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Hello Plaintext Paryliners! |
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So nice to find you here, this is the working area and hangout spot of the |
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plaintext weekend :---). |
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We look so much forward to be working with you on plaintext in different ways: |
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plaintext making, |
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plaintext tools, |
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plaintext layouts, |
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plaintext readings, etc, etc. |
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Let's take the weekend to sit with all these materials and enjoy them. |
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How can plaintext make space for relearning |
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the materialy and weight of technology? |
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How can the modest space of the rigid X-Y axis |
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be a generative ground for bendings and curves? |
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This collective work moment is semi-public, this pad is our shared "backend" |
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and meeting place, from which we can publish any kind of outcomes: |
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- There is an online mirror of this pad (which updates itself every minute), |
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we can work together on a plaintext publication \o/ |
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- We will put different things on display in the windows of Varia \o/ |
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Any type of outcomes can be copypasted here on this pad and be transformed |
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into a plaintext publication at the end :---). |
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So feel free to let this pad grow into unforseen dimensions!! |
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line.py |
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__ |
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/ /\ |
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/ / \ |
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/ / \__________ |
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/ / \ /\ |
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/_/ \ / / |
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___\ \ ___\____/_/_ |
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/____\ \ /___________/\ |
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\ \ \ \ \ \ |
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\ \ \ \____ \ \ |
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\ \ \ / /\ \ \ |
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\ / \_\/ / / \ \ |
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\ / / /__________\/ |
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/ / / / |
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/ / / / |
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/________/ /\ / |
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\________\/\ \ / |
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\_\/jiri |
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3d X-Y matrix |
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░█▀█░█▀█░█▀▄░▀█▀░█░█░█░░░▀█▀░█▀█░█▀▀ |
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░█▀▀░█▀█░█▀▄░░█░░░█░░█░░░░█░░█░█░█▀▀ |
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o |
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_<|>_ |
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o o o o o o o o o o o o o__ __o/ \o__ __o o o__ __o/ |
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<|> <|> <|> <|> <|> <|> <|> <|> <|> <|> <|> <|> /v | | |> <|> /v | |
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< > < > < > < > < > < > < > < > < > < > < > < > /> / \ / \ < > / \ /> / \ |
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\o o/ \o o/ \o o/ \o o/ \o o/ \o o/ \ \o/ \o/ \o/ \ \o/ |
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v\ /v v\ /v v\ /v v\ /v v\ /v v\ /v o | | | o | |
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<\/> <\/> <\/> <\/> <\/> <\/> <\__ / \ / \ / \ <\__ / \ |
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╔═════╗ ╔═════╗ ╔═════╗ ╔═════╗ ╔═════╗ ╔═════╗ ╔═════╗ ╔═════╗ ╔═════╗ |
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║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ |
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║ ╔═║═══╗ ╔═║═══╗ ║ ║ ╔═║═══╗ ╔═║═══╗ ║ ║ ╔═║═══╗ ╔═║═══╗ ║ |
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╚═══║═╝ ╚═══║═╝ ╚═════╝ ╚═══║═╝ ╚═══║═╝ ╚═════╝ ╚═══║═╝ ╚═══║═╝ ╚═════╝ |
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╔═════╗ ╔═║═══╗ ╔═║═══╗ ╔═════╗ ╔═║═══╗ ╔═║═══╗ ╔═════╗ ╔═║═══╗ ╔═║═══╗ |
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║ ╚═║═══╝ ╚═║═══╝ ╔═║═══════╗ ╚═║═══╝ ╚═║═══╝ ╔═║══════╗ ╚═║═══╝ ╚═║═══╝ ║ |
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║ ╔═══║═╗ ╔═══║═╗ ╚═══════║═╝ ╔═══║═╗ ╔═══║═╗ ╚══════║═╝ ╔═══║═╗ ╔═══║═╗ ║ |
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╚═════╝ ╚═║═══╝ ╚═║═══╝ ╚═════╝ ╚═║═══╝ ╚═║═══╝ ╚═════╝ ╚═║═══╝ ╚═║═══╝ |
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╔═══║═╗ ╔═══║═╗ ║ ║ ╔═══║═╗ ║ ║ ╔═══║═╗ ╔═════╗ |
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║ ╚═║═══╝ ╚═║═══╝ ╚═════╝ ╚═║═══╝ ╚═════╝ ╚═║═══╝ ║ |
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║ ╔═══║═╗ ║ ║ ║ ║ ╔═══║═╗ ║ |
