formatting call

Reviewed-on: #13

.gitignore

@@ -1,6 +1,7 @@
-*.pyc
-output/*
 *.pid
+*.pyc
 .DS_Store
 .swp
-plugins
+output/*
+pelican-plugins/
+.venv/

.gitmodules

@@ -1,6 +0,0 @@
-[submodule "plugins-custom"]
-	path = plugins-custom
-	url = https://git.vvvvvvaria.org/varia/plugins-custom
-[submodule "pelican-plugins"]
-	path = pelican-plugins
-	url = https://github.com/getpelican/pelican-plugins

LICENSE

@@ -0,0 +1,674 @@
+                    GNU GENERAL PUBLIC LICENSE
+                       Version 3, 29 June 2007
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+HOLDERS AND/OR OTHER PARTIES PROVIDE THE PROGRAM "AS IS" WITHOUT WARRANTY
+OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO,
+THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR
+PURPOSE.  THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE PROGRAM
+IS WITH YOU.  SHOULD THE PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF
+ALL NECESSARY SERVICING, REPAIR OR CORRECTION.
+
+  16. Limitation of Liability.
+
+  IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING
+WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MODIFIES AND/OR CONVEYS
+THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING ANY
+GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE
+USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF
+DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD
+PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS),
+EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF
+SUCH DAMAGES.
+
+  17. Interpretation of Sections 15 and 16.
+
+  If the disclaimer of warranty and limitation of liability provided
+above cannot be given local legal effect according to their terms,
+reviewing courts shall apply local law that most closely approximates
+an absolute waiver of all civil liability in connection with the
+Program, unless a warranty or assumption of liability accompanies a
+copy of the Program in return for a fee.
+
+                     END OF TERMS AND CONDITIONS
+
+            How to Apply These Terms to Your New Programs
+
+  If you develop a new program, and you want it to be of the greatest
+possible use to the public, the best way to achieve this is to make it
+free software which everyone can redistribute and change under these terms.
+
+  To do so, attach the following notices to the program.  It is safest
+to attach them to the start of each source file to most effectively
+state the exclusion of warranty; and each file should have at least
+the "copyright" line and a pointer to where the full notice is found.
+
+    cet-cat
+    Copyright (C) 2017  rscmbbng
+
+    This program is free software: you can redistribute it and/or modify
+    it under the terms of the GNU General Public License as published by
+    the Free Software Foundation, either version 3 of the License, or
+    (at your option) any later version.
+
+    This program is distributed in the hope that it will be useful,
+    but WITHOUT ANY WARRANTY; without even the implied warranty of
+    MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.  See the
+    GNU General Public License for more details.
+
+    You should have received a copy of the GNU General Public License
+    along with this program.  If not, see <http://www.gnu.org/licenses/>.
+
+Also add information on how to contact you by electronic and paper mail.
+
+  If the program does terminal interaction, make it output a short
+notice like this when it starts in an interactive mode:
+
+    cet-cat  Copyright (C) 2017  rscmbbng
+    This program comes with ABSOLUTELY NO WARRANTY; for details type `show w'.
+    This is free software, and you are welcome to redistribute it
+    under certain conditions; type `show c' for details.
+
+The hypothetical commands `show w' and `show c' should show the appropriate
+parts of the General Public License.  Of course, your program's commands
+might be different; for a GUI interface, you would use an "about box".
+
+  You should also get your employer (if you work as a programmer) or school,
+if any, to sign a "copyright disclaimer" for the program, if necessary.
+For more information on this, and how to apply and follow the GNU GPL, see
+<http://www.gnu.org/licenses/>.
+
+  The GNU General Public License does not permit incorporating your program
+into proprietary programs.  If your program is a subroutine library, you
+may consider it more useful to permit linking proprietary applications with
+the library.  If this is what you want to do, use the GNU Lesser General
+Public License instead of this License.  But first, please read
+<http://www.gnu.org/philosophy/why-not-lgpl.html>.

Makefile

@@ -1,75 +0,0 @@
-PY?=python3
-PELICAN?=pelican
-PELICANOPTS=
-
-BASEDIR=$(CURDIR)
-INPUTDIR=$(BASEDIR)/content
-OUTPUTDIR=$(BASEDIR)/output
-CONFFILE=$(BASEDIR)/pelicanconf.py
-PUBLISHCONF=$(BASEDIR)/publishconf.py
-
-
-DEBUG ?= 0
-ifeq ($(DEBUG), 1)
-	PELICANOPTS += -D
-endif
-
-RELATIVE ?= 0
-ifeq ($(RELATIVE), 1)
-	PELICANOPTS += --relative-urls
-endif
-
-help:
-	@echo 'Makefile for a pelican Web site                                           '
-	@echo '                                                                          '
-	@echo 'Usage:                                                                    '
-	@echo '   make html                           (re)generate the web site          '
-	@echo '   make clean                          remove the generated files         '
-	@echo '   make regenerate                     regenerate files upon modification '
-	@echo '   make publish                        generate using production settings '
-	@echo '   make serve [PORT=8000]              serve site at http://localhost:8000'
-	@echo '   make serve-global [SERVER=0.0.0.0]  serve (as root) to $(SERVER):80    '
-	@echo '   make devserver [PORT=8000]          serve and regenerate together      '
-	@echo '   make ssh_upload                     upload the web site via SSH        '
-	@echo '   make rsync_upload                   upload the web site via rsync+ssh  '
-	@echo '                                                                          '
-	@echo 'Set the DEBUG variable to 1 to enable debugging, e.g. make DEBUG=1 html   '
-	@echo 'Set the RELATIVE variable to 1 to enable relative urls                    '
-	@echo '                                                                          '
-
-html:
-	$(PELICAN) $(INPUTDIR) -o $(OUTPUTDIR) -s $(CONFFILE) $(PELICANOPTS)
-
-clean:
-	[ ! -d $(OUTPUTDIR) ] || rm -rf $(OUTPUTDIR)
-
-regenerate:
-	$(PELICAN) -r $(INPUTDIR) -o $(OUTPUTDIR) -s $(CONFFILE) $(PELICANOPTS)
-
-serve:
-ifdef PORT
-	$(PELICAN) -l $(INPUTDIR) -o $(OUTPUTDIR) -s $(CONFFILE) $(PELICANOPTS) -p $(PORT)
-else
-	$(PELICAN) -l $(INPUTDIR) -o $(OUTPUTDIR) -s $(CONFFILE) $(PELICANOPTS)
-endif
-
-serve-global:
-ifdef SERVER
-	$(PELICAN) -l $(INPUTDIR) -o $(OUTPUTDIR) -s $(CONFFILE) $(PELICANOPTS) -p $(PORT) -b $(SERVER)
-else
-	$(PELICAN) -l $(INPUTDIR) -o $(OUTPUTDIR) -s $(CONFFILE) $(PELICANOPTS) -p $(PORT) -b 0.0.0.0
-endif
-
-
-devserver:
-ifdef PORT
-	$(PELICAN) -lr $(INPUTDIR) -o $(OUTPUTDIR) -s $(CONFFILE) $(PELICANOPTS) -p $(PORT)
-else
-	$(PELICAN) -lr $(INPUTDIR) -o $(OUTPUTDIR) -s $(CONFFILE) $(PELICANOPTS)
-endif
-
-publish:
-	$(PELICAN) $(INPUTDIR) -o $(OUTPUTDIR) -s $(PUBLISHCONF) $(PELICANOPTS)
-
-
-.PHONY: html help clean regenerate serve serve-global devserver stopserver publish 

