal er een heuse robomop-performance te zien zijn.
|
|
||||||
|
|
||||||
datum: vrijdag 19 januari
|
|
||||||
start: 18:00u<br>
|
|
||||||
performance: 21:00u
|
|
||||||
|
|
@ -1,41 +0,0 @@
|
|||||||
Title: Sensible World Of Soccer - Varia Cup 2020
|
|
||||||
Date: 2020-03-21
|
|
||||||
Category: event
|
|
||||||
slug: sensible-soccer
|
|
||||||
lang: en
|
|
||||||
Event_start: 2020-03-21 12:00
|
|
||||||
event_duration: 9h
|
|
||||||
featured_image: images//SWOS - varia 2020.jpg
|
|
||||||
tags: sensible, soccer, event, gaming
|
|
||||||
summary: Become a goal scoring superstar hero at the Sensible World of Soccer Varia Cup 2020! It's time to bring the classic football game to the south of Rotterdam. Varia will be host to both an amateur cup as well as a pro cup - anyone can play!
|
|
||||||
|
|
||||||
Become a goal scoring superstar hero at the **Sensible World of Soccer Varia Cup 2020**! After two competitive events at WORM it's time to bring the classic football game to the south of Rotterdam. Varia will be host to both an amateur cup as well as a pro cup - anyone can play (literally; in contrast with modern football simulators you only need a joystick with one button!). Although the last official release of the game was in 96 (not counting the terrible 3d attempts that became the downfall of Sensible Software), Sensible Soccer never went away thanks to its highly addictive gameplay and vast database of teams from around the world, creating possibilities to become champion infinite. SWOS has become part of the gaming canon as stated by Stanford University, amongst games as Tetris and Super Mario Bros 3. The Royal Mail celebrated its part in British video game history by releasing a Sensible Stamp last month.
|
|
||||||
|
|
||||||
![](https://git.vvvvvvaria.org/varia/varia.website/raw/commit/60fcb92b2f850341f989feff9dcffe8bc9f8caf4/content/extra%20image%202.jpg)
|
|
||||||
|
|
||||||
**SWOS2020**
|
|
||||||
A strong community (check out [www.sensiblesoccer.de](http://www.sensiblesoccer.de)) made sure the ball kept on rolling, with ways to play against each other online, rankings, as well as hosting the annual Sensible Days: the World Cup where players decide who's best. The highlight of this year though is the launch of **Sensible World of Soccer 2020**! Not only does it provide an up-to-date database with around 1,500 teams from all over the world (from The Netherlands to El Salvador; a huge community effort), it is also the first time that the game can be played on modern operating systems without using DOS- or Amiga-emulators. This time you can run the game straight from your Windows-desktop (of course, the database has also been released for the original Amiga version). You can even switch live between DOS and Amiga-gameplay, and choose for a beautiful wide screen mode on UltraHD resolutions. The game is available for free through below link (you do need to own the original version of the game though, but online search machines will help, or check out [www.gog.com ](http://www.gog.com )for a legal way to buy the game).
|
|
||||||
|
|
||||||
![](https://git.vvvvvvaria.org/varia/varia.website/raw/branch/master/contentimages/extra%20image%203.jpg)
|
|
||||||
|
|
||||||
**VARIA CUP**
|
|
||||||
We will play the cup in SWOS2020, which means you can play with your favourite team of the moment! Both experienced and unexperienced players are welcome. After a first qualifying round, the top half of the field will go and compete in the Pro Cup, the bottom half in the Amateur Cup; both cup winners will win a prize.
|
|
||||||
|
|
||||||
**Timetable** (depending on amount of players participating)<br>
|
|
||||||
|
|
||||||
**12:00 - 13:00** Warming-up<br>
|
|
||||||
**13:00 - 14:30** Qualifying rounds (amateurs + pros mixed: best continu to the Pro Cup, worst to the Amateur Cup)<br>
|
|
||||||
**14:30 **- onwards Pro Cup and Amateur Cup (on separate systems)<br>
|
|
||||||
**+/- 17:30** Dinner time<br>
|
|
||||||
**19:00** Awards ceremony<br>
|
|
||||||
**20:00/21:00** Closing down<br>
|
|
||||||
|
|
||||||
**entry:** donation
|
|
||||||
|
|
||||||
The amount of players is limited. You can enroll between 12:00 and 13:00 but if you want to be sure of a spot, write to: sebatosh@gmail.com. Be sure to write down the club you want to play with. Not participating in the tournament? Feel free to come along and play on one of the practice systems. You can also stop by to support your local heroes while enjoying the live Brazilian commentary we will have during selected games or the Amiga-tunes that **DJ Newk** will be playing!
|
|
||||||
|
|
||||||
**Useful Links**<br>
|
|
||||||
The 2020 version of the game -> [https://www.sensiblesoccer.de/swos-2020](https://www.sensiblesoccer.de/swos-2020)<br>
|
|
||||||
Why is this game still so good? -> [https://www.vice.com/en_us/article/vdq479/why-i-adore-sensible-soccer-gamings-friendliest-football-sim-407](https://www.vice.com/en_us/article/vdq479/why-i-adore-sensible-soccer-gamings-friendliest-football-sim-407)<br>
|
|
||||||
The making of Sensible Soccer -> [https://readonlymemory.vg/the-making-of-sensible-soccer/](https://readonlymemory.vg/the-making-of-sensible-soccer/)<br>
|
|
||||||
Intro of SWOS 96/97 -> [https://www.youtube.com/watch?v=8eBqIXjj4a8 ](https://www.youtube.com/watch?v=8eBqIXjj4a8)
|
|
@ -1,41 +0,0 @@
|
|||||||
Title: Sensible World Of Soccer - Varia Cup 2020
|
|
||||||
Date: 2020-03-21
|
|
||||||
Category: event
|
|
||||||
slug: sensible-soccer
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2020-03-21 12:00
|
|
||||||
event_duration: 9h
|
|
||||||
featured_image: images//SWOS - varia 2020.jpg
|
|
||||||
tags: sensible, soccer, event, gaming
|
|
||||||
summary: Wordt een 'goal scoring superstar hero' tijdens de Sensible World of Soccer Varia Cup 2020! De tijd is aangebroken om dit klassieke voetbalspel naar Rotterdam-Zuid te brengen. Bij Varia organiseren we zowel een amateur- als een pro-cup; iedereen kan meedoen!
|
|
||||||
|
|
||||||
Wordt een 'goal scoring superstar hero' tijdens de **Sensible World of Soccer Varia Cup 2020**! Na twee competitieve toernooien bij WORM brengen we dit klassieke voetbalspel nu naar Rotterdam-Zuid. Bij Varia organiseren we zowel een amateurcup als een pro-cup - iedereen kan meedoen (letterlijk: in tegenstelling tot moderne voetbalsimulators kan je het spel spelen met een joystick en slechts één knop)! Alhoewel de laatste officiële versie alweer dateert uit 1996 (de matige 3d pogingen laten we maar buiten beschouwing), is Sensible Soccer nooit weggeweest. Dankzij een uiterst verslavende gameplay en een uitgebreide database van wereldwijde teams zijn de mogelijkheden om kampioen te worden oneindig. SWOS maakt volgens de Stanford universiteit deel uit van het spelkanon, samen met bijvoorbeeld Tetris en Super Mario Bros 3. De Royal Mail heeft zijn aandeel in de Britse spelgeschiedenis beloond met een Sensible postzegel afgelopen maand.
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|
||||||
|
|
||||||
![](https://git.vvvvvvaria.org/varia/varia.website/raw/commit/60fcb92b2f850341f989feff9dcffe8bc9f8caf4/content/extra%20image%202.jpg)
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|
||||||
|
|
||||||
**SWOS2020**
|
|
||||||
Het komt mede door een sterke community (zie ook [www.sensiblesoccer.de](http://www.sensiblesoccer.de)) dat de bal bleef rollen. Denk aan mogelijkheden om online tegen elkaar te spelen, ranglijsten, en de jaarlijkse Sensible Days: het WK waar uitgemaakt wordt wie de beste speler is. Het hoogtepunt van dit jaar is de release van Sensible World of Soccer 2020! Deze nieuwe versie biedt niet alleen een geupdate database met +/- 1.500 teams (van Nederland tot El Salvador!), het is ook de eerste keer dat het spel op huidige besturingssystemen gespeeld kan worden zonder gebruik te maken van DOS- of Amiga-emulatoren. Deze editie kan rechstreeks vanaf je Windows-desktop opgestart worden (natuurlijk is er ook een database voor de originele Amiga-versie beschikbaar voor de die-hards). Het is zelfs mogelijk te switchen tussen DOS en Amiga-gameplay en om te kiezen voor een fraaie breedbeeld-modus in UltraHD-resolutie. Het spel is als freeware te downloaden via onderstaande link (wel is het nodig het originele spel in bezit te hebben; online zoekmachines bieden uitkomt, of ga naar [www.gog.com ](http://www.gog.com )waar het spel verkocht wordt).
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|
||||||
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|
||||||
![](https://git.vvvvvvaria.org/varia/varia.website/raw/branch/master/contentimages/extra%20image%203.jpg)
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|
||||||
|
|
||||||
**VARIA CUP**
|
|
||||||
Het toernooi wordt gespeeld in SWOS2020, wat betekent dat je met de favoriete club van dit moment kan spelen. Zowel ervaren als onervaren spelers zijn welkom. Na een selectieronde gaan de beste spelers strijden om de pro-cup, terwijl de andere helft strijdt om de amateurcup. Voor beide toernooien zijn er prijzen!
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|
||||||
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|
||||||
**Tijdschema** (afhankelijk van het aantal deelnemers)<br>
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|
||||||
|
|
||||||
**12:00 - 13:00** Warming-up<br>
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|
||||||
**13:00 - 14:30** Selectieronde (amateurs + pros gemengd)<br>
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|
||||||
**vanaf 14:30** Pro Cup and Amateur Cup (op aparte systemen)<br>
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|
||||||
**+/- 17:30** Avondeten<br>
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|
||||||
**19:00** Prijsuitreiking<br>
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|
||||||
**20:00/21:00** Slot<br>
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|
||||||
|
|
||||||
**entree:** donatie
|
|
||||||
|
|
||||||
Het aantal deelnemers is beperkt. Tussen 12:00 en 13:00 kan je je inschrijven, maar als je zeker wilt zijn van een plekje is het verstandig een e-mail te sturen naar: sebatosh@gmail.com. Vergeet niet de club op te schrijven waarmee je wilt gaan spelen. Doe je niet mee aan het toernooi? Er zullen computers aanwezig zijn om zelf een wedstrijd te spelen. Of kom de deelnemers aanmoedigen. De belangrijke wedstrijden krijgen live wedstrijdverslag van onze Braziliaanse commentator en daarnaast is er Amiga-muziek van **DJ Newk**!
|
|
||||||
|
|
||||||
**Nuttige Links**<br>
|
|
||||||
The 2020 version of the game -> [https://www.sensiblesoccer.de/swos-2020](https://www.sensiblesoccer.de/swos-2020)<br>
|
|
||||||
Why is this game still so good? -> [https://www.vice.com/en_us/article/vdq479/why-i-adore-sensible-soccer-gamings-friendliest-football-sim-407](https://www.vice.com/en_us/article/vdq479/why-i-adore-sensible-soccer-gamings-friendliest-football-sim-407)<br>
|
|
||||||
The making of Sensible Soccer -> [https://readonlymemory.vg/the-making-of-sensible-soccer/](https://readonlymemory.vg/the-making-of-sensible-soccer/)<br>
|
|
||||||
Intro of SWOS 96/97 -> [https://www.youtube.com/watch?v=8eBqIXjj4a8 ](https://www.youtube.com/watch?v=8eBqIXjj4a8)
|
|
@ -1,26 +0,0 @@
|
|||||||
Title: Concert: Matheus Silva and Theo Krantz Album Release
|
|
||||||
Date: 2018-08-09
|
|
||||||
Category: concert
|
|
||||||
slug: Silva-and-Krantz
|
|
||||||
lang: en
|
|
||||||
Event_start: 2018-08-17 21:00
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/Krantz.jpg
|
|
||||||
|
|
||||||
Theo Krantz is an American artist currently based in New Mexico. He plays guitar and sings in the sentimental grunge band Dog Park and contributes to a variety of collaborative projects under his indie label Cry Like Donna. He recently released his most experimental solo album yet, Wednesday Two, which blends ambient synthesizer work with tape sounds and the human voice.
|
|
||||||
|
|
||||||
<iframe width="560" height="315" src="https://www.youtube.com/embed/we7YlJ8ZAHA" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
|
|
||||||
|
|
||||||
[Theo Krantz's bandcamp page](https://crylikedonna.bandcamp.com/)
|
|
||||||
|
|
||||||
Matheus Silva is an electronic artist originating from Brazil. From his start as a musician in the Florida hardcore punk scene in 2011, he eventually moved onto producing electronic music as a solo artist. With an eclectic musical background, he draws inspiration from various genres of music such as ambient drone and hip hop to produce a unique sound.
|
|
||||||
|
|
||||||
<iframe width="560" height="315" src="https://www.youtube.com/embed/82UqyYrfZXY" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
|
|
||||||
|
|
||||||
[Matheus Silva on Soundcloud](https://soundcloud.com/calls-for-beautiful-acts)
|
|
||||||
|
|
||||||
**Date**: 17 August 2018<br>
|
|
||||||
**Entrance**: Free / Donation<br>
|
|
||||||
**Door**: 21:00<br>
|
|
||||||
**Start**: 22:00<br>
|
|
||||||
|
|
@ -1,26 +0,0 @@
|
|||||||
Title: Concert: Matheus Silva and Theo Krantz Album Release
|
|
||||||
Date: 2018-08-09
|
|
||||||
Category: concert
|
|
||||||
slug: Silva-and-Krantz
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2018-08-17 21:00
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/Krantz.jpg
|
|
||||||
|
|
||||||
Theo Krantz is een Amerikaanse kunstenaar die momenteel in New Mexico woont. Hij speelt gitaar en zingt in de sentimentele grunge-band Dog Park en levert een bijdrage aan verschillende samenwerkingsprojecten via zijn indie-label Cry Like Donna. Onlangs bracht hij zijn meest experimentele soloalbum uit, Wednesday Two, dat ambient-synthesizerwerk combineert met tape-geluiden en de menselijke stem.
|
|
||||||
|
|
||||||
<iframe width="560" height="315" src="https://www.youtube.com/embed/we7YlJ8ZAHA" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
|
|
||||||
|
|
||||||
[Theo Krantz's op Bandcamp](https://crylikedonna.bandcamp.com/)
|
|
||||||
|
|
||||||
Matheus Silva is een elektronische kunstenaar, afkomstig uit Brazilië. Na een begin als muzikant in de hardcore punkscene van Florida in 2011, stapte hij over op het produceren van elektronische muziek als soloartiest. Vanuit een eclectische muzikale achtergrond haalt hij inspiratie uit verschillende muziekgenres, zoals ambient, drone en hiphop, om een uniek geluid te produceren.
|
|
||||||
|
|
||||||
<iframe width="560" height="315" src="https://www.youtube.com/embed/82UqyYrfZXY" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
|
|
||||||
|
|
||||||
[Matheus Silva op Soundcloud](https://soundcloud.com/calls-for-beautiful-acts)
|
|
||||||
|
|
||||||
**Datum**: 17 Augustus 2018<br>
|
|
||||||
**Entree**: Gratis / Donatie <br>
|
|
||||||
**Deur**: 21:00<br>
|
|
||||||
**Start**: 22:00<br>
|
|
||||||
|
|
@ -1,22 +0,0 @@
|
|||||||
Title: Wojtek Szustak - Space Junk Workshop
|
|
||||||
Date: 2018-04-23
|
|
||||||
Category: workshop
|
|
||||||
slug: Space-Junk-Workshop
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2018-05-18 10:00
|
|
||||||
event_duration: 8h
|
|
||||||
featured_image: images/Spacejunk.jpg
|
|
||||||
tags: synthezisers, afval
|
|
||||||
|
|
||||||
Wojtek Szustak is een elektronische intermedialist uit Krakau gespecialiseerd in muziek en ruimteafval. Ter voorbereiding op 'Infinite Outwardness' zal hij een synthesizer-vuilnisworkshop leiden in Varia, waarbij nieuwe elektronische instrumenten worden gemaakt van oude rommel die in de straten van Charlois is te vinden. De resultaten worden 's avonds gepresenteerd.
|
|
||||||
|
|
||||||
## Wil je meedoen?
|
|
||||||
|
|
||||||
Meld je dan aan via: info@varia.zone.
|
|
||||||
|
|
||||||
Er is slechts ruimte voor een beperkt aantal deelnemers, dus wacht niet te lang!
|
|
||||||
|
|
||||||
* deur: 10:00
|
|
||||||
* start: 10:30
|
|
||||||
* eind: 18:00
|
|
||||||
* prijs: 5 euro
|
|
@ -1,20 +0,0 @@
|
|||||||
Title: Wojtek Szustak - Space Junk Workshop
|
|
||||||
Date: 2018-04-23
|
|
||||||
Category: workshop
|
|
||||||
slug: Space-Junk-Workshop
|
|
||||||
lang: en
|
|
||||||
Event_start: 2018-05-18 10:00
|
|
||||||
event_duration: 8h
|
|
||||||
featured_image: images/Spacejunk.jpg
|
|
||||||
tags: ewaste, synths
|
|
||||||
|
|
||||||
Wojtek Szustak is an electronic intermedialist from Krakow who works with and around music and space junk. In preparation of 'Infinite Outwardness' he will conduct a synthesizer junk workshop at Varia where we will make new electronic instruments from old rubbish we find on the streets of Charlois. The results will be presented during the evening.
|
|
||||||
|
|
||||||
## Want to join?
|
|
||||||
Please sign up through: info@varia.zone.
|
|
||||||
There's only limited capacity, so don't wait too long!
|
|
||||||
|
|
||||||
* door: 10:00
|
|
||||||
* start: 10:30
|
|
||||||
* end: 18:00
|
|
||||||
* price: 5 euro
|
|
@ -1,34 +0,0 @@
|
|||||||
Title: Christmas at Varia - With adammmmmmmmmmmm and Logosamphia
|
|
||||||
Date: 2018-12-22
|
|
||||||
Category: concert
|
|
||||||
slug: christmas
|
|
||||||
lang: en
|
|
||||||
Event_start: 2018-12-22 20:30
|
|
||||||
event_duration: 4h
|
|
||||||
featured_image: images/tuch.jpg
|
|
||||||
|
|
||||||
A cold wind is blowing through Charlois; leaves are falling from of trees, birds fly to the south and people start waxing their ice skates. The end of 2018 is neigh! What can we do about this? Celebrate the holidays at Varia of course! Come and dance to some holiday themed music, warm your heart up with a hot cup of glühwein and discuss your new years resolutions like there is no tomorrow! There will be performances by:
|
|
||||||
|
|
||||||
**adammmmmmmmmmmm**, also known as Adam Tuch, is an artist/musician based out of Boston. He is part of a collective called media_rins that creates and publishes work in the fields of electronic music, new media, and performance art. They organize events in the Boston area for adventurous and contemporary artists working with Hi-Fi digital tools, analogue electronics, and information media. In his work he focuses on absurdity within online/digital identities and reflexivity.
|
|
||||||
|
|
||||||
[adammmmmmmmmmmm on Bandcamp](https://adammmmmmmmmmmm.bandcamp.com)<br>
|
|
||||||
[Website of media_rins](http://mediarins.xyz/)
|
|
||||||
|
|
||||||
![Adam Tuch](https://git.vvvvvvaria.org/varia/varia.website/raw/branch/master/contentimages/tuch2.jpg)
|
|
||||||
|
|
||||||
**Logosamphia** is a project of Sadra Hemati. With one foot in the French underground party scene, and another in Netherlands’ avant-garde noise performance & arts world, he represents one of the few Iranian musicians active in non-mainstream electronic music. Hemati has a penchant for combining influences from both traditional & modern techniques in unique and catchy arrangements.
|
|
||||||
|
|
||||||
[Logosamphia on Bandcamp](https://logosamphia.bandcamp.com/)
|
|
||||||
|
|
||||||
<iframe width="560" height="315" src="https://www.youtube.com/embed/_4Oc_RCTYmw" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
|
|
||||||
|
|
||||||
**DJ The Sound of C** brings you a dirt cheap Christmas extravaganza selected at your local thrift store. Records will be wrapped and gifts will get scratched. Everything is for free, after it’s being played. Santa comes early this year. Warm hearts only!
|
|
||||||
|
|
||||||
![DJ The Sound of C](https://git.vvvvvvaria.org/varia/varia.website/raw/branch/master/contentimages/Santas.jpg)
|
|
||||||
|
|
||||||
See you at Varia!
|
|
||||||
|
|
||||||
**Date:** Saturday, 22 December 2018<br>
|
|
||||||
**Entrance:** 4 euro<br>
|
|
||||||
**Door:** 20:30<br>
|
|
||||||
**Start:** 21:00
|
|
@ -1,34 +0,0 @@
|
|||||||
Title: Kerst bij Varia - Met adammmmmmmmmmmm en Logosamphia
|
|
||||||
Date: 2018-12-22
|
|
||||||
Category: concert
|
|
||||||
slug: christmas
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2018-12-22 20:30
|
|
||||||
event_duration: 4h
|
|
||||||
featured_image: images/tuch.jpg
|
|
||||||
|
|
||||||
Er waait een koude wind door Charlois; bladeren vallen van de bomen, vogels vliegen naar het zuiden en mensen beginnen hun schaatsen in te vetten. Het einde van 2018 is nabij! Wat kunnen we nog doen? De feestdagen bij Varia vieren natuurlijk! Kom dansen op muziek met een winters tintje, warm je hart op met een kop glühwein en bespreek al je goede voornemens zolang ze nog goed zijn! Er zullen optredens zijn van:
|
|
||||||
|
|
||||||
** adammmmmmmmmmmm**, ook bekend als Adam Tuch, is een artiest / muzikant uit Boston. Hij maakt deel uit van een collectief met de naam media_rins dat werk creëert en publiceert op het gebied van elektronische muziek, nieuwe media en performance art. Zij organiseren evenementen in de omgeving van Boston voor avontuurlijke en hedendaagse kunstenaars die werken met digitale Hi-Fi-tools, analoge elektronica en informatiemedia. In zijn werk richt hij zich op de absurditeit binnen online/digitale identiteiten en reflexiviteit.
|
|
||||||
|
|
||||||
[Adam Tuch op Bandcamp](https://adammmmmmmmmmmm.bandcamp.com)<br>
|
|
||||||
[Website van media_rins](http://mediarins.xyz/)
|
|
||||||
|
|
||||||
![Adam Tuch](https://git.vvvvvvaria.org/varia/varia.website/raw/branch/master/contentimages/tuch2.jpg)
|
|
||||||
|
|
||||||
** Logosamphia ** is een project van Sadra Hemati. Met een voet in de Franse underground party scene, en een andere in de Nederlandse avant-garde noise performance & kunstwereld, vertegenwoordigt hij een van de weinige Iraanse muzikanten die actief is in niet-mainstream elektronische muziek. Hemati heeft een voorliefde voor het combineren van invloeden uit zowel traditionele als moderne technieken in unieke en pakkende arrangementen.
|
|
||||||
|
|
||||||
[Logosamphia on Bandcamp](https://logosamphia.bandcamp.com/)
|
|
||||||
|
|
||||||
<iframe width="560" height="315" src="https://www.youtube.com/embed/_4Oc_RCTYmw" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
|
|
||||||
|
|
||||||
** DJ The Sound of C ** brengt je een spotgoedkoop kerst extravaganza, geselecteerd bij je lokale kringloopwinkel. Platen worden ingepakt en cadeaus brkrast. Alles is gratis nadat het is afgespeeld. De kerstman komt vroeg dit jaar!
|
|
||||||
|
|
||||||
![DJ The Sound of C](https://git.vvvvvvaria.org/varia/varia.website/raw/branch/master/contentimages/Santas.jpg)
|
|
||||||
|
|
||||||
Tot in Varia!
