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plain text partyline as loose txt files

main
crunk 12 months ago
parent
commit
530b88f04d
  1. 32
      plaintext-partyline-txt-files/01.txt
  2. 29
      plaintext-partyline-txt-files/02.txt
  3. 23
      plaintext-partyline-txt-files/03.txt
  4. 15
      plaintext-partyline-txt-files/04.txt
  5. 26
      plaintext-partyline-txt-files/05.txt
  6. 28
      plaintext-partyline-txt-files/06.txt
  7. 36
      plaintext-partyline-txt-files/07.txt
  8. 28
      plaintext-partyline-txt-files/08.txt
  9. 36
      plaintext-partyline-txt-files/09.txt
  10. 21
      plaintext-partyline-txt-files/10.txt
  11. 14
      plaintext-partyline-txt-files/11.txt
  12. 29
      plaintext-partyline-txt-files/12.txt
  13. 40
      plaintext-partyline-txt-files/13.txt
  14. 27
      plaintext-partyline-txt-files/14.txt
  15. 25
      plaintext-partyline-txt-files/15.txt
  16. 82
      plaintext-partyline-txt-files/16.txt
  17. 27
      plaintext-partyline-txt-files/17.txt

32
plaintext-partyline-txt-files/01.txt

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29
plaintext-partyline-txt-files/02.txt

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Hello Plaintext Paryliners!
So nice to find you here, this is the working area and hangout spot of the
plaintext weekend :---).
We look so much forward to be working with you on plaintext in different ways:
plaintext making,
plaintext tools,
plaintext layouts,
plaintext readings, etc, etc.
Let's take the weekend to sit with all these materials and enjoy them.
How can plaintext make space for relearning
the materialy and weight of technology?
How can the modest space of the rigid X-Y axis
be a generative ground for bendings and curves?
This collective work moment is semi-public, this pad is our shared "backend"
and meeting place, from which we can publish any kind of outcomes:
- There is an online mirror of this pad (which updates itself every minute),
we can work together on a plaintext publication \o/
- We will put different things on display in the windows of Varia \o/
Any type of outcomes can be copypasted here on this pad and be transformed
into a plaintext publication at the end :---).
So feel free to let this pad grow into unforseen dimensions!!

23
plaintext-partyline-txt-files/03.txt

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line.py
__
/ /\
/ / \
/ / \__________
/ / \ /\
/_/ \ / /
___\ \ ___\____/_/_
/____\ \ /___________/\
\ \ \ \ \ \
\ \ \ \____ \ \
\ \ \ / /\ \ \
\ / \_\/ / / \ \
\ / / /__________\/
/ / / /
/ / / /
/________/ /\ /
\________\/\ \ /
\_\/jiri
3d X-Y matrix

15
plaintext-partyline-txt-files/04.txt

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░█▀█░█▀█░█▀▄░▀█▀░█░█░█░░░▀█▀░█▀█░█▀▀
░█▀▀░█▀█░█▀▄░░█░░░█░░█░░░░█░░█░█░█▀▀
░▀░░░▀░▀░▀░▀░░▀░░░▀░░▀▀▀░▀▀▀░▀░▀░▀▀▀
o
_<|>_
o o o o o o o o o o o o o__ __o/ \o__ __o o o__ __o/
<|> <|> <|> <|> <|> <|> <|> <|> <|> <|> <|> <|> /v | | |> <|> /v |
< > < > < > < > < > < > < > < > < > < > < > < > /> / \ / \ < > / \ /> / \
\o o/ \o o/ \o o/ \o o/ \o o/ \o o/ \ \o/ \o/ \o/ \ \o/
v\ /v v\ /v v\ /v v\ /v v\ /v v\ /v o | | | o |
<\/> <\/> <\/> <\/> <\/> <\/> <\__ / \ / \ / \ <\__ / \