README.md

@@ -1,65 +1,52 @@
 # Varia website
 
-TO BE UPDATED !
+> https://varia.zone
 
-## Cloning
+## Hackity Hack Hack
 
-The folder 'plugins' is linked to the Pelican project '[pelican-plugins](https://github.com/getpelican/pelican-plugins/)' repository. To clone both the varia.website and pelican-plugins repository, add the --recurse-submodules option in your git clone command:
+```
+$ git clone https://git.vvvvvvaria.org/varia/varia.website.git
+$ cd varia.website
+$ make
+```
 
-`git clone https://git.vvvvvvaria.org/varia/varia.website.git --recurse-submodules`
+Visit the website at [localhost:8000](http://localhost:8000)
 
+## Our Tools
 
-## Install
+The Varia website is made with Pelican, a static site generator written in
-
+Python. This means that the website is first generated on a computer (using
-$ pip3 install -r requirements.txt
+Python, Jinja and Pelican) into a set of html pages, files and images. This set
-
+of documents is then uploaded to the server.
-
-## Start
-
-You can make use of the makefile, for example by running the following command to start a python server:
-
-$ make devserver
-
-Visit the website at localhost:8000
-
-
-## Update submodules
-
-We are currently using two submodules:
-
-* pelican-plugins ([https://github.com/getpelican/pelican-plugins](https://github.com/getpelican/pelican-plugins))
-* plugins-custom ([https://git.vvvvvvaria.org/varia/plugins-custom](https://git.vvvvvvaria.org/varia/plugins-custom)) 
-
-To update these submodules within your (already) cloned repository, first init the submodule, and then update it:
-
-    cd /path/to/submodule 
-
-    git submodule init
-
-    git submodule update
 
+One of the things that Pelican uses is _plugins_. They are used to add extra
+features to the generation process of the website. In this repository there is
+a folder called 'pelican-plugins' and another one called 'plugins-custom'. The
+first one, 'pelican-plugins', is linked to the offical collection of plugins from the
+Pelican project
+[pelican-plugins](https://github.com/getpelican/pelican-plugins/). The other
+one, 'plugins-custom', consists of plugins that we wrote ourself.
 
 ## Posting Content
-We're using Pelican to generate a static website. The main way to add content to the website is by making 'posts' in the folder `content`.
 
-This can be done either locally or via the gitlab interface by creating a new file.
+We're using Pelican to generate a static website. The main way to add content
-
+to the website is by making 'posts' in the folder `content`. This can be done
-Make sure that each article contains at least the following at the top of the document:
+either locally or via the gitlab interface by creating a new file. Make sure
+that each article contains at least the following at the top of the document:
 
+    ---
     Title: een nieuw initiatief
     Date: 2017-07-07 18:32
     Category: news
     Tags: event, workshop
     slug: the-name-of-the-html-page
     lang: nl OR en
+    event_start: 2017-07-07 18:32
+    event_duration:4h
+    featured_image: /images/image.png
+    ---
 
-Articles are written in a markup language called markdown. [Here](https://daringfireball.net/projects/markdown/syntax) is an overview of the syntax. You can also use the online editor in gitlab to help you. 
+Articles are written in a markup language called markdown.
-
+[Here](https://daringfireball.net/projects/markdown/syntax) is an overview of
-
+the syntax. You can also use the online editor in this Gitea interface to help
-## Layout & theme
+you.
-todo 
-
-
-## Editing templates
-todo
-

content/2017/opening.en.md

@@ -1,6 +1,6 @@
 Title: Opening Space
 Date: 2017-10-26
-Category: event
+Category: party
 Slug: opening
 lang: en
 event_start: 2017-11-03 20:00

content/2017/opening.nl.md

@@ -1,6 +1,6 @@
 Title: Opening Ruimte
 Date: 2017-10-26
-Category: event
+Category: party
 Slug: opening
 lang: nl
 event_start: 2017-11-03 20:00