|
|
||||||
|
|
||||||
**Datum:** Zaterdag, 22 December 2018<br>
|
|
||||||
**Entree:** 4 euro<br>
|
|
||||||
**Deur:** 20:30<br>
|
|
||||||
**Start:** 21:00
|
|
@ -1,26 +0,0 @@
|
|||||||
Title: Music: Able Noise, Goldblum and Piyojo
|
|
||||||
Date: 2019-09-12
|
|
||||||
Category: concert
|
|
||||||
slug: music-able-noise
|
|
||||||
lang: en
|
|
||||||
Event_start: 2019-09-14 20:30
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/able-noise-3.jpg
|
|
||||||
tags: able, noise, concert
|
|
||||||
|
|
||||||
A new season has arrived; time for some fresh concerts at Varia! Kicking of the second half of 2019, we organize an event where three stirring acts will show their craft.
|
|
||||||
|
|
||||||
|
|
||||||
Able Noise is a baritone guitar/drum duo that is based in The Hague and Athens and consists of Alex and George. They indecisively balance themselves on the border between pop rock and noisy free jazz. With the help of tapes and by employing less consistent ways of playing their instruments, they create a somewhat minimal and rather visual musical performance.
|
|
||||||
|
|
||||||
[https://www.youtube.com/watch?v=MacLS1n0l_0](https://www.youtube.com/watch?v=MacLS1n0l_0)
|
|
||||||
|
|
||||||
Piyoji is the monikor of Dutch artist Rik Möhlmann. The music he makes has a distinct, liberating sound, characterized by a modest and direct way of recording musical sessions in which different textures are explored. Sounds appear from left to right, as if hidden behind trees or emerging from rivers. Möhlmann uses his eccentric and inquisitive approach to music to make songs that don't necessarily behave in a narrative way. Instead, his tracks expose themselves like little paintings
|
|
||||||
|
|
||||||
[https://soundcloud.com/piyojo?fbclid=IwAR3Dj-IZUWjOgQXt2bpofTPCV4riTPNSgouNV1D3tuyvslAk4Nqc_BO6xuE](https://soundcloud.com/piyojo?fbclid=IwAR3Dj-IZUWjOgQXt2bpofTPCV4riTPNSgouNV1D3tuyvslAk4Nqc_BO6xuE)
|
|
||||||
|
|
||||||
Goldblum is an eye blinding duo from Middelland messing around with flea market cassette tapes and analogue synthesizers. Expect fragments of golden oldies, crippled rhythms and synthesized sounds buried in tape hiss. The duo has cut their teeth in acts like Sweat Tongue and Red Brut.
|
|
||||||
|
|
||||||
* door: 20:30
|
|
||||||
* start: 21:00
|
|
||||||
* price: 5 euro
|
|
@ -1,25 +0,0 @@
|
|||||||
Title: Muziek: Able Noise, Goldblum en Piyojo
|
|
||||||
Date: 2019-09-12
|
|
||||||
Category: concert
|
|
||||||
slug: music-able-noise
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2019-09-14 20:30
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/able-noise-3.jpg
|
|
||||||
tags: able, noise, concert
|
|
||||||
|
|
||||||
Een nieuw seizoen is aangebroken; tijd voor een nieuwe concertreeks bij Varia! De tweede helft van 2019 begint meteen goed; met drie opwindende acts die allen hun kunsten bij ons zullen tonen:
|
|
||||||
|
|
||||||
Able Noise is een bariton gitaar / drum duo, gevestigd in Den Haag en Athene en bestaande uit Alex en George. Ze balanceren op de grens tussen poprock en lawaaierige free jazz. Met behulp van tapes en misbruik van hun instrumenten, creëren ze een ietwat minimale en vrij visuele muzikale beleving.
|
|
||||||
|
|
||||||
[https://www.youtube.com/watch?v=MacLS1n0l_0](https://www.youtube.com/watch?v=MacLS1n0l_0)
|
|
||||||
|
|
||||||
Piyoji is de naam waaronder de Nederlandse kunstenaar Rik Möhlmann onderscheidende bevrijdende geluiden maakt die worden gekenmerkt door bescheiden, doch directe texturen. Geluiden verplaatsen zich in zijn muziek van links naar rechts, alsof ze zich verschuilen achter bomen of opduiken uit rivieren. Möhlmann gebruikt zijn excentrieke en nieuwsgierige benadering van muziek om liedjes te maken die zich niet noodzakelijk verhalend gedragen. In plaats daarvan openbaren ze zich als kleine schilderijen
|
|
||||||
|
|
||||||
[https://soundcloud.com/piyojo?fbclid=IwAR3Dj-IZUWjOgQXt2bpofTPCV4riTPNSgouNV1D3tuyvslAk4Nqc_BO6xuE](https://soundcloud.com/piyojo?fbclid=IwAR3Dj-IZUWjOgQXt2bpofTPCV4riTPNSgouNV1D3tuyvslAk4Nqc_BO6xuE)
|
|
||||||
|
|
||||||
Goldblum is een oogverblindend duo uit Middelland dat rommelt met cassettes van de rommelmarkt en analoge synthesizers. Verwacht fragmenten van gouden oudjes, kreupele ritmes en gesynthetiseerde geluiden, begraven in sissende tape. Het duo heeft hun tanden eerder geslepen in acts als Sweat Tongue en Red Brut.
|
|
||||||
|
|
||||||
* deur: 20:30
|
|
||||||
* start: 21:00
|
|
||||||
* entree: 5 euro
|
|
@ -1,79 +0,0 @@
|
|||||||
Title: Algologs
|
|
||||||
Date: 2018-02-28
|
|
||||||
Category: event
|
|
||||||
Slug: algologs
|
|
||||||
lang: en
|
|
||||||
event_start: 2018-03-16 19:00
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/algologs.png
|
|
||||||
summary: Algologs = a 1 + 1 day dialog with algorithmic practices. This two-day event is an extention of Algolit, a workgroup where text-based practices and algorithms meet.
|
|
||||||
tags: worksession, algorithms, logging
|
|
||||||
|
|
||||||
|
|
||||||
## practices in the age of algorithmic reprediction
|
|
||||||
|
|
||||||
Algologs = a 1 + 1 day dialog with algorithmic practices. This two-day event is an extention of Algolit, a workgroup where text-based practices and algorithms meet. Algologs is part of a series of occurances meant to open up the usually Brussels-based Algolit meetings by inviting external speakers, presenters and participants to join the conversation. During Algologs, we will increase the % of engagement with everyday algorithms.
|
|
||||||
|
|
||||||
On Friday evening we explore a multiplication of Algoliterary ways of converting words to numbers x infrapunctural reliefs x bookscanner pipelines x “We Are Going to Take Over the World, One Robot at a Time”. Together we will log algorithmic attitudes, voices and practices.
|
|
||||||
|
|
||||||
The presentations on Friday are followed by an Algolit session on Saturday, where we will host a collective dive into the clustering techniques of word-embeddings. We propose to look at a specific implementation of word-embeddings step-by-step, to use it as a source for recipies for small (code or non-code based) experiments.
|
|
||||||
|
|
||||||
Calling all extra-amateurs, protoprofessionals and circumstantial algologgers.
|
|
||||||
|
|
||||||
-----
|
|
||||||
|
|
||||||
**Algolit** is a Brussels-based group of artists, designers, programmers and activists that meet once a month to write textual code experiments together.
|
|
||||||
|
|
||||||
**Cristina Cochior** is a Rotterdam-based researcher, designer and enthusiast media aggregator who is currently interested in algorithmic stress relief.
|
|
||||||
|
|
||||||
**the XPUB practitioners** are currently working on OuNuPo: the 5th Special Issue with and around bookscanner culture. XPUB is the Experimental Publishing master at the Piet Zwart Institute.
|
|
||||||
|
|
||||||
**Marloes de Valk** is a software artist and writer in the post-despair stage of coping with the threat of global warming and being spied on by the devices surrounding her.
|
|
||||||
|
|
||||||
-----
|
|
||||||
|
|
||||||
## Program
|
|
||||||
|
|
||||||
**Friday 16th of March, 19:00 - 21:30+**<br>
|
|
||||||
Introductions, infrapunctures, bookscanner samples, big data promises
|
|
||||||
|
|
||||||
18:45 - 19:00 doors are open
|
|
||||||
|
|
||||||
19:00 - 19:20 Algoliterary introductions<br>
|
|
||||||
19:20 - 19:40 Infrapunctures<br>
|
|
||||||
19:40 - 19:50 --BREAK--<br>
|
|
||||||
19:50 - 21:00 XPUB bookscanner pipelines<br>
|
|
||||||
21:00 - 21:30 “We Are Going to Take Over the World, One Robot at a Time”<br>
|
|
||||||
21:30 onwards Drinks & Discussion
|
|
||||||
|
|
||||||
**Saturday 17th of March, 10:00 - 18:00**<br>
|
|
||||||
Algolit session: From words to numbers through word-embeddings
|
|
||||||
|
|
||||||
This session is special edition and part of a longer timeline of monthly Algolit gatherings organised by Constant in the WTC25 in Brussels. In 2018 Algolit decided to open the sessions, to allow incisive jump-in jump-out participation. More information & material around Algolit can be found on [algolit.net](http://algolit.net).
|
|
||||||
|
|
||||||
We will start the day with going step-by-step through the script [word2vec_basic.py](https://www.tensorflow.org/tutorials/word2vec), and slowly slide into both code-based and non-code based experiments, depending on what the attendants are inclined towards. This work session is a moment to try things out yourself.
|
|
||||||
|
|
||||||
Note to attendants: It would be good to bring a laptop. Not per se for the reason of working with code or digital tools (we are big enthusiasts of non-coding experiments!), but we usually take notes collectively or look at references. For that reason a laptop is a nice companion!
|
|
||||||
|
|
||||||
If you are interested to attend this session, please email info@varia.zone at any point in advance.
|
|
||||||
|
|
||||||
|
|
||||||
**Location**<br>
|
|
||||||
Varia - Gouwstraat 3, Rotterdam<br>
|
|
||||||
[varia.zone](https://varia.zone)
|
|
||||||
|
|
||||||
-----
|
|
||||||
|
|
||||||
**Links to previous exercises around these topics**
|
|
||||||
|
|
||||||
* [Algoliterary Encounters](http://www.algolit.net/index.php/Algoliterary_Encounters), a multi-day event in November 2017 around machine learning & word-embeddings with guided tours, presented tools, two lectures and two workshops.
|
|
||||||
* [word2vec_basic.py](http://www.algolit.net/index.php/Word2vec_basic.py), step-by-step
|
|
||||||
* [You should know a word by the compant it keeps](http://www.algolit.net/index.php/You_shall_know_a_word_by_the_company_it_keeps), graphs generated by word2vec
|
|
||||||
* [Crowd Embeddings](http://www.algolit.net/index.php/Crowd_Embeddings), a first-step into a case study of applied word-embeddings
|
|
||||||
|
|
||||||
----
|
|
||||||
|
|
||||||
The research project of Cristina Cochior is kindly supported by ![cbk rotterdam](images/cbkrotterdam.png).
|
|
||||||
|
|
||||||
|
|
||||||
|
|
@ -1,80 +0,0 @@
|
|||||||
Title: Algologs
|
|
||||||
Date: 2018-02-28
|
|
||||||
Category: event
|
|
||||||
Slug: algologs
|
|
||||||
lang: nl
|
|
||||||
event_start: 2018-03-16 19:00
|
|
||||||
event_duration: 23h
|
|
||||||
featured_image: images/algologs.png
|
|
||||||
summary: Algologs = een 1 dag + 1 dag dialoog rondom algoritmische werkwijzen. Dit evenement is een verlenging van Algolit, een werkgroep waar taal en algoritmes elkaar ontmoeten.
|
|
||||||
tags: worksession, algorithms, logging
|
|
||||||
|
|
||||||
|
|
||||||
## practices in the age of algorithmic reprediction
|
|
||||||
|
|
||||||
Algologs = een 1 dag + 1 dag dialoog rondom algoritmische werkwijzen. Dit evenement is een verlenging van Algolit, een werkgroep waar taal en algoritmes elkaar ontmoeten. Algologs maakt deel uit van een reeks ontmoetingen rondom de Algolit-bijeenkomsten (die normaal gesproken in Brussel plaatsvinden), om zo externe sprekers, presentatoren en deelnemers uit te nodigen om deel te nemen aan het gesprek. Tijdens Algologs verhogen we het % betrokkenheid bij alledaagse algoritmes.
|
|
||||||
|
|
||||||
Op vrijdagavond verkennen we een vermenigvuldiging van: Algoliteraire manieren om woorden te vertalen naar cijfers x infrapuncturele opluchtingen x bookscanner pipelines x “We Are Going to Take Over the World, One Robot at a Time”. Om zo samen logs te maken van algoritmische standpunten, stemmen en werkwijzen.
|
|
||||||
|
|
||||||
De presentaties op vrijdag worden gevolgd door een Algolit-sessie op zaterdag, waar we een collectieve duik zullen introduceren in de clusteringstechnieken van word-embeddings. Door stap voor stap naar een specifieke implementatie van word-embeddings te kijken, ontstaat een bron voor recepten voor kleine (op code of niet op code gebaseerde) experimenten.
|
|
||||||
|
|
||||||
Oproep aan alle extra-amateurs, protoprofessionals en indirecte algologgers.
|
|
||||||
|
|
||||||
-----
|
|
||||||
|
|
||||||
** Algolit ** is een in Brussel gevestigde groep kunstenaars, ontwerpers, programmeurs en activisten die eenmaal per maand samenkomen om tekst & code experimenten te schrijven.
|
|
||||||
|
|
||||||
** Cristina Cochior ** is een in Rotterdam gevestigde onderzoeker, ontwerper en enthousiaste verzamelaar die momenteel geïnteresseerd is in algoritmische stressverlichting.
|
|
||||||
|
|
||||||
** de XPUB practicioners ** werken momenteel aan OuNuPo: het 5e Special Issue rondom de cultuur van boekenscanners. XPUB is de Experimental Publishing-master van het Piet Zwart Instituut.
|
|
||||||
|
|
||||||
** Marloes de Valk ** is een softwarekunstenaar en -schrijfster in de post-wanhoopfase van het omgaan met de dreiging van het broeikaseffect terwijl zij bespied wordt door de apparaten om haar heen.
|
|
||||||
|
|
||||||
-----
|
|
||||||
|
|
||||||
## Programma
|
|
||||||
|
|
||||||
** Vrijdag 16 maart, 19:00 - 21:30 + ** <br>
|
|
||||||
Introducties, infrapunctures, voorbeelden van bookscanners, big data-beloften
|
|
||||||
|
|
||||||
18:45 - 19:00 Inloop
|
|
||||||
|
|
||||||
19:00 - 19:20 Algoliteraire introducties<br>
|
|
||||||
19:20 - 19:40 Infrapunctures<br>
|
|
||||||
19:40 - 19:50 --BREAK--<br>
|
|
||||||
19:50 - 21:00 XPUB bookscanner pipelines<br>
|
|
||||||
21:00 - 21:30 “We Are Going to Take Over the World, One Robot at a Time”<br>
|
|
||||||
vanaf 21:30 drinks & discussie<br>
|
|
||||||
|
|
||||||
** Zaterdag 17 maart, 10:00 - 18: 00 ** <br>
|
|
||||||
Algolit-sessie: van woorden naar cijfers via word-embeddings
|
|
||||||
|
|
||||||
Deze sessie is een speciale editie en maakt deel uit van een langere tijdslijn van maandelijkse Algolit-bijeenkomsten georganiseerd door Constant in het WTC25 in Brussel. In 2018 koos Algolit er voor om haar sessies een meer open karakter te geven, zodat een spontane jump-in jump-out-deelname mogelijk is. Meer informatie en materiaal rond Algolit is te vinden op [algolit.net](http://algolit.net).
|
|
||||||
|
|
||||||
We beginnen de dag met het stapsgewijs doorlopen van het script [word2vec_basic.py](https://www.tensorflow.org/tutorials/word2vec) en langzaam naar zowel op code gebaseerde als niet-code gebaseerde experimenten te werken, afhankelijk van waar de deelnemers een voorkeur voor hebben. Deze werksessie is een moment om zelf en samen dingen uit te proberen.
|
|
||||||
|
|
||||||
Opmerking voor deelnemers: het zou goed zijn om een laptop mee te nemen. Niet per se om met code of digitale hulpmiddelen te werken (we zijn grote fans van analoge experimenten!), maar vanuit de gewoonte om gezamenlijk aantekeningen te maken of te kijken naar referenties. Daarom is een laptop een fijne metgezel!
|
|
||||||
|
|
||||||
Als je geïnteresseerd bent om deze sessie bij te wonen, e-mail dan info@varia.zone op elk gewenst moment van tevoren.
|
|
||||||
|
|
||||||
|
|
||||||
** Locatie ** <br>
|
|
||||||
Varia - Gouwstraat 3, Rotterdam <br>
|
|
||||||
[varia.zone](https://varia.zone)
|
|
||||||
|
|
||||||
-----
|
|
||||||
|
|
||||||
** Links naar eerdere oefeningen rond deze onderwerpen **
|
|
||||||
|
|
||||||
* [Algoliterary Encounters](http://www.algolit.net/index.php/Algoliterary_Encounters), een meerdaags evenement in november 2017 rond machine learning & word-embeddings met rondleidingen, gepresenteerde tools, twee lezingen en twee workshops.
|
|
||||||
* [word2vec_basic.py](http://www.algolit.net/index.php/Word2vec_basic.py), stap voor stap
|
|
||||||
* [You should know a word by the compant it keeps](http://www.algolit.net/index.php/You_shall_know_a_word_by_the_company_it_keeps), grafieken gegenereerd door word2vec
|
|
||||||
* [Crowd Embeddings](http://www.algolit.net/index.php/Crowd_Embeddings), een eerste stap naar een case study rondom toegepaste woordinbeddingen
|
|
||||||
|
|
||||||
----
|
|
||||||
|
|
||||||
Het onderzoeksproject van Cristina Cochior is mede mogelijk gemaakt met een financiële bijdrage van CBK Rotterdam ![cbk rotterdam](images/cbkrotterdam.png).
|
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
|
|
@ -1,17 +0,0 @@
|
|||||||
Title: Looking Back - Varia Anniversary
|
|
||||||
Date: 2018-11-09
|
|
||||||
Category: party
|
|
||||||
slug: anniversary
|
|
||||||
lang: en
|
|
||||||
Event_start: 2018-11-09 20:00
|
|
||||||
event_duration: 4h
|
|
||||||
featured_image: images/colours.gif
|
|
||||||
|
|
||||||
It is a rule of life that everything that moves forward, must also one day also look back. Varia is no exception to this truism and that is why we are going to celebrate the first anniversary of our residence at the Gouwstraat.
|
|
||||||
|
|
||||||
You are welcome to join us, feast on our exclusive varia drinks and enjoy nostalgic memories of varia's past and future!
|
|
||||||
|
|
||||||
Thanks to the DJ skills of Newk and DJ USB, plus the rare appearance of the varia karaoke set, this will surely be a night to help you remember!
|
|
||||||
|
|
||||||
**Date:** Friday, 9 November 2018<br>
|
|
||||||
**Door:** 20:00<br>
|
|
@ -1,17 +0,0 @@
|
|||||||
Title: Looking Back - Varia Anniversary
|
|
||||||
Date: 2018-11-09
|
|
||||||
Category: party
|
|
||||||
slug: anniversary
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2018-11-09 20:00
|
|
||||||
event_duration: 4h
|
|
||||||
featured_image: images/colours.gif
|
|
||||||
|
|
||||||
Het is algemeen bekend dat alles wat vooruit gaat, op een dag ook weer achterom moet kijken. Varia is zich terdege bewust van deze waarheid als een koe. Daarom vieren we volgende week gezamelijk de eerste verjaardag van ons verblijf aan de Gouwstraat.
|
|
||||||
|
|
||||||
Je bent van harte uitgenodigd om te komen genieten van onze exclusieve varia-drankjes en nostalgische herinneringen aan Varia's verleden en toekomst!
|
|
||||||
|
|
||||||
Dankzij de DJ-vaardigheden van Newk en DJ USB, plus de zeldzame aanwezigheid van de varia karaoke-set, zal dit zeker een nacht worden die iedereen zal helpen herinneren!
|
|
||||||
|
|
||||||
**Datum:** Vrijdag, 9 November 2018<br>
|
|
||||||
**Deur:** 20:00<br>
|
|
@ -1,19 +0,0 @@
|
|||||||
Title: Varia New Year's Reception
|
|
||||||
Date: 2019-01-11
|
|
||||||
Category: event
|
|
||||||
Tags: event
|
|
||||||
slug: borrel2019
|
|
||||||
lang: en
|
|
||||||
Event_start: 2019-01-11 19:30
|
|
||||||
event_duration: 4h
|
|
||||||
featured_image: images/20195.jpg
|
|
||||||
|
|
||||||
It's a new year! Dennis (de Bel) is back, the window is broken and l'intolerant #18 is out. Enough reasons to come together and have a drink.
|
|
||||||
|
|
||||||
This Friday, the 11th of January, from 19:30, Varia opens its doors for some special new year's drinks and some fitting music.
|
|
||||||
|
|
||||||
Woodstone Kugelblitz will also be presenting the latest issue of L'Intolerant #18: A Really Useful Cookbook.
|
|
||||||
|
|
||||||
Almost everyone is welcome and the entrance is free. However, a voluntary donation of 5 euros will help us replace our window and is greatly appreciated!
|
|
||||||
|
|
||||||
See you there!
|
|
@ -1,21 +0,0 @@
|
|||||||
Title: Varia's Nieuwjaarsborrel
|
|
||||||
Date: 2019-01-11
|
|
||||||
Category: event
|
|
||||||
slug: borrel2019
|
|
||||||
Tags: event
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2019-01-11 19:30
|
|
||||||
event_duration: 4h
|
|
||||||
featured_image: images/20195.jpg
|
|
||||||
|
|
||||||
Varia's Nieuwjaarsborrel
|
|
||||||
|
|
||||||
Een nieuw jaar is aangebroken; Dennis (de Bel) is terug, de ruit ligt aan diggelen en l'intolerant #18 moet worden gelanceerd! Reden genoeg om bijeen te komen voor een drankje!
|
|
||||||
|
|
||||||
Deze vrijdag, 7 januari opent Varia om 19:30 de deuren voor een nieuwjaarsborrel met bijpassende muziek van DJ Listentomerijn.
|
|
||||||
|
|
||||||
Woodstone Kugelblitz zal dan de nieuwste editie van L'Intolerant presenteren: Nummer 18, A Really Useful Cookbook.
|
|
||||||
|
|
||||||
Iedereen is welkom en de toegang is uiteraard vrij. Echter, vrijwillige donatie van 5 euro helpen ons bij het vervangen van de ruit en worden zeer gewaardeerd!
|
|
||||||
|
|
||||||
Tot dan!
|
|
@ -1,32 +0,0 @@
|
|||||||
Title: BPW Rotterdam Tenant Consultation & Introduction
|
|
||||||
Date: 2019-05-02
|
|
||||||
Category: event
|
|
||||||
slug: bpw-consultation-introduction
|
|
||||||
lang: en
|
|
||||||
Event_start: 2019-05-06 17:00
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/bpwlogo.jpg
|
|
||||||
summary: Please feel welcome to join us for a day of discussion, co-learning and reflection on the housing situation in Rotterdam, our rights as tenants and how we can support each other to work towards solutions for more safe, secure and affordable housing.
|
|
||||||
|
|
||||||
Dear all,
|
|
||||||
|
|
||||||
We are very happy to announce that members of the Union of Precarious Dwellings
|
|
||||||
(Bond Precaire Woonvormen, BPW) are organising a tenant consultation and an
|
|
||||||
introduction session at Varia on the 6th of May between 15:00 and 20:00.
|
|
||||||
|
|
||||||
BPW is a solidarity movement organised by volunteers who support each other
|
|
||||||
based on the conviction that housing is a fundamental right that must be
|
|
||||||
protected.
|
|
||||||
|
|
||||||
Please feel welcome to join us for a day of discussion, co-learning and
|
|
||||||
reflection on the housing situation in Rotterdam, our rights as tenants and how
|
|
||||||
we can support each other to work towards solutions for more safe, secure and
|
|
||||||
affordable housing.
