@ -10,9 +10,9 @@ summary: Let's create a radiophonic piece together! Reni Hofmüller will introdu
Let's create a radiophonic piece together!
**Reni Hofmüller** will introduce us to radio and the idea of catching the waves artistically and technically. We invite you to join a radio improvisation work, by using and adapting the time- and material structuring method of the Polyphonic Ensemble (https://renitentia.mur.at/polyphonic.html).
**Reni Hofmüller** will introduce us to radio and the idea of catching the waves artistically and technically. We invite you to join a radio improvisation work, by using and adapting the time- and material structuring method of the Polyphonic Ensemble (<ahref="https://renitentia.mur.at/polyphonic.html">https://renitentia.mur.at/polyphonic.html</a>).
*Polyphonic Ensemble* is a sound structuring system. Sound will be defined in a set of groups: language, rhythm, noise, silence. The participants become musicians/dj's/real time composers, choosing material from their own acoustic archives following these descriptions; they are subdivided in groups defined by colours; the composer becomes the conducter; the conducting material is a series of drawings that contain colour and sound specification, the conducter sets the timeline by switching from one drawing to the next. Based on printouts of the KORG Polyphonic Ensemble Reni sketched a visual structure for the improvisation work, and draw it on paper copies of the KORG signal pathing (https://ask.audio/articles/the-korg-prologues-core-connections-explained- the KORG: a syntheziser). The participants will choose 1 colour out of 3, and will follow the instructions (see: https://renitentia.mur.at/poly_slides.html) coming from the shared screen. Of course the sounds can be anything. There will be three sound groups: noise, rhythm and language. And that is basically it!
*Polyphonic Ensemble* is a sound structuring system. Sound will be defined in a set of groups: language, rhythm, noise, silence. The participants become musicians/dj's/real time composers, choosing material from their own acoustic archives following these descriptions; they are subdivided in groups defined by colours; the composer becomes the conducter; the conducting material is a series of drawings that contain colour and sound specification, the conducter sets the timeline by switching from one drawing to the next. Based on printouts of the KORG Polyphonic Ensemble Reni sketched a visual structure for the improvisation work, and draw it on paper copies of the KORG signal pathing (https://ask.audio/articles/the-korg-prologues-core-connections-explained- the KORG: a syntheziser). The participants will choose 1 colour out of 3, and will follow the instructions (see: <ahref="https://renitentia.mur.at/poly_slides.html">https://renitentia.mur.at/poly_slides.html</a>) coming from the shared screen. Of course the sounds can be anything. There will be three sound groups: noise, rhythm and language. And that is basically it!
Through this collective radio work, we will engage with a techno-feminist approach; we will share responsibilities, deconstruct the roles of making together, distribute and create new ones, take care of each other's understandings, needs, and desires; taking things apart and observe them all together.
@ -35,7 +35,7 @@ https://renitentia.mur.at/
13:10-14:00 lunch break<br>
14:00-15:00 rehearsal and recording<br>
15:00-15:20 chit-chat & wrap up <br>
15:20-16:00 live online stream open to the public at https://stream.vvvvvvaria.org/
15:20-16:00 live online stream open to the public at <ahref="https://stream.vvvvvvaria.org/">https://stream.vvvvvvaria.org/</a>
**To register, please send an email to [estragonius@protonmail.com](mailto:estragonius@protonmail.com) mentioning the name of the event in the subject line.**