content/2017/samenscholing.en.md

@@ -0,0 +1,11 @@
+Title: De Samenscholing: A Collective look at Moocs and learning 
+Date: 2017-09-12
+Category: project
+Slug: samenscholing
+lang: en
+Status: draft
+event_start: 2017-12-31 19:30
+event_duration: 3h
+featured_image: /images/schoolbells.jpg
+
+(To be translated)

content/2017/samenscholing.nl.md

@@ -0,0 +1,15 @@
+Title: De Samenscholing: Een collectieve kijk op Moocs en leren
+Date: 2017-09-12
+Category: projects
+Slug: samenscholing
+lang: nl
+Status: draft
+event_start: 2017-12-31 19:30
+event_duration: 3h
+featured_image: /images/schoolbells.jpg
+
+Het "Centrum Voor Alledaagse Technologie daagt jou uit om gezamelijk mee te doen aan een nader te bepalen Massive Online Open Course (MOOC).
+Deze MOOCS, die worden aangeboden door online platforms zoals Coursera creeeren een situatie waarin iedereen die zich niet universitair onderwijs kan veroorloven toch wordt aangespoord om thuis verder door te leren. Deze goedkope manier van zelfoptimalisering biedt behalve de verlokking van nieuwe kennis ook de hoop op (her)nieuwde carrieremogelijkheden. Echter, slechts weinigen weten dezen succesvol af te ronden. Door de vorm van het onderwijs kunnen weinigen zich de tijd en beheersing naast hun dagelijkse drukke bestaan veroorloven.
+
+Om de problemen die bij deze vorm van leren te behandelen heeft CAT besloten een laagdrempelige avondschool op te zetten onder de naam ‘De Samenscholing’. Deelnemers kunnen daarmee het isolement van deze cursussen doorbreken door gezamenlijk een MOOC te volgen. Daarbij maken we met elkaar een leeromgeving die kritisch en non-individualistisch is. Waarbij we nieuwe dingen leren om het leren zelf centraal staat en niet vanwege de eventuele praktische economische motieven. Deelnemers hoeven niet langer alleen passief en geisoleerd thuis te zitten, maar kunnen eindelijk gezamenlijk discussieren over de inhoud en de vorm van de cursus, maar ook over de cursus.
+

content/2017/sdr-workshop.en.md

@@ -0,0 +1,19 @@
+Title: Introduction To Software Defined Radio
+Date: 2017-09-09
+Category: curriculum
+Slug: sdr-intro
+lang: en
+Status: draft
+event_start: 2017-12-31 12:00
+event_duration:4h
+featured_image: /images/radio.jpg
+
+Thee air that surrounds us is filled with signals ranging from cell phone packets, commercial radio stations, wireless internet modems, airplane tracking signals, satellite broadcasts and many more... 
+
+The advent of Software-Defined Radio (SDR) has made it much easier and cheaper to learn how to receive these signals and use them for a variety of projects. This course will introduce participants to this relatively new set of open source tools known as Software Defined Radio. 
+
+The workshop is hosted by Dennis de Bel (PD0WND) and Roel Roscam Abbing. SDR Hardware is included in the course fee.
+
+* The course will be held weekly on Tuesday evenings. Depending on the interest, we aim to start in December.
+
+* Costs are 80 euros pp. (SDR hardware are included).

content/2017/sdr-workshop.nl.md

@@ -0,0 +1,23 @@
+Title: Introduction To Software Defined Radio
+Date: 2017-09-09
+Category: curriculum
+Slug: sdr-intro
+lang: nl
+status: draft
+event_start:2017-11-21 19:30
+event_duration:2h
+event-recurring: weekly until 2017-12-15
+featured_image: /images/radio.jpg
+
+De atmosfeer is voortdurend gebuld met allerlei electromagnetische signalen afkomstig van mobiele telefoons, commerciele radiostations, Wi-Fi modems, luchtvaartbeacons, satellietverbindingen en nog veeeeeel meer. 
+
+Met de komst van Software-Defined Radio (SDR - software gestuurde radio) is het veel goedkoper en makkelijker om te leren luisteren naar dit soort signalen en ze te gebruiken voor allerhande projecten. 
+
+Gedurende deze workshop nemen deelnemers kennis van SDR, de hardware, de software en hoe simpele maar effectieve antennes te ontwerpen voor de ontvangst van deze signalen. 
+
+De cursus wordt aangeboden door Dennis de Bel (PD0WND) en Roel Roscam Abbing.
+
+* De cursus wordt gedurende 4 weken wekelijks op dinsdagavond gegeven. Afhankelijk van de interesse, beginnen we begin december. 
+
+* Kosten 80 euro pp. (SDR hardware inbegrepen bij cursus).
+

content/2017/sounduncloud.en.md

@@ -0,0 +1,14 @@
+Title: Sounduncloud: A Rogue Archiving Workshop
+Category: curriculum
+Slug: sounduncloud
+lang: en
+event_start: 2017-12-01 12:00
+event_duration:6h
+status: draft
+featured-image: /images/offline_listening.png
+
+Soundcloud has narrowly avoided bankruptcy. The online platform where mixes are shared and genres such as 'soundcloud rap' emerged is in dire straits. In this short workshop we will look at rogue archival practices, help you download all your mixes and saved collcetions using Free Software tools and finally make and publish a mixtape together.
+
+* Dates: December 1st
+* Max participants: 15
+* Costs: 35 euro

content/2017/sounduncloud.nl.md

@@ -0,0 +1,14 @@
+Title: Sounduncloud: A Rogue Archiving Workshop
+Category: curriculum
+Slug: sounduncloud
+lang: nl
+event_start: 2017-12-01 12:00
+event_duration: 6h
+status: draft
+featured_image: /images/offline_listening.png
+
+Soundcloud is onlangs op het nippertje gered van fallisement. Dit online platform waar allerhande mixes en genres zoals 'soundcloud rap' zijn ontstaan is nog echter niet buiten gevaar. In deze korte workshop gericht op informele en doe-het-zelf archivering helpen we je al je mixes en collecties te downloaden m.b.h vrije software. De gearchiveerde resultaten publiceren vervolgens als een micro-SD mixtape.
+
+* Datum: 1 december
+* Maximaal aantal deelnemers: 15
+* Kosten: 35 euro

content/2018/druk-concerts.en.md

@@ -7,9 +7,9 @@ Event_start: 2018-11-24 20:00
 event_duration: 3h
 featured_image: /images/druk-concert.jpg
 Tags: music, fluxus, improv, revival
-Summary: Because we can't always keep the pressure on, we've added a musical intermezzo during [Woodstone Kugelblitz: Druk In Varia](/en/woodstonekugelblitz-druk.en.md).
+Summary: Because we can't always keep the pressure on, we've added a musical intermezzo during Woodstone Kugelblitz: Druk In Varia.
 