|
|
||||||
|
|
||||||
For more information on the event, please see [this announcement](https://bondprecairewoonvormen.nl/2019/04/bpw-rotterdam-huurdersspreekuur-introductie/).
|
|
||||||
|
|
||||||
To learn more about the union, please see [bondprecairewoonvormen.nl](http://bondprecairewoonvormen.nl).
|
|
||||||
|
|
||||||
SoliGreets,
|
|
||||||
|
|
||||||
Varia
|
|
@ -1,32 +0,0 @@
|
|||||||
Title: BPW Rotterdam Huurdersspreekuur & Introductie
|
|
||||||
Date: 2019-05-02
|
|
||||||
Category: event
|
|
||||||
slug: bpw-consultation-introduction
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2019-05-06 17:00
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/bpwlogo.jpg
|
|
||||||
summary: Iedereen is van harte welkom om deel te nemen aan discussies, of om samen te reflecteren op de huisvestingsituatie in Rotterdam, onze huurrechten en hoe we elkaar kunnen steunen in het zoeken naar oplossingen voor veilige, zekere en betaalbare wonen.
|
|
||||||
|
|
||||||
Beste allemaal,
|
|
||||||
|
|
||||||
We zijn erg blij om aan te kondigen dat de leden van Bond Precaire Woonvormen
|
|
||||||
(BPW) een introductie en huurdersspreekuur organiseren in Varia op 6 mei tussen
|
|
||||||
15:00 en 20:00 uur.
|
|
||||||
|
|
||||||
De BPW is een solidariteitsbeweging en draait op vrijwilligers die elkaar
|
|
||||||
steunen uit de overtuiging dat wonen een grondrecht is waar we samen voor
|
|
||||||
moeten opstaan.
|
|
||||||
|
|
||||||
Iedereen is van harte welkom om deel te nemen aan discussies, of om samen te
|
|
||||||
reflecteren op de huisvestingsituatie in Rotterdam, onze huurrechten en hoe we
|
|
||||||
elkaar kunnen steunen in het zoeken naar oplossingen voor veilige, zekere en
|
|
||||||
betaalbare wonen.
|
|
||||||
|
|
||||||
Voor meer informatie over het evenement, zie [deze aankondiging](https://bondprecairewoonvormen.nl/2019/04/bpw-rotterdam-huurdersspreekuur-introductie/).
|
|
||||||
|
|
||||||
Om meer te leren over de bond, zie [bondprecairewoonvormen.nl](http://bondprecairewoonvormen.nl).
|
|
||||||
|
|
||||||
SoliGroetjes,
|
|
||||||
|
|
||||||
Varia
|
|
@ -1,46 +0,0 @@
|
|||||||
Title: BPW Rotterdam Huurdersspreekuur + Meet and greet
|
|
||||||
Date: 2019-11-25
|
|
||||||
Category: event
|
|
||||||
slug: bpw-consultation-plus-meet-and-greet-nov-2019
|
|
||||||
lang: en
|
|
||||||
Event_start: 2019-11-25 15:00
|
|
||||||
event_duration: 6h
|
|
||||||
featured_image: images/bpwlogo.jpg
|
|
||||||
summary: Bond Precaire Woonvormen (BPW) organizes another round of their *tenant consultation* plus *meet and greet* at Varia on Monday the 25th of November. You are welcome to join us for an afternoon and evening of discussion, co-learning, reflection on the housing situation in Rotterdam, our rights as tenants and how we can support each other to work towards solutions for more safe, secure and affordable housing.
|
|
||||||
|
|
||||||
Dear all,
|
|
||||||
|
|
||||||
Bond Precaire Woonvormen (BPW) organizes another round of their *tenant consultation* plus *meet and greet* at Varia on Monday the 25th of November. You are welcome to join us for an afternoon and evening of discussion, co-learning, reflection on the housing situation in Rotterdam, our rights as tenants and how we can support each other to work towards solutions for more safe, secure and affordable housing.
|
|
||||||
|
|
||||||
BPW is a solidarity movement organised by volunteers who support each other based on the conviction that housing is a fundamental right that must be protected.
|
|
||||||
|
|
||||||
SoliGreets,
|
|
||||||
|
|
||||||
Varia
|
|
||||||
|
|
||||||
|
|
||||||
-----
|
|
||||||
|
|
||||||
|
|
||||||
*In the Rotterdam/The Hague region there are many problems in finding and keeping affordable housing. Living has become precarious and expensive. As the BPW is relatively unknown in this region, even though there are a couple of members active in this area, we thought it would be a good idea to organize a tenant consultation in the city of Rotterdam.*
|
|
||||||
|
|
||||||
*In addition, we are setting up a local department of BPW's in Rotterdam and The Hague. Do you have the time and would you like to participate? Or do you have questions or ideas about this subject? Then, please feel welcome to join us!*
|
|
||||||
|
|
||||||
**15:00 - 17:00, Tenant consultation**
|
|
||||||
|
|
||||||
*Do you have any questions about (temporary) rent, evictions or unreasonable demands from landlords, and do you want to know what your rights are? During our tenant consultation, experienced people from BPW can inform you about what you can do in such a situation.*
|
|
||||||
|
|
||||||
**19.30 - 21:00, BPW meets and greet**
|
|
||||||
|
|
||||||
*We give a short presentation about the activities that the BPW has undertaken to demand housing security for residents. What methods and goals does the BPW have and what can we do together to organise ourselves? Are you interested in participating in a local department of BPW in the The Hague/Rotterdam region?*
|
|
||||||
|
|
||||||
<br>
|
|
||||||
<br>
|
|
||||||
|
|
||||||
<small>
|
|
||||||
For more information about the event, see [this announcement](https://bondprecairewoonvormen.nl/2019/11/bpw-regio-rotterdam-huurdersspreekuur-meet-and-greet-op-25-november/) [Dutch].
|
|
||||||
|
|
||||||
To learn more about the association, see [bondprecairewoonvormen.nl](http://bondprecairewoonvormen.nl) [Dutch].
|
|
||||||
</small>
|
|
||||||
|
|
||||||
|
|
@ -1,50 +0,0 @@
|
|||||||
Title: BPW Rotterdam Huurdersspreekuur + Meet and greet
|
|
||||||
Date: 2019-11-25
|
|
||||||
Category: event
|
|
||||||
slug: bpw-consultation-plus-meet-and-greet-nov-2019
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2019-11-25 15:00
|
|
||||||
event_duration: 6h
|
|
||||||
featured_image: images/bpwlogo.jpg
|
|
||||||
summary: Op maandag 25 november ben je van harte welkom om deel te nemen aan discussies, of om samen te reflecteren op de huisvestingsituatie in Rotterdam, onze huurrechten en hoe we elkaar kunnen steunen in het zoeken naar oplossingen voor veilige, zekere en betaalbare wonen.
|
|
||||||
|
|
||||||
Beste allemaal,
|
|
||||||
|
|
||||||
Bond Precaire Woonvormen (BPW) organiseert wederom een *huurdersspreekuur* en *meet and greet* bij Varia.
|
|
||||||
|
|
||||||
Op maandag 25 november ben je van harte welkom om deel te nemen aan discussies, of om samen te reflecteren op de huisvestingsituatie in Rotterdam, onze huurrechten en hoe we elkaar kunnen steunen in het zoeken naar oplossingen voor veilige, zekere en betaalbare wonen.
|
|
||||||
|
|
||||||
De BPW is een solidariteitsbeweging en draait op vrijwilligers die elkaar steunen uit de overtuiging dat wonen een grondrecht is waar we samen voor moeten opstaan.
|
|
||||||
|
|
||||||
SoliGroetjes,
|
|
||||||
|
|
||||||
Varia
|
|
||||||
|
|
||||||
-----
|
|
||||||
|
|
||||||
*In de Regio Rotterdam/Den Haag zijn er veel problemen op het gebied van betaalbare woonruimte vinden en houden. Wonen is onzeker en duur, en dat lijkt alleen maar erger te worden. Gezien deze situatie leek het ons goed idee om een huurdersspreekuur te houden. Tijdens het huurdersspreekuur kunnen specialisten je vragen beantwoorden over wonen en uitgezet worden, huurrecht / -onrecht.*
|
|
||||||
|
|
||||||
*Daarnaast zijn we bezig met het opzetten van een lokale afdeling van BPWérs in Rotterdam en in Den Haag. Heb je zin en tijd om mee te doen? of heb vragen of ideeën omtrent dit onderwerp? Wil je met anderen van gedachten wisselen over waar je mee bezig bent op dit gebied? Wees dan van harte welkom!*
|
|
||||||
|
|
||||||
**Datum: Maandag 25 November 2019** <br>
|
|
||||||
**Locatie: Gouwstraat 3, Rotterdam**
|
|
||||||
|
|
||||||
Planning:
|
|
||||||
|
|
||||||
**15:00-17:00 Huurdersspreekuur**
|
|
||||||
|
|
||||||
*Heb je vragen over (tijdelijke)huur, huisuitzettingen of bijv. onredelijke eisen van verhuurders, en wil je weten wat je rechten nu eigenlijk zijn? Tijdens ons huurdersspreekuur kunnen ervaren mensen van BPW je informeren over wat jij kunt doen in zo’n situatie.*
|
|
||||||
|
|
||||||
**19.30-21:00: BPW meet and greet**
|
|
||||||
|
|
||||||
*We geven een korte presentatie over de activiteiten die de Bond Precaire Woonvormen heeft ondernomen om woonzekerheid op te eisen voor bewoners. Welke methoden en doelen heeft de BPW en wat kunnen we samen doen om ons te organiseren. Zijn er geïnteresseerden om mee te doen met een lokale afdeling van BPWérs in de regio Den Haag/Rotterdam?*
|
|
||||||
|
|
||||||
<br>
|
|
||||||
<br>
|
|
||||||
|
|
||||||
<small>
|
|
||||||
Voor meer informatie over het evenement, zie [deze aankondiging](https://bondprecairewoonvormen.nl/2019/11/bpw-regio-rotterdam-huurdersspreekuur-meet-and-greet-op-25-november/).
|
|
||||||
|
|
||||||
Om meer te leren over de bond, zie [bondprecairewoonvormen.nl](http://bondprecairewoonvormen.nl).
|
|
||||||
</small>
|
|
||||||
|
|
@ -1,43 +0,0 @@
|
|||||||
Title: BPW Rotterdam Tenant Consultation Hours + Meet & Greet
|
|
||||||
Date: 2019-09-13
|
|
||||||
Category: event
|
|
||||||
slug: bpw-consultation-plus-meet-and-greet
|
|
||||||
lang: en
|
|
||||||
Event_start: 2019-09-23 15:00
|
|
||||||
event_duration: 6h
|
|
||||||
featured_image: images/bpwlogo.jpg
|
|
||||||
summary: Join us on Monday the 23rd of September for an afternoon or evening of discussion, co-learning and reflection on the housing situation in Rotterdam, our rights as tenants and how we can support each other to work towards solutions for more safe, secure and affordable housing.
|
|
||||||
|
|
||||||
Dear all,
|
|
||||||
|
|
||||||
We are very happy to announce that a second *tenant consultation* plus *meet and greet* by Bond Precaire Woonvormen (BPW) will take place at Varia on Monday the 23rd of September. You are welcome to join us for an afternoon and evening of discussion, co-learning, reflection on the housing situation in Rotterdam, our rights as tenants and how we can support each other to work towards solutions for more safe, secure and affordable housing.
|
|
||||||
|
|
||||||
BPW is a solidarity movement organised by volunteers who support each other based on the conviction that housing is a fundamental right that must be protected.
|
|
||||||
|
|
||||||
SoliGreets,
|
|
||||||
|
|
||||||
Varia
|
|
||||||
|
|
||||||
-----
|
|
||||||
|
|
||||||
*In the Rotterdam/The Hague region there are many problems in finding and keeping affordable housing. Living has become precarious and expensive. As the BPW is relatively unknown in this region, even though there are a couple of members active in this area, we thought it would be a good idea to organize a tenant consultation in the city of Rotterdam.*
|
|
||||||
|
|
||||||
*In addition, we are setting up a local department of BPW's in Rotterdam and The Hague. Do you have the time and would you like to participate? Or do you have questions or ideas about this subject? Then, please feel welcome to join us!*
|
|
||||||
|
|
||||||
**15:00 - 17:00, Tenant consultation**
|
|
||||||
|
|
||||||
*Do you have any questions about (temporary) rent, evictions or unreasonable demands from landlords, and do you want to know what your rights are? During our tenant consultation, experienced people from BPW can inform you about what you can do in such a situation.*
|
|
||||||
|
|
||||||
**19.30 - 21:00, BPW meets and greet**
|
|
||||||
|
|
||||||
*We give a short presentation about the activities that the BPW has undertaken to demand housing security for residents. What methods and goals does the BPW have and what can we do together to organise ourselves? Are you interested in participating in a local department of BPW in the The Hague/Rotterdam region?*
|
|
||||||
|
|
||||||
<br>
|
|
||||||
<br>
|
|
||||||
|
|
||||||
<small>
|
|
||||||
For more information about the event, see [this announcement](https://bondprecairewoonvormen.nl/2019/09/bpw-regio-rotterdam-den-haag-huurdersspreekuur-meet-and-greet-op-23-september/) [Dutch].
|
|
||||||
|
|
||||||
To learn more about the association, see [bondprecairewoonvormen.nl](http://bondprecairewoonvormen.nl) [Dutch].
|
|
||||||
</small>
|
|
||||||
|
|
@ -1,45 +0,0 @@
|
|||||||
Title: BPW Rotterdam Huurdersspreekuur + Meet and greet
|
|
||||||
Date: 2019-09-13
|
|
||||||
Category: event
|
|
||||||
slug: bpw-consultation-plus-meet-and-greet
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2019-09-23 15:00
|
|
||||||
event_duration: 6h
|
|
||||||
featured_image: images/bpwlogo.jpg
|
|
||||||
summary: Op maandag 23 september ben je van harte welkom om deel te nemen aan discussies, of om samen te reflecteren op de huisvestingsituatie in Rotterdam, onze huurrechten en hoe we elkaar kunnen steunen in het zoeken naar oplossingen voor veilige, zekere en betaalbare wonen.
|
|
||||||
|
|
||||||
Beste allemaal,
|
|
||||||
|
|
||||||
We zijn erg blij om aan te mogen kondigen dat een tweede *huurdersspreekuur* en *meet and greet* van de Bond Precaire Woonvormen (BPW) bij Varia plaats zal vinden.
|
|
||||||
|
|
||||||
Op maandag 23 september ben je van harte welkom om deel te nemen aan discussies, of om samen te reflecteren op de huisvestingsituatie in Rotterdam, onze huurrechten en hoe we elkaar kunnen steunen in het zoeken naar oplossingen voor veilige, zekere en betaalbare wonen.
|
|
||||||
|
|
||||||
De BPW is een solidariteitsbeweging en draait op vrijwilligers die elkaar steunen uit de overtuiging dat wonen een grondrecht is waar we samen voor moeten opstaan.
|
|
||||||
|
|
||||||
SoliGroetjes,
|
|
||||||
|
|
||||||
Varia
|
|
||||||
|
|
||||||
-----
|
|
||||||
|
|
||||||
*In de Regio Rotterdam/Den Haag zijn er veel problemen op het gebied van betaalbare woonruimte vinden en houden. Wonen word ook daar onzeker en duur. Omdat de BPW in deze regio relatief onbekend is en er lokaal ook een aantal mensen actief zijn, leek het ons goed idee om een huurdersspreekuur te houden.*
|
|
||||||
|
|
||||||
*Daarnaast zijn we bezig met het opzetten van een lokale afdeling van BPWérs in Rotterdam en in Den Haag. Heb je zin en tijd om mee te doen? Of heb je vragen of ideeën omtrent dit onderwerp? Wees dan van harte welkom!*
|
|
||||||
|
|
||||||
**15:00 - 17:00, Huurdersspreekuur**
|
|
||||||
|
|
||||||
*Heb je vragen over (tijdelijke) huur, huisuitzettingen of bijv. onredelijke eisen van verhuurders, en wil je weten wat je rechten nu eigenlijk zijn? Tijdens ons huurdersspreekuur kunnen ervaren mensen van BPW je informeren over wat jij kunt doen in zo’n situatie.*
|
|
||||||
|
|
||||||
**19.30 - 21:00, BPW meet and greet**
|
|
||||||
|
|
||||||
*We geven een korte presentatie over de activiteiten die de Bond Precaire Woonvormen heeft ondernomen om woonzekerheid op te eisen voor bewoners. Welke methoden en doelen heeft de BPW en wat kunnen we samen doen om ons te organiseren. Zijn er geïnteresseerden om mee te doen met een lokale afdeling van BPWérs in de regio Den Haag/Rotterdam?*
|
|
||||||
|
|
||||||
<br>
|
|
||||||
<br>
|
|
||||||
|
|
||||||
<small>
|
|
||||||
Voor meer informatie over het evenement, zie [deze aankondiging](https://bondprecairewoonvormen.nl/2019/09/bpw-regio-rotterdam-den-haag-huurdersspreekuur-meet-and-greet-op-23-september/).
|
|
||||||
|
|
||||||
Om meer te leren over de bond, zie [bondprecairewoonvormen.nl](http://bondprecairewoonvormen.nl).
|
|
||||||
</small>
|
|
||||||
|
|
@ -1,52 +0,0 @@
|
|||||||
Title: Alles Flex? Call me Intern, City Dragon
|
|
||||||
Date: 2020-02-08 17:30
|
|
||||||
Tags: event
|
|
||||||
slug: alles-flex-call-me-intern-city-dragon
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2020-02-08 17:30
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/allesflex.png
|
|
||||||
summary: Een vertoning van de documentaires "Alles Flex?" en "Call me Intern", die beide een blik werpen op de gevolgen van de toenemende flexibilisering van huisvesting en werk. Daarnaast zal Sam Kreuk zijn muzikale solo-project City Dragon presenteren. Een avond vol documentaires, muziek en goede gesprekken!
|
|
||||||
|
|
||||||
Varia nodigt je uit voor een avond vol documentaires, muziek en goede gesprekken!
|
|
||||||
|
|
||||||
Op 8 februari vertonen we de documentaires "Alles Flex?" en "Call me Intern", die beide een blik werpen op de gevolgen van de toenemende flexibilisering van huisvesting en werk. Om dit onderwerp te verduidelijken heeft Abel Heijkamp, een van de filmmakers van "Alles Flex?" en lid van de Bond Precaire Woonvormen, ermee ingestemd aanwezig te zijn voor een gesprek voor- en achteraf.
|
|
||||||
|
|
||||||
Het tweede deel van het programma wordt verzorgd door Sam Kreuk, die zijn solo-project City Dragon zal presenteren.
|
|
||||||
|
|
||||||
**Locatie:** Varia, Gouwstraat 3 (Rotterdam) <br>
|
|
||||||
**Datum:** Zaterdag, 8 Februari<br>
|
|
||||||
**Tijd:** 17:30 - 21:30 <br>
|
|
||||||
**Entree:** Donatie
|
|
||||||
|
|
||||||
|
|
||||||
**City Dragon**
|
|
||||||
City Dragon is het soloproject van *Max Kaario aka. Sam Kreuk*. Met behulp van saxofoon, blokfluit, speelgoed en percussie maakt hij geïmproviseerde collages en loops. Verwacht de stem van een diva, power ballads, street trance, een verzameling aan afvalritmes, Celine Dion mesmer mantra's en nog veel meer!
|
|
||||||
|
|
||||||
<https://maxkaario.wixsite.com/citydragon>
|
|
||||||
<https://www.youtube.com/watch?v=GP7PE4qcUS4&feature=emb_title>
|
|
||||||
<https://citydragon.bandcamp.com/>
|
|
||||||
|
|
||||||
|
|
||||||
**Alles Flex?**
|
|
||||||
In de documentaire ‘Alles Flex?’ (All Flex?) verkennen filmmakers *Abel Heijkamp* (NL) en *Julij Borštnik* (SI) de mogelijke gevolgen van de huidige flexibilisering van onze leefwereld. De film is gebaseerd op de persoonlijke verhalen van flexwerkers en flexhuurders met verschillende leeftijden en levenswijzen. Wat voor soort samenleving creëren we wanneer existentiële veiligheid niet langer een recht is, maar een voorrecht voor hen die het zich kunnen veroorloven?
|
|
||||||
|
|
||||||
‘Alles Flex?’ Is de eerste aflevering van een 4-delige webdocumentaire serie 'The Future of Work' en gefilmd in Nederland, Slovenija, Duitsland en Europa.
|
|
||||||
|
|
||||||
|
|
||||||
**Call me Intern**
|
|
||||||
Jong, werkloos en gefrustreerd; filmmakers *David Leo Hyde* en *Nathalie Berger* gingen in het kader van een millennial gonzo-filmproductie op stage om het systeem van binnenuit te bekijken.
|
|
||||||
|
|
||||||
Nadat David een stage bij de Verenigde Naties heeft aanvaard, verhuizen Nathalie en hij naar een kleine blauwe tent aan het meer van Genève om zijn onbetaalde stage-ervaring te documenteren. Deze actie veroorzaakt een wereldwijde persstorm en daagt hun rol als filmmaker uit.
|
|
||||||
|
|
||||||
Ondertussen werkt Marisa voor een Amerikaanse presidentsverkiezingencampagne, terwijl ze de intimidatie van haar toezichthouders afweert. Kyle neemt een stage voor een fortuin-500 bedrijf, terwijl hij in een daklozenopvang in New York woont.
|
|
||||||
|
|
||||||
Elk van deze stagiaires staat voor een keuze: het systeem accepteren zoals deze is of hun carrière op het spel zetten door ertegen in te gaan. Hun acties helpen zichtbaarheid en kracht te geven aan een groeiende internationale stage-beweging. Hun verhalen onthullen de druk die zoveel millennials ertoe brengt om gratis te werken, terwijl uittreksels uit popcultuur en getuigenissen van academici, politici en werkgevers ons een idee geven van hoe breed het stage-fenomeen zich al heeft verspreid.
|
|
||||||
|
|
||||||
**Schema:**
|
|
||||||
17:30: Deuren open
|
|
||||||
18:00: Alles Flex? + Q&A met filmmaker Abel Heijkamp
|
|
||||||
19:45: Breuk
|
|
||||||
20:00: Call Me Intern
|
|
||||||
21:15: Breuk
|
|
||||||
21:30: City Dragon
|
|
@ -1,53 +0,0 @@
|
|||||||
Title: Alles Flex? Call me Intern, City Dragon
|
|
||||||
Date: 2020-02-08 17:30
|
|
||||||
Tags: event
|
|
||||||
slug: alles-flex-call-me-intern-city-dragon
|
|
||||||
lang: en
|
|
||||||
Event_start: 2020-02-08 17:30
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/allesflex.png
|
|
||||||
summary: A screening of the documentaries "Everything Flex?" and "Call me Intern", both of which look at the consequences of the ongoing flexibilization of both housing and work. In addition, Sam Kreuk will present his musical solo project City Dragon. An evening full of documentaries, debate and a music!
|
|
||||||
|
|
||||||
Varia would like to invite you to an evening of documentary watching, thoughtful debate and a musical performance!
|
|
||||||
|
|
||||||
On the February we will be screening the documentaries "Alles Flex?" and "Call me Intern", both of which reflect on the devastating consequences caused by the ongoing flexibilization of both housing and work. To further clarify and present these topics, Abel Heijkamp, one of the filmmakers responsible for "Alles Flex?" and member of Bondprecaire Woonvormen, has kindly agreed to be present for a Q&A and conversation.
|
|
||||||
|
|
||||||
The second part of the program will be secured by Sam Kreuk, who will be presenting his solo project, City Dragon.
|
|
||||||
|
|
||||||
**Location:** Varia, Gouwstraat 3 (Rotterdam)
|
|
||||||
**Date:** Saturday 8th of February
|
|
||||||
**Time:** 17:30 - 21:30
|
|
||||||
**Entry:** Donation
|
|
||||||
|
|
||||||
|
|
||||||
**City Dragon**
|
|
||||||
City Dragon is the solo project of *Max Kaario aka. Sam Kreuk*. Using saxophone, recorders, toys and percussion he creates improvised collages and loops. Expect diva vocalization, power ballads, street trance, a collapsing assemblage of garbage rhythms, Celine Dion mesmer mantra's and much more!