26
plaintext-partyline-txt-files/05.txt

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╔═════╗ ╔═════╗ ╔═════╗ ╔═════╗ ╔═════╗ ╔═════╗ ╔═════╗ ╔═════╗ ╔═════╗
║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║
║ ╔═║═══╗ ╔═║═══╗ ║ ║ ╔═║═══╗ ╔═║═══╗ ║ ║ ╔═║═══╗ ╔═║═══╗ ║
╚═══║═╝ ╚═══║═╝ ╚═════╝ ╚═══║═╝ ╚═══║═╝ ╚═════╝ ╚═══║═╝ ╚═══║═╝ ╚═════╝
╔═════╗ ╔═║═══╗ ╔═║═══╗ ╔═════╗ ╔═║═══╗ ╔═║═══╗ ╔═════╗ ╔═║═══╗ ╔═║═══╗
║ ╚═║═══╝ ╚═║═══╝ ╔═║═══════╗ ╚═║═══╝ ╚═║═══╝ ╔═║══════╗ ╚═║═══╝ ╚═║═══╝ ║
║ ╔═══║═╗ ╔═══║═╗ ╚═══════║═╝ ╔═══║═╗ ╔═══║═╗ ╚══════║═╝ ╔═══║═╗ ╔═══║═╗ ║
╚═════╝ ╚═║═══╝ ╚═║═══╝ ╚═════╝ ╚═║═══╝ ╚═║═══╝ ╚═════╝ ╚═║═══╝ ╚═║═══╝
╔═══║═╗ ╔═══║═╗ ║ ║ ╔═══║═╗ ║ ║ ╔═══║═╗ ╔═════╗
║ ╚═║═══╝ ╚═║═══╝ ╚═════╝ ╚═║═══╝ ╚═════╝ ╚═║═══╝ ║
║ ╔═══║═╗ ║ ║ ║ ║ ╔═══║═╗ ║
╚═════╝ ╚═║═══╝ ╚═════╝ ╚═══║═╝ ╚═════╝
╔═══║═╗ ║ ║ ╔═║═══╗
║ ╚═║═══╝ ╚═══║═╝ ║
║ ║ ║ ║
║ ║ Once upon a time... on a server many, many hops ║ ║
║ ║ away, a file was cat. In the dark depths of a ║ ║
║ ║ long forgotten folder, it had been waiting for ║ ║
║ ║ the day an unsupsecting visitor would stumble ║ ║
║ ║ upon it. ║ ║
║ ║ ║ ║
║ ║ ║ ║
║ ╚════════════════════════════════════════════════════════════════╝ ║
║ ║
╚════════════════════════════════════════════════════════════════════════════╝

28
plaintext-partyline-txt-files/06.txt

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p------------------------------------------------p
--l--------------------------------------------l--
----a----------------------------------------a----
------i------------------------------------i------
--------n--------------------------------n--------
----------t----------------------------t----------
------------e------------------------e------------
--------------x--------------------x--------------
----------------t----------------t----------------
------------------ ------------ ------------------
--------------------p--------p--------------------
----------------------a----a----------------------
------------------------rr------------------------
-----------------------t--t-----------------------
---------------------y------y---------------------
-------------------l----------l-------------------
-----------------i--------------i-----------------
---------------n------------------n---------------
-------------e----------------------e-------------
-----------!--------------------------!-----------
--------- ------------------------------p---------
-------p----------------------------------l-------
-----l--------------------------------------a-----
---a------------------------------------------i---
-i----------------------------------------------n-
cross.py

36
plaintext-partyline-txt-files/07.txt

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28
plaintext-partyline-txt-files/08.txt

@ -0,0 +1,28 @@
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
*Plain Text tells a story of a major morphological shift affecting cultural production,
particularly as it relates to the mechanics of reading and writing.
Were I to interrupt
a digital typist to ask, “Where do these words reside?” I would likely receive several
conflicting answers in response. In some sense, the words are on-screen, where they
can be viewed. In another sense, they are somewhere within the machine, on remote and
hermeneutically sealed surfaces: silicon chips, hard drives, flash memory cards. In yet
another sense, visible signs are still further removed from the contexts of their
production.
The word is in the wires. It spreads across servers, routers, and data
centers. What was once apparent takes on a more complex structure, stretched across
planes and temporalities.
The book—this book, any book—gains a new shape.
Digital texts
form a live lattice, a multidimensional grid, that connects a letter’s tactile response
at one’s fingertips to its optic and electromagnetic traces.*
🕮 -- Dennis Tenen, Plain Text - The Poetics of Computation
https://monoskop.org/media/text/tenen_2017_plain_text/
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||