-Because we can't always keep the pressure on, we've added a musical intermezzo during [Woodstone Kugelblitz: Druk In Varia](/woodstonekugelblitz-druk.en.md).
+Because we can't always keep the pressure on, we've added a musical intermezzo during Woodstone Kugelblitz: Druk In Varia.
 
 And what an intermezzo it is!
 

content/2018/druk-concerts.nl.md

@@ -7,9 +7,9 @@ Event_start: 2018-11-24 20:00
 event_duration: 3h
 featured_image: /images/druk-concert.jpg
 Tags: music, fluxus, improv, revival
-Summary:Omdat de boog niet altijd gespannen kan staan, lassen we tijdens het evenement [Woodstone Kugelblitz: Druk In Varia](/en/woodstonekugelblitz-druk.nl.md) een muzikale pauze in.
+Summary:Omdat de boog niet altijd gespannen kan staan, lassen we tijdens het evenement Woodstone Kugelblitz: Druk In Varia een muzikale pauze in.
 
-Omdat de boog niet altijd gespannen kan staan, lassen we tijdens het evenement [Woodstone Kugelblitz: Druk In Varia](/woodstonekugelblitz-druk.nl.md) een muzikale pauze in.
+Omdat de boog niet altijd gespannen kan staan, lassen we tijdens het evenement Woodstone Kugelblitz: Druk In Varia een muzikale pauze in.
 
 En wat voor een pauze!
 