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╚═════╝ ╚═║═══╝ ╚═════╝ ╚═══║═╝ ╚═════╝ |
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╔═══║═╗ ║ ║ ╔═║═══╗ |
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║ ╚═║═══╝ ╚═══║═╝ ║ |
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║ ║ ║ ║ |
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║ ║ Once upon a time... on a server many, many hops ║ ║ |
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║ ║ away, a file was cat. In the dark depths of a ║ ║ |
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║ ║ long forgotten folder, it had been waiting for ║ ║ |
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║ ║ the day an unsupsecting visitor would stumble ║ ║ |
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║ ║ upon it. ║ ║ |
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║ ║ ║ ║ |
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║ ║ ║ ║ |
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║ ╚════════════════════════════════════════════════════════════════╝ ║ |
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║ ║ |
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╚════════════════════════════════════════════════════════════════════════════╝ |
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p------------------------------------------------p |
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--l--------------------------------------------l-- |
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----a----------------------------------------a---- |
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------i------------------------------------i------ |
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--------n--------------------------------n-------- |
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----------t----------------------------t---------- |
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------------e------------------------e------------ |
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--------------x--------------------x-------------- |
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----------------t----------------t---------------- |
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------------------ ------------ ------------------ |
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--------------------p--------p-------------------- |
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----------------------a----a---------------------- |
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------------------------rr------------------------ |
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-----------------------t--t----------------------- |
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---------------------y------y--------------------- |
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-------------------l----------l------------------- |
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-----------------i--------------i----------------- |
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---------------n------------------n--------------- |
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-------------e----------------------e------------- |
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-----------!--------------------------!----------- |
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--------- ------------------------------p--------- |
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-------p----------------------------------l------- |
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-----l--------------------------------------a----- |
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---a------------------------------------------i--- |
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-i----------------------------------------------n- |
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cross.py |
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▓▓▓▓▓▓ ▓▓▓▓▓▓ ▓▓▓▓▓▓ ▓▓▓▓ ▓▓▓▓▓▓▓▓▓▓ |
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*Plain Text tells a story of a major morphological shift affecting cultural production, |
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particularly as it relates to the mechanics of reading and writing. |
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|
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Were I to interrupt |
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a digital typist to ask, “Where do these words reside?” I would likely receive several |
|||
conflicting answers in response. In some sense, the words are on-screen, where they |
|||
can be viewed. In another sense, they are somewhere within the machine, on remote and |
|||
hermeneutically sealed surfaces: silicon chips, hard drives, flash memory cards. In yet |
|||
another sense, visible signs are still further removed from the contexts of their |
|||
production. |
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|
|||
The word is in the wires. It spreads across servers, routers, and data |
|||
centers. What was once apparent takes on a more complex structure, stretched across |
|||
planes and temporalities. |
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|
|||
The book—this book, any book—gains a new shape. |
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|
|||
Digital texts |
|||
form a live lattice, a multidimensional grid, that connects a letter’s tactile response |
|||
at one’s fingertips to its optic and electromagnetic traces.* |
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|
|||
🕮 -- Dennis Tenen, Plain Text - The Poetics of Computation |
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https://monoskop.org/media/text/tenen_2017_plain_text/ |
