During this evening we focus on archiving De Player’s 'Pushing Scores' project. This project that researches the present-day meaning of the 'graphic score' has been running for the last 2-3 years.**[De Player](https://www.deplayer.nl/)** asked **Varia** to set up a contextual and technical environment for a web based archival publication of the project. Varia will explain its approach to this during an event with multiple presentations.
During this evening we focus on the archiving of the Pushing Scores project by**[De Player](https://www.deplayer.nl/)**; A project on the contemporary meaning of the 'graphic score', which has been running for over the last 2-3 years. What are the possibilities of graphic scores, in a day and age in which graphic notation is still usually seen as a ‘drawing’, serving as some kind of sheet music?
**[Valentina Vuksic](http://trippingthroughruntime.net/)** will perform a live set. She approaches computers with transducers that transform electromagnetic radiation into sound in choreographically setups, the ‘runtime’ of executed software is staged for an audience to provide an acoustic experience of logic encountering the physical world.
To communicate the project to a larger audience DE PLAYER asked **Varia** to develop a context and technical environment as a web-based archival publication for the Pushing Scores project. The idea is that this material will be embodied by a dynamic, accessible and therefore active archive, which creates new relations, new perspectives and, at its best, new concepts for the production and/or processes of making scores. Varia will explain their ideas and approach on this matter.
**[De Player](https://www.deplayer.nl/)** asked **Varia** to set up a contextual and technical environment for a web based archival publication of the project. Varia will explain its approach to this during an event with multiple presentations.
**[Valentina Vuksic](http://trippingthroughruntime.net/)** will bring a live performance in which she approaches computers with transducers that transform electromagnetic radiation into sound within choreographically setups. The ‘runtime’ of executed software is staged for an audience to provide an acoustic experience: that of logic encountering the physical world.
**[Ana Guedes](http://www.ana-guedes.com/)** is introducing her project Untitled Records; a performative sound installation weaving historical and emotional narratives through the “instrumentalisation” of a collection of records.