content/2018/social-media-next-steps.md

@@ -0,0 +1,55 @@
+Title:re: social media critique: next steps?
+Date: 2018-01-28
+Category: article
+Slug: sm-critique-next-steps
+lang: en
+author: Roel Roscam Abbing
+status: draft
+summary: In january of 2018 a discussion on [Nettime](https://nettime.org/Lists-Archives/nettime-l-1801/msg00045.html) took place on the question what next steps for social media critique could be. As criticism of large social media platforms becomes increasingly commonplace in popular media and even from within Silicon Valley itself, the discussion centered around the question of what the role of critical communities like nettime could be. Since the discussion missed some context on recent developments from the non-GAFA/Free Software developments in this field media I've replied with some comments.
+
+In january of 2018 a discussion on [Nettime](https://nettime.org/Lists-Archives/nettime-l-1801/msg00045.html) took place on the question what next steps for social media critique could be. As criticism of large social media platforms becomes increasingly commonplace in popular media and even from within Silicon Valley itself, the discussion centered around the question of what the role of critical communities like nettime could be. Since the discussion missed some context on recent developments from the non-GAFA[ref]Google/Amazon/Facebook/Apple[/ref]/Free Software developments in this field media I've replied with some comments.
+
+> This is in the end what Silicon Valley tries to prevent at all cost:
+> resistance and exodus. How can such a momentum be unleashed?
+
+So aside from the discussion of who listens (or didn't listen) to whose opinion it can be interesting to have a closer look at action and momentum.
+
+Three projects caught my attention and I think could be an interesting case for this 'next steps' discussion:
+
+Mastodon (2016) en Conversations (2014) and Peertube (2015)[ref]These are the dates of the project's source code first appearing in public, they are still actively updated and used.[/ref]
+
+All three are projects that during the past twelve months have somehow reinvigorated (the work on, attention for) their underlying protocols. Protocols that have been proclaimed dead or unsuccessful for many years. And probably will be for more to come.
+
+The first one, Mastodon [ref][https://joinmastodon.org/](https://joinmastodon.org/)[/ref], you may have read about or even tried out. It is essentially a twitter clone / alternative. Technically it is based on Ostatus, which is a protocol to distribute status updates across networks. Ostatus is the protocol that powered early 'alternative 2.0 style' social networks such as Friendica and Lorea. The latter was a product of and important site of organization for the Spanish Indignados and 15M movements. Mastodon also supports ActivityPub which is the likely successor of Ostatus as a protocol for
+further ongoing work on so-called federated publishing. The interesting thing is that Mastodon managed to attract a good chunk of the recent Twitter refugees. These where mostly voices which aren't white, loud or extreme right wing and for those reasons felt themselves increasingly out of place on twitter. Mastodon communities managed to involve so many of these people by focusing on developing tools for community moderation, content warnings and the ability to block other instances in the network. As a result (the english language) Mastodon became a site that is predominantly populated by the queer, PoC, left and artistic, or anyone that would otherwise be at risk of being on the receiving end of the Gamergate-style interactions on twitter. The decentralized nature of
+Mastodon has created a culture of 'thematic mastodon servers (see https://instances.social/list) that have become a large part of what makes the network interesting and relevant to its several hundredthousand users.
+
+
+Conversations [ref][https://conversations.im](https://conversations.im/)[/ref] is a messaging application that is based on the very old XMPP protocol. This is a chat protocol
+which has at one point also been the underlying technology of both Google and Facebook chat before they closed it down and made it proprietary. From the onset Conversations focused on a combination of user friendliness, security and ultimately visual design to be on par with mobile messengers such as whatsapp and telegram. The work of Conversations has reinvigorated the XMPP protocol. Partly because it focused on implementing the double-ratchett encryption algorithm almost immediately after it was open-sourced. This is the modern userfriendly end-to-end encryption algorithm developed by Moxie Marlinspike for Signal and licensed to companies like Whatsapp. Another effect of the work of Conversations is that the decades old protocol has been updated in the span of a few years to work very well for mobile usage. For me one of the interesting aspects of the development of Conversations is the role that modern thinking on UIs, design and user friendliness played in its popularity. This especially becomes apparent in the very technical and awkward world of XMPP software. The developer has mentioned multiple times that he 'bases' his design on that of his GAFA 'competitors'. Apropos tactical media, this project's appropriation of corporate design, yet very clear and solid political stance (see https://gultsch.de/objection.html) leading to an increase in popularity and community involvement is an interesting development.
+
+Lastly, Peertube [ref][Peertube website](https://github.com/Chocobozzz/PeerTube)[/ref] is an attempt at making the hosting of video content accessible to small organizations. The sheer amount of infrastructure and thus capital required to set up an alternative to the monopoly position of Youtube, forces any project trying to replace Youtube to use peer-to-peer technologies. Peertube does so by trying to implement WebTorrents. Like the older 'BitTorrent' protocol it is based on, WebTorrent tries to mitigate the sheer amount of data and bandwith involved with exchanging online media, by making sure these are streamed from many sources at once. Unlike torrents, which need separate applications, WebTorrents run in familiar web browsers. One could say the conceptual forbearer of this approach was a project called Popcorn Time (2014). An app that convinced many with its good UI and design to do 'Netflix-like' streaming on top of the torrent network. Again this is something that lead to a reinvigoration of the decaying (use-wise) torrenting protocol. (I'd also argue though, that Popcorn Time was simultaneously the nail in the coffin for torrenting because of the individualistic streaming mentality built into it. This also meant the definite end of what remained of -collectivist?- seeding/sharing culture on public trackers.)
+
+The position of the Peertube as a viable alternative or successful project is the most tenuous of the three. However, one might argue that our definition of success in this context should also be readjusted - away from the Silicon Valley, venture capitalist sense of success using metrics like usage counts, market cap, patent value etc. By nature of being built upon open, compatible and federative technologies, developments happening in all three projects could, and probably will, end up supporting one another. They do so to the extent that one project could even become an integral part of the other. As an example both Mastodon and Peertube use the same underlying ActivityPub, allowing one to become the underlying video delivery function of the other. As was the case with Friendica, Lorea and Mastodon, projects might stop but then become stepping stones and inspirations for newer generations of projects. In this sense definitions of success should consider the quality of longer term technological ecosystems within larger socio-political contexts.
+
+So the striking things for me to take away from these projects are:
+
+All three projects have managed to reinvigorate 'decaying' protocols in large part through their focus on UX, language and interestingly design. Which seems to me a huge opportunity for the arts which has been left largely unused in the first round of social media critique. Perhaps the model of artistic production in this domain should move away from the artists being on the forefront, sensing out emerging tendencies and taking the spotlight by creating mostly harmless critical and speculative works around these tendencies. Next steps for artistic social media critique should instead take a much more humble and supportive role contributing expertise, time and exposure to people working in and with these ecosystems.
+
+All three projects are based on federation. Which is the idea that various actors maki g up a network decide to cooperate in a collective fashion. Distributing responsibility and power as they do so. The future of social media has to be federated or there won't be any (for those privileged enough to retreat..). I think the case of Mastodon, where
+servers in the Ostatus federation are experimenting with blocking hostile content altogether from other servers in the federation (while still maintaining technical compatibility) are interesting experiments. For one, the debates over on-line harassment and fake news show that the grand 'electronic agoras', where one can find anyone and everyone
+clearly aren't conducive to productive interchange of ideas. Perhaps smallish, self caring communities are a good answer to the profit driven model of infinite interconnectedness.
+
+Lastly, I think it is no coincidence that two out of three of the projects have Germans leading development and all three are European based projects. I guess the following is anecdotal and partial evidence. Yet, I've not seen Google and Facebook run full page advertorials in leading daily newspapers except in the German ones. Ostensibly, part of
+an attempt on their side to prevent mass user exodus out of discomfort with the platform. It is in part German historical sensibility that leads to this kind of sensitivity on the issues of privacy, but it is also a sensitivity that is actively nurtured in public discourse. No Silicon Valley apologies are required for there to be scepsis. At the
+same time the European context apparently provides good enough living conditions for people to risk investing time in this kind of work. Risk which is also partly mitigated by initiatives such as German Prototype Fund and other European funding streams. However, testament to the fact that these projects have healthy communities and are part of wider ecosystems of support is that all projects finance themselves from diverse revenue streams, user contributions being the main one.
+
+So I'd say next steps for a social media critique would be to be more involved in (and involve more) these communities. To use positions of power to create opportunities for people working on these projects. While the center of development of these projects is Western-Europe they have many contributors outside of Europe as well, that could benefit even more from such opportunities. At the same time, doing close readings of the technical underpinnings of these media will also improve understanding of what is (not) going on. Now obviously all this was a news flash from within a very specific filter bubble, but actually from there 2017 was a very promising year for alternative media.
+
+> I still believe in vital methods to mass delete Facebook accounts.
+
+I'd say start doing so, but help your friends. Use your network effect
+to transition together to different kind of media. This is slow and
+laborious so mutual support is important. The time is always right, but
+now more than ever.
+