|
|
||||||
|
|
||||||
<https://maxkaario.wixsite.com/citydragon>
|
|
||||||
<https://www.youtube.com/watch?v=GP7PE4qcUS4&feature=emb_title>
|
|
||||||
<https://citydragon.bandcamp.com/>
|
|
||||||
|
|
||||||
|
|
||||||
**Alles Flex?**
|
|
||||||
In the documentary ‘Alles Flex?’ (All Flex?) filmmakers *Abel Heijkamp* (NL) and *Julij Borštnik* (SI) explore the possible consequences of the current flexibilisation of our life-world. It draws upon the personal accounts of flex workers and flex tenants of different ages and walks of life. What kind of society are we fostering when existential security is no longer a right, but a privilege for those who can afford it?
|
|
||||||
|
|
||||||
‘Alles Flex?’ is the first episode of a 4 part web documentary series The Future of Work.
|
|
||||||
Filmed in the Netherlands, Slovenija, Germany and Europe.
|
|
||||||
|
|
||||||
|
|
||||||
**Call me Intern**
|
|
||||||
Young, unemployed and frustrated, Filmmakers *David Leo Hyde* and *Nathalie Berger* set out to land an internship so they can examine the system from the inside in an act of millenial gonzo-film making.
|
|
||||||
|
|
||||||
After David accepts an internship at the United Nations, they move into a small blue tent on the Geneva lakefront and begin documenting his unpaid intern experience. Their action sparks a global press storm, challenging their roles as filmmakers.
|
|
||||||
|
|
||||||
Meanwhile, Marisa works for a US presidential election campaign, while fending off harassment from her supervisors. Kyle interns for a fortune-500 company, while living in a New York homeless shelter.
|
|
||||||
|
|
||||||
Each of these interns faces a choice: accept the system the way it is or put their careers on the line to speak out against it. Their actions help give visibility and strength to a growing global intern movement. Their journeys reveal the pressures which lead so many millennials to work for free while pop-culture extracts and testimonies from academics, politicians and employers give us a sense of how wide the internship phenomenon has spread.
|
|
||||||
|
|
||||||
**Schedule:**
|
|
||||||
17:30: Doors open
|
|
||||||
18:00: Alles Flex + Q&A with filmmaker Abel Heijkamp
|
|
||||||
19:45: Break
|
|
||||||
20:00: Call Me Intern
|
|
||||||
21:15: Break
|
|
||||||
21:30: City Dragon
|
|
@ -1,20 +0,0 @@
|
|||||||
Title: 34c3 screening session
|
|
||||||
Date: 2017-12-15
|
|
||||||
Category: event
|
|
||||||
Slug: ccc-screening
|
|
||||||
lang: en
|
|
||||||
event_start: 2017-12-27 11:00
|
|
||||||
event_end: 2017-12-30 18:15
|
|
||||||
featured_image: images/ccc-2017.jpg
|
|
||||||
|
|
||||||
For those that didn't make it to Leipzig this year we're gathering to watch the 34c3 livestream in Varia:
|
|
||||||
|
|
||||||
* Wednesday 27th: 11:00h - late
|
|
||||||
* Thursday 28th: 11:30h - late
|
|
||||||
* Friday 29th: 11:30h - late
|
|
||||||
* Saturday 30th: 11:30h - 18:15h
|
|
||||||
|
|
||||||
Bring your own beer and add your whishes to the list of talks[ref][https://pad.vvvvvvaria.org/34c3](https://pad.vvvvvvaria.org/34c3)[/ref], we only have one projector and make the livestream programme on the spot!
|
|
||||||
|
|
||||||
Download the CCC progam[ref][fahrplan (PDF)](https://events.ccc.de/congress/2017/Fahrplan/)[/ref]
|
|
||||||
|
|
@ -1,20 +0,0 @@
|
|||||||
Title: 34c3 screening sessies
|
|
||||||
Date: 2017-12-15
|
|
||||||
Category: event
|
|
||||||
Slug: ccc-screening
|
|
||||||
lang: nl
|
|
||||||
event_start: 2017-12-27 11:00
|
|
||||||
event_end: 2017-12-30 18:15
|
|
||||||
featured_image: images/ccc-2017.jpg
|
|
||||||
|
|
||||||
Voor hen die de tocht naar Leipzig dit jaar niet gaan maken organiseren we een 34c3 screening Varia:
|
|
||||||
|
|
||||||
* woensdag 27th: 11:00h - late
|
|
||||||
* Thursday 28th: 11:30h - late
|
|
||||||
* Friday 29th: 11:30h - late
|
|
||||||
* Saturday 30th: 11:30h - 18:15h
|
|
||||||
|
|
||||||
Neem je eigen eten en drinken mee en [vul het lijstje aan van](https://pad.vvvvvvaria.org/34c3) van talks die we niet kunnen missen, we hebben maar één projector dus we maken het livestream programme ter plekke.
|
|
||||||
|
|
||||||
Download het CCC progamma[ref][fahrplan (PDF)](https://events.ccc.de/congress/2017/Fahrplan/)[/ref]
|
|
||||||
|
|
@ -1,19 +0,0 @@
|
|||||||
Title: Century 21 Calling - I'd Buy That For A Dollar!
|
|
||||||
Date: 2018-12-15
|
|
||||||
Category: event
|
|
||||||
lang: en
|
|
||||||
Slug: id-buy-that-for-a-dollar
|
|
||||||
Event_start: 2018-12-15 20:00
|
|
||||||
event_duration: 4h
|
|
||||||
featured_image: images/C212_shopping.jpg
|
|
||||||
|
|
||||||
During our fourth and final screening of Century 21 Calling this year, we will honour the holiday season by taking a look at the development of ‘the shopping experience’. During this 'Christmas special' we'll take a walk through the shopping center and focus our attention on amazon.com, creditcards and refund instruction video’s. This will surely get you in the shopping mood!
|
|
||||||
|
|
||||||
**Century 21 Calling** is a series by the collective Save_as and hosted at Varia in Rotterdam. During these screenings we take a look at the archival industrial films, corporate infomercials, tv reports and historical documentary of yesterday that shaped the imagination of tomorrow and hold it up to the light of the present.
|
|
||||||
|
|
||||||
**Save_as** is a platform for 360 degrees media exploration by Thomas Walskaar and Léna Robin, initiated in 2017. Save_as investigates media and alternative publishing practices, to observe tensions which emanate from them. Save_as is also an independent publisher of printed and non-printed matter.
|
|
||||||
|
|
||||||
**Date:** Saturday, 15 December 2018<br>
|
|
||||||
**Door:** 20:00<br>
|
|
||||||
**Start:** 20:30<br>
|
|
||||||
**Entrance:** Donation
|
|
@ -1,18 +0,0 @@
|
|||||||
Title: Century 21 Calling - I'd Buy That For A Dollar!
|
|
||||||
Date: 2018-12-15
|
|
||||||
Category: event
|
|
||||||
lang: nl
|
|
||||||
Slug: id-buy-that-for-a-dollar
|
|
||||||
Event_start: 2018-12-15 20:00
|
|
||||||
event_duration: 4h
|
|
||||||
featured_image: images/C212_shopping.jpg
|
|
||||||
|
|
||||||
Tijdens onze vierde en laatste screening van Century 21 Calling dit jaar, zullen we de feestdagen eren door een blik te werpen op de ontwikkeling van 'de winkelervaring'. Gedurende deze "kerstspecial" maken we een wandeling door het winkelcentrum en vertonen materiaal met betrekking tot amazon.com, creditcards en het terugbrengen van je spelcomputer naar de winkel.
|
|
||||||
|
|
||||||
**Century 21 Calling** gebruikt archiefmateriaal uit de industrie, infomercials van bedrijven, tv uitzendingen en documentaires die in het verleden ons beeld van de toekomst hebben gevormd, en gebruiken die om het heden te doorgronden. Het is een initiatief van Save_as en vindt plaats in Varia in Rotterdam.
|
|
||||||
|
|
||||||
**Datum:** Zaterdag, 15 December 2018<br>
|
|
||||||
**Deur:** 20:00<br>
|
|
||||||
**Start:** 20:30<br>
|
|
||||||
**Entree:** Donatie
|
|
||||||
|
|
@ -1,28 +0,0 @@
|
|||||||
Title: Century 21 Calling
|
|
||||||
Date: 2018-03-07
|
|
||||||
Category: screening
|
|
||||||
slug: century-21-calling
|
|
||||||
lang: en
|
|
||||||
Event_start: 2018-04-14 19:30
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/century21.jpg
|
|
||||||
summary: Once we were all promised a better tomorrow with robots, atomic powered cars and inflatable plastic homes. After the second world war the promises of technology made it seem like everything was possible. However, it seems like much of this optimism might have been a bit premature. Where is the dream of tomorrow now? Do we still dare to dream of the future?
|
|
||||||
|
|
||||||
|
|
||||||
Once we were all promised a better tomorrow with robots, atomic powered cars and inflatable plastic homes. After the second world war the promises of technology made it seem like everything was possible. However, it seems like much of this optimism might have been a bit premature. Where is the dream of tomorrow now? Do we still dare to dream of the future?
|
|
||||||
|
|
||||||
In a series of screenings called “Century 21 Calling”, an event started by the collective Save_as and hosted at Varia in Rotterdam, we will have a look at archival industrial films and corporate informercials/propaganda that shaped the imagination of tomorrow and hold it up to the light of the present.
|
|
||||||
|
|
||||||
During our first event we will have a general look at films from world fairs and the their dreams for todays tomorrow.
|
|
||||||
|
|
||||||
**Date**: 14th April 2018<br>
|
|
||||||
**Entrance**: Free / Donation<br>
|
|
||||||
**Doors open**: 19:00<br>
|
|
||||||
**Presentation**: 19:30<br>
|
|
||||||
**Screening starts**: 20:00<br>
|
|
||||||
|
|
||||||
------
|
|
||||||
|
|
||||||
Save as is a platform for 360° media exploration. Save as investigates in media, alternative publishing practices, and observes tensions which emanate from them. Save as is also an independent publisher of printed and non printed matter. Save as is a project by [Thomas Walskaar](http://www.walskaar.com) and [Léna Robin](http://www.lenarobin.com), initiated in 2017
|
|
||||||
|
|
||||||
|
|
@ -1,28 +0,0 @@
|
|||||||
Title: Century 21 Calling
|
|
||||||
Date: 2018-03-07
|
|
||||||
Category: screening
|
|
||||||
slug: century-21-calling
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2018-04-14 19:30
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/century21.jpg
|
|
||||||
summary: Eens werd ons allemaal een betere toekomst beloofd met robots, nucleair gedreven auto's en opblaasbare plastic huizen. Dankzij de beloftes van technologie die ontstonden na de Tweede Wereldoorlog leek het alsof alles mogelijk was. Maar het lijkt er daarentegen op dat veel van dit optimisme een beetje voorbarig is geweest. Waar is de droom van morgen nu? Durven we nog te dromen van de toekomst?
|
|
||||||
|
|
||||||
|
|
||||||
Eens werd ons allemaal een betere toekomst beloofd met robots, nucleair gedreven auto's en opblaasbare plastic huizen. Dankzij de beloftes van technologie die ontstonden na de Tweede Wereldoorlog leek het alsof alles mogelijk was. Maar het lijkt er daarentegen op dat veel van dit optimisme een beetje voorbarig is geweest. Waar is de droom van morgen nu? Durven we nog te dromen van de toekomst?
|
|
||||||
|
|
||||||
In een reeks screenings "Century 21 Calling", geïnitieerd door Save_as en gehost door Varia in Rotterdam, zullen we kijken naar industriële archieven en bedrijfs informercials/propaganda die het voorstellingsvermorgen van morgen hebben vormgegeven en het vol hebben gehouden tot aan de dag van vandaag.
|
|
||||||
|
|
||||||
Tijdens ons eerste evenement zullen we een algemene blik werpen op films van wereldtentoonstellingen en hun dromen voor morgen van vandaag.
|
|
||||||
|
|
||||||
**Datum**: 14 April 2018<br>
|
|
||||||
**Entree**: Free / Donation<br>
|
|
||||||
**Deuren open**: 19:00<br>
|
|
||||||
**Presentatie**: 19:30<br>
|
|
||||||
**Start screening**: 20:00<br>
|
|
||||||
|
|
||||||
------
|
|
||||||
|
|
||||||
Save_as is een platform voor 360° media exploratie. Save_as onderzoekt media en alternatieve publicatiepraktijken, en observeert spanningen die hieruit voortkomen. Save_as is ook een onafhankelijke uitgever van gedrukt en niet-gedrukt materiaal. Save_as is een project van [Thomas Walskaar](http://www.walskaar.com) en [Léna Robin](http://www.lenarobin.com) en is geïnitieerd in 2017.
|
|
||||||
|
|
||||||
|
|
@ -1,17 +0,0 @@
|
|||||||
Title: Century 21 Calling - Safety First
|
|
||||||
Date: 2019-04-20
|
|
||||||
Category: screening
|
|
||||||
slug: C21C
|
|
||||||
lang: en
|
|
||||||
Event_start: 2019-04-20 20:00
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/C212_05_safey.jpg
|
|
||||||
tags: health, safety, 21st century
|
|
||||||
|
|
||||||
During the fifth screening of our Century 21 Calling series we will take a look at how to stay safe in an insecure world. Rules change over the decades; What was once seen as a completely safe thing to do, is now extremely deadly. How do you stay safe in the traffic? What are the dangers around the office? Where can your children play safely? These questions and many more will be addressed during this informative evening.
|
|
||||||
|
|
||||||
During “Century 21 Calling”, an series of screenings started by the collective [Save_as](http://www.save-as.media/) and hosted at Varia in Rotterdam, we observe the archival industrial films, corporate informercials, tv reports and historical documentaries that shaped the imagination of tomorrow and hold them up to the light of the present.
|
|
||||||
|
|
||||||
* door: 20:00
|
|
||||||
* start: 20:30
|
|
||||||
* price: donation
|
|
@ -1,17 +0,0 @@
|
|||||||
Title: Century 21 Calling - Safety First
|
|
||||||
Date: 2019-04-20
|
|
||||||
Category: screening
|
|
||||||
slug: C21C
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2019-04-20 20:00
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/C212_05_safey.jpg
|
|
||||||
tags: health, safety, 21st century
|
|
||||||
|
|
||||||
Tijdens de vijfde vertoning van onze Century 21 Calling-serie leren we hoe we veilig kunnen blijven in een onzekere wereld. Regels veranderen in de loop van de decennia; Wat ooit als volkomen veilig werd gezien, is nu simpelweg dodelijk. Hoe blijf je veilig in het verkeer? Wat zijn de gevaren op kantoor? Waar kunnen je kinderen veilig spelen? Deze vragen en vele andere komen tijdens deze informatieve avond aan bod.
|
|
||||||
|
|
||||||
Tijdens "Century 21 Calling", een reeks screenings die is geïnitieerd door het collectief [Save_as](http://www.save-as.media/) en wordt gehost door Varia, bekijken we de industriële archieven, bedrijfsinformercials, tv reportages en historische documentaires die de verbeelding van morgen vormden en houden deze tegen het licht van het heden.
|
|
||||||
|
|
||||||
* deur: 20:00
|
|
||||||
* start: 20:30
|
|
||||||
* prijs: donatie
|
|
@ -1,50 +0,0 @@
|
|||||||
Title: The Big Bounce - Century 21 Calling
|
|
||||||
Date: 2018-10-20
|
|
||||||
Category: screening
|
|
||||||
slug: the-big-bounce_century-21-calling
|
|
||||||
lang: en
|
|
||||||
Event_start: 2018-10-20 20:00
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/century21_the-big-bounce.jpg
|
|
||||||
summary: During our third screening of Century 21 Calling, we will be taking a look at the development of satellite communications. From the shiny orbs of the 1950s to our present day SATCOM systems.
|
|
||||||
|
|
||||||
|
|
||||||
During our third screening of Century 21 Calling, we will be taking a
|
|
||||||
look at the development of satellite communications. From the shiny orbs
|
|
||||||
of the 1950s to our present day SATCOM systems.
|
|
||||||
|
|
||||||
How do they work? How do they get into space? What happens when the
|
|
||||||
systems break down? Why are there no more shiny orb satellites in space?
|
|
||||||
|
|
||||||
This and many more questions will put into the light of today, via the
|
|
||||||
present.
|
|
||||||
|
|
||||||
Later in the evening you can join mmths on a trip through the radio
|
|
||||||
spectrum, to listen to the satellite pirates in GEO Oribt and drown in
|
|
||||||
the noise of the static and signals of ghost satellites.
|
|
||||||
|
|
||||||
mmths is a sound artist currently based in Rotterdam. In his practice,
|
|
||||||
he often is fascinated by outer space activities. His current research
|
|
||||||
deals with harvesting satellite transmissions and signal hunting as a
|
|
||||||
tool for exploring live performance and composition.
|
|
||||||
|
|
||||||
In a series of screenings called “Century 21 Calling” we will have a
|
|
||||||
look at archival industrial films, corporate infomercials, tv reports
|
|
||||||
and historical documentary of yesterday that shaped the imagination of
|
|
||||||
tomorrow and we hold it up to the light of the present.
|
|
||||||
|
|
||||||
“Century 21 Calling” is an event by the collective *Save_as* and hosted at
|
|
||||||
Varia in Rotterdam.
|
|
||||||
|
|
||||||
**Date**: Saturday 20th of October 2018<br>
|
|
||||||
**Doors open**: 20:00h<br>
|
|
||||||
**Start screening**: 20:30h<br>
|
|
||||||
**Performance**: 21:30h<br>
|
|
||||||
**End of the evening**: 23:00h<br>
|
|
||||||
|
|
||||||
**Entree**: Donation
|
|
||||||
|
|
||||||
------
|
|
||||||
|
|
||||||
Save as is a platform for 360° media exploration. Save as investigates in media, alternative publishing practices, and observes tensions which emanate from them. Save as is also an independent publisher of printed and non printed matter. Save as is a project by [Thomas Walskaar](http://www.walskaar.com) and [Léna Robin](http://www.lenarobin.com), initiated in 2017.
|
|
||||||
|
|
@ -1,47 +0,0 @@
|
|||||||
Title: The Big Bounce - Century 21 Calling
|
|
||||||
Date: 2018-10-20
|
|
||||||
Category: screening
|
|
||||||
slug: the-big-bounce_century-21-calling
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2018-10-20 20:00
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/century21_the-big-bounce.jpg
|
|
||||||
summary: De derde editie van Century 21 Calling is gewijd aan de ontwikkeling van satellietcommunicatie. Van de spiegelende kogels in de jaren 50 tot hedendaagse SATCOM systemen.
|
|
||||||
|
|
||||||
|
|
||||||
De derde editie van Century 21 Calling is gewijd aan de ontwikkeling van
|
|
||||||
satellietcommunicatie. Van de spiegelende kogels in de jaren 50 tot
|
|
||||||
hedendaagse SATCOM systemen.
|
|
||||||
|
|
||||||
Hoe werken deze dingen? Hoe krijgt men ze de ruimte in? Wat gebeurt er
|
|
||||||
als ze kapotgaan? En waarom zijn er geen kogelvormige satellieten meer?
|
|
||||||
|
|
||||||
Na de screening neemt mmths ons mee op een reis door het radiospectrum.
|
|
||||||
In zijn performance bezoeken we de ontmoetingsplekken van
|
|
||||||
satellietpiraten en worden we ondergedompeld in de ruis en signalen van
|
|
||||||
spooksatellieten.
|
|
||||||
|
|
||||||
mmths is een geluidskunstenaar in Rotterdam. Hij is gefascineerd door
|
|
||||||
wat er in het heelal gebeurt en zijn huidige werk gaat over de ontvangst
|
|
||||||
van onbekende radiosignalen en satellieten als basis voor live
|
|
||||||
performance en compositie.
|
|
||||||
|
|
||||||
“Century 21 Calling” gebruikt archiefmateriaal uit de industrie,
|
|
||||||
infomercials van bedrijven, tv uitzendingen en documentaires die in het
|
|
||||||
verleden ons beeld van de toekomst hebben gevormd en gebruikt die om het
|
|
||||||
heden te doorgronden. Het is een initiatief van *Save_as* en vindt plaats
|
|
||||||
in Varia in Rotterdam.
|
|
||||||
|
|
||||||
**Datum**: Zaterdag 20 oktober 2018<br>
|
|
||||||
**Deuren open**: 20:00u<br>
|
|
||||||
**Start screening**: 20:30u<br>
|
|
||||||
**Performance**: 21:30u<br>
|
|
||||||
**Einde van de avond**: 23:00u<br>
|
|
||||||
|
|
||||||
**Entree**: Donatie
|
|
||||||
|
|
||||||
------
|
|
||||||
|
|
||||||
Save_as is een platform voor 360° media exploratie. Save_as onderzoekt media en alternatieve publicatiepraktijken, en observeert spanningen die hieruit voortkomen. Save_as is ook een onafhankelijke uitgever van gedrukt en niet-gedrukt materiaal. Save_as is een project van [Thomas Walskaar](http://www.walskaar.com) en [Léna Robin](http://www.lenarobin.com) en is geïnitieerd in 2017.
|
|
||||||
|
|
||||||
|
|
@ -1,68 +0,0 @@
|
|||||||
Title: Choreo-Graphic-Hypothesis Book Launch
|
|
||||||
Date: 2018-11-15
|
|
||||||
Category: event
|
|
||||||
Slug: choreographic
|
|
||||||
lang: en
|
|
||||||
event_start: 2018-11-15 19:00
|
|
||||||
event_duration: 2h
|
|
||||||
featured_image: images/choreo_joanachicau.gif
|
|
||||||
|
|
||||||
|
|
||||||
< body > < script >
|
|
||||||
|
|
||||||
var delay="5"; <br>
|
|
||||||
var count="0";
|
|
||||||
|
|
||||||
Texts=new Array (); <br>
|
|
||||||
Texts[0]="Media Choreographies."; <br>
|
|
||||||
Texts[1]="ChoreoGraphic Vocabularies"; <br>
|
|
||||||
Texts[2]="Choreo-Graphic-Matters"; <br>
|
|
||||||
Texts[3]="Choreo-Graphic-Hypothesis"; <br>
|
|
||||||
Texts[4]="Rehearsal Series"; <br>
|
|
||||||
Texts[5]="Scores & Scripts"; <br>
|
|
||||||
Texts[6]="A glossary of language for movements"; <br>
|
|
||||||
Texts[7]="Choreographing from 0 to 1 and beyond"; <br>
|
|
||||||
Texts[8]="Algorithmic Anatomies"; <br>
|
|
||||||
Texts[9]="Language(s) and Breathing"; <br>
|
|
||||||
Texts[10]="Dancing Bodi{es} & Choreographing Code{s}"; <br>
|
|
||||||
Texts[11]="ChoreoGraphing Design"; <br>
|
|
||||||
Texts[12]="Designing Choreographies"; <br>
|
|
||||||
|
|
||||||
function Moving_Title ( ) { document.querySelector("#title").innerHTML=Texts[count]; count++; if (count==Texts.length) {count="0";} setTimeout ("Moving_Title ( )", delay * 1000);
|
|
||||||
}
|
|
||||||
|
|
||||||
Moving_Title ( )
|
|
||||||
|
|
||||||
</ script > </ body > <br>
|
|
||||||
< head > <br>
|
|
||||||
< meta content="choreographic scores; programming scripts; notation systems; languages; poetics; composition; improvisation; process; temporalities; code; coding; emergence; error; failure; opportunity; interface; human-computer interactions; design; web; site; action; dramaturgy; movement; presence; (a)live; performance; performativity; affect; body; vocabularies; syntax; discourse; voices; speech; public; privacy; transparency; digital; physicality; embodiment; collaboration; trans- disciplinary practices"; name="corpus terms" > <br>
|
|
||||||
</ head> <br>
|
|
||||||
< meta author="Joana Chicau"; > <br>
|
|
||||||
|
|
||||||
Find here a sneak preview of the publication at: <http://joanachicau.com/choreo-graphic-hypothesis-preview.pdf>
|
|
||||||
|
|
||||||
Come dance along ~
|
|
||||||
|
|
||||||
---
|
|
||||||
|
|
||||||
**Date**: Thursday, 15th of November 2018<br>
|
|
||||||
**Time**: 19:00h - 21:00h<br>
|
|
||||||
**Location**: Varia, Gouwstraat 3 Rotterdam<br>
|
|
||||||
**Entrance**: Free
|
|
||||||
|
|
||||||
---
|
|
||||||
|
|
||||||
Joana Chicau [PT/NL] is a graphic designer, coder, researcher - with background in dance. Her trans-disciplinary project interweaves media design and web environments with choreographic practices. Chicau has been researching the intersection of the body with the constructed, designed, programmed environment, aiming at in widening the ways in which digital sciences is presented and made accessible to the public. She has been actively participating and organizing events with performances involving multi- location collaborative algorithmic improvisation, open discussions on gender equality and activism.