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@ -0,0 +1,36 @@ |
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~~~ |
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~~~ |
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~~~ |
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~~~ |
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\~~ |
|||
*Plain text: a file format and a frame of mind.* | |
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| | |
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| 🕮 https://monoskop.org/media/text/tenen_2017_plain_text/ 🕮 | |
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| | |
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|||||||||||||||||||D|e|n|n|i|s| |T|e|n|e|n||||||||||||||||||||||| |
|||
|
|||
*I appeal to the idea of plain text in the title of this book |
|||
to signal an affinity with a particular mode of computational |
|||
meaning making.* |
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|
|||
*Plain text stands in opposition to “fancy text,” that is, |
|||
“text representation consisting of plain text plus added |
|||
information.” In the tradition of American textual criticism, |
|||
plain text alludes to an editorial method of text transcription |
|||
that is both “faithful to the text of its source” and is |
|||
“easier to read than the original document.” Combining these |
|||
two traditions, I mean to build a case for a kind of a |
|||
systematic minimalism when it comes to our use of computers, |
|||
a minimalism that privileges access to source materials, |
|||
ensuring legibility and comprehension. I do so in contrast to |
|||
other available modes of human–computer interaction, which |
|||
instead maximize system-centric ideals such as efficiency, |
|||
speed, performance, or security.* |
|||
|
|||
|
|||
- - - |
|||
a systematic minimalism(?) |
|||
a matrix based X-Y minimalism(?) |
|||
a rigid minimalism(?) |
|||
an intimate minimalism(?) |
|||
- - - |
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@ -0,0 +1,21 @@ |
|||
frames, form, format, form-at |
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|
|||
... |
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|
|||
X-Y as movements |
|||
as navigation points |
|||
as coordinates |
|||
Embodied by the monotone |
|||
and spacial strictness |
|||
of the monospace environment. |
|||
|
|||
Plain text as an intimate space. |
|||
writing ::::::::::: design |
|||
writing ::::::::::: counting |
|||
design ::::::::::: counting |
|||
design administrating |
|||
while writing |
|||
Another thing is the manual possibility to intervene. |
|||
If this is the layout, this is what you get, |
|||
what you see is what you get. |
|||
|
|||
@ -0,0 +1,14 @@ |
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|||||||||||||||||||||||||||||||||||||||| |
|||
In response to bi-axial forms of writing |
|||
|
|||
k n i t t i n g |
|||
e o u |
|||
e t h e r |
|||
p h n |
|||
i i i n s e r t i n g |
|||
n n n e |
|||
g g g l |
|||
l |
|||
i |
|||
n |
|||
g |
|||
@ -0,0 +1,29 @@ |
|||
,__ __ _ _ , |
|||
/| | | | | o | | /| / o o |
|||
| | | __ | | | | _ |__/ _ _ _|__|_ _ _ __, |
|||
| | | / \_|/ \_| |/ |/ | \ / |/ | | | | | / |/ | / | |
|||
| | |_/\__/ \_/ |_/|__/|__/ | \_/ | |_/|_/|_/|_/|_/ | |_/\_/|/ |
|||
/| |
|||
\| |
|||
____ _ _ ____ _ _ |
|||
/ ___| __ _ __| (_) ___ | _ \| | __ _ _ __ | |_ |
|||
\___ \ / _` |/ _` | |/ _ \ | |_) | |/ _` | '_ \| __| |
|||
___) | (_| | (_| | | __/ | __/| | (_| | | | | |_ |
|||
|____/ \__,_|\__,_|_|\___| |_| |_|\__,_|_| |_|\__| |
|||
|
|||
I know an old Swiss woman who has knitted socks for 80 years. She is the cur- |
|||
rent matriarch of a family that has been rooted in the same Swiss canton for |
|||
countless generations. Marriages have always been made locally; family mem- |
|||
bers have rarely traveled far. Now she has 15 grown-up grandchildren. Ten of |
|||
them have settled with foreigners and several live abroad. Her family – so Swiss, |
|||
white, and Protestant for so long – now extends across three continents and |
|||
includes Hungarians, Romanians, Russians, Italians, English, Jamaicans, Koreans, |
|||
Somalis and Canadians. In one jump, this monocultural family has become |
|||
multinational, multiracial, multi-faith. There are Buddhists, Catholics, a Muslim; |
|||
African and Asian great-grandchildren. It took her a while to get used to it, this |
|||
sudden distribution of her close-knit, close-by family. But now she knits socks |
|||
for all of them, even parceling them up to send to her in-laws in Africa or the |
|||
Americas. They are good socks and make useful gifts. And so many people in this |
|||
dispersed and extended family wear them that they also seem to function as this |
|||
great-grandmother’s way of adding to their connectivity and, perhaps, knitting |
|||
them all into her own life. |
|||
@ -0,0 +1,40 @@ |
|||
GNU nano 5.4 plaintext-partyline |
|||
3-char crossings |
|||
|
|||
gambling supporting programming casting learning |
|||
beginning spelling passing pottering casting |
|||
anything micromeshing pulsing interacting weaving |
|||
running plying telling nothing nothing |
|||
nothing anything thing taking something |
|||
Everything banding woz:king lating working |
|||
thinking of"making Isolating consisting calculating |
|||
having forming reexamining superseding working |
|||
relating ·having prefacing acting unwilling |
|||
anything being writing providing reinforcing |
|||
leading supporting providing ganizing writing |
|||
retrieving cross-referencing dealing arranging retrieving |
|||
leaking seeping overflowing beginning curtailing |
|||
"criss-crossing highlighting establishing connecting overlapping |
|||
running going exercising everything weaving |
|||
inning existing becoming feeding underlying |