content/2019/21-Crystals-War_NL.md

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+Title: Century 21 Calling - Crystals Go To War
+Date: 2019-08-24
+Category: screening
+slug: 21-Crystals-War
+lang: nl
+Event_start: 2019-08-24 20:30
+event_duration: 3h
+featured_image: /images/Crystals_goes_to_war_poster.jpeg
+tags: crystals, war, 21st century
+
+Century 21 Calling is terug! Wederom tonen we de industriële archieffilms, bedrijfsinformercials, tv reportages en historische documentaires die de verbeelding van morgen hebben gevormd en houden deze tegen het licht van vandaag.
+
+Op deze avond zullen we de documentaire "Crystal Go To War" uit 1943 vertonen. Gemaakt door U.S. Army  Signal Corps in 1943, toont de film de processen die kwartskristallen moeten doorlopen voordat ze klaar zijn om in radio's en communicatieapparatuur te worden ingebracht.
+
+Kwartskristallen maken al tientallen jaren deel uit van het daglijks leven en vormen sinds de ontdekking van hun piëzo-elektrische eigenschappen in de jaren 1880 een belangrijk onderdeel van onze moderne technologie.
+
+Voorafgaand aan de screening zal er een korte introductie worden gegeven van het gebruik van kristallen in technologie. Een mooi begin van het tweede seizoen van Century 21 Calling!
+
+"Century 21 Calling" is een reeks screenings die is geïnitieerd door het collectief [Save_as]((http://www.save-as.media/)) en wordt gehost door Varia.
+
+* deur: 20:30
+* intro: 20:45
+* screening: 21:00
+* prijs: donatie

content/2019/21_Camp_Century.md

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+Title: Century 21 Calling - Camp Century
+Date: 2019-11-09
+Category: screening
+slug: 21-Camp-Century
+lang: en
+Event_start: 2019-11-09 20:30
+event_duration: 3h
+featured_image: /images/Camp%20Century.jpeg
+tags: camp, century, 21, calling
+
+With Donald Trump's eagerness to buy Greenland, a new spotlight have been put on this island. However, it is not something new for Greenland to be in the centre of international geopolitics. With the melting of the ice sheets, new trade routes opening and a huge amount of mineral, oil and gas deposits, a new rush for the artic has started.
+
+In the late 1950s, during the height of the Cold War, the US military constructed a secret base in the arctic, hidden from the populations of Greenland and Denmark. This base was a nuclear power facility and part of the secret **Project Iceworm**. During this edition of **Century 21 Calling** we will be screening the documentary **Camp Century**, which is about the construction of the base "Camp Century", the first of many envisioned bases on Greenland, to give you more context about the topic. Before the lecture there will be a lecture by David Young on the topic of Greenland, American politics and control and command strutter of the cold war.
+
+**David Young** is a researcher interested in archiving media technologies, the history of computing, and the discourses of defence research in the United States during the Cold War. He is currently a M3C/AHRC-funded doctoral researcher at the University of Nottingham; his PhD topic is an examination of the technological administration of command and control systems, the forms of disciplinary practices they depend on in order to operate, and the strategic rationalities which shape their development over time. He has a background in digital media art, and has collaborated with artists, designers, and scientists in the production of experimental, research-oriented artworks funded by the Arts Trust Scotland, New Scotland's Alt-W award, and Creative Scotland.
+
+**Century 21 Calling** is a series of screenings initiated by the [Save_as](http://www.save-as.media/) collective and hosted at Varia in Rotterdam. Together, we take a look at the archival industrial films, corporate infomercials, tv reports and historical documentary of yesterday that shaped the imagination of tomorrow and hold it up to the light of the present.
+
+**Door open:** 20:30<br>
+**David Young lecture starts:** 21:00<br>
+**Screening:** 21:45<br>
+**Entry:** Donation

content/2019/21_Camp_Century_NL.md

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+Title: Century 21 Calling - Camp Century
+Date: 2019-11-09
+Category: screening
+slug: 21-Camp-Century
+lang: nl
+Event_start: 2019-11-09 20:30
+event_duration: 3h
+featured_image: /images/Camp%20Century.jpeg
+tags: camp, century, 21, calling
+
+Mede dankzij de gretigheid waarmee Donald Trump Groenland wou kopen, staat dit eiland opnieuw in de schijnwerpers. Het is echter niets nieuws voor Groenland om onder de aandacht van de internationale geopolitiek te komen. Met het smelten van de ijskappen, het openen van nieuwe handelsroutes en een enorme hoeveelheid minerale, olie- en gasafzettingen, is een nieuwe stormloop op het poolgebied een feit.
+
+In de late jaren 1950, op het hoogtepunt van de Koude Oorlog, bouwde het Amerikaanse leger een geheime basis in het noordpoolgebied, verborgen voor de bevolking van Groenland en Denemarken. Deze basis werd een kerncentrale en was onderdeel van het geheime ** Project Iceworm **.Tijdens deze editie van ** Century 21 Calling ** zullen we de documentaire ** Camp Century ** bekijken om meer context te geven over dit onderwerp. De film gaat over de bouw van de basis "Camp Century", de eerste van vele voorgestelde bases op Groenland. Voor de lezing geeft David Young een lezing over Groenland, de Amerikaanse politiek en de controle en commando strutter van de koude oorlog.
+
+** David Young ** is een onderzoeker die geïnteresseerd is in het archiveren van mediatechnologieën, de geschiedenis van informatica en het discours van defensie-onderzoek in de Verenigde Staten tijdens de Koude Oorlog. Hij is momenteel een M3C / AHRC-gefinancierd doctoraatsonderzoeker aan de Universiteit van Nottingham; zijn doctoraatsthema is een onderzoek naar de technologische administratie van commando- en controlesystemen, de vormen van disciplinaire praktijken waarvan ze afhankelijk zijn om te opereren, en de strategische rationaliteiten die hun ontwikkeling in de loop van de tijd bepalen. Hij heeft een achtergrond in digitale mediakunst en heeft samengewerkt met kunstenaars, ontwerpers en wetenschappers bij de productie van experimentele, op onderzoek gerichte kunstwerken gefinancierd door de Arts Trust Scotland, de Alt-W Award van New Scotland en Creative Scotland.
+
+** Century 21 Calling ** is een initiatief van het collectief [Save_as](http://www.save-as.media/) en wordt georganiseerd bij Varia in Rotterdam. Samen kijken we naar de industriële archieffilms, infomercials, tv-rapporten en documentaires die in het verleden ons beeld van de toekomst hebben gevormd, en gebruiken deze om het heden te doorgronden.
+
+**Deur open:** 20:30<br>
+**David Young lezing begint:** 21:00<br>
+**Screening:** 21:45<br>
+**Entree:** Donatie