|
|
||||||
She is a member of Varia! <http://joanachicau.com>
|
|
||||||
|
|
||||||
|
|
||||||
---
|
|
||||||
|
|
||||||
![joanachicau.com](images/pub.gif)
|
|
||||||
<small>Choreo-Graphic-Hypothesis gif preview.</small>
|
|
||||||
|
|
||||||
---
|
|
||||||
|
|
||||||
*Cover image: Joana Chicau*
|
|
||||||
|
|
||||||
|
|
@ -1,69 +0,0 @@
|
|||||||
Title: Choreo-Graphische-Hypothese Boeklancering
|
|
||||||
Date: 2018-11-15
|
|
||||||
Category: event
|
|
||||||
Slug: choreographic
|
|
||||||
lang: nl
|
|
||||||
event_start: 2018-11-15 19:00
|
|
||||||
event_duration: 2h
|
|
||||||
featured_image: images/choreo_joanachicau.gif
|
|
||||||
|
|
||||||
< body > < script >
|
|
||||||
|
|
||||||
var delay="5"; <br>
|
|
||||||
var count="0";
|
|
||||||
|
|
||||||
Texts=new Array (); <br>
|
|
||||||
Texts[0]="Media Choreographies."; <br>
|
|
||||||
Texts[1]="ChoreoGraphic Vocabularies"; <br>
|
|
||||||
Texts[2]="Choreo-Graphic-Matters"; <br>
|
|
||||||
Texts[3]="Choreo-Graphic-Hypothesis"; <br>
|
|
||||||
Texts[4]="Rehearsal Series"; <br>
|
|
||||||
Texts[5]="Scores & Scripts"; <br>
|
|
||||||
Texts[6]="A glossary of language for movements"; <br>
|
|
||||||
Texts[7]="Choreographing from 0 to 1 and beyond"; <br>
|
|
||||||
Texts[8]="Algorithmic Anatomies"; <br>
|
|
||||||
Texts[9]="Language(s) and Breathing"; <br>
|
|
||||||
Texts[10]="Dancing Bodi{es} & Choreographing Code{s}"; <br>
|
|
||||||
Texts[11]="ChoreoGraphing Design"; <br>
|
|
||||||
Texts[12]="Designing Choreographies"; <br>
|
|
||||||
|
|
||||||
function Moving_Title ( ) { document.querySelector("#title").innerHTML=Texts[count]; count++; if (count==Texts.length) {count="0";} setTimeout ("Moving_Title ( )", delay * 1000);
|
|
||||||
}
|
|
||||||
|
|
||||||
Moving_Title ( )
|
|
||||||
|
|
||||||
</ script > </ body > <br>
|
|
||||||
< head > <br>
|
|
||||||
< meta content="choreographic scores; programming scripts; notation systems; languages; poetics; composition; improvisation; process; temporalities; code; coding; emergence; error; failure; opportunity; interface; human-computer interactions; design; web; site; action; dramaturgy; movement; presence; (a)live; performance; performativity; affect; body; vocabularies; syntax; discourse; voices; speech; public; privacy; transparency; digital; physicality; embodiment; collaboration; trans- disciplinary practices"; name="corpus terms" > <br>
|
|
||||||
</ head> <br>
|
|
||||||
< meta author="Joana Chicau"; > <br>
|
|
||||||
|
|
||||||
Zie hier een voorproef van de publicatie: <http://joanachicau.com/choreo-graphic-hypothesis-preview.pdf>
|
|
||||||
|
|
||||||
Kom en dans mee ~
|
|
||||||
|
|
||||||
---
|
|
||||||
|
|
||||||
**Datum**: Donderdag, 15th of November 2018<br>
|
|
||||||
**Duur**: van 19:00 uur tot 21:00 uur <br>
|
|
||||||
**Locatie**: Varia, Gouwstraat 3 Rotterdam<br>
|
|
||||||
**Entreeprijs**: Free
|
|
||||||
|
|
||||||
---
|
|
||||||
|
|
||||||
Joana Chicau [PT/NL] is grafisch ontwerper, coder, onderzoeker met een achtergrond in dans. Haar trans-disciplinaire project verweeft media ontwerp en web omgevingen met choreochrafische praktijken. Chicau heeft onderzoek gedaan naar het snijvlak van lichamelijkheid met geconstruuerde, vormgegeven en geprogrammeerde omgevingen. Daarme heeft ze voor ogen om de manieren waarop digitale kennis wordt gepresenteerd en toegankelijk gemaakt aan een groter publiek te verbreden.
|
|
||||||
Ze is actief in het organiseren en deelnemen aan evenementen waarbij performances op meerdere locaties gezamelijk algorithmisch geimproveerd wordt. Ook organiseert ze open discussies over gendergelijkwaardigheid en activisme.
|
|
||||||
|
|
||||||
Ze is ook lid van Varia! <http://joanachicau.com>
|
|
||||||
|
|
||||||
|
|
||||||
---
|
|
||||||
|
|
||||||
![joanachicau.com](images/pub.gif)
|
|
||||||
<small>Choreo-Graphic-Hypothesis gif preview.</small>
|
|
||||||
|
|
||||||
---
|
|
||||||
|
|
||||||
*Cover image: Joana Chicau*
|
|
||||||
|
|
||||||
|
|
@ -1,43 +0,0 @@
|
|||||||
Title: Conversas at varia
|
|
||||||
Date: 2019-02-06
|
|
||||||
Category: event
|
|
||||||
Slug:conversas-february
|
|
||||||
lang: en
|
|
||||||
event_start: 2019-02-06 19:30
|
|
||||||
event_duration: 2h
|
|
||||||
featured_image: images/ConversasEvento137-02.png
|
|
||||||
summary: In February, Varia has the pleasure to host one of the nomadic Conversas evenings. Conversas is a series of bi-weekly informal meetings made so that we can get to know each other, share projects, stories or interests.
|
|
||||||
tags: Conversas, informal, meetings
|
|
||||||
|
|
||||||
|
|
||||||
On the ***6th of February from 19:30 to 21:30***, Varia has the pleasure to host one of the nomadic Conversas evenings.
|
|
||||||
|
|
||||||
Conversas is a series of bi-weekly informal meetings made so that we can get to know each other, share projects, stories or interests.
|
|
||||||
|
|
||||||
During the event, three Conversadores (those who start the conversation) bring something to share with the gathered group, for thirty minutes each. As the title suggests, Conversas (Conversations in Portuguese) aim at an equal set up from which both the Conversadores and the group benefit. In this series, we are challenging our guests to not use a beamer, try to be creative and use only words and/or other objects to tell their story.
|
|
||||||
|
|
||||||
|
|
||||||
The three Conversadores for the session at Varia are:
|
|
||||||
|
|
||||||
- Karla de Witte (Dutch Love Letters)
|
|
||||||
- Clara Mendes (Nude models, postcolonialism and museums)
|
|
||||||
- Ludovic Lacreuse (Digressions around a flag)
|
|
||||||
|
|
||||||
|
|
||||||
**Karla** is designer and educator of visual arts. <a href="www.facebook.com/pg/dutchloveletters/
|
|
||||||
">DLL</a> started when two mothers met at a colorful schoolyard in Rotterdam. Both born and grown up in different parts of the world, sharing similar memories of New Year's Eve with waffles. Delicate and very thin made with great patience by their grandmothers.
|
|
||||||
www.instagram.com/dutch_love_letters/
|
|
||||||
|
|
||||||
|
|
||||||
**Clara** has recently moved from Portugal to The Netherlands to pursue her wish to learn more about how art impacts the lives of different people. She will talk about the projects she jumped into throughout her master's program in Arts and Society whilst she was still struggling to find her way around a new city.
|
|
||||||
|
|
||||||
|
|
||||||
After a 3 month artist residency (State of the City, in Paviljoen aan het Water, in Rotterdam), **<a href="http://ludoviclacreuse.net/">Ludovic</a>** will present a flag which will be hoisted on top of the varia zone building. His conversation will be filled by digressions about different subjects more or less related to the flag.
|
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
The 13th series of ten <a href="www.facebook.com/conversasrotterdam">Conversas Rotterdam</a> starts on the 7th of November and runs every other Wednesday until the 20th of March. This series is happening in different locations spread through the city of Rotterdam. It is organized by Bérénice Staiger, Constança Saraiva, Marco Aperti, Zahra Said and Sebastian Helbers.
|
|
||||||
|
|
||||||
<a href="www.conversas.net">Conversas</a> is a project initiated in Lisbon by Constança Saraiva and Mafalda Fernandes, in 2012. Nowadays, it's a project of many people and cities.
|
|
||||||
|
|
||||||
Events are open to all and the entrance is free.
|
|
@ -1,42 +0,0 @@
|
|||||||
Title: Conversas bij varia
|
|
||||||
Date: 2019-02-06
|
|
||||||
Category: event
|
|
||||||
Slug:conversas-february
|
|
||||||
lang: nl
|
|
||||||
event_start: 2019-02-06 19:30
|
|
||||||
event_duration: 2h
|
|
||||||
featured_image: images/ConversasEvento137-02.png
|
|
||||||
summary: In februari heeft Varia het genoegen een van de nomadische Conversas-avonden te ontvangen. Conversas is een serie van tweewekelijkse informele ontmoetingen, zodat we elkaar kunnen leren kennen, projecten, verhalen of interesses kunnen delen.
|
|
||||||
tags: Conversas, informeel, ontmoetingen
|
|
||||||
|
|
||||||
|
|
||||||
Op de ***6 februari van 19.30 tot 21.30 uur*** heeft Varia het genoegen om een van de nomadische Conversas-avonden te ontvangen.
|
|
||||||
|
|
||||||
Conversas is een reeks van tweewekelijkse informele ontmoetingen om elkaar te leren kennen, projecten, verhalen of interesses te delen.
|
|
||||||
|
|
||||||
Tijdens het evenement brengen drie Conversadores (degenen die het gesprek beginnen) gedurende dertig minuten elk iets te delen met de verzamelde groep. Zoals de titel al doet vermoeden, streeft Conversas (Conversations in Portuguese) naar een gelijkwaardige opzet waar zowel de Conversadores als de groep baat bij hebben. In deze serie dagen we onze gasten uit om geen beamer te gebruiken, creatief te zijn en alleen woorden en/of andere objecten te gebruiken om hun verhaal te vertellen.
|
|
||||||
|
|
||||||
|
|
||||||
De drie Conversadores voor de sessie bij Varia zijn dat wel:
|
|
||||||
|
|
||||||
- Karla de Witte (Nederlandse liefdesbrieven)
|
|
||||||
- Clara Mendes (Naakt modellen, postkolonialisme en musea)
|
|
||||||
- Ludovic Lacreuse (Digressies rond een vlag)
|
|
||||||
|
|
||||||
|
|
||||||
**Karla** is ontwerper en docent beeldende kunst. <a href="www.facebook.com/pg/dutchloveletters/">DLL</a> begon toen twee moeders elkaar ontmoetten op een kleurrijk schoolplein in Rotterdam. Zowel geboren als opgegroeid in verschillende delen van de wereld, met wafels die soortgelijke herinneringen aan oud en nieuw delen. Delicaat en zeer dun gemaakt met veel geduld door hun grootmoeders.
|
|
||||||
www.instagram.com/dutch_love_letters/liefdebrieven/
|
|
||||||
|
|
||||||
|
|
||||||
**Clara** is onlangs verhuisd van Portugal naar Nederland om haar wens na te streven om meer te weten te komen over de impact van kunst op het leven van verschillende mensen. Ze zal vertellen over de projecten waar ze tijdens haar masteropleiding Kunst en Maatschappij in is gesprongen terwijl ze nog worstelde om haar weg te vinden in een nieuwe stad.
|
|
||||||
|
|
||||||
|
|
||||||
Na een residentie van 3 maanden (Staat van de Stad, in Paviljoen aan het Water, in Rotterdam), presenteert **<a href="http://ludoviclacreuse.net/">Ludovic</a>** een vlag die bovenop het varia-zonegebouw wordt gehesen. Zijn gesprek wordt gevuld met uitweidingen over verschillende onderwerpen die min of meer met de vlag te maken hebben.
|
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
De 13e serie van tien <a href="www.facebook.com/conversasrotterdam">Conversas Rotterdam</a> begint op 7 november en loopt elke andere woensdag tot 20 maart. Deze serie vindt plaats op verschillende locaties verspreid door de stad Rotterdam. Het wordt georganiseerd door Bérénice Staiger, Constança Saraiva, Marco Aperti, Zahra Said en Sebastian Helbers.
|
|
||||||
|
|
||||||
<a href="www.conversas.net">Conversas</a> is een project geïnitieerd in Lissabon door Constança Saraiva en Mafalda Fernandes, in 2012. Tegenwoordig is het een project van veel mensen en steden.
|
|
||||||
|
|
||||||
Evenementen zijn voor iedereen toegankelijk en de toegang is gratis.
|
|
@ -1,34 +0,0 @@
|
|||||||
Title: Concert: Crimson Butterfly, Evamuss and St. Fractalium
|
|
||||||
Date: 2018-09-14
|
|
||||||
Category: concert
|
|
||||||
slug: crimson
|
|
||||||
lang: en
|
|
||||||
Event_start: 2018-09-14 20:00
|
|
||||||
event_duration: 4h
|
|
||||||
featured_image: images/Evamuss1.jpg
|
|
||||||
|
|
||||||
**Crimson Butterfly (Russia)** is a cosmoenergetic alliance of two cats with synths and laptop. Physical bodies of the band are located in Nizhniy Novgorod, Russia, the sounds have been created for more than ten years. For this period different genres had been tried: coldwave with mysterious autist singer, then synthpop with two lead singers, and currently the band returned to what it had started with: improvisational abstract electronic. The band makes very intense and hypnotic music with dance and ambient elements, improvisational by nature. People often call it "experimental". Crimson Butterfly love to give concerts and play at any venues from vaults to museums in any cities from Balashikha to Barcelona. Their faces are so beautiful that they hide them behind the masks and all their unforgettable shows are always accompanied by hipnotic visual sequences.
|
|
||||||
|
|
||||||
[Crimson Butterfly's Bandcamp page](https://crimsonbutterfly.bandcamp.com/)
|
|
||||||
|
|
||||||
<iframe width="560" height="315" src="https://www.youtube.com/embed/geT-mXeW7ek" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
|
|
||||||
|
|
||||||
**Evamuss (Peru/The Netherlands)** was a project of the Peruvian Chrs Galarreta (aka: Sajjra, DiosMeHaViolado, Tica, among others alias). This project was very active in the underground Lima scene between 1997-2003. Evamuss have 9 solo albums published on very limited editions, also appears in a lot of collaborations and compilations of that period. At the beginning Evamuss used home made amps, oscillators, pedal effects and toy keywords , last years it will include the misuse of computer and the pirate software. Error and non-functionality were welcome in its process. On November 2017, Evamuss resurrects with a pair of self-hacked synth toys, some effects, hand made sequencers furbished in collaboration with some hackers in Paruro (the legendary electronic black market's in Lima City). In the current days its sounds mutated towards a warm and humid analog jungle. Its recent - 2018- assaults included tours between Portugal, Spain, Lithuania, Russia, The Netherlands and a publication of a release in Favela Discos (Porto).
|
|
||||||
|
|
||||||
[Eva Muss on Soundcloud](https://soundcloud.com/evamuss/sets/evamuss)
|
|
||||||
[Eva Muss on Bandcamp](https://soundcloud.com/evamuss/sets/evamuss)
|
|
||||||
|
|
||||||
<iframe width="560" height="315" src="https://www.youtube.com/embed/DH9TSLzrKMg" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
|
|
||||||
|
|
||||||
**St. Fractalium (Russia)** St.Fractalium is an audio-visual duo from Nizhniy Novgorod, Russia, residents of local cult place Black Ho. Inspired by bands like Autechre and Coil, and having impressive experience in various musical projects, the guys bring the light of Saint Fractalium, an enlightening nectar for those are tired of conventional music, using only computers and controllers.
|
|
||||||
|
|
||||||
[St. Fractalium on Bandcamp](https://stfractalium.bandcamp.com/releases)
|
|
||||||
|
|
||||||
<iframe width="560" height="315" src="https://www.youtube.com/embed/lgUqJUZmEqg" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
|
|
||||||
|
|
||||||
Organized by [**ALOARDI**](http://www.aloardi.org/)
|
|
||||||
|
|
||||||
**Date**: Friday, 14 September 2018<br>
|
|
||||||
**Entrance**: 3 euro (donation) <br>
|
|
||||||
**Door**: 20:00<br>
|
|
||||||
**Start**: 21:00<br>
|
|
@ -1,34 +0,0 @@
|
|||||||
Title: Concert: Crimson Butterfly, Evamuss en St. Fractalium
|
|
||||||
Date: 2018-09-14
|
|
||||||
Category: concert
|
|
||||||
slug: crimson
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2018-09-14 20:00
|
|
||||||
event_duration: 4h
|
|
||||||
featured_image: images/Evamuss1.jpg
|
|
||||||
|
|
||||||
** Crimson Butterfly (Rusland) ** is een kosmoenergetische alliantie van twee katten met synths en laptop. De fysieke lichamen van de band bevinden zich in Nizhniy Novgorod, Rusland, maar de geluiden zijn al meer dan tien jaar geleden gemaakt. Voor deze periode hadden zij al verschillende genres geprobeerd: coldwave met een mysterieuze autistische zangeres, vervolgens synthpop met twee leadzangers, om daarna terug te keren naar waar alles mee begonnen was: improvisatie en abstracte elektronica. De band maakt zeer intense en hypnotiserende muziek met dans en ambient elementen, improviserend van aard. Mensen noemen het vaak 'experimenteel'. Crimson Butterfly houdt ervan om concerten te geven en te spelen op locaties zoals kluizen van musea, ergens tussen Balashikha en Barcelona. Hun gezichten zijn zo mooi dat ze zich achter maskers verbergen en al hun onvergetelijke shows worden vergezeld door heupnotische visuele sequenties.
|
|
||||||
|
|
||||||
[Crimson Butterfly's Bandcamp page](https://crimsonbutterfly.bandcamp.com/)
|
|
||||||
|
|
||||||
<iframe width="560" height="315" src="https://www.youtube.com/embed/geT-mXeW7ek" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
|
|
||||||
|
|
||||||
** Evamuss (Peru / Nederland) ** was een project van de Peruviaanse Chrs Galarreta (ook bekend als Sajjra, DiosMeHaViolado en Tica). Dit project was tussen 1997 en 2003 erg actief in de ondergrondse scene van Lima. Evamuss heeft 9 solo-albums gepubliceerd in zeer beperkte oplage en verscheen ook op veel samenwerkingen en compilaties uit die periode. In het begin gebruikte Evamuss zelfgemaakte versterkers, oscillatoren, pedaaleffecten en speelgoed-sleutelwoorden, later richtte hij zich ook op het misbruik van computers en piraten-software. Fouten en niet-functionaliteit zijn welkom in het proces. In november 2017 herrees Evamuss met een paar zelf-gehackte synthspeeltjes, een paar effecten en enkele met de hand gemaakte sequencers die in samenwerking met enkele hackers in Paruro (de legendarische elektronische zwarte markt in Lima City) zijn vervaardigd. De geluiden zijn nu gemuteerd in de richting van een warme en vochtige analoge jungle.
|
|
||||||
|
|
||||||
[Eva Muss on Soundcloud](https://soundcloud.com/evamuss/sets/evamuss)
|
|
||||||
[Eva Muss on Bandcamp](https://soundcloud.com/evamuss/sets/evamuss)
|
|
||||||
|
|
||||||
<iframe width="560" height="315" src="https://www.youtube.com/embed/DH9TSLzrKMg" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
|
|
||||||
|
|
||||||
** St. Fractalium (Rusland) ** St.Fractalium is een audiovisueel duo uit Nizhniy Novgorod, Rusland; bewoners van de plaatselijke cultusplaats Black Ho. Geïnspireerd door bands als Autechre en Coil, en met indrukwekkende ervaring in verschillende muzikale projecten, brengen de jongens het licht van Saint Fractalium, een verhelderende nectar voor degenen die de conventionele muziek beu zijn, alles met behulp van computers en controllers.
|
|
||||||
|
|
||||||
[St. Fractalium on Bandcamp](https://stfractalium.bandcamp.com/releases)
|
|
||||||
|
|
||||||
<iframe width="560" height="315" src="https://www.youtube.com/embed/lgUqJUZmEqg" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
|
|
||||||
|
|
||||||
Georganiseerd door [**ALOARDI**](http://www.aloardi.org/)
|
|
||||||
|
|
||||||
**Datum**: Vrijdag, 14 September 2018<br>
|
|
||||||
**Entree**: 3 euro (donatie) <br>
|
|
||||||
**Deur**: 20:00<br>
|
|
||||||
**Start**: 21:00<br>
|
|
@ -1,34 +0,0 @@
|
|||||||
Title: Ctrl-Alt-Save
|
|
||||||
Date: 2020-02-21
|
|
||||||
Category: discussion
|
|
||||||
slug: ctrl-alt-save-first
|
|
||||||
lang: en
|
|
||||||
Event_start: 2020-02-21 11:00
|
|
||||||
event_duration: 5h
|
|
||||||
featured_image: images/infinitehd.jpg
|
|
||||||
tags: ctrl-alt-save, data, storage
|
|
||||||
|
|
||||||
Ever had a hard-drive crash? lost data? cloud back did
|
|
||||||
not really backup? Time Machine did not have a past do go
|
|
||||||
back to? Many questions around backup and data storage
|
|
||||||
exist and many issues need to be resolved. From large
|
|
||||||
database to a small personal collection, data storage
|
|
||||||
affects everyone and many so-called solutions exist but
|
|
||||||
are they really solutions?
|
|
||||||
|
|
||||||
At the first Ctrl-Alt-Save meetup at Varia, many of these
|
|
||||||
questions might become more clear for you.
|
|
||||||
|
|
||||||
The focus of the first meetup will be on your data and
|
|
||||||
how you can manage it better and more securely based on
|
|
||||||
your interests and current issues. No solution
|
|
||||||
guaranteed, but a possible better understanding of the
|
|
||||||
topic.
|
|
||||||
|
|
||||||
Ctrl-Alt-S will be a series of events and meet-ups at
|
|
||||||
Varia in 2020 and will be shaped by the feedback and
|
|
||||||
comments of the attendees. The meet-ups will be in
|
|
||||||
English.
|
|
||||||
|
|
||||||
**Date:** February 21, 2020<br>
|
|
||||||
**Time:** 11:00 - 16:00
|
|
@ -1,35 +0,0 @@
|
|||||||
Title: Ctrl-Alt-Save
|
|
||||||
Date: 2020-02-21
|
|
||||||
Category: discussion
|
|
||||||
slug: ctrl-alt-save-first
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2020-02-21 11:00
|
|
||||||
event_duration: 5h
|
|
||||||
featured_image: images/infinitehd.jpg
|
|
||||||
tags: ctrl-alt-save, data, storage
|
|
||||||
|
|
||||||
Ooit een harde schijf gehad? gegevens verloren? cloud
|
|
||||||
back niet echt back-up? Time Machine had geen toeval, ga
|
|
||||||
terug naar? Er zijn veel vragen over back-up en
|
|
||||||
gegevensopslag en veel problemen moeten worden opgelost.