|||
nudging being guiding washing unfolding |
|||
implementing weaving gathering picking connecting |
|||
belonging being corresponding during Supposing |
|||
according weaving weaving being long-standing |
|||
publishing "thinking processing carrying weaving |
|||
looking offSpring nothing excepting embodying |
|||
performing expecting adding rotating backing |
|||
according bringing preceding filing having |
|||
preparing "recurring occurring recurring "eating |
|||
appearing proceeding beginning thinking seeing |
|||
constructing being distributing combining devising |
|||
drawing anything regarding engineering manufacturing |
|||
ting leading Turning Planing including |
|||
ing computing assembling weaving backing |
|||
following ..Unbuttoning having programming Having |
|||
plaiting causing making folding interlacing |
|||
thrusting hiding something concealing working |
|||
missing weaving copying faking ing |
|||
nothing nothing standing nothing making |
|||
|
|||
--ing crossings |
|||
@ -0,0 +1,27 @@ |
|||
THE NEW ada the the eve eve eve 100 102 |
|||
103 104 109 112 114 115 121 124 125 127 |
|||
131 137 140 143 144 151 152 153 154 156 |
|||
sea 165 176 man 166 171 177 182 185 191 |
|||
199 210 xyz 218 214 194 the eve 233 237 |
|||
239 244 248 250 253 off 223 229 256 257 |
|||
297 307 ble the all me. and one the and |
|||
and and and had way the for and was to, |
|||
and did not any was for the was had way |
|||
for had it, And us. The Far too for us. |
|||
was and our had all our had had our had |
|||
and and few the who did had un had and |
|||
not way our own all and for are Sun The |
|||
Art war ada met she was her its Ada she |
|||
was Ada the who had her was the the had |
|||
for "We see the her the its the 2nd 3rd |
|||
and the the the Ada she its and saw the |
|||
the hen had the En was the his had the |
|||
and the was all one had but and "in the |
|||
the the Mr. had it, put was two The the |
|||
and its his was the the had the the for |
|||
new him the the his the new the the the |
|||
the the for the was or, the far The who |
|||
had the not was now new set the En did |
|||
his new old few one our and in out the |
|||
has and the for his new was his the had |
|||
his the the but had are Ada "to you ... |
|||
@ -0,0 +1,25 @@ |
|||
╔═══╗ ╔═════╗ ╔══════════╗ ╔═════╗ ╔═══╗ |
|||
╔═╝ ║ ║ ║ ╔═╝ ╓───╖╖ ╚═╗ ║ ║ ║ ╚═╗ |
|||
║ ╔═║═══╗ ╔═║═══╗ ╙ ║║ ╔═║═║═╗ ╔═══║═╗ ║ |
|||
╚═══║═╝ ╚═══║═╝ ║ ║ ╓───╜╜ ║ ║ ╚═║═══╝ ╚═║═══╝ |
|||
╔═════╗ ╔═║═══╗ ║ ║ ║ ╓╓ ║ ║ ╔═══║═╗ ╔═════╗ |
|||
║ ╚═║═══╝ ╚═║═║═╝ ╙───╜╜ ╚═══║═╝ ╚═══║═╝ ║ |
|||
║ ╔═══║═╗ ║ ║ chapter ║ ║ ╔═║═══╗ ║ |
|||
╚═════╝ ╚═║═══╝ ╚══════════════╝ ╚═══║═╝ ╚═════╝ |
|||
╔═══║═╗ ║ '%(}░▒█████████▒░[\< ║ ╔═║═══╗ |
|||
║ ╚═║═══╝ '/))░▒███████████▒░(%` ╚═══║═╝ ║ |
|||
║ ╔═════╗ +&░▒█▀▀██/█████\\█▓)*' ╔═════╗ ║ |
|||
╚═════╝ ║ "<<░▒▄██▄░███░▄▀▀██▓{< ║ ╚═════╝ |
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╔═══║═╗ ║ █ ░▒░(o)░░█░░(x)░░▓ █ ║ ╔═║═══╗ |
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║ \ ╚═║═══╝ █ ░▒███▓▓░█▓▓▒█▒▒▒▒ █ ╚═══║═╝ / ║ |
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║ / \ ║ ▒ ▒██████<▀>██████▒ ▒ ║ / \ ║ |
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║ \ / ║ ▒████▓█░░░█▓████▒ ║ \ / ║ |
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║ / \ ║ ░███░░▄▄_ %███░ ║ / \ ║ |
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║ \ / ║ ░▒███▒^^███▒░ ║ \ / ║ |
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║ / \ ║ /-░▓██████▒░ -\\ ║ / \ ║ |
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║ \ / ║ [::-- ---::\ ║ \ / ║ |
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║ / \ ║ ╔════════════════════════╗ ║ / \ ║ |
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║ \ / ║ ║ [1] Hello stranger! ║ ║ \ / ║ |
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║ / \ ╚════╝ [2] Stop staring! ╚════╝ / \ ║ |
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╚══════════════════════════════════════════════╝ |
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<3!!! |
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@ -0,0 +1,82 @@ |
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''''''''' |
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''''''''' |
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pdftotext |
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brutally converting the one format into the other |
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quick access to many many words |
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|
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sadie plant |
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FOURTH |
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ESTATE |
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• |
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LONDON |
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^Lzeros |
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+ |
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ones |
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DIGITAL WOMEN |
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+ THE NEW |
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TECHNOCULTURE |
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^L^Lc o ntents |
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Using Xpdf with traces back to 1995, |
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from the open source times of Glyph & Cog, LLC. |
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Just some line shifting |
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Plain Text Party Line |
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n Text Party Line Plai |
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xt Party Line Plain Te |