36
plaintext-partyline-txt-files/09.txt

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~~~
~~~
~~~
~~~
\~~
*Plain text: a file format and a frame of mind.* |
| |
| 🕮 https://monoskop.org/media/text/tenen_2017_plain_text/ 🕮 |
| |
|||||||||||||||||||D|e|n|n|i|s| |T|e|n|e|n|||||||||||||||||||||||
*I appeal to the idea of plain text in the title of this book
to signal an affinity with a particular mode of computational
meaning making.*
*Plain text stands in opposition to “fancy text,” that is,
“text representation consisting of plain text plus added
information.” In the tradition of American textual criticism,
plain text alludes to an editorial method of text transcription
that is both “faithful to the text of its source” and is
“easier to read than the original document.” Combining these
two traditions, I mean to build a case for a kind of a
systematic minimalism when it comes to our use of computers,
a minimalism that privileges access to source materials,
ensuring legibility and comprehension. I do so in contrast to
other available modes of human–computer interaction, which
instead maximize system-centric ideals such as efficiency,
speed, performance, or security.*
- - -
a systematic minimalism(?)
a matrix based X-Y minimalism(?)
a rigid minimalism(?)
an intimate minimalism(?)
- - -

21
plaintext-partyline-txt-files/10.txt

@ -0,0 +1,21 @@
frames, form, format, form-at
...
X-Y as movements
as navigation points
as coordinates
Embodied by the monotone
and spacial strictness
of the monospace environment.
Plain text as an intimate space.
writing ::::::::::: design
writing ::::::::::: counting
design ::::::::::: counting
design administrating
while writing
Another thing is the manual possibility to intervene.
If this is the layout, this is what you get,
what you see is what you get.

14
plaintext-partyline-txt-files/11.txt

@ -0,0 +1,14 @@
||||||||||||||||||||||||||||||||||||||||
In response to bi-axial forms of writing
k n i t t i n g
e o u
e t h e r
p h n
i i i n s e r t i n g
n n n e
g g g l
l
i
n
g

29
plaintext-partyline-txt-files/12.txt

@ -0,0 +1,29 @@
,__ __ _ _ ,
/| | | | | o | | /| / o o
| | | __ | | | | _ |__/ _ _ _|__|_ _ _ __,
| | | / \_|/ \_| |/ |/ | \ / |/ | | | | | / |/ | / |
| | |_/\__/ \_/ |_/|__/|__/ | \_/ | |_/|_/|_/|_/|_/ | |_/\_/|/
/|
\|
____ _ _ ____ _ _
/ ___| __ _ __| (_) ___ | _ \| | __ _ _ __ | |_
\___ \ / _` |/ _` | |/ _ \ | |_) | |/ _` | '_ \| __|
___) | (_| | (_| | | __/ | __/| | (_| | | | | |_
|____/ \__,_|\__,_|_|\___| |_| |_|\__,_|_| |_|\__|
I know an old Swiss woman who has knitted socks for 80 years. She is the cur-
rent matriarch of a family that has been rooted in the same Swiss canton for
countless generations. Marriages have always been made locally; family mem-
bers have rarely traveled far. Now she has 15 grown-up grandchildren. Ten of
them have settled with foreigners and several live abroad. Her family – so Swiss,
white, and Protestant for so long – now extends across three continents and
includes Hungarians, Romanians, Russians, Italians, English, Jamaicans, Koreans,
Somalis and Canadians. In one jump, this monocultural family has become
multinational, multiracial, multi-faith. There are Buddhists, Catholics, a Muslim;
African and Asian great-grandchildren. It took her a while to get used to it, this
sudden distribution of her close-knit, close-by family. But now she knits socks