|
|
||||||
Van een grote database tot een kleine persoonlijke
|
|
||||||
verzameling, gegevensopslag is van invloed op iedereen en
|
|
||||||
er bestaan veel zogenaamde oplossingen, maar zijn het
|
|
||||||
echt oplossingen?
|
|
||||||
|
|
||||||
Bij de eerste Ctrl-Alt-Save-bijeenkomst op Varia kunnen
|
|
||||||
veel van deze vragen voor u duidelijker worden.
|
|
||||||
|
|
||||||
De focus van de eerste bijeenkomst ligt op uw gegevens en
|
|
||||||
hoe u deze beter en veiliger kunt beheren op basis van uw
|
|
||||||
interesses en actuele problemen. Geen oplossing
|
|
||||||
gegarandeerd, maar een mogelijk beter begrip van het
|
|
||||||
onderwerp.
|
|
||||||
|
|
||||||
Ctrl-Alt-S zal een reeks evenementen en ontmoetingen zijn
|
|
||||||
bij Varia in 2020 en zal worden gevormd door de feedback
|
|
||||||
en opmerkingen van de aanwezigen. De meet-ups zullen in
|
|
||||||
het Engels zijn.
|
|
||||||
|
|
||||||
**Datum:** February 21, 2020<br>
|
|
||||||
**Tijd:** 11:00 - 16:00
|
|
@ -1,32 +0,0 @@
|
|||||||
Title: RecycleReduceReuse and where is Repair Workshop (full)
|
|
||||||
Date: 2018-11-22
|
|
||||||
Category: curriculum
|
|
||||||
tags: repair
|
|
||||||
slug: recycle-reduce-reuse
|
|
||||||
lang: en
|
|
||||||
Event_start: 2018-11-22 10:00
|
|
||||||
event_duration: 8h
|
|
||||||
featured_image: images/Repair.jpg
|
|
||||||
|
|
||||||
Over the last couple of centuries rapid changes in technology, economic fluctuation, technological replacement and planned obsolescence have resulted in a fast-growing surplus of (electronic) waste around the globe. An equally growing demand has risen for the re-purposing, repair, disposal and salvaging of this material, generating different methods that each have their own impact on the economy and environment. Among others, some relevant questions arise from this matter:
|
|
||||||
|
|
||||||
* What values construct our contemporary attitude towards waste?
|
|
||||||
* Is it perhaps an obsession with utility?
|
|
||||||
* What are the artistic merits of repair?
|
|
||||||
|
|
||||||
In this workshop, hosted by Yoana Buzova and Niek Hilkmann, we will take a look at the implications of recycling (electronic) waste. This will happen in a hands-on workshop in which we will visit places where ‘waste’ is being gathered and turn the concept of repair and recycle upside down. Departing from the idea that uselessness, like a haiku poem, contains a certain subversive potential, we will rework a utility object into something quite useless.
|
|
||||||
|
|
||||||
# Varia curriculum
|
|
||||||
|
|
||||||
This workshop is organised in the context of the very first series of the Varia curriculum, developed in collaboration with the 3rd year minor "Hacking" of the Autonomous practices from the Willem de Kooning Academy (WdKA) in Rotterdam.
|
|
||||||
|
|
||||||
The curriculum is an ongoing series of workshops in which participants are introduced to technical, theoretical and methodological skills at the basis of the various practices that live within *Varia*. These are short intensive master-classes or workshops aimed towards providing high level introductions as a basis for further explorations.
|
|
||||||
|
|
||||||
<del>Would you like to join this workshop? Please send us a short email on the info[a]varia.zone email address before the 19th of November!</del> This workshop is full.
|
|
||||||
|
|
||||||
**⌂** Varia, Gouwstraat 3 (Rotterdam Charlois)<br>
|
|
||||||
**⌚** 22 November, 10:00h - 18:00h (Lunch between 13:00h and 14:00h)<br>
|
|
||||||
**💶** 50 euros (coffee, tea and cookies included)<sup>*</sup><br>
|
|
||||||
**💬** The workshop will be conducted in English
|
|
||||||
|
|
||||||
<sup>*</sup> Lack of money can not obstruct participation. Please get in contact with us to discuss the options (info[a]varia.zone).
|
|
@ -1,33 +0,0 @@
|
|||||||
Title: RecycleReduceReuse and waar is Repair Workshop (vol)
|
|
||||||
Date: 2018-11-22
|
|
||||||
Category: curriculum
|
|
||||||
tags: repair
|
|
||||||
slug: recycle-reduce-reuse
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2018-11-22 10:00
|
|
||||||
event_duration: 8h
|
|
||||||
featured_image: images/Repair.jpg
|
|
||||||
|
|
||||||
In de afgelopen paar eeuwen hebben snelle veranderingen in technologie, economische fluctuatie, technologische vervanging en geplande veroudering geleid tot een snelgroeiend overschot aan (elektronisch) afval over de hele wereld. Er is een eveneens groeiende vraag ontstaan voor het opnieuw gebruiken, repareren, verwijderen en bergen van dit materiaal, waarbij verschillende methoden worden toegepast die elk hun eigen impact hebben op de economie en het milieu. Hieruit vloeien enkele relevante vragen:
|
|
||||||
|
|
||||||
* Welke waarden construeren onze hedendaagse houding tegenover afval?
|
|
||||||
* Is het misschien een obsessie met nuttigheid?
|
|
||||||
* Wat zijn de artistieke verdiensten van reparatie?
|
|
||||||
|
|
||||||
In deze workshop, georganiseerd door Yoana Buzova en Niek Hilkmann, zullen we de implicaties van de recycling van (elektronisch) afval bekijken. Dit gebeurt in een praktische workshop waarin we plaatsen bezoeken waar 'afval' wordt verzameld om vervolgens het concept van reparatie en recyclage op zijn kop zet. Uitgaande van het idee dat nutteloosheid, net als een haiku-gedicht, een bepaald subversief potentieel bevat, zullen we een gebruiksvoorwerp reparen tot iets volkomen nutteloos.
|
|
||||||
|
|
||||||
# Varia curriculum<br>
|
|
||||||
|
|
||||||
Deze workshop is georganiseerd in het kader van de allereerste reeks van het Varia-curriculum, ontwikkeld in samenwerking met de 3ejaars minor "Hacking" van 'Autonomous Practices' van de Willem de Kooning Academie (WdKA) in Rotterdam.
|
|
||||||
|
|
||||||
Het curriculum is een doorlopende reeks workshops waarin deelnemers kennis maken met de technische, theoretische en methodologische vaardigheden die aan de basis staan van de verschillende praktijken die binnen *Varia* leven. Dit zijn korte intensieve masterclasses of workshops die erop gericht zijn op hoog niveau inleidingen te geven die kunnen dienen als basis voor verdere verkenningen.
|
|
||||||
|
|
||||||
<del>Wil je meedoen aan deze workshop? Stuur ons een korte e-mail op het e-mailadres info[a]varia.zone voor 19 november!</del> Deze workshop is vol.
|
|
||||||
|
|
||||||
**⌂** Varia, Gouwstraat 3 (Rotterdam Charlois)<br>
|
|
||||||
**⌚** Donderdag, 22 November, 10:00h - 18:00h (lunch tussen 13:00h en 14:00h)<br>
|
|
||||||
**💶** 50 euro (koffie, thee en koek inbegrepen)<sup>*</sup><br>
|
|
||||||
**💬** De voertaal van deze workshop is Engels
|
|
||||||
|
|
||||||
<sup>*</sup> Geldgebrek kan geen deelname uitsluiten. Neem contact met ons op om de mogelijkheden te bespreken (info[a]varia.zone).
|
|
||||||
|
|
@ -1,38 +0,0 @@
|
|||||||
Title: Bibliotecha, building and maintaining an off-line digital library
|
|
||||||
Date: 2019-05-30
|
|
||||||
Category: curriculum
|
|
||||||
tags: libraries publishing epub pdf
|
|
||||||
slug: curriculum-bibliotecha
|
|
||||||
lang: en
|
|
||||||
Event_start: 2019-07-06 10:00
|
|
||||||
event_duration: 5h
|
|
||||||
featured_image: images/bibliotecha_01.png
|
|
||||||
status: published
|
|
||||||
|
|
||||||
## Building and maintaining an off-line digital library
|
|
||||||
|
|
||||||
Bibliotecha is a toolkit to maintain local off-line digital libraries. With it, communities can create and share collections of digital publications in their local area. Technically Bibliotecha relies on a small single board computer (such as a RaspberryPi) running free and open source software to serve digital publications on an open Wi-fi hotspot. Using a laptop, phone or tablet visitors can connect to it and books can be retrieved or donated via the browser. Since it is a low-power device you can power it with a USB powerbank and take it with you everywhere.
|
|
||||||
|
|
||||||
During the workshop we will guide participants through the installation process of a Bilbiotecha node. Participants will get introduced to the open source software stack, working with a RaspberryPi and Calibre the library management tool. This will be followed by a book sharing session and conversation where we exchange knowledge on taking care of a off-line digital community library.
|
|
||||||
|
|
||||||
* At the end of the workshop participants will have a basic working understanding of the command line interface, working with Linux and the RaspberryPi.
|
|
||||||
* In addition participants will get an understanding of the ins and outs of managing collections of digital books.
|
|
||||||
* Last but not least, participants will take home a working Bibliotecha node, ready to distribute books!
|
|
||||||
|
|
||||||
# Varia curriculum
|
|
||||||
This workshop is organised as part of the Varia curriculum.
|
|
||||||
|
|
||||||
The curriculum is an ongoing series of workshops in which participants are introduced to technical, theoretical and methodological skills at the basis of the various practices that live within Varia. These are short intensive master-classes or workshops aimed towards providing high level introductions as a basis for further explorations.
|
|
||||||
|
|
||||||
Would you like to join this workshop? Please send us a short email on the info[a]varia.zone email address at the 04 of July the latest!
|
|
||||||
|
|
||||||
**⌂** Varia, Gouwstraat 3 (Rotterdam Charlois)<br>
|
|
||||||
**⌚** 06 July 10:00h - 16:00h (Lunch between 12:30h and 13:00h)<br>
|
|
||||||
**💶** Bring your own Raspberry pi workshop price: 50 euros or All materials incuded (Raspberry pi 3, power supply, sd card) price: 100 euros
|
|
||||||
(coffee, tea and cookies included)* <br>
|
|
||||||
**💶** Bring ebooks and pdfs you would like to share with the group<br>
|
|
||||||
**💶** The workshop will be conducted in English
|
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
<sup>*</sup> Lack of funds should not preclude participation. Please get in contact with us to discuss the options (info[a]varia.zone).
|
|
@ -1,38 +0,0 @@
|
|||||||
Title: Bibliotecha, maak en onderhoud een off-line digitale gemeenschapsbibliotheek
|
|
||||||
Date: 2019-05-30
|
|
||||||
Category: curriculum
|
|
||||||
tags: libraries publishing epub pdf
|
|
||||||
slug: curriculum-bibliotecha
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2019-07-06 10:00
|
|
||||||
event_duration: 5h
|
|
||||||
featured_image: images/bibliotecha_01.png
|
|
||||||
status: published
|
|
||||||
|
|
||||||
## Maak en onderhoud een off-line digitale gemeenschapsbibliotheek
|
|
||||||
|
|
||||||
Bibliotecha is een systeem voor het beheren van off-line digitale bibliotheken. Met Bibliotecha kunnen gemeenschappen collecties van digitale publicaties aanleggen en delen in een op een fysieke locatie. De onderliggende techniek bestaat uit een 'single board computer' (zoals een RaspberryPi) die op basis van vrije software door middel van een speciale open Wi-fi hotspot het mogelijk maakt de collectie in te zien. Gebruikers kunnen met een laptop, telefoon of tablet verbinding maken met deze hotspot en via de browser publicaties uitnemen of doneren. Aangezien het stroomverbruik zeer gering is kan Bibliotecha draaien vanaf een USB powerbank zodat het overal mee te nemen is.
|
|
||||||
|
|
||||||
Tijdens de workshop leren wordt er veel aandacht besteed aan het process van het installeren van Bibliotecha. Zodoende krijg je als deelnemer een grondige introductie in de onderliggende vrije software, het werken met de RaspberryPi en een introductie in Calibre, het de software om je collectie mee te beheren. Het tweede deel van de workshop is een sessie waarin we met elkaar boeken delen en kennis uitwisselen op het gebied van het beginnen en onderhouden van een off-line digitale bibliotheek voor een gemeenschap.
|
|
||||||
|
|
||||||
|
|
||||||
*Tegen het einde van de workshop hebben deelnemers een grondige introductie gehad in het werken met de 'command line', het werken met Linux-gebaseerde systemen en het werken met de RaspberryPi.
|
|
||||||
*Bovendien zul je de ins- en outs van het beheren van een digitale collectie meekrijgen met o.a metadatabeheer en bestandsformaten.
|
|
||||||
*En niet het minste: deelnemers kunnen een werkende Bibliotecha mee naar huis nemen.
|
|
||||||
|
|
||||||
# Varia curriculum
|
|
||||||
Deze workshop maakt onderdeel uit van het Varia curriculum.
|
|
||||||
|
|
||||||
Het curriculum is een doorlopende serie workshops waarbij deelnemers kennis maken met de technische, theoretische en methodologische vaardigheden die ten grondslag liggen aan de verschillende praktijken in Varia. De curriculum workshops zijn korte intensieve master-classes of workshops met als doel deelnemers te voorzien van grondige introducties in diverse themas die tengrondslag kunnen liggen aan verder eigen onderzoek.
|
|
||||||
|
|
||||||
Zou je willen deelnemen aan deze workshop? Stuur ons dan **voor 04 juli** een korte mail op info[a]varia.zone
|
|
||||||
|
|
||||||
**⌂** Varia, Gouwstraat 3 (Rotterdam Charlois)<br>
|
|
||||||
**⌚** 06 Juli 10:00h - 16:00h (Lunch tussen 12:30h and 13:00h)<br>
|
|
||||||
**💶** Normaal tarief 50 euros (eigen raspberry pi + wifi dongle meenemen. Tarief alles inclusief (Raspberry pi 3, voeding, SD-kaart) : 100 euro. (koffie, thee en koekjes inbegrepen)* <br>
|
|
||||||
**💶** Neem ebooks of pdfs mee die je met de groep zou willen delen<br>
|
|
||||||
**💶** De voertaal van deze workshop is Engels, maar er Nederlandse vertaling is mogelijk.
|
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
<sup>*</sup> Geldgebrek moet geen deelname kunnen uitsluiten. Mocht dat een probleem zijn, neem dan contact met ons op om te overleggen (info[a]varia.zone).
|
|
@ -1,35 +0,0 @@
|
|||||||
Title: In the Beginning ... Was the Commandline
|
|
||||||
Date: 2018-10-18
|
|
||||||
Category: curriculum
|
|
||||||
tags: interfacing
|
|
||||||
slug: curriculum-command-lines
|
|
||||||
lang: en
|
|
||||||
Event_start: 2018-10-18 10:00
|
|
||||||
event_duration: 8h
|
|
||||||
featured_image: images/curriculum.command-lines.png
|
|
||||||
|
|
||||||
## On text, encodings and command lines.
|
|
||||||
|
|
||||||
The command line is a textual interface for the computer, rather than being an 'old fashioned' interface it is a completely different methodological approach to computing. Instead of large visual programs aimed at being 'professional tools', command line tools follow the philosophy of doing one thing and doing it well. These small programmes can be 'chained' together into pipelines capable of processing any type of data or text. These pipelines are a way of quickly producing unique and custom toolsets providing a wide range of creative opportunities.
|
|
||||||
|
|
||||||
In this workshop we will focus on command line tools in relation to plain text. During the day we will dive into the social-cultural history of the command line interface, explore the materiality of plain text on a computer and discover a wide range of command line tools.
|
|
||||||
|
|
||||||
* No prior knowledge of programming is required, but note taking skills are essential.
|
|
||||||
* Computer / Laptop is necessary.
|
|
||||||
|
|
||||||
This workshop is initiated by Roel Roscam Abbing and Manetta Berends.
|
|
||||||
|
|
||||||
# Varia curriculum
|
|
||||||
|
|
||||||
This workshop is organised in the context of the very first series of the Varia curriculum, developed in collaboration with the 3rd year minor "Hacking" of the Autonomous practices from the Willem de Kooning Academy (WdKA) in Rotterdam.
|
|
||||||
|
|
||||||
The curriculum is an ongoing series of workshops in which participants are introduced to technical, theoretical and methodological skills at the basis of the various practices that live within *Varia*. These are short intensive master-classes or workshops aimed towards providing high level introductions as a basis for further explorations.
|
|
||||||
|
|
||||||
Would you like to join this workshop? There is still space for a few participants. Please send us a short email on the info[a]varia.zone email address at the 15th of October the latest!
|
|
||||||
|
|
||||||
**⌂** Varia, Gouwstraat 3 (Rotterdam Charlois)<br>
|
|
||||||
**⌚** Thursday 18 October, 10:00h - 18:00h (Lunch between 13:00h and 14:00h)<br>
|
|
||||||
**💶** 50 euros (coffee, tea and cookies included)<sup>*</sup><br>
|
|
||||||
**💬** The workshop will be conducted in English
|
|
||||||
|
|
||||||
<sup>*</sup> Lack of funds should not obstruct participation. Please get in contact with us to discuss the options (info[a]varia.zone).
|
|
@ -1,35 +0,0 @@
|
|||||||
Title: In the Beginning ... Was the Commandline
|
|
||||||
Date: 2018-10-18
|
|
||||||
Category: curriculum
|
|
||||||
tags: interfacing
|
|
||||||
slug: curriculum-command-lines
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2018-10-18 10:00
|
|
||||||
event_duration: 8h
|
|
||||||
featured_image: images/curriculum.command-lines.png
|
|
||||||
|
|
||||||
## Over tekst, encoderen en command lines.
|
|
||||||
|
|
||||||
De *command line* is een tekstuele interface voor de computer, niet zozeer een die 'ouderwets' is maar een die een geheel andere methodolgie van computergebruik mogelijk maakt. In tegenstelling tot grote software paketten die als 'professioneel' worden vermarkt , volgen *command line tools* de filosofie om één ding te doen en dat goed te doen. Deze kleine programma's kunnen samen worden 'gebonden' tot *pipelines* die elk type data of tekst kunnen verwerken. Deze *pipelines* zijn een manier om snel unieke en specifieke gereedschappen te produceren die een breed scala aan creatieve mogelijkheden bieden.
|
|
||||||
|
|
||||||
In deze workshop zullen we ons concentreren op *command line tools* in relatie tot platte tekst (*plain text*). Gedurende de dag verkennen we de sociaal-culturele geschiedenis van de *command line interface*, onderzoeken we de materialiteit van tekst op een computer en proberen we een breed scala aan tools uit.
|
|
||||||
|
|
||||||
* Er is geen voorkennis van programmeren vereist, maar vaardigheden om notities te nemen zijn essentieel.
|
|
||||||
* Computer / Laptop is noodzakelijk.
|
|
||||||
|
|
||||||
Deze workshop is geïnitieerd door Roel Roscam Abbing en Manetta Berends.
|
|
||||||
# Varia curriculum
|
|
||||||
|
|
||||||
Deze workshop is georganiseerd in het kader van de allereerste reeks van het Varia-curriculum, ontwikkeld in samenwerking met de 3ejaars minor "Hacking" van 'Autonomous Practices' van de Willem de Kooning Academie (WdKA) in Rotterdam.
|
|
||||||
|
|
||||||
Het curriculum is een doorlopende reeks workshops waarin deelnemers kennis maken met de technische, theoretische en methodologische vaardigheden die aan de basis staan van de verschillende praktijken die binnen *Varia* leven. Dit zijn korte intensieve masterclasses of workshops die erop gericht zijn op hoog niveau inleidingen te geven die kunnen dienen als basis voor verdere verkenningen.
|
|
||||||
|
|
||||||
Wil je meedoen aan deze workshop? Er is nog plek voor een paar deelnemers. Stuur ons een korte e-mail op het e-mailadres info[a]varia.zone voor 15 oktober!
|
|
||||||
|
|
||||||
**⌂** Varia, Gouwstraat 3 (Rotterdam Charlois)<br>
|
|
||||||
**⌚** Donderdag, 18 Oktober, 10:00h - 18:00h (lunch tussen 13:00h en 14:00h)<br>
|
|
||||||
**💶** 50 euro (koffie, thee en koek inbegrepen)<sup>*</sup><br>
|
|
||||||
**💬** De voertaal van deze workshop is Engels
|
|
||||||
|
|
||||||
<sup>*</sup> Geldgebrek mag geen deelname uitsluiten. Neem contact met ons op om de mogelijkheden te bespreken (info[a]varia.zone).
|
|
||||||
|
|
@ -1,30 +0,0 @@
|
|||||||
Title: Considerate Cake Confection (full)
|
|
||||||
Date: 2018-10-11
|
|
||||||
Category: curriculum
|
|
||||||
tags: cake
|
|
||||||
slug: considerate-cake
|
|
||||||
lang: en
|
|
||||||
Event_start: 2018-10-11 10:00
|
|
||||||
event_duration: 8h
|
|
||||||
featured_image: images/Cake.jpg
|
|
||||||
|
|
||||||
In our understanding, food as a commodity finds its most revealing expression in the form of the cake. In this workshop we investigate the history of culinary hegemony by collectively baking a specific sweet recipe that showcases the way we perceive and partake in food today. Not only will we be analysing the origins of specific ingredients and recipes, we will also focus on the political economy and class dynamics that engender taste and ingredient accessibility. The actual confection of this cake will provide us with an opportunity to hack into the requirments involved in such practices and turn the table around.
|
|
||||||
|
|
||||||
The workshop will be divided into two practical phases: the recipe analysis phase and the cake baking phase. During the recipe analysis phase we will be looking at each of the required ingredients of our cake of choice and evaluate whether they meet our 'considerate' standards. If they don't, we will consider possible alternatives. During the cake baking phase participants will actually bake the cake, according to our new considerate recipe.
|
|
||||||
|
|
||||||
Considerate Cake Confection is an initiative by Lídia Pereira and Niek Hilkmann.
|
|
||||||
|
|
||||||
# Varia curriculum<br>
|
|
||||||
|
|
||||||
This workshop is organised in the context of the very first series of the Varia curriculum, developed in collaboration with the 3rd year minor "Hacking" of the Autonomous practices from the Willem de Kooning Academy (WdKA) in Rotterdam.
|
|
||||||
|
|
||||||
The curriculum is an ongoing series of workshops in which participants are introduced to technical, theoretical and methodological skills at the basis of the various practices that live within *Varia*. These are short intensive master-classes or workshops aimed towards providing high level introductions as a basis for further explorations.
|
|
||||||
|
|
||||||
<del>Would you like to join this workshop? Please send us a short email on the info[a]varia.zone email address at the 8th of October the latest!</del> This workshop is full.
|
|
||||||
|
|
||||||
**⌂** Varia, Gouwstraat 3 (Rotterdam Charlois)<br>
|
|
||||||
**⌚** 11 oktober, 10:00h - 18:00h (Lunch between 13:00h and 14:00h)<br>
|
|
||||||
**💶** 50 euros (coffee, tea and cookies included)<sup>*</sup><br>
|
|
||||||
**💬** The workshop will be conducted in English
|
|
||||||
|
|
||||||
<sup>*</sup> Lack of money can not obstruct participation. Please get in contact with us to discuss the options (info[a]varia.zone).
|
|
@ -1,31 +0,0 @@
|
|||||||
Title: Attente Taart Confectie (vol)
|
|
||||||
Date: 2018-10-11
|
|
||||||
Category: curriculum
|
|
||||||
tags: cake
|
|
||||||
slug: considerate-cake
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2018-10-11 10:00
|
|
||||||
event_duration: 8h
|
|
||||||
featured_image: images/Cake.jpg
|
|
||||||
|
|
||||||
Voedsel als handelswaar vindt wellicht zijn meest onthullende expressie in de vorm van de taart. In deze workshop onderzoeken we de geschiedenis van culinaire hegemonie door gezamenlijk een specifiek zoet recept te bakken dat de wijze laat zien waarop we voedsel vandaag waarnemen en consumeren. Niet alleen zullen we de oorsprong van specifieke ingrediënten en recepten analyseren, we zullen ons ook richten op de politieke economie en klassendynamiek die toegankelijkheid van deze smaken en ingrediënten teweegbrengen. De daadwerkelijke confectie van een taart biedt ons de mogelijkheid om de voorwaarden van dergelijke praktijken ter discussie te stellen.