content/2019/21_Crystals_war.md

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+Title: Century 21 Calling - Crystals Go To War
+Date: 2019-08-24
+Category: screening
+slug: 21-Crystals-War
+lang: en
+Event_start: 2019-08-24 20:30
+event_duration: 3h
+featured_image: /images/Crystals_goes_to_war_poster.jpeg
+tags: crystals, war, 21st century
+
+
+Century 21 Calling is back; still showing archival industrial films, corporate infomercials, TV reports and historical documentaries that shaped the imagination of tomorrow and hold them up to the light of the present.
+
+This evening we will be screening the documentary Crystal Go To War from 1943. Created by the U.S. Army Signal Corps in 1943, it shows the processes that quartz crystals have to go through before they are ready to be inserted into radios and communication equipment.
+
+Quartz crystals have been part of human life for decades and since the discovery of its piezoelectric properties in the 1880's it has been a key component in modern technology.
+
+Before the screening, there will be a small introduction the usage of crystals in technology. So join us on the 24 for the first screening of the 2 seasons of Century 21 Calling!
+
+“Century 21 Calling” is a series of screenings initiated by the [Save_as](http://www.save-as.media/) collective and hosted at Varia in Rotterdam.
+
+* door: 20:30
+* intro: 20:45
+* screening: 21:00
+* price: Donation

content/2019/Entrepecariat_Book_Launch.md

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+Title: Entreprecariat: Everyone Is an Entrepreneur. Nobody Is Safe. Mini Book Launch
+Date: 2019-11-09
+Category: launch
+slug: Entrepecariat-Book-Launch
+lang: en
+Event_start: 2019-11-09 18:00
+event_duration: 1h
+featured_image: /images/Entrepecariat%20Book%20Launch.jpeg
+tags: entrepecariat, book, launch
+
+Join us for an image roulette session: together with Lìdia Pereira, Silvio Lorusso will randomly dig into his research directories to exhume entreprecarious memes, illustrations, screenshots, artworks, etc.
+
+Entrepreneur or precarious worker? These are the terms of a cognitive dissonance that turns everyone’s life into a shaky project in perennial start-up phase. [Silvio Lorusso](https://silviolorusso.com/) guides us through the entreprecariat, a world where change is natural and healthy, whatever it may bring. A world populated by motivational posters, productivity tools, mobile offices and self-help techniques. A world in which a mix of entrepreneurial ideology and widespread precarity is what regulates professional social media, online marketplaces for self-employment and crowdfunding platforms for personal needs. The result? A life in permanent beta, with sometimes tragic implications.
+
+“A compelling and relentless j’accuse: debunking the social and political myths that push an increasing number of persons to perform in the entrepreneurship circus — with no safety nets.” — Antonio Casilli, author of En attendant les robots, 2019
+
+** Time:** 18:00h - 19:00h
+
+** Entry:** Free/Donation

content/2019/Entrepecariat_Book_Launch_NL.md

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+Title: Entreprecariat: Everyone Is an Entrepreneur. Nobody Is Safe. Mini Boekpresentatie
+Date: 2019-11-09
+Category: launch
+slug: Entrepecariat-Book-Launch
+lang: nl
+Event_start: 2019-11-09 18:00
+event_duration: 1h
+featured_image: /images/Entrepecariat%20Book%20Launch.jpeg
+tags: entrepecariat, book, launch
+
+Ondernemer of precaire arbeider? Dit zijn de termen voor een cognitieve dissonantie die het leven van iedereen verandert in een wankel project dat verkeert in een eeuwige startup-fase. [Silvio Lorusso](https://silviolorusso.com/) gidst ons door het entreprecariat, een wereld waar verandering natuurlijk en gezond is, wat het ook met zich meebrengt. Een wereld die bevolkt wordt door motiverende posters, productiviteitstools, mobiele kantoren en zelfhulptechnieken. Een wereld waarin een mengeling van ondernemersideologie en wijdverbreide precariteit de professionele sociale media, online marktplaatsen voor zelfstandig ondernemerschap en crowdfundingplatforms voor persoonlijke behoeften reguleert. Het resultaat? Een leven in permanente bèta, met soms tragische implicaties.
+
+“A compelling and relentless j’accuse: debunking the social and political myths that push an increasing number of persons to perform in the entrepreneurship circus — with no safety nets.” — Antonio Casilli, author of En attendant les robots, 2019
+
+** Tijden:** 18:00h - 19:00h
+
+** Entree:** Gratis/Donatie