for all of them, even parceling them up to send to her in-laws in Africa or the
Americas. They are good socks and make useful gifts. And so many people in this
dispersed and extended family wear them that they also seem to function as this
great-grandmother’s way of adding to their connectivity and, perhaps, knitting
them all into her own life.

40
plaintext-partyline-txt-files/13.txt

@ -0,0 +1,40 @@
GNU nano 5.4 plaintext-partyline
3-char crossings
gambling supporting programming casting learning
beginning spelling passing pottering casting
anything micromeshing pulsing interacting weaving
running plying telling nothing nothing
nothing anything thing taking something
Everything banding woz:king lating working
thinking of"making Isolating consisting calculating
having forming reexamining superseding working
relating ·having prefacing acting unwilling
anything being writing providing reinforcing
leading supporting providing ganizing writing
retrieving cross-referencing dealing arranging retrieving
leaking seeping overflowing beginning curtailing
"criss-crossing highlighting establishing connecting overlapping
running going exercising everything weaving
inning existing becoming feeding underlying
nudging being guiding washing unfolding
implementing weaving gathering picking connecting
belonging being corresponding during Supposing
according weaving weaving being long-standing
publishing "thinking processing carrying weaving
looking offSpring nothing excepting embodying
performing expecting adding rotating backing
according bringing preceding filing having
preparing "recurring occurring recurring "eating
appearing proceeding beginning thinking seeing
constructing being distributing combining devising
drawing anything regarding engineering manufacturing
ting leading Turning Planing including
ing computing assembling weaving backing
following ..Unbuttoning having programming Having
plaiting causing making folding interlacing
thrusting hiding something concealing working
missing weaving copying faking ing
nothing nothing standing nothing making
--ing crossings

27
plaintext-partyline-txt-files/14.txt

@ -0,0 +1,27 @@
THE NEW ada the the eve eve eve 100 102
103 104 109 112 114 115 121 124 125 127
131 137 140 143 144 151 152 153 154 156
sea 165 176 man 166 171 177 182 185 191
199 210 xyz 218 214 194 the eve 233 237
239 244 248 250 253 off 223 229 256 257
297 307 ble the all me. and one the and
and and and had way the for and was to,
and did not any was for the was had way
for had it, And us. The Far too for us.
was and our had all our had had our had
and and few the who did had un ­ had and
not way our own all and for are Sun The
Art war ada met she was her its Ada she
was Ada the who had her was the the had
for "We see the her the its the 2nd 3rd
and the the the Ada she its and saw the
the hen had the En­ was the his had the
and the was all one had but and "in the
the the Mr. had it, put was two The the
and its his was the the had the the for
new him the the his the new the the the
the the for the was or, the far The who
had the not was now new set the En ­ did
his new old few one our and in ­ out the
has and the for his new was his the had
his the the but had are Ada "to you ...

25
plaintext-partyline-txt-files/15.txt

@ -0,0 +1,25 @@
╔═══╗ ╔═════╗ ╔══════════╗ ╔═════╗ ╔═══╗