|
|
||||||
|
|
||||||
De workshop zal worden onderverdeeld in twee praktische fasen: de receptanalysefase en de taartbakfase. Tijdens de receptanalysefase zullen we elk van de vereiste ingrediënten van de door ons gekozen taart analyseren en evalueren of deze voldoen aan onze 'attente' normen. Als ze dat niet doen, zullen we mogelijke alternatieven overwegen. Tijdens de taartbakfase zullen de deelnemers aan de workshop de taart daadwerkelijk bakken, volgens ons nieuwe attente recept.
|
|
||||||
|
|
||||||
Considerate Cake Confection is een initiatief van Lídia Pereira en Niek Hilkmann.
|
|
||||||
|
|
||||||
# Varia curriculum<br>
|
|
||||||
|
|
||||||
Deze workshop is georganiseerd in het kader van de allereerste reeks van het Varia-curriculum, ontwikkeld in samenwerking met de 3ejaars minor "Hacking" van 'Autonomous Practices' van de Willem de Kooning Academie (WdKA) in Rotterdam.
|
|
||||||
|
|
||||||
Het curriculum is een doorlopende reeks workshops waarin deelnemers kennis maken met de technische, theoretische en methodologische vaardigheden die aan de basis staan van de verschillende praktijken die binnen *Varia* leven. Dit zijn korte intensieve masterclasses of workshops die erop gericht zijn op hoog niveau inleidingen te geven die kunnen dienen als basis voor verdere verkenningen.
|
|
||||||
|
|
||||||
<del>Wil je meedoen aan deze workshop? Stuur ons een korte e-mail op het e-mailadres info[a]varia.zone voor 8 oktober!</del> Deze workshop is vol.
|
|
||||||
|
|
||||||
**⌂** Varia, Gouwstraat 3 (Rotterdam Charlois)<br>
|
|
||||||
**⌚** Donderdag, 11 Oktober, 10:00h - 18:00h (lunch tussen 13:00h en 14:00h)<br>
|
|
||||||
**💶** 50 euro (koffie, thee en koek inbegrepen)<sup>*</sup><br>
|
|
||||||
**💬** De voertaal van deze workshop is Engels
|
|
||||||
|
|
||||||
<sup>*</sup> Geldgebrek kan geen deelname uitsluiten. Neem contact met ons op om de mogelijkheden te bespreken (info[a]varia.zone).
|
|
||||||
|
|
@ -1,64 +0,0 @@
|
|||||||
Title: Homebrewserver.club, getting started with self-hosting
|
|
||||||
Date: 2019-06-23
|
|
||||||
Category: curriculum
|
|
||||||
tags: homebrew, server, self-hosting
|
|
||||||
slug: curriculum-homebrewserverclub
|
|
||||||
lang: en
|
|
||||||
Event_start: 2019-06-27 10:00
|
|
||||||
event_duration: 5h
|
|
||||||
featured_image: images/homebrewserverclub.png
|
|
||||||
status: draft
|
|
||||||
|
|
||||||
## Homebrew server fundamentals
|
|
||||||
|
|
||||||
The homebrewserver.club is part of a larger 'self-hosting' movement where
|
|
||||||
people try to host on-line services such as websites, mail, calendars and chat
|
|
||||||
themselves. They do so in order to avoid reliance on the corporate services of
|
|
||||||
GAFA(google, amazon, facebook, apple), with all the consequences that has. The
|
|
||||||
homebrewserver.club takes the 'home' in homebrewserver.club literally and the
|
|
||||||
'self' in self-hosting figuratively.
|
|
||||||
|
|
||||||
That means we try to host from our homes rather than from datacenters and for
|
|
||||||
and with our communities rather than just ourselves. We host from home from an
|
|
||||||
understanding that paying for a home internet subscription means you use the
|
|
||||||
connection not only to download but also to upload. We learn about this
|
|
||||||
together knowing that it becomes easier, more fun and empowering than when one
|
|
||||||
does so alone.
|
|
||||||
|
|
||||||
During the workshop, we will help participants through the fundamentals of
|
|
||||||
setting up a basic web server and all that entails. We will explore the
|
|
||||||
possibilities of low power hardware (either old or single-board computers),
|
|
||||||
understanding network topologies, re-configuring routers and exposing ports for
|
|
||||||
hosting our own websites outside of the 'cloud'.
|
|
||||||
|
|
||||||
Among others, participants will be learning how to:
|
|
||||||
a) access a remote computer via the terminal
|
|
||||||
b) install web server software and set up a simple web page
|
|
||||||
c) configure a router to make their server accessible from the internet
|
|
||||||
|
|
||||||
No previous experience is required. If you have any old computer lying at home
|
|
||||||
that you would like to turn into a server, please bring it along! Otherwise, we
|
|
||||||
will have some material available that participants can use during the
|
|
||||||
workshop.
|
|
||||||
|
|
||||||
# Varia curriculum
|
|
||||||
|
|
||||||
This workshop is organised as part of the Varia curriculum.
|
|
||||||
|
|
||||||
The curriculum is an ongoing series of workshops in which participants are
|
|
||||||
introduced to technical, theoretical and methodological skills at the basis of
|
|
||||||
the various practices that live within Varia. These are short intensive
|
|
||||||
master-classes or workshops aimed towards providing high level introductions as
|
|
||||||
a basis for further explorations.
|
|
||||||
|
|
||||||
Would you like to join this workshop? Please send us a short email on the
|
|
||||||
info[a]varia.zone email address at the 3rd of July the latest!
|
|
||||||
|
|
||||||
**⌂** Varia, Gouwstraat 3 (Rotterdam Charlois)<br>
|
|
||||||
**⌚** 27 July 10:00h - 16:00h (Lunch between 12:30h and 13:00h)<br>
|
|
||||||
**💶** Workshop price: 50 euros (coffee, tea and cookies included)* <br>
|
|
||||||
**💶** Bring any old computer you would like to turn into a server<br>
|
|
||||||
**💶** The workshop will be conducted in English
|
|
||||||
|
|
||||||
<sup>*</sup> Lack of funds should not preclude participation. Please get in
|
|
||||||
contact with us to discuss the options (info[a]varia.zone).
|
|
@ -1,36 +0,0 @@
|
|||||||
Title: Homebrewserver.club, aan de slag met self-hosting
|
|
||||||
Date: 2019-06-23
|
|
||||||
Category: curriculum
|
|
||||||
tags: homebrew, server, self-hosting
|
|
||||||
slug: curriculum-homebrewserverclub
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2019-06-27 10:00
|
|
||||||
event_duration: 5h
|
|
||||||
featured_image: images/homebrewserverclub.png
|
|
||||||
status: draft
|
|
||||||
|
|
||||||
## XXX-TODO-XXX
|
|
||||||
|
|
||||||
...
|
|
||||||
|
|
||||||
# Varia curriculum
|
|
||||||
|
|
||||||
Deze workshop maakt onderdeel uit van het Varia curriculum.
|
|
||||||
|
|
||||||
Het curriculum is een doorlopende serie workshops waarbij deelnemers kennis
|
|
||||||
maken met de technische, theoretische en methodologische vaardigheden die ten
|
|
||||||
grondslag liggen aan de verschillende praktijken in Varia. De curriculum
|
|
||||||
workshops zijn korte intensieve master-classes of workshops met als doel
|
|
||||||
deelnemers te voorzien van grondige introducties in diverse themas die
|
|
||||||
tengrondslag kunnen liggen aan verder eigen onderzoek.
|
|
||||||
|
|
||||||
Zou je willen deelnemen aan deze workshop? Stuur ons dan **voor 30 juni** een
|
|
||||||
korte mail op info[a]varia.zone
|
|
||||||
|
|
||||||
**⌂** Varia, Gouwstraat 3 (Rotterdam Charlois)<br>
|
|
||||||
**⌚** 06 Juli 10:00h - 16:00h (Lunch tussen 12:30h and 13:00h)<br>
|
|
||||||
**💶** Normaal tarief 50 euros (eigen raspberry pi + wifi dongle meenemen. Tarief alles inclusief (Raspberry pi 3, voeding, SD-kaart) : 100 euro. (koffie, thee en koekjes inbegrepen)* <br>
|
|
||||||
**💶** Neem ebooks of pdfs mee die je met de groep zou willen delen<br>
|
|
||||||
**💶** De voertaal van deze workshop is Engels, maar er Nederlandse vertaling is mogelijk.
|
|
||||||
|
|
||||||
<sup>*</sup> Geldgebrek moet geen deelname kunnen uitsluiten. Mocht dat een probleem zijn, neem dan contact met ons op om te overleggen (info[a]varia.zone).
|
|
@ -1,36 +0,0 @@
|
|||||||
Title: Inter-Planetary File System unearthed
|
|
||||||
Date: 2018-11-01
|
|
||||||
category: curriculum
|
|
||||||
tags: IPFS, networks, topology
|
|
||||||
slug: curriculum-ipfs
|
|
||||||
lang: en
|
|
||||||
Event_start: 2018-11-01 10:00
|
|
||||||
event_duration: 8h
|
|
||||||
featured_image: images/networktopology.jpeg
|
|
||||||
|
|
||||||
## Off the centralitarian HTTP path.
|
|
||||||
|
|
||||||
In recent years, new peer-to-peer protocols have appeared that attempt to decentralise the transmission of information over the internet. Instead of one central machine delivering information to many others, the focus has shifted to enabling all machines to serve files to one another. The InterPlanetary File System (IPFS) protocol constitutes one of these attempts: a distributed file system that seeks all computing devices with the same system of files for storing and sharing.
|
|
||||||
|
|
||||||
IPFS has raised the interest of many communities, from archivists to activists. Versioning, resiliency and availability make it a useful infrastructure builder for digital archivists, while its distributed nature has enabled groups of people to circumvent censorship. For instance, the 2017 referendum website of Catalonia, which was mirrored on IPFS after the original website was shut down by the Spanish government.
|
|
||||||
|
|
||||||
During this workshop, we will look at the successes, the pitfalls and the potential of this protocol. We will install it, go through the basics, discuss how it differs from other P2P protocols like dat and what types of usage it enables.
|
|
||||||
|
|
||||||
* This workshop will last for 8 hours and a laptop will be necessary.
|
|
||||||
* Prior knowledge of command line would be good, but is not obligatory.
|
|
||||||
|
|
||||||
This workshop is an initiative by Julie Boschat Thorez, Silvio Lorusso and Cristina Cochior.
|
|
||||||
# Varia curriculum
|
|
||||||
|
|
||||||
This workshop is organised in the context of the very first series of the Varia curriculum, developed in collaboration with the 3rd year minor "Hacking" of the Autonomous practices from the Willem de Kooning Academy (WdKA) in Rotterdam.
|
|
||||||
|
|
||||||
The curriculum is an ongoing series of workshops in which participants are introduced to technical, theoretical and methodological skills at the basis of the various practices that live within *Varia*. These are short intensive master-classes or workshops aimed towards providing high level introductions as a basis for further explorations.
|
|
||||||
|
|
||||||
Would you like to join this workshop? Please send us a short email on the info[a]varia.zone email address at the 29th of October the latest!
|
|
||||||
|
|
||||||
**⌂** Varia, Gouwstraat 3 (Rotterdam Charlois)<br>
|
|
||||||
**⌚** Thursday 01 November, 10:00h - 18:00h (Lunch between 13:00h and 14:00h)<br>
|
|
||||||
**💶** 50 euros (coffee, tea and cookies included)<sup>*</sup><br>
|
|
||||||
**💬** The workshop will be conducted in English
|
|
||||||
|
|
||||||
<sup>*</sup> Lack of money can not obstruct participation. Please get in contact with us to discuss the options (info[a]varia.zone).
|
|
@ -1,36 +0,0 @@
|
|||||||
Title:Inter-Planetary File System unearthed
|
|
||||||
Date: 2018-11-01
|
|
||||||
category: curriculum
|
|
||||||
tags: IPFS, networks, topology
|
|
||||||
slug: curriculum-ipfs
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2018-11-01 10:00
|
|
||||||
event_duration: 8h
|
|
||||||
featured_image: images/networktopology.jpeg
|
|
||||||
|
|
||||||
## Van het gecentraliseerde HTTP pad af
|
|
||||||
|
|
||||||
In de afgelopen jaren zijn er nieuwe peer-to-peer protocollen verschenen die de overdracht van informatie over het internet proberen te decentraliseren. In plaats van één centrale machine die informatie aan vele andere computers levert, is de focus verschoven naar het mogelijk maken van het aan elkaar doorgeven van bestanden op alle machines. Het InterPlanetary File System (IPFS) protocol is een van deze pogingen: een gedistribueerd bestandssysteem dat het mogelijk maakt in het hele netwerk bestanden te zoeken, verspreid op te slaan en te delen.
|
|
||||||
|
|
||||||
IPFS heeft de interesse van veel gemeenschappen gewekt, van archivisten tot activisten. De mogelijkheid verschillende versies van bestanden bij te houden, de weerbarstigheid van het netwerk en de toegenomen beschikbaarheid van bestanden maken het een nuttige bouwsteen voor zowel digitale archivarissen als groepen die censuur willen omzeilen. Een voorbeeld is de website voor het referendum van Catalonië in 2017, die op IPFS nog beschikbaar was nadat de oorspronkelijke website door de Spaanse regering werd gesloten.
|
|
||||||
|
|
||||||
Tijdens deze workshop kijken we naar de successen, de valkuilen en de mogelijkheden van dit protocol. We zullen IPFS installeren, de basis doornemen, bespreken hoe het verschilt van andere P2P protocollen en wat voor toepassingen mogelijk zijn.
|
|
||||||
|
|
||||||
* Deze workshop duurt 8 uur en een laptop is noodzakelijk.
|
|
||||||
* Voorafgaande kennis van IPFS zou goed zijn, maar is niet verplicht.
|
|
||||||
|
|
||||||
Deze workshop is geïnitieerd door Cristina Cochior, Silvio Lorusso en Julie Boschat Thorez.
|
|
||||||
# Varia curriculum
|
|
||||||
|
|
||||||
Deze workshop is georganiseerd in het kader van de allereerste reeks van het Varia-curriculum, ontwikkeld in samenwerking met de 3ejaars minor "Hacking" van 'Autonomous Practices' van de Willem de Kooning Academie (WdKA) in Rotterdam.
|
|
||||||
|
|
||||||
Het curriculum is een doorlopende reeks workshops waarin deelnemers kennis maken met de technische, theoretische en methodologische vaardigheden die aan de basis staan van de verschillende praktijken die binnen Varia leven. Dit zijn korte intensieve masterclasses of workshops die erop gericht zijn op hoog niveau inleidingen te geven die kunnen dienen als basis voor verdere verkenningen.
|
|
||||||
|
|
||||||
Wil je meedoen aan deze workshop? Stuur ons een korte e-mail op het e-mailadres info[a]varia.zone voor 29 oktober!
|
|
||||||
|
|
||||||
**⌂** Varia, Gouwstraat 3 (Rotterdam Charlois)<br>
|
|
||||||
**⌚** Donderdag 1 November, 10:00h - 18:00h (Lunch tussen 13:00h and 14:00h)<br>
|
|
||||||
**💶** 50 euro (koffie, thee en koek inbegrepen)<sup>*</sup><br>
|
|
||||||
**💬** De voertaal van deze workshop is Engels
|
|
||||||
|
|
||||||
<sup>*</sup> * Geldgebrek kan geen deelname uitsluiten. Neem contact met ons op om de mogelijkheden te bespreken (info[a]varia.zone).
|
|
@ -1,32 +0,0 @@
|
|||||||
Title: Druk: An Evening With Cantos Deus & Bohman Family
|
|
||||||
Date: 2018-11-24
|
|
||||||
Category: event
|
|
||||||
lang: en
|
|
||||||
Slug: druk-cantos-bohman-evening
|
|
||||||
Event_start: 2018-11-24 20:00
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/druk-concert.jpg
|
|
||||||
Tags: music, fluxus, improv, revival
|
|
||||||
Summary: Because we can't always keep the pressure on, we've added a musical intermezzo during [Woodstone Kugelblitz: Druk In Varia]({filename}/home/r/varia.website/content/woodstonekugelblitz-druk.en.md).
|
|
||||||
|
|
||||||
Because we can't always keep the pressure on, we've added a musical intermezzo during [Woodstone Kugelblitz: Druk In Varia]({filename}/home/r/varia.website/content/woodstonekugelblitz-druk.en.md).
|
|
||||||
|
|
||||||
And what an intermezzo it is!
|
|
||||||
|
|
||||||
# Bohman Family
|
|
||||||
<iframe width="560" height="315" src="https://www.youtube-nocookie.com/embed/oKIm1HFXYCs" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
|
|
||||||
|
|
||||||
For more than two decades the English [Bohman Brothers](https://lukas.home.xs4all.nl/pagina/bohmans.htm) have been summoning a mix of unique and impure experimental music from a table stuffed with ordinary day to day objects. The mix contains fluxus elements, musique concrete and free improv. For this one evening the Bohman Brothers become a Bohman Family as they will adopt a bunch of local musicians and perform together as a nonet.
|
|
||||||
|
|
||||||
# Cantos Deus
|
|
||||||
|
|
||||||
<iframe src="https://player.vimeo.com/video/279671196?portrait=0" width="640" height="360" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
|
|
||||||
<p><a href="https://vimeo.com/279671196">2018 • cantos deus</a> from <a href="https://vimeo.com/user24991829">arnold schalks</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
|
|
||||||
|
|
||||||
[Cantos Deus](http://www.podiumocw.nl/02_crimmp_28c.html) will play a selection of no-wave, gospel, reli-pop en psychedelica worship, all in the form of an entertaining revival show. Plenty of opportunity for the audience to dance, sing and worship. The company consists of Bruno Xavier da Silva, Lukas Simonis en Jacco Weener.
|
|
||||||
|
|
||||||
|
|
||||||
**Date:** Saturday, 24th of November 2018<br>
|
|
||||||
**Door:** 20:00<br>
|
|
||||||
**Start:** 20:30<br>
|
|
||||||
**Entrance:** 3 euros
|
|
@ -1,32 +0,0 @@
|
|||||||
Title: Druk: Een avond met Cantos Deus & Bohman Family
|
|
||||||
Date: 2018-11-24
|
|
||||||
Category: event
|
|
||||||
lang: nl
|
|
||||||
Slug: druk-cantos-bohman-evening
|
|
||||||
Event_start: 2018-11-24 20:00
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/druk-concert.jpg
|
|
||||||
Tags: music, fluxus, improv, revival
|
|
||||||
Summary:Omdat de boog niet altijd gespannen kan staan, lassen we tijdens het evenement [Woodstone Kugelblitz: Druk In Varia]({filename}/home/r/varia.website/content/woodstonekugelblitz-druk.nl.md) een muzikale pauze in.
|
|
||||||
|
|
||||||
Omdat de boog niet altijd gespannen kan staan, lassen we tijdens het evenement [Woodstone Kugelblitz: Druk In Varia]({filename}/home/r/varia.website/content/woodstonekugelblitz-druk.nl.md) een muzikale pauze in.
|
|
||||||
|
|
||||||
En wat voor een pauze!
|
|
||||||
|
|
||||||
|
|
||||||
# Bohman Family
|
|
||||||
<iframe width="560" height="315" src="https://www.youtube-nocookie.com/embed/oKIm1HFXYCs" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
|
|
||||||
|
|
||||||
De Engelse [Bohman Brothers](https://lukas.home.xs4all.nl/pagina/bohmans.htm) toveren al meer dan twee decenia unieke en impure experimentele muziek uit een tafel vol huis, tuin en keuken-rommel. Er zijn sporen van fluxus ongein, musique concrete, en vrije improvisatie. Voor deze avond worden de Bohman Brothers een Bohman Family: ze adopteren een aantal lokale muzikanten en zullen als een nonet optreden.
|
|
||||||
|
|
||||||
# Cantos Deus
|
|
||||||
<iframe src="https://player.vimeo.com/video/279671196?portrait=0" width="640" height="360" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
|
|
||||||
<p><a href="https://vimeo.com/279671196">2018 • cantos deus</a> from <a href="https://vimeo.com/user24991829">arnold schalks</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
|
|
||||||
|
|
||||||
Door [Cantos Deus](http://www.podiumocw.nl/02_crimmp_28c.html) zal een selectie van no-wave, gospel, reli-pop en psychedelica worship gespeeld worden, dit alles verpakt in een amusante revival show. Voor het publiek is er mogelijkheid tot dans, zang en aanbidding. Het gezelschap bestaat uit Bruno Xavier da Silva, Lukas Simonis en Jacco Weener.
|
|
||||||
|
|
||||||
|
|
||||||
**Date:** Zaterdag, 24 November 2018<br>
|
|
||||||
**Door:** 20:00<br>
|
|
||||||
**Start:** 20:30<br>
|
|
||||||
**Entrance:** 3 euro
|
|
Before Width: | Height: | Size: 313 KiB |
Before Width: | Height: | Size: 1.0 KiB |
@ -1,27 +0,0 @@
|
|||||||
Title: Feminist Hack Meetings: Servers
|
|
||||||
Date: 2020-02-29
|
|
||||||
Category: event
|
|
||||||
Slug: feminist-hack-meetings-feb-servers
|
|
||||||
lang: en
|
|
||||||
event_start: 2020-02-29 15:00
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/feminist-servers.jpg
|
|
||||||
summary: The Feminist Hack Meetings are a series of informal research meetings and workshops that aim to explore the suggestions, urgencies and potentials of feminist hack & tech initiatives.
|
|
||||||
|
|
||||||
Artemis and Angeliki invite you to join the Feminist Hack Meetings.
|
|
||||||
|
|
||||||
Let's talk about **feminist servers**! In this meeting, we invite you to discuss questions like:<br>
|
|
||||||
What does it mean for a server to be feminist, and how could it look like? What and who does it serve? What does it take to create and maintain it?<br>
|
|
||||||
We would like to map and draw collectively our ideas and consider the possibility of setting up a feminist server at Varia, as a base for our practice.<br>
|
|
||||||
We will bring material (like RPis and computers) to start experimenting and trying things out. <br>
|
|
||||||
Join us!<br>
|
|
||||||
|
|
||||||
The **Feminist Hack Meetings** are a series of informal research meetings and workshops that aim to explore the suggestions, urgencies and potentials of feminist hack & tech initiatives. We invite people, who are interested in technology and the processes of shaping it, to discuss and work together in matters of inclusion and exclusion in tech communities, feminist servers and hosting, autonomous communication services, archive and documentation. We will also include hardware and sound explorations.<br>
|
|
||||||
January meeting: https://varia.zone/en/feminist-hack-meetings-jan.html
|
|
||||||
|
|
||||||
|
|
||||||
**Program:**
|
|
||||||
|
|
||||||
*Saturday, 29 Feb 2020*
|
|
||||||
|
|
||||||
15:00 - 18:00
|
|
@ -1,27 +0,0 @@
|
|||||||
Title: Feministische Hack Bijeenkomsten: Servers
|
|
||||||
Date: 2020-02-29
|
|
||||||
Category: event
|
|
||||||
Slug: feminist-hack-meetings-feb-servers
|
|
||||||
lang: nl
|
|
||||||
event_start: 2020-02-29 15:00
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/feminist-servers.jpg
|
|
||||||
summary: De Feministische Hack Bijeenkomsten zijn een reeks informele onderzoeksbijeenkomsten en workshops die gericht zijn op het verkennen van de suggesties, urgenties en mogelijkheden van feministische hack & tech-initiatieven.
|
|
||||||
|
|
||||||
Artemis en Angeliki nodigen u graag uit om deel te nemen aan de Feministische Hack Meetings.