content/2019/Floppy_Totaal_DD_NL.md

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+Title: Floppy Totaal: Double Density
+Date: 2019-10-19
+Category: event
+slug: floppy-totaal-DD
+lang: nl
+Event_start: 2019-10-19 14:00
+event_duration: 10h
+featured_image: /images/FloppyTotaa_HIGHDESNITY_A2_NEW_web-(2).jpg
+tags: floppy, totaal, event
+
+Floppy Totaal bezoekt Varia voor een tweede programma gewijd aan hedendaagse diskette cultuur. Bij "Floppy Totaal: Double Density" kun je 's middags tijdens een workshop samen met de leden van het muzieklabel Floppy Kick een nieuwe floppy release opnemen en publiceren. Het daaropvolgende avondprogramma is tot de nok toe gevuld met optredens van Kisszántó en Eoforwine, presentaties en gesprekken met Joak en Jason Scott en een bijdrage op lange afstand van Michael Ridge.
+
+De nadruk van dit evenement ligt op het concept van de diskette als comfortfood in een "future / present shocked" tijdperk. Op welke manier helpt de omgang met diskettes ons om te overleven in een tijd die vooral wordt gekenmerkt door "nieuwe media" en "planned obsolescence"? Bevat de diskette meer inhoud dan enkel 1,44 MB aan data? Op 19 oktober zoeken we het uit!
+
+* workshop: 14:00 / gratis
+* avondprogramma: 20:00 / 5 euro
+
+Full Program (in het Engels):
+
+Part 1 of Floppy Totaal @ Varia (14:00-18:00) is free and consists of a special Floppy Kick workshop and a conversation.
+        
+Part 2 of Floppy Totaal: Magnetic Flux starts at 20:00 and has tickets for sale that can be purchased at the door for 5 euro's each. The event consists of a series of talks, performances and contributions by Eoforwine, Kisszántó, Michael Ridge, Joak and Jason Scott. 
+
+* Floppy Kick Workshop
+
+Floppy Kick Records is a not-for-profit, floppy-only label that was formed in Budapest in 2013. All its releases are handmade and any "income" they produce goes straight into future releases. They take a non-political, yet critical position by explicitally rejecting any racism, sexism, homophobic or other forms of radicalism on their releases, choosing to instead focus on the beauty of sound. This can be in any style;  experimental, noise, ambient, musique concrète, dark sounds, hnw, avantgarde, field recordings, industrial, power electronics, lo-fi, grindcore, or anything  interesting. They believe in physical formats and respect their collectors. During their workshop at Floppy Totaal you can contribute to Floppy Kick by helping out with the recording and releasing of a brand new floppy release.
+
+[http://floppykickrecords.blogspot.com/](http://floppykickrecords.blogspot.com/)
+[https://floppykick.bandcamp.com/](https://floppykick.bandcamp.com/)
+
+* Eoforwine 
+
+Mark Windisch aka. Eoforwine is the founder of the Floppy Kick label and plays beatless lo-fi noise music, spiced with modified field recordings, synths and a light theremin. He is a regular participant of Eastern Hungary's noise events, including the annual Zajkert (Noise Garden) and the Banzaj series, and has toured through and played at many experimental festivals and gallery openings through Middle-Europe and Ireland.
+
+[https://eoforwine.bandcamp.com/](https://eoforwine.bandcamp.com/)
+
+* Kisszántó
+
+Tamás Szántó is a DJ, producer, cratedigger and promotor who is dedicated to seeking strange soundings and musical forms with peculiar diligence. He harkens the musical topicalities; not to adapt, but to avoid them. Collecting records such as experimental noise mixes, or fine theatrical idm ones; he might as well have just the right, harsh & obscure
+acid vinyl to mix further with.
+
+[https://kisszanto.bandcamp.com/](https://kisszanto.bandcamp.com/)
+
+* Joak
+
+Joseph Oliver Anton Knierzinger or JoaK is an artist and ghost artist. At the moment he works on different algorithms and alogisms between Vienna, Guangzhou and Wartberg. At Floppy Totaal he will present the results of his explorations into the recordable magnetic properties of the floppy disk.
+
+[https://joak.nospace.at/](https://joak.nospace.at/)
+
+* Michael Ridge
+
+Michael Ridge is a UK based artist that creates works whichoften incorporate sound, video, electronics, sculpture, collage and found objects, often exploring the properties of sound reproduction through non-musical materials and objects. He has a keen interest in documenting and presenting the unwanted, overlooked or decayed. Some of his  activities include recording and performing Noise Music under the alias Zebra Mu,  running the DIY record label Quagga Curious Sounds, being one half of the drawing/zine/mail art duo Ridge & Scrase and being a member of the artist collective other/other/other. For Floppy Totaal Michael Ridge will compose a new sound art composition that draws inspiration from the works of John Cage and Alvin Lucier; whilst examining the physical and storage limitations of the humble floppy disk. A commemoration of extreme file compression!
+
+[https://michaelridge.wordpress.com/](https://michaelridge.wordpress.com/)
+
+* Jason Scott
+
+Jason Scott Sadofsky is an American archivist, historian of technology, filmmaker, performer, and actor. Scott has been known by the online pseudonyms Sketch, SketchCow, and The Slipped Disk and has been called "figurehead of the digital archiving world". He is the creator, owner and maintainer of textfiles.com, a web site which archives files from historic bulletin board systems. He is the creator of a 2005 documentary film about BBSes, BBS: The Documentary, and a 2010 documentary film about interactive fiction, GET LAMP. During Floppy Totaal a long distance conversation will be held with Jason Scott about his work, his life and the current state of the floppy disk.
+
+[https://en.wikipedia.org/wiki/Jason_Scott](https://en.wikipedia.org/wiki/Jason_Scott)
+
+* Floppy Totaal
+
+Floppy Totaal is a Rotterdam based initiative by Niek Hilkmann, Thomas Walskaar and Lídia Pereira that investigates the reuse and re-purposing of 'outdated' technology as a cultural phenomenon. By examining the contemporary usage of the iconic floppy diskette, they hope to assess the way past technology is integrated into our culture today, as well as its future potential. The goal of the project is to inject the debate surrounding obsolescent media with new enthusiasm and stimulate a critical approach to the topic with the help of extensive field research in the realm of the floppy disk.
+
+[http://www.floppytotaal.org/](http://www.floppytotaal.org/)
+
+This event is made possible with the kind support of Varia and Stimuleringsfonds Creatieve Industrie (Creative Industries Fund NL).