╔═╝ ║ ║ ║ ╔═╝ ╓───╖╖ ╚═╗ ║ ║ ║ ╚═╗
║ ╔═║═══╗ ╔═║═══╗ ╙ ║║ ╔═║═║═╗ ╔═══║═╗ ║
╚═══║═╝ ╚═══║═╝ ║ ║ ╓───╜╜ ║ ║ ╚═║═══╝ ╚═║═══╝
╔═════╗ ╔═║═══╗ ║ ║ ║ ╓╓ ║ ║ ╔═══║═╗ ╔═════╗
║ ╚═║═══╝ ╚═║═║═╝ ╙───╜╜ ╚═══║═╝ ╚═══║═╝ ║
║ ╔═══║═╗ ║ ║ chapter ║ ║ ╔═║═══╗ ║
╚═════╝ ╚═║═══╝ ╚══════════════╝ ╚═══║═╝ ╚═════╝
╔═══║═╗ ║ '%(}░▒█████████▒░[\< ║ ╔═║═══╗
║ ╚═║═══╝ '/))░▒███████████▒░(%` ╚═══║═╝ ║
║ ╔═════╗ +&░▒█▀▀██/█████\\█▓)*' ╔═════╗ ║
╚═════╝ ║ "<<░▒▄██▄░███░▄▀▀██▓{< ║ ╚═════╝
╔═══║═╗ ║ █ ░▒░(o)░░█░░(x)░░▓ █ ║ ╔═║═══╗
║ \ ╚═║═══╝ █ ░▒███▓▓░█▓▓▒█▒▒▒▒ █ ╚═══║═╝ / ║
║ / \ ║ ▒ ▒██████<▀>██████▒ ▒ ║ / \ ║
║ \ / ║ ▒████▓█░░░█▓████▒ ║ \ / ║
║ / \ ║ ░███░░▄▄_ %███░ ║ / \ ║
║ \ / ║ ░▒███▒^^███▒░ ║ \ / ║
║ / \ ║ /-░▓██████▒░ -\\ ║ / \ ║
║ \ / ║ [::-- ---::\ ║ \ / ║
║ / \ ║ ╔════════════════════════╗ ║ / \ ║
║ \ / ║ ║ [1] Hello stranger! ║ ║ \ / ║
║ / \ ╚════╝ [2] Stop staring! ╚════╝ / \ ║
╚══════════════════════════════════════════════╝
<3!!!

82
plaintext-partyline-txt-files/16.txt

@ -0,0 +1,82 @@
'''''''''
'''''''''
pdftotext
brutally converting the one format into the other
quick access to many many words
sadie plant
FOURTH
ESTATE
LONDON
^Lzeros
+
ones
DIGITAL WOMEN
+ THE NEW
TECHNOCULTURE
^L^Lc o ntents
Using Xpdf with traces back to 1995,
from the open source times of Glyph & Cog, LLC.
Just some line shifting
Plain Text Party Line
n Text Party Line Plai
xt Party Line Plain Te
arty Line Plain Text P
Line Plain Text Party
e Plain Text Party Lin
ain Text Party Line Pl
Text Party Line Plain
Party Line Plain Text
ty Line Plain Text Par
ine Plain Text Party L
Plain Text Party Line
n Text Party Line Plai
xt Party Line Plain Te
arty Line Plain Text P
Line Plain Text Party
e Plain Text Party Lin
ain Text Party Line Pl
Text Party Line Plain
Party Line Plain Text
ty Line Plain Text Par
ine Plain Text Party L
Imagine it moving PaRTY!<3
Plain Text Party Line
Plain Text Party Line
e Plain Text Party Lin
ne Plain Text Party Li
ine Plain Text Party L
Line Plain Text Party
Line Plain Text Party
y Line Plain Text Part
ty Line Plain Text Par
rty Line Plain Text Pa
arty Line Plain Text P
Party Line Plain Text
Party Line Plain Text
t Party Line Plain Tex
xt Party Line Plain Te
ext Party Line Plain T
Text Party Line Plain
Text Party Line Plain
n Text Party Line Plai
in Text Party Line Pla
ain Text Party Line Pl
lain Text Party Line P
Plain Text Party Line
https://pad.vvvvvvaria.org/ptpl

27
plaintext-partyline-txt-files/17.txt

@ -0,0 +1,27 @@
╔═╗ >
╔═══╗ ╔═════╗ ╔══════════╗ ╔═════╗ ╔═══╗
╔═╝ ║ ║ ║ ╔═╝ ─╖╖ ╚═╗ ║ ║ ║ ╚═╗
║ ╔═║═══╗ ╔═║═══╗ ║║ ╔═║═║═╗ ╔═══║═╗ ║
╚═══║═╝ ╚═══║═╝ ║ ║ ║║ ║ ║ ╚═║═══╝ ╚═║═══╝
╔═════╗ ╔═║═══╗ ║ ║ ║║ ║ ║ ╔═══║═╗ ╔═════╗
║ ╚═║═══╝ ╚═║═║═╝ ─╜╙─ ╚═══║═╝ ╚═══║═╝ ║
║ ╔═══║═╗ ║ ║ chapter ║ ║ ╔═║═══╗ ║
╚═════╝ ╚═║═══╝ ╚══════════════╝ ╚═══║═╝ ╚═════╝
╔═══║═╗ ║ ░▀ ▀░ ║ ╔═║═══╗
║ ╚═║═══╝ ░▌ █████ ▐░ ╚═══║═╝ ║
║ ╔═════╗ ░▌▄█▀███▀█▄▐░ ╔═════╗ ║
╚═════╝ ║ ░█ o █ x █ ║ ╚═════╝
╔═══║═╗ ║ ▐██▄███▄██▌ ║ ╔═║═══╗
║ ╚═║═══╝ ████■████ ╚═══║═╝ ║
║ ║ ▐░███████░▌ ║ ║
║ (( ║ ▐░ ▌▌▌▌▌▌▌ ░▌ ║ )) ║
║ )) ║ ░▄ ▄▄▄▄▄ ▄░ ║ (( ║
║ (( ║ ▀▀▀ ║ )) ║
║ )) ║ ╔════════════════════════╗ ║ (( ║
║ (( ║ ║ [1] Enter this space ║ ║ )) ║
║ ╚════╝ [2] Run away! ╚════╝ ║
╚══════════════════════════════════════════════╝
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[super beautiful]
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