|
|
||||||
|
|
||||||
Laten we het over **feministische servers** hebben! In deze vergadering nodigen we u uit om te discussiëren over vragen als:<br>
|
|
||||||
Wat betekent het voor een server om feministisch te zijn, en hoe zou het eruit kunnen zien? Wat en wie dient het? Wat is er nodig om het te creëren en te onderhouden?<br>
|
|
||||||
We willen graag onze ideeën in kaart brengen en de mogelijkheid overwegen om een feministische server op te zetten bij Varia.<br>
|
|
||||||
Wij brengen materiaal zoals RPis en computers mee. Dan kunnen we samen experimenteren en dingen uitproberen. <br>
|
|
||||||
Doe met ons mee!<br>
|
|
||||||
|
|
||||||
De **Feministische Hack Bijeenkomsten** zijn een reeks informele onderzoeksbijeenkomsten en workshops. Ze zijn gericht op het verkennen van de suggesties, urgenties en mogelijkheden van feministische hack & tech-initiatieven. We nodigen mensen uit die geïnteresseerd zijn in technologie en de werkwijzen, die helpen het een vorm te geven, met het doel deze te bespreken en samen te werken op het gebied van inclusie en exclusie in technische gemeenschappen, feministische servers en hosting, autonome communicatiediensten, archief en documentatie. We zullen ook hardware en geluid exploraties erbij in opnemen.
|
|
||||||
Januari bijeenkomst: https://varia.zone/en/feminist-hack-meetings-jan.html
|
|
||||||
|
|
||||||
|
|
||||||
**Programma:**
|
|
||||||
|
|
||||||
Zaterdag 29 februari 2020
|
|
||||||
|
|
||||||
15:00 - 18:00
|
|
@ -1,35 +0,0 @@
|
|||||||
Title: Feminist Hack Meetings
|
|
||||||
Date: 2020-01-25
|
|
||||||
Category: event
|
|
||||||
Slug:feminist-hack-meetings-jan
|
|
||||||
lang: en
|
|
||||||
event_start: 2020-01-25 17:00
|
|
||||||
event_duration: 2h
|
|
||||||
featured_image: images/varia_image_1stmeeting.jpg
|
|
||||||
summary: The Feminist Hack Meetings are a series of informal research meetings and workshops that aim to explore the suggestions, urgencies and potentials of feminist hack & tech initiatives.
|
|
||||||
|
|
||||||
Artemis and Angeliki invite you to join the Feminist Hack Meetings.
|
|
||||||
|
|
||||||
The **Feminist Hack Meetings** are a series of informal research meetings and workshops that aim to explore the suggestions, urgencies and potentials of feminist hack & tech initiatives. We invite people, who are interested in technology and the processes of shaping it, to discuss and work together in matters of inclusion and exclusion in tech communities, feminist servers and hosting, autonomous communication services, archive and documentation. We will also include hardware and sound explorations.
|
|
||||||
|
|
||||||
|
|
||||||
A feminist approach to technology takes into consideration the social and political context around it. It pushes the boundaries of technological circles, in order to include gender-diverse people, amateurs, or others who have experienced low or high levels of exclusion in tech environments. They also include cultural, artistic and educational practices that are approaching technology, not as an end in itself.
|
|
||||||
|
|
||||||
|
|
||||||
The idea started after participating in **/ETC (Eclectic Tech Carnival)** in Athens, which is a gathering of feminists, who critically use/study/share/improve everyday information technologies in the context of the free software and open hardware movements.
|
|
||||||
|
|
||||||
|
|
||||||
In this first gathering we will give an overview and an introduction to this series of meetings. We will discuss on how this proposal may grow in time.
|
|
||||||
|
|
||||||
|
|
||||||
**Program:**
|
|
||||||
|
|
||||||
*Saturday, 25 Jan 2020*
|
|
||||||
|
|
||||||
17:00 - 19:00
|
|
||||||
|
|
||||||
|
|
||||||
*The event image is part of an illustration made by an /ETC member for /ETC Athens 2019*
|
|
||||||
|
|
||||||
|
|
||||||
|
|
@ -1,29 +0,0 @@
|
|||||||
Title: Feministische Hack Bijeenkomsten
|
|
||||||
Date: 2020-01-25
|
|
||||||
Category: event
|
|
||||||
Slug:feminist-hack-meetings-jan
|
|
||||||
lang: nl
|
|
||||||
event_start: 2020-01-25 17:00
|
|
||||||
event_duration: 2h
|
|
||||||
featured_image: images/varia_image_1stmeeting.jpg
|
|
||||||
summary: De Feministische Hack Bijeenkomsten zijn een reeks informele onderzoeksbijeenkomsten en workshops die gericht zijn op het verkennen van de suggesties, urgenties en mogelijkheden van feministische hack & tech-initiatieven.
|
|
||||||
|
|
||||||
Artemis en Angeliki nodigen u graag uit om deel te nemen aan de Feministische Hack Meetings.
|
|
||||||
|
|
||||||
De **Feministische Hack Bijeenkomsten** zijn een reeks informele onderzoeksbijeenkomsten en workshops die gericht zijn op het verkennen van de suggesties, urgenties en mogelijkheden van feministische hack & tech-initiatieven. We nodigen mensen uit die geïnteresseerd zijn in technologie en de werkwijzen, die helpen het een vorm te geven, met het doel deze te bespreken en samen te werken on het gebied van inclusie en exclusie in technische gemeenschappen, feministische servers en hosting, autonome communicatiediensten, archief en documentatie. We zullen ook hardware en geluid exploraties erbij in opnemen.
|
|
||||||
|
|
||||||
Een feministische benadering van technologie houdt rekening met de samenhangende sociale en politieke context. Het verlegt de grenzen van technologische kringen, met inbegrip van gender-diverse mensen, amateurs of anderen, die in minder of meerdere mate een uitsluiting hebben ervaren in technische omgevingen. Ze omvatten ook culturele, artistieke en educatieve praktijken die technologie benaderen, maar niet als een doel op zich.
|
|
||||||
|
|
||||||
Het idee begon na de deelname aan het **ETC (Eclectic Tech Carnival)** in Athene, een bijeenkomst van feministen, die alledaagse informatie technologieën kritisch gebruiken / bestuderen / delen / verbeteren in de context van de gratis software en open hardware stromingen.
|
|
||||||
|
|
||||||
In deze eerste bijeenkomst zullen we een overzicht en een inleiding geven over deze reeks vergaderingen. We zullen bespreken hoe dit voorstel in de loop van de tijd zich kan ontwikkelen .
|
|
||||||
|
|
||||||
**Programma:**
|
|
||||||
|
|
||||||
Zaterdag 25 januari 2020
|
|
||||||
|
|
||||||
17:00 - 19:00
|
|
||||||
|
|
||||||
|
|
||||||
*De afbeelding is onderdeel van een illustratie gemaakt door een / ETC-lid voor / ETC Athene 2019.*
|
|
||||||
|
|
@ -1,68 +0,0 @@
|
|||||||
Title: Floppy Totaal: Double Density
|
|
||||||
Date: 2019-10-19
|
|
||||||
Category: event
|
|
||||||
slug: floppy-totaal-DD
|
|
||||||
lang: en
|
|
||||||
Event_start: 2019-10-19 14:00
|
|
||||||
event_duration: 10h
|
|
||||||
featured_image: images/FloppyTotaa_HIGHDESNITY_A2_NEW_web-(2).jpg
|
|
||||||
tags: floppy, totaal, event
|
|
||||||
|
|
||||||
Floppy Totaal visits Varia for another round of dual-layered action. At "Floppy Totaal: Double Density" you can join members of the Floppy Kick music label during a live recording and publishing workshop in the afternoon. The subsequent evening program is filled to the brim with performances by Kisszántó and Eoforwine, presentations and conversations with Joak and Jason Scott and a long distance contribution by Michael Ridge.
|
|
||||||
|
|
||||||
The emphasis of the event lies on the concept of the floppy disk as comfort food in a "future/present shocked" digital age. In what way does working with floppy disks help us cope in a time preoccupied with "new" media and planned obsolescence? Does the floppy disk hold more content than just 1,44 MB of data? Join us to find out!
|
|
||||||
|
|
||||||
* workshop: 14:00 / free
|
|
||||||
* evening: 20:00 / 5 euro
|
|
||||||
|
|
||||||
Full Program:
|
|
||||||
|
|
||||||
Part 1 of Floppy Totaal @ Varia (14:00-18:00) is free and consists of a special Floppy Kick workshop and a conversation.
|
|
||||||
|
|
||||||
Part 2 of Floppy Totaal: Magnetic Flux starts at 20:00 and has tickets for sale that can be purchased at the door for 5 euro's each. The event consists of a series of talks, performances and contributions by Eoforwine, Kisszántó, Michael Ridge, Joak and Jason Scott.
|
|
||||||
|
|
||||||
* Floppy Kick Workshop
|
|
||||||
|
|
||||||
Floppy Kick Records is a not-for-profit, floppy-only label that was formed in Budapest in 2013. All its releases are handmade and any "income" they produce goes straight into future releases. They take a non-political, yet critical position by explicitally rejecting any racism, sexism, homophobic or other forms of radicalism on their releases, choosing to instead focus on the beauty of sound. This can be in any style; experimental, noise, ambient, musique concrète, dark sounds, hnw, avantgarde, field recordings, industrial, power electronics, lo-fi, grindcore, or anything interesting. They believe in physical formats and respect their collectors. During their workshop at Floppy Totaal you can contribute to Floppy Kick by helping out with the recording and releasing of a brand new floppy release.
|
|
||||||
|
|
||||||
[http://floppykickrecords.blogspot.com/](http://floppykickrecords.blogspot.com/)
|
|
||||||
[https://floppykick.bandcamp.com/](https://floppykick.bandcamp.com/)
|
|
||||||
|
|
||||||
* Eoforwine
|
|
||||||
|
|
||||||
Mark Windisch aka. Eoforwine is the founder of the Floppy Kick label and plays beatless lo-fi noise music, spiced with modified field recordings, synths and a light theremin. He is a regular participant of Eastern Hungary's noise events, including the annual Zajkert (Noise Garden) and the Banzaj series, and has toured through and played at many experimental festivals and gallery openings through Middle-Europe and Ireland.
|
|
||||||
|
|
||||||
[https://eoforwine.bandcamp.com/](https://eoforwine.bandcamp.com/)
|
|
||||||
|
|
||||||
* Kisszántó
|
|
||||||
|
|
||||||
Tamás Szántó is a DJ, producer, cratedigger and promotor who is dedicated to seeking strange soundings and musical forms with peculiar diligence. He harkens the musical topicalities; not to adapt, but to avoid them. Collecting records such as experimental noise mixes, or fine theatrical idm ones; he might as well have just the right, harsh & obscure
|
|
||||||
acid vinyl to mix further with.
|
|
||||||
|
|
||||||
[https://kisszanto.bandcamp.com/](https://kisszanto.bandcamp.com/)
|
|
||||||
|
|
||||||
* Joak
|
|
||||||
|
|
||||||
Joseph Oliver Anton Knierzinger or JoaK is an artist and ghost artist. At the moment he works on different algorithms and alogisms between Vienna, Guangzhou and Wartberg. At Floppy Totaal he will present the results of his explorations into the recordable magnetic properties of the floppy disk.
|
|
||||||
|
|
||||||
[https://joak.nospace.at/](https://joak.nospace.at/)
|
|
||||||
|
|
||||||
* Michael Ridge
|
|
||||||
|
|
||||||
Michael Ridge is a UK based artist that creates works whichoften incorporate sound, video, electronics, sculpture, collage and found objects, often exploring the properties of sound reproduction through non-musical materials and objects. He has a keen interest in documenting and presenting the unwanted, overlooked or decayed. Some of his activities include recording and performing Noise Music under the alias Zebra Mu, running the DIY record label Quagga Curious Sounds, being one half of the drawing/zine/mail art duo Ridge & Scrase and being a member of the artist collective other/other/other. For Floppy Totaal Michael Ridge will compose a new sound art composition that draws inspiration from the works of John Cage and Alvin Lucier; whilst examining the physical and storage limitations of the humble floppy disk. A commemoration of extreme file compression!
|
|
||||||
|
|
||||||
[https://michaelridge.wordpress.com/](https://michaelridge.wordpress.com/)
|
|
||||||
|
|
||||||
* Jason Scott
|
|
||||||
|
|
||||||
Jason Scott Sadofsky is an American archivist, historian of technology, filmmaker, performer, and actor. Scott has been known by the online pseudonyms Sketch, SketchCow, and The Slipped Disk and has been called "figurehead of the digital archiving world". He is the creator, owner and maintainer of textfiles.com, a web site which archives files from historic bulletin board systems. He is the creator of a 2005 documentary film about BBSes, BBS: The Documentary, and a 2010 documentary film about interactive fiction, GET LAMP. During Floppy Totaal a long distance conversation will be held with Jason Scott about his work, his life and the current state of the floppy disk.
|
|
||||||
|
|
||||||
[https://en.wikipedia.org/wiki/Jason_Scott](https://en.wikipedia.org/wiki/Jason_Scott)
|
|
||||||
|
|
||||||
* Floppy Totaal
|
|
||||||
|
|
||||||
Floppy Totaal is a Rotterdam based initiative by Niek Hilkmann, Thomas Walskaar and Lídia Pereira that investigates the reuse and re-purposing of 'outdated' technology as a cultural phenomenon. By examining the contemporary usage of the iconic floppy diskette, they hope to assess the way past technology is integrated into our culture today, as well as its future potential. The goal of the project is to inject the debate surrounding obsolescent media with new enthusiasm and stimulate a critical approach to the topic with the help of extensive field research in the realm of the floppy disk.
|
|
||||||
|
|
||||||
[http://www.floppytotaal.org/](http://www.floppytotaal.org/)
|
|
||||||
|
|
||||||
This event is made possible with the kind support of Varia and Stimuleringsfonds Creatieve Industrie (Creative Industries Fund NL).
|
|
@ -1,11 +0,0 @@
|
|||||||
Title: homebrewserver.club, calendars session 1
|
|
||||||
Date: 2017-11-09
|
|
||||||
Category: gathering
|
|
||||||
Slug: hbsc-cal-1-en
|
|
||||||
lang: en
|
|
||||||
event_start: 2017-11-16 19:00
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/cal.png
|
|
||||||
|
|
||||||
A first gathering around self-hosted calendars.
|
|
||||||
|
|
@ -1,10 +0,0 @@
|
|||||||
Title: homebrewserver.club, kalenders sessie 1
|
|
||||||
Date: 2017-11-09
|
|
||||||
Category: gathering
|
|
||||||
Slug: hbsc-cal-1-nl
|
|
||||||
lang: nl
|
|
||||||
event_start: 2017-11-16 19:00
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/cal.png
|
|
||||||
|
|
||||||
Een eerste ontmoeting rondom zelf-gehoste kalenders.
|
|
@ -1,12 +0,0 @@
|
|||||||
Title: homebrewserver.club, kalenders sessie 2
|
|
||||||
Date: 2017-11-22
|
|
||||||
Category: gathering
|
|
||||||
Slug: hbsc-cal-2-en
|
|
||||||
lang: en
|
|
||||||
event_start: 2017-11-30 19:00
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/cal2.png
|
|
||||||
|
|
||||||
A second gathering around self-hosted calendars.
|
|
||||||
|
|
||||||
Location: Varia
|
|
@ -1,12 +0,0 @@
|
|||||||
Title: homebrewserver.club, kalenders sessie 2
|
|
||||||
Date: 2017-11-22
|
|
||||||
Category: gathering
|
|
||||||
Slug: hbsc-cal-2-nl
|
|
||||||
lang: nl
|
|
||||||
event_start: 2017-11-30 19:00
|
|
||||||
event_duration: 3h
|
|
||||||
featured_image: images/cal2.png
|
|
||||||
|
|
||||||
De tweede ontmoeting rondom zelf-gehoste kalenders.
|
|
||||||
|
|
||||||
Locatie: Varia
|
|
@ -1,27 +0,0 @@
|
|||||||
Title: Heath Bunting - in conversation with the Voluntary Fire Brigade of the Apocalypse
|
|
||||||
Date: 2020-02-17
|
|
||||||
Category: workshop
|
|
||||||
slug: heath-bunting-apocalypse
|
|
||||||
lang: en
|
|
||||||
Event_start: 2020-02-17 14:00
|
|
||||||
event_duration: 6h
|
|
||||||
featured_image: images//bristol_avon_street_heath_bunting_barbed_wire_fence_climbing01.jpg
|
|
||||||
tags: heath, bunting, apocalypse, workshop
|
|
||||||
summary: Heath Bunting visits Varia to share his past and present projects against control systems, in conversation with Florian Cramer and the Voluntary Fire Brigade of the Apocalypse.
|
|
||||||
|
|
||||||
|
|
||||||
**Heath Bunting** is an artist based in the UK who, for more than thirty years, has questioned and undermined systems of control and communication. He began as a street artist putting up fly posters in public spaces, belonged to the first generation of net.artists in the 1990s where he found (and ran the server of) [irational.org](http://www.irational.org/), but turned away from the Internet in 1998, seeing its corporate takeover as early as in that year.
|
|
||||||
|
|
||||||
He set up several radio stations, collaborated with Kate Rich on alternative distribution systems for goods and workshops for trespassing private property. For his "Identity Bureau', he investigated ways for people to legally obtain a new names and identities using loopholes in the bureaucracies of Western countries (and gave an Identity Bureau workshop in 2014 at Wlfrt Projectspace Rotterdam). In his daily life and travels, he strictly avoids use of electronic systems that make him traceable, including bank cards and mobile phones.
|
|
||||||
|
|
||||||
The above is only a small fraction of his activities in working against control systems. **Florian Cramer **will have a two-hour conversation with Heath Bunting on his past and present projects, with the aim to share Heath's knowledge and experience with the audience. This will be followed, at 16.00, by heath's critical feedback on the current activities of [**the Voluntary Fire Brigade of the Apocalypse**](http://www.woodstonekugelblitz.org/firemenp1.html) in Rotterdam.
|
|
||||||
|
|
||||||
Program:
|
|
||||||
|
|
||||||
** 14.00-16.00:** Thirty years of researching and working against control systems - conversation & project review with Heath Bunting<br>
|
|
||||||
** 16.00-17.00:** Feedback on the Voluntary Fire Brigade of the Apocalypse<br>
|
|
||||||
** 17.00-19.00:** break with coffee, tea, soup<br>
|
|
||||||
** 19.00:** DJ set by Jacco Weener<br>
|
|
||||||
|
|
||||||
** date:** February 17, 2020
|
|
||||||
** entry:** free or donation
|
|
@ -1,26 +0,0 @@
|
|||||||
Title: Heath Bunting - in gesprek met the Voluntary Fire Brigade of the Apocalypse
|
|
||||||
Date: 2020-02-17
|
|
||||||
Category: workshop
|
|
||||||
slug: heath-bunting-apocalypse
|
|
||||||
lang: nl
|
|
||||||
Event_start: 2020-02-17 14:00
|
|
||||||
event_duration: 6h
|
|
||||||
featured_image: images//bristol_avon_street_heath_bunting_barbed_wire_fence_climbing01.jpg
|
|
||||||
tags: heath, bunting, apocalypse, workshop
|
|
||||||
summary: Heath Bunting gaat bij Varia in gesprek met Florian Cramer en the Voluntary Fire Brigade of the Apocalypse. Hierbij gaat hij in op projecten uit het heden en verleden en zijn voortdurende strijd tegen controlesystemen.
|
|
||||||
|
|
||||||
** Heath Bunting ** is een in Engeland gevestigde kunstenaar die al meer dan dertig jaar controle- en communicatiesystemen in twijfel trekt en ondermijnt. Hij begon als street artist door posters op te hangen in de openbare ruimte, behoorde tot de eerste generatie van net.artists in de jaren negentig, waar hij [irational.org](http: //www.irational.org) oprichtte (en de server runde), maar keerde zich in 1998 van het internet af toen hij diens bedrijfsovername daarvan voorzag.
|
|
||||||
|
|
||||||
Hij richtte verschillende radiostations op en werkte samen met Kate Rich aan workshops voor het betreden van privébezit en aan alternatieve distributiesystemen voor goederen. Voor zijn 'Identity Bureau' project onderzocht hij manieren voor individuën om legaal een nieuwe naam en identiteit te verkrijgen via de bureaucratische mazen van westerse landen (in 2014 gaf hij een Identity Bureau workshop in Wlfrt Projectspace Rotterdam). In zijn dagelijkse leven, vermijdt Bunting strikt het gebruik van elektronische systemen die hem traceerbaar maken, waaronder bankkaarten en mobiele telefoons.
|
|
||||||
|
|
||||||
Het bovenstaande is slechts een klein deel van zijn activiteiten en strijd tegen controlesystemen. ** Florian Cramer ** zal een gesprek van twee uur met Heath Bunting voeren over zijn vroegere en huidige projecten, met als doel de kennis en ervaring van Heath met het publiek te delen. Hierop volgt om 16.00 uur kritische feedback van Heath op de huidige activiteiten van [** the Voluntary Fire Brigade of the Apocalypse **](http://www.woodstonekugelblitz.org/firemenp1.html) in Rotterdam.
|
|
||||||
|
|
||||||
Programma:
|
|
||||||
|
|
||||||
** 14.00-16.00: ** Dertig jaar onderzoek naar en activisme tegen controlesystemen - gesprek- en projectevaluatie met Heath Bunting <br>
|
|
||||||
** 16.00-17.00: ** Feedback op the Voluntary Fire Brigade of the Apocalypse <br>
|
|
||||||
** 17.00-19.00: ** pauze met koffie, thee en soep <br>
|
|
||||||
** 19.00: ** DJ set van Jacco Weener <br>
|
|
||||||
|
|
||||||
** datum: ** 17 Februari, 2020
|
|
||||||
** toegang: ** gratis of donatie
|
|
@ -1,31 +0,0 @@
|
|||||||
Title: homebrewserver.club
|
|
||||||
Date: 2017-09-14
|
|
||||||
Slug: homebrewserver.club
|
|
||||||
lang: en
|
|
||||||
curriculum: False
|
|
||||||
Category: work group
|
|
||||||
Tags: self-hosting
|
|
||||||
|
|
||||||
<pre>
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|
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|
||||||
</pre>
|
|
||||||
|
|
||||||
A monthly gathering for those who (wish to) host their own online services from home, rather than using commercial and privacy unfriendly alternatives. Together we config and work on our homebrew server setups. These are low-cost, low-power, low-maintenance, high-fun computers through which we can host all of our online necessities and keep them out of the cloud. The club meetings are open for anyone, from more experienced users to interested beginners. During the homebrewserver.club meetings we exchange tips or look into particular topics together. As we gain more knowledge about a topic, we write and publish guides for others to share.
|
|
||||||
|
|
||||||
[homebrewserver.club](https://homebrewserver.club)
|
|
@ -1,32 +0,0 @@
|
|||||||
Title: homebrewserver.club
|
|
||||||
Date: 2017-09-14
|
|
||||||
Slug: homebrewserver.club
|
|
||||||
lang: nl
|
|
||||||
Category: work group
|
|
||||||
Tags: self-hosting
|
|
||||||
|
|
||||||
<pre>
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|
||||||
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||||||
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|
|
||||||
</pre>
|
|
||||||
|
|
||||||
Een maandelijkse bijeenkomst voor mensen die hun online diensten zelf (willen) hosten. Dit on niet afhankelijk te hoeven zijn van commerciele diensten met al hun nadelen. De club kijkt gezamelijk naar hoe bepaalde diensten (chat, agenda, online opslag etc) kunnen worden opgezet op hun 'homebrew servers'. Deze homebrew servers zijn goedkope, energiezuinige, onderhoudsarme computers waarmee men in eigen beheer diensten online kan gebruiken.
|
|
||||||
|
|
||||||
De club is bedoeld voor zowel gevorderde als beginnende deelnemers. De resultaten van onze bijeekomsten verwerken we tot guides en artikels die de technieken contextualiseren en stap voor stap uitleggen hoe je ze zelf kan uitvoeren.
|
|
||||||
|
|
||||||
[homebrewserver.club](https://homebrewserver.club)
|
|
Before Width: | Height: | Size: 533 KiB |
Before Width: | Height: | Size: 103 KiB |
Before Width: | Height: | Size: 975 KiB |
Before Width: | Height: | Size: 346 KiB |
Before Width: | Height: | Size: 1.2 MiB |
Before Width: | Height: | Size: 385 KiB |