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arty Line Plain Text P |
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Line Plain Text Party |
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e Plain Text Party Lin |
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ain Text Party Line Pl |
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Text Party Line Plain |
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Party Line Plain Text |
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ty Line Plain Text Par |
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ine Plain Text Party L |
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Plain Text Party Line |
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n Text Party Line Plai |
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xt Party Line Plain Te |
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arty Line Plain Text P |
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Line Plain Text Party |
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e Plain Text Party Lin |
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ain Text Party Line Pl |
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Text Party Line Plain |
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Party Line Plain Text |
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ty Line Plain Text Par |
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ine Plain Text Party L |
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|
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Imagine it moving PaRTY!<3 |
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Plain Text Party Line |
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Plain Text Party Line |
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e Plain Text Party Lin |
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ne Plain Text Party Li |
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ine Plain Text Party L |
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Line Plain Text Party |
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Line Plain Text Party |
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y Line Plain Text Part |
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ty Line Plain Text Par |
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rty Line Plain Text Pa |
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arty Line Plain Text P |
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Party Line Plain Text |
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Party Line Plain Text |
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t Party Line Plain Tex |
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xt Party Line Plain Te |
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ext Party Line Plain T |
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Text Party Line Plain |
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Text Party Line Plain |
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n Text Party Line Plai |
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in Text Party Line Pla |
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ain Text Party Line Pl |
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lain Text Party Line P |
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Plain Text Party Line |
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|
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https://pad.vvvvvvaria.org/ptpl |
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@ -0,0 +1,27 @@ |
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╔═╗ > |
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|
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╔═══╗ ╔═════╗ ╔══════════╗ ╔═════╗ ╔═══╗ |
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╔═╝ ║ ║ ║ ╔═╝ ─╖╖ ╚═╗ ║ ║ ║ ╚═╗ |
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║ ╔═║═══╗ ╔═║═══╗ ║║ ╔═║═║═╗ ╔═══║═╗ ║ |
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╚═══║═╝ ╚═══║═╝ ║ ║ ║║ ║ ║ ╚═║═══╝ ╚═║═══╝ |
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╔═════╗ ╔═║═══╗ ║ ║ ║║ ║ ║ ╔═══║═╗ ╔═════╗ |
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║ ╚═║═══╝ ╚═║═║═╝ ─╜╙─ ╚═══║═╝ ╚═══║═╝ ║ |
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║ ╔═══║═╗ ║ ║ chapter ║ ║ ╔═║═══╗ ║ |
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╚═════╝ ╚═║═══╝ ╚══════════════╝ ╚═══║═╝ ╚═════╝ |
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╔═══║═╗ ║ ░▀ ▀░ ║ ╔═║═══╗ |
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║ ╚═║═══╝ ░▌ █████ ▐░ ╚═══║═╝ ║ |
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║ ╔═════╗ ░▌▄█▀███▀█▄▐░ ╔═════╗ ║ |
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╚═════╝ ║ ░█ o █ x █ ║ ╚═════╝ |
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╔═══║═╗ ║ ▐██▄███▄██▌ ║ ╔═║═══╗ |
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║ ╚═║═══╝ ████■████ ╚═══║═╝ ║ |
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║ ║ ▐░███████░▌ ║ ║ |
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║ (( ║ ▐░ ▌▌▌▌▌▌▌ ░▌ ║ )) ║ |
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║ )) ║ ░▄ ▄▄▄▄▄ ▄░ ║ (( ║ |
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║ (( ║ ▀▀▀ ║ )) ║ |
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║ )) ║ ╔════════════════════════╗ ║ (( ║ |
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║ (( ║ ║ [1] Enter this space ║ ║ )) ║ |
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║ ╚════╝ [2] Run away! ╚════╝ ║ |
|||
╚══════════════════════════════════════════════╝ |
|||
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx |
|||
|
|||
[super beautiful] |
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Loading…
Reference in